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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F0B551 it is the complementary color #0F4AAE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F0B551. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F0B551 shade: #F5B54C, #FFC75F, #FFD972, #FFEB85 and #FFFD98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F0B551. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F0B551 shade: #F0B551, #DFA33E, #CE912B, #BD7F18 and #AC6D05

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F0B551 shade: #EFB551, #EF8A51, #EF5F51 and #EF5151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F0B551 shade: #EFB551, #EFDF51, #D5EF51, #AAEF51 and #7FEF51

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F0B551 shade matches the following richer shades: #EFB551

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F0B551 shade: #EFB551, #E0B160, #D1AD6F, #C2A97F and #B2A58E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F0B551 shade: #EF5E51, #EF8851, #EFB351, #EFDD51 and #D8EF51

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F0B551 shade: #DB9113, #ECA42B, #EFB551, #F3C577 and #F6D59D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F0B551 shade: #F0B551, #6EEF51 and #7351EF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F0B551 shade: #F0B551, #51EFB3 and #B351EF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F0B551 shade: #F0B551, #6EEF51, #518EEF and #D251EF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F0B551 shade: #F0B551, #51EF63, #518EEF and #EF51DD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 66 / 6

HEX #F0B551

RGB 240 181 81

HSL 37.74, 0.84%, 0.63%

LAB 77.38, 11.47, 57.68

 

Complementary color

CMYK 91 / 57 / 0 / 32

HEX #0F4AAE

RGB 15 74 174

HSL 217.74, 0.84%, 0.37%

LAB 34.1, 22.33, -58.12

 

CMYK 0 / 26 / 69 / 4

HEX #F5B54C

RGB 245 181 76

HSL 37.28, 0.89%, 0.63%

LAB 77.86, 13.29, 60.56

 

CMYK 0 / 22 / 63 / 0

HEX #FFC75F

RGB 255 199 95

HSL 39, 1%, 0.69%

LAB 83.41, 9.15, 58.44

 

CMYK 0 / 15 / 55 / 0

HEX #FFD972

RGB 255 217 114

HSL 43.83, 1%, 0.72%

LAB 88.02, 1.22, 54.95

 

CMYK 0 / 8 / 48 / 0

HEX #FFEB85

RGB 255 235 133

HSL 50.16, 1%, 0.76%

LAB 92.74, -6.29, 51.62

 

CMYK 0 / 1 / 40 / 0

HEX #FFFD98

RGB 255 253 152

HSL 58.83, 1%, 0.8%

LAB 97.54, -13.36, 48.48

 

CMYK 0 / 25 / 66 / 6

HEX #F0B551

RGB 240 181 81

HSL 37.74, 0.84%, 0.63%

LAB 77.38, 11.47, 57.68

 

CMYK 0 / 27 / 72 / 13

HEX #DFA33E

RGB 223 163 62

HSL 37.64, 0.72%, 0.56%

LAB 71.03, 12.83, 58.72

 

CMYK 0 / 30 / 79 / 19

HEX #CE912B

RGB 206 145 43

HSL 37.55, 0.65%, 0.49%

LAB 64.6, 14.39, 59.38

 

CMYK 0 / 33 / 87 / 26

HEX #BD7F18

RGB 189 127 24

HSL 37.45, 0.77%, 0.42%

LAB 58.1, 16.22, 59.23

 

CMYK 0 / 37 / 97 / 33

HEX #AC6D05

RGB 172 109 5

HSL 37.37, 0.94%, 0.35%

LAB 51.52, 18.32, 57.64

 

CMYK 0 / 24 / 66 / 6

HEX #EFB551

RGB 239 181 81

HSL 37.97, 0.83%, 0.63%

LAB 77.28, 11.05, 57.54

 

CMYK 0 / 42 / 66 / 6

HEX #EF8A51

RGB 239 138 81

HSL 21.65, 0.83%, 0.63%

LAB 67.37, 33.7, 46.49

 

CMYK 0 / 60 / 66 / 6

HEX #EF5F51

RGB 239 95 81

HSL 5.32, 0.83%, 0.63%

LAB 59.09, 54.64, 36.75

 

CMYK 0 / 66 / 66 / 6

HEX #EF5151

RGB 239 81 81

HSL 0, 0.83%, 0.63%

LAB 56.91, 60.51, 34.08

 

CMYK 0 / 24 / 66 / 6

HEX #EFB551

RGB 239 181 81

HSL 37.97, 0.83%, 0.63%

LAB 77.28, 11.05, 57.54

 

CMYK 0 / 7 / 66 / 6

HEX #EFDF51

RGB 239 223 81

HSL 53.92, 0.83%, 0.63%

LAB 87.83, -10.53, 68.69

 

CMYK 11 / 0 / 66 / 6

HEX #D5EF51

RGB 213 239 81

HSL 69.87, 0.83%, 0.63%

LAB 90.08, -28.81, 70.36

 

CMYK 29 / 0 / 66 / 6

HEX #AAEF51

RGB 170 239 81

HSL 86.2, 0.83%, 0.63%

LAB 87.42, -45.06, 66.78

 

CMYK 47 / 0 / 66 / 6

HEX #7FEF51

RGB 127 239 81

HSL 102.53, 0.83%, 0.63%

LAB 85.42, -59.06, 64.05

 

CMYK 0 / 24 / 66 / 6

HEX #EFB551

RGB 239 181 81

HSL 37.97, 0.83%, 0.63%

LAB 77.28, 11.05, 57.54

 

CMYK 0 / 24 / 66 / 6

HEX #EFB551

RGB 239 181 81

HSL 37.97, 0.83%, 0.63%

LAB 77.28, 11.05, 57.54

 

