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Color name
HEX #F0BD47

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F0BD47 it is the complementary color #0F42B8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F0BD47. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F0BD47 shade: #F5BD42, #FFCF55, #FFE168, #FFF37B and #FFFF8E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F0BD47. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F0BD47 shade: #F0BD47, #DFAB34, #CE9921, #BD870E and #AC7500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F0BD47 shade: #F0BD47, #F08F47, #F06147 and #F04747

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F0BD47 shade: #F0BD47, #F0EA47, #C7F047, #9AF047 and #6CF047

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F0BD47 shade matches the following richer shades: #F0BD47

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F0BD47 shade: #F0BD47, #DFB657, #CFB067, #BFA977 and #AFA387

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F0BD47 shade: #F06047, #F08D47, #F0BA47, #F0E747 and #CBF047

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F0BD47 shade: #D39811, #ECAF20, #F0BD47, #F3CA6D and #F6D893

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F0BD47 shade: #F0BD47, #5AF047 and #7647F0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F0BD47 shade: #F0BD47, #47F0BA and #BA47F0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F0BD47 shade: #F0BD47, #5AF047, #477CF0 and #DC47F0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F0BD47 shade: #F0BD47, #47F066, #477CF0 and #F047D1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 70 / 6

HEX #F0BD47

RGB 240 189 71

HSL 41.89, 0.85%, 0.61%

LAB 79.26, 6.75, 63.93

 

Complementary color

CMYK 92 / 64 / 0 / 28

HEX #0F42B8

RGB 15 66 184

HSL 221.89, 0.85%, 0.39%

LAB 32.83, 31.68, -66.12

 

CMYK 0 / 23 / 73 / 4

HEX #F5BD42

RGB 245 189 66

HSL 41.23, 0.9%, 0.61%

LAB 79.73, 8.62, 66.55

 

CMYK 0 / 19 / 67 / 0

HEX #FFCF55

RGB 255 207 85

HSL 43.06, 1%, 0.67%

LAB 85.27, 4.43, 64.84

 

CMYK 0 / 12 / 59 / 0

HEX #FFE168

RGB 255 225 104

HSL 48.08, 1%, 0.7%

LAB 89.91, -3.55, 61.69

 

CMYK 0 / 5 / 52 / 0

HEX #FFF37B

RGB 255 243 123

HSL 54.55, 1%, 0.74%

LAB 94.65, -11.1, 58.58

 

CMYK 0 / 0 / 44 / 0

HEX #FFFF8E

RGB 255 255 142

HSL 60, 1%, 0.78%

LAB 97.93, -15.3, 53.71

 

CMYK 0 / 21 / 70 / 6

HEX #F0BD47

RGB 240 189 71

HSL 41.89, 0.85%, 0.61%

LAB 79.26, 6.75, 63.93

 

CMYK 0 / 23 / 77 / 13

HEX #DFAB34

RGB 223 171 52

HSL 41.75, 0.73%, 0.54%

LAB 72.93, 8.13, 64.49

 

CMYK 0 / 26 / 84 / 19

HEX #CE9921

RGB 206 153 33

HSL 41.62, 0.72%, 0.47%

LAB 66.53, 9.74, 64.39

 

CMYK 0 / 29 / 93 / 26

HEX #BD870E

RGB 189 135 14

HSL 41.49, 0.86%, 0.4%

LAB 60.05, 11.61, 63.08

 

CMYK 0 / 32 / 100 / 33

HEX #AC7500

RGB 172 117 0

HSL 40.81, 1%, 0.34%

LAB 53.49, 13.76, 59.96

 

CMYK 0 / 21 / 70 / 6

HEX #F0BD47

RGB 240 189 71

HSL 41.89, 0.85%, 0.61%

LAB 79.26, 6.75, 63.93

 

CMYK 0 / 40 / 70 / 6

HEX #F08F47

RGB 240 143 71

HSL 25.56, 0.85%, 0.61%

LAB 68.48, 30.96, 52.66

 

CMYK 0 / 60 / 70 / 6

HEX #F06147

RGB 240 97 71

HSL 9.23, 0.85%, 0.61%

LAB 59.46, 53.59, 42.68

 

CMYK 0 / 70 / 70 / 6

HEX #F04747

RGB 240 71 71

HSL 0, 0.85%, 0.61%

LAB 55.57, 64.09, 38.18

 

CMYK 0 / 21 / 70 / 6

HEX #F0BD47

RGB 240 189 71

HSL 41.89, 0.85%, 0.61%

LAB 79.26, 6.75, 63.93

 

CMYK 0 / 3 / 70 / 6

HEX #F0EA47

RGB 240 234 71

HSL 57.87, 0.85%, 0.61%

LAB 90.7, -16.05, 75.27

 

CMYK 17 / 0 / 70 / 6

HEX #C7F047

RGB 199 240 71

HSL 74.56, 0.85%, 0.61%

LAB 89.35, -35.32, 72.95

 

CMYK 36 / 0 / 70 / 6

HEX #9AF047

RGB 154 240 71

HSL 90.53, 0.85%, 0.61%

LAB 86.82, -51.71, 69.59

 

