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Color name
HEX #F0B728

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F0B728 it is the complementary color #0F48D7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F0B728. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F0B728 shade: #F5B723, #FFC936, #FFDB49, #FFED5C and #FFFF6F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F0B728. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F0B728 shade: #F0B728, #DFA515, #CE9302, #BD8100 and #AC6F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F0B728 shade: #F0B728, #F08128, #F04B28 and #F02828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F0B728 shade: #F0B728, #F0ED28, #BDF028, #87F028 and #51F028

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F0B728 shade matches the following richer shades: #F0B728

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F0B728 shade: #F0B728, #DDAF3A, #CAA74D, #B89F60 and #A59772

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F0B728 shade: #F04928, #F07E28, #F0B428, #F0E928 and #C1F028

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F0B728 shade: #B9880C, #DFA40F, #F0B728, #F2C44E and #F5D175

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F0B728 shade: #F0B728, #3CF028 and #6428F0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F0B728 shade: #F0B728, #28F0B4 and #B428F0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F0B728 shade: #F0B728, #3CF028, #2864F0 and #DC28F0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F0B728 shade: #F0B728, #28F050, #2864F0 and #F028C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 83 / 6

HEX #F0B728

RGB 240 183 40

HSL 42.9, 0.87%, 0.55%

LAB 77.61, 8.72, 73.17

 

Complementary color

CMYK 93 / 67 / 0 / 16

HEX #0F48D7

RGB 15 72 215

HSL 222.9, 0.87%, 0.45%

LAB 37.19, 39.59, -77.01

 

CMYK 0 / 25 / 86 / 4

HEX #F5B723

RGB 245 183 35

HSL 42.29, 0.91%, 0.55%

LAB 78.11, 10.74, 75.13

 

CMYK 0 / 21 / 79 / 0

HEX #FFC936

RGB 255 201 54

HSL 43.88, 1%, 0.61%

LAB 83.6, 6.16, 74.78

 

CMYK 0 / 14 / 71 / 0

HEX #FFDB49

RGB 255 219 73

HSL 48.13, 1%, 0.64%

LAB 88.16, -2.28, 72.52

 

CMYK 0 / 7 / 64 / 0

HEX #FFED5C

RGB 255 237 92

HSL 53.37, 1%, 0.68%

LAB 92.84, -10.29, 69.95

 

CMYK 0 / 0 / 56 / 0

HEX #FFFF6F

RGB 255 255 111

HSL 60, 1%, 0.72%

LAB 97.6, -17.84, 67.25

 

CMYK 0 / 24 / 83 / 6

HEX #F0B728

RGB 240 183 40

HSL 42.9, 0.87%, 0.55%

LAB 77.61, 8.72, 73.17

 

CMYK 0 / 26 / 91 / 13

HEX #DFA515

RGB 223 165 21

HSL 42.77, 0.83%, 0.48%

LAB 71.32, 10.48, 71.9

 

CMYK 0 / 29 / 99 / 19

HEX #CE9302

RGB 206 147 2

HSL 42.65, 0.98%, 0.41%

LAB 64.96, 12.47, 69.29

 

CMYK 0 / 32 / 100 / 26

HEX #BD8100

RGB 189 129 0

HSL 40.95, 1%, 0.37%

LAB 58.53, 14.74, 64.31

 

CMYK 0 / 35 / 100 / 33

HEX #AC6F00

RGB 172 111 0

HSL 38.72, 1%, 0.34%

LAB 51.99, 17.13, 58.97

 

CMYK 0 / 24 / 83 / 6

HEX #F0B728

RGB 240 183 40

HSL 42.9, 0.87%, 0.55%

LAB 77.61, 8.72, 73.17

 

CMYK 0 / 46 / 83 / 6

HEX #F08128

RGB 240 129 40

HSL 26.7, 0.87%, 0.55%

LAB 65.26, 37.01, 62.69

 

CMYK 0 / 69 / 83 / 6

HEX #F04B28

RGB 240 75 40

HSL 10.5, 0.87%, 0.55%

LAB 55.8, 61.55, 54.45

 

CMYK 0 / 83 / 83 / 6

HEX #F02828

RGB 240 40 40

HSL 0, 0.87%, 0.55%

LAB 52.06, 71.98, 51.13

 

CMYK 0 / 24 / 83 / 6

HEX #F0B728

RGB 240 183 40

HSL 42.9, 0.87%, 0.55%

LAB 77.61, 8.72, 73.17

 

CMYK 0 / 1 / 83 / 6

HEX #F0ED28

RGB 240 237 40

HSL 59.1, 0.87%, 0.55%

LAB 91.35, -18.59, 84.63

 

CMYK 21 / 0 / 83 / 6

HEX #BDF028

RGB 189 240 40

HSL 75.3, 0.87%, 0.55%

LAB 88.59, -40.48, 80.88

 

CMYK 44 / 0 / 83 / 6

HEX #87F028

RGB 135 240 40

HSL 91.5, 0.87%, 0.55%

LAB 85.82, -59.45, 77.39

 

CMYK 66 / 0 / 83 / 6

HEX #51F028

RGB 81 240 40

HSL 107.7, 0.87%, 0.55%

LAB 84.08, -73.22, 75.19

 

CMYK 0 / 24 / 83 / 6

HEX #F0B728

RGB 240 183 40

HSL 42.9, 0.87%, 0.55%

LAB 77.61, 8.72, 73.17

 

CMYK 0 / 24 / 83 / 6

HEX #F0B728

RGB 240 183 40

HSL 42.9, 0.87%, 0.55%

LAB 77.61, 8.72, 73.17

 