CMYK 0 / 21 / 57 / 12

HEX #E0B160

RGB 224 177 96

HSL 37.97, 0.67%, 0.63%

LAB 74.91, 7.9, 47.39

 

CMYK 0 / 17 / 47 / 18

HEX #D1AD6F

RGB 209 173 111

HSL 37.96, 0.52%, 0.63%

LAB 72.62, 5.12, 36.66

 

CMYK 0 / 13 / 35 / 24

HEX #C2A97F

RGB 194 169 127

HSL 37.61, 0.35%, 0.63%

LAB 70.44, 2.94, 25.04

 

CMYK 0 / 7 / 20 / 30

HEX #B2A58E

RGB 178 165 142

HSL 38.33, 0.19%, 0.63%

LAB 68.26, 0.89, 13.63

 

CMYK 0 / 61 / 66 / 6

HEX #EF5E51

RGB 239 94 81

HSL 4.94, 0.83%, 0.63%

LAB 58.93, 55.08, 36.55

 

CMYK 0 / 43 / 66 / 6

HEX #EF8851

RGB 239 136 81

HSL 20.89, 0.83%, 0.63%

LAB 66.94, 34.74, 46

 

CMYK 0 / 25 / 66 / 6

HEX #EFB351

RGB 239 179 81

HSL 37.22, 0.83%, 0.63%

LAB 76.79, 12.1, 57.01

 

CMYK 0 / 8 / 66 / 6

HEX #EFDD51

RGB 239 221 81

HSL 53.16, 0.83%, 0.63%

LAB 87.32, -9.53, 68.15

 

CMYK 10 / 0 / 66 / 6

HEX #D8EF51

RGB 216 239 81

HSL 68.73, 0.83%, 0.63%

LAB 90.29, -27.63, 70.65

 

CMYK 0 / 34 / 91 / 14

HEX #DB9113

RGB 219 145 19

HSL 37.8, 0.84%, 0.47%

LAB 66.03, 19.43, 68.12

 

CMYK 0 / 31 / 82 / 7

HEX #ECA42B

RGB 236 164 43

HSL 37.62, 0.84%, 0.55%

LAB 72.6, 17.11, 67.82

 

CMYK 0 / 24 / 66 / 6

HEX #EFB551

RGB 239 181 81

HSL 37.97, 0.83%, 0.63%

LAB 77.28, 11.05, 57.54

 

CMYK 0 / 19 / 51 / 5

HEX #F3C577

RGB 243 197 119

HSL 37.74, 0.84%, 0.71%

LAB 82.01, 7.07, 45.03

 

CMYK 0 / 13 / 36 / 4

HEX #F6D59D

RGB 246 213 157

HSL 37.75, 0.83%, 0.79%

LAB 86.81, 3.8, 31.95

 

CMYK 0 / 25 / 66 / 6

HEX #F0B551

RGB 240 181 81

HSL 37.74, 0.84%, 0.63%

LAB 77.38, 11.47, 57.68

 

CMYK 54 / 0 / 66 / 6

HEX #6EEF51

RGB 110 239 81

HSL 108.99, 0.83%, 0.63%

LAB 84.81, -63.69, 63.22

 

CMYK 52 / 66 / 0 / 6

HEX #7351EF

RGB 115 81 239

HSL 252.91, 0.83%, 0.63%

LAB 46.66, 52.78, -74.92

 

CMYK 0 / 25 / 66 / 6

HEX #F0B551

RGB 240 181 81

HSL 37.74, 0.84%, 0.63%

LAB 77.38, 11.47, 57.68

 

CMYK 66 / 0 / 25 / 6

HEX #51EFB3

RGB 81 239 179

HSL 157.22, 0.83%, 0.63%

LAB 85.37, -54.91, 17.16

 

CMYK 25 / 66 / 0 / 6

HEX #B351EF

RGB 179 81 239

HSL 277.22, 0.83%, 0.63%

LAB 53.71, 64.99, -63.17

 

CMYK 0 / 25 / 66 / 6

HEX #F0B551

RGB 240 181 81

HSL 37.74, 0.84%, 0.63%

LAB 77.38, 11.47, 57.68

 

CMYK 54 / 0 / 66 / 6

HEX #6EEF51

RGB 110 239 81

HSL 108.99, 0.83%, 0.63%

LAB 84.81, -63.69, 63.22

 

CMYK 66 / 41 / 0 / 6

HEX #518EEF

RGB 81 142 239

HSL 216.84, 0.83%, 0.63%

LAB 59.28, 10.77, -54.68

 

CMYK 12 / 66 / 0 / 6

HEX #D251EF

RGB 210 81 239

HSL 288.99, 0.83%, 0.63%

LAB 57.86, 71.61, -56.27

 

CMYK 0 / 25 / 66 / 6

HEX #F0B551

RGB 240 181 81

HSL 37.74, 0.84%, 0.63%

LAB 77.38, 11.47, 57.68

 

CMYK 66 / 0 / 59 / 6

HEX #51EF63

RGB 81 239 99

HSL 126.84, 0.83%, 0.63%

LAB 84.16, -68.27, 54.8

 

CMYK 66 / 41 / 0 / 6

HEX #518EEF

RGB 81 142 239

HSL 216.84, 0.83%, 0.63%

LAB 59.28, 10.77, -54.68

 

CMYK 0 / 66 / 8 / 6

HEX #EF51DD

RGB 239 81 221

HSL 306.84, 0.83%, 0.63%

LAB 61.18, 75.18, -40.66

 

Description

Color code: HEX #F0B551 | qconv.com Color code: HEX #F0B551 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 181 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 181 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 66 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 66% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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