CMYK 0 / 21 / 74 / 13

HEX #DDAF3A

RGB 221 175 58

HSL 43.07, 0.71%, 0.55%

LAB 73.76, 5.4, 62.97

 

CMYK 0 / 17 / 62 / 21

HEX #CAA74D

RGB 202 167 77

HSL 43.2, 0.54%, 0.55%

LAB 69.99, 2.54, 50.28

 

CMYK 0 / 14 / 48 / 28

HEX #B89F60

RGB 184 159 96

HSL 42.95, 0.38%, 0.55%

LAB 66.39, 0.76, 36.13

 

CMYK 0 / 8 / 31 / 35

HEX #A59772

RGB 165 151 114

HSL 43.53, 0.22%, 0.55%

LAB 62.8, -0.66, 21.4

 

CMYK 0 / 70 / 83 / 6

HEX #F04928

RGB 240 73 40

HSL 9.9, 0.87%, 0.55%

LAB 55.53, 62.29, 54.21

 

CMYK 0 / 48 / 83 / 6

HEX #F07E28

RGB 240 126 40

HSL 25.8, 0.87%, 0.55%

LAB 64.64, 38.54, 62.16

 

CMYK 0 / 25 / 83 / 6

HEX #F0B428

RGB 240 180 40

HSL 42, 0.87%, 0.55%

LAB 76.87, 10.29, 72.56

 

CMYK 0 / 3 / 83 / 6

HEX #F0E928

RGB 240 233 40

HSL 57.9, 0.87%, 0.55%

LAB 90.3, -16.65, 83.77

 

CMYK 20 / 0 / 83 / 6

HEX #C1F028

RGB 193 240 40

HSL 74.1, 0.87%, 0.55%

LAB 88.83, -38.94, 81.18

 

CMYK 0 / 26 / 94 / 27

HEX #B9880C

RGB 185 136 12

HSL 43.01, 0.88%, 0.39%

LAB 59.84, 9.23, 63.08

 

CMYK 0 / 26 / 93 / 13

HEX #DFA40F

RGB 223 164 15

HSL 42.98, 0.87%, 0.47%

LAB 71.06, 10.93, 72.73

 

CMYK 0 / 24 / 83 / 6

HEX #F0B728

RGB 240 183 40

HSL 42.9, 0.87%, 0.55%

LAB 77.61, 8.72, 73.17

 

CMYK 0 / 19 / 68 / 5

HEX #F2C44E

RGB 242 196 78

HSL 43.17, 0.86%, 0.63%

LAB 81.24, 4.31, 63.15

 

CMYK 0 / 15 / 52 / 4

HEX #F5D175

RGB 245 209 117

HSL 43.13, 0.86%, 0.71%

LAB 85.15, 1.5, 49.88

 

CMYK 0 / 24 / 83 / 6

HEX #F0B728

RGB 240 183 40

HSL 42.9, 0.87%, 0.55%

LAB 77.61, 8.72, 73.17

 

CMYK 75 / 0 / 83 / 6

HEX #3CF028

RGB 60 240 40

HSL 114, 0.87%, 0.55%

LAB 83.67, -76.75, 74.67

 

CMYK 58 / 83 / 0 / 6

HEX #6428F0

RGB 100 40 240

HSL 258, 0.87%, 0.55%

LAB 38.76, 69.77, -88.53

 

CMYK 0 / 24 / 83 / 6

HEX #F0B728

RGB 240 183 40

HSL 42.9, 0.87%, 0.55%

LAB 77.61, 8.72, 73.17

 

CMYK 83 / 0 / 25 / 6

HEX #28F0B4

RGB 40 240 180

HSL 162, 0.87%, 0.55%

LAB 85.03, -59.93, 16.07

 

CMYK 25 / 83 / 0 / 6

HEX #B428F0

RGB 180 40 240

HSL 282, 0.87%, 0.55%

LAB 48.9, 79.7, -71.5

 

CMYK 0 / 24 / 83 / 6

HEX #F0B728

RGB 240 183 40

HSL 42.9, 0.87%, 0.55%

LAB 77.61, 8.72, 73.17

 

CMYK 75 / 0 / 83 / 6

HEX #3CF028

RGB 60 240 40

HSL 114, 0.87%, 0.55%

LAB 83.67, -76.75, 74.67

 

CMYK 83 / 58 / 0 / 6

HEX #2864F0

RGB 40 100 240

HSL 222, 0.87%, 0.55%

LAB 46.79, 32.41, -75.46

 

CMYK 8 / 83 / 0 / 6

HEX #DC28F0

RGB 220 40 240

HSL 294, 0.87%, 0.55%

LAB 55.1, 86.11, -61.18

 

CMYK 0 / 24 / 83 / 6

HEX #F0B728

RGB 240 183 40

HSL 42.9, 0.87%, 0.55%

LAB 77.61, 8.72, 73.17

 

CMYK 83 / 0 / 67 / 6

HEX #28F050

RGB 40 240 80

HSL 132, 0.87%, 0.55%

LAB 83.63, -76.3, 61.9

 

CMYK 83 / 58 / 0 / 6

HEX #2864F0

RGB 40 100 240

HSL 222, 0.87%, 0.55%

LAB 46.79, 32.41, -75.46

 

CMYK 0 / 83 / 17 / 6

HEX #F028C8

RGB 240 40 200

HSL 312, 0.87%, 0.55%

LAB 56.3, 84.08, -36.38

 

Description

Color code: HEX #F0B728 | qconv.com Color code: HEX #F0B728 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 183 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 183 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 83 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 83% 6% C M Y K

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