CMYK 55 / 0 / 70 / 6

HEX #6CF047

RGB 108 240 71

HSL 106.86, 0.85%, 0.61%

LAB 84.98, -65.36, 67.12

 

CMYK 0 / 21 / 70 / 6

HEX #F0BD47

RGB 240 189 71

HSL 41.89, 0.85%, 0.61%

LAB 79.26, 6.75, 63.93

 

CMYK 0 / 21 / 70 / 6

HEX #F0BD47

RGB 240 189 71

HSL 41.89, 0.85%, 0.61%

LAB 79.26, 6.75, 63.93

 

CMYK 0 / 18 / 61 / 13

HEX #DFB657

RGB 223 182 87

HSL 41.91, 0.68%, 0.61%

LAB 75.97, 4.18, 52.89

 

CMYK 0 / 15 / 50 / 19

HEX #CFB067

RGB 207 176 103

HSL 42.12, 0.52%, 0.61%

LAB 73.09, 1.93, 41.3

 

CMYK 0 / 12 / 38 / 25

HEX #BFA977

RGB 191 169 119

HSL 41.67, 0.36%, 0.61%

LAB 70.02, 0.76, 28.74

 

CMYK 0 / 7 / 23 / 31

HEX #AFA387

RGB 175 163 135

HSL 42, 0.2%, 0.61%

LAB 67.32, -0.25, 16.14

 

CMYK 0 / 60 / 70 / 6

HEX #F06047

RGB 240 96 71

HSL 8.88, 0.85%, 0.61%

LAB 59.29, 54.03, 42.48

 

CMYK 0 / 41 / 70 / 6

HEX #F08D47

RGB 240 141 71

HSL 24.85, 0.85%, 0.61%

LAB 68.04, 32, 52.19

 

CMYK 0 / 23 / 70 / 6

HEX #F0BA47

RGB 240 186 71

HSL 40.83, 0.85%, 0.61%

LAB 78.52, 8.31, 63.18

 

CMYK 0 / 4 / 70 / 6

HEX #F0E747

RGB 240 231 71

HSL 56.8, 0.85%, 0.61%

LAB 89.92, -14.58, 74.51

 

CMYK 15 / 0 / 70 / 6

HEX #CBF047

RGB 203 240 71

HSL 73.14, 0.85%, 0.61%

LAB 89.61, -33.77, 73.29

 

CMYK 0 / 28 / 92 / 17

HEX #D39811

RGB 211 152 17

HSL 41.75, 0.85%, 0.45%

LAB 66.78, 12.14, 68.65

 

CMYK 0 / 26 / 86 / 7

HEX #ECAF20

RGB 236 175 32

HSL 42.06, 0.84%, 0.53%

LAB 75.2, 11.02, 73.12

 

CMYK 0 / 21 / 70 / 6

HEX #F0BD47

RGB 240 189 71

HSL 41.89, 0.85%, 0.61%

LAB 79.26, 6.75, 63.93

 

CMYK 0 / 17 / 55 / 5

HEX #F3CA6D

RGB 243 202 109

HSL 41.64, 0.85%, 0.69%

LAB 83.13, 3.65, 51.27

 

CMYK 0 / 12 / 40 / 4

HEX #F6D893

RGB 246 216 147

HSL 41.82, 0.85%, 0.77%

LAB 87.39, 1.15, 37.83

 

CMYK 0 / 21 / 70 / 6

HEX #F0BD47

RGB 240 189 71

HSL 41.89, 0.85%, 0.61%

LAB 79.26, 6.75, 63.93

 

CMYK 63 / 0 / 70 / 6

HEX #5AF047

RGB 90 240 71

HSL 113.25, 0.85%, 0.61%

LAB 84.46, -69.53, 66.42

 

CMYK 51 / 70 / 0 / 6

HEX #7647F0

RGB 118 71 240

HSL 256.69, 0.85%, 0.61%

LAB 45.15, 58.7, -77.94

 

CMYK 0 / 21 / 70 / 6

HEX #F0BD47

RGB 240 189 71

HSL 41.89, 0.85%, 0.61%

LAB 79.26, 6.75, 63.93

 

CMYK 70 / 0 / 23 / 6

HEX #47F0BA

RGB 71 240 186

HSL 160.83, 0.85%, 0.61%

LAB 85.61, -55.26, 13.83

 

CMYK 23 / 70 / 0 / 6

HEX #BA47F0

RGB 186 71 240

HSL 280.83, 0.85%, 0.61%

LAB 53.21, 70.78, -64.49

 

CMYK 0 / 21 / 70 / 6

HEX #F0BD47

RGB 240 189 71

HSL 41.89, 0.85%, 0.61%

LAB 79.26, 6.75, 63.93

 

CMYK 63 / 0 / 70 / 6

HEX #5AF047

RGB 90 240 71

HSL 113.25, 0.85%, 0.61%

LAB 84.46, -69.53, 66.42

 

CMYK 70 / 48 / 0 / 6

HEX #477CF0

RGB 71 124 240

HSL 221.18, 0.85%, 0.61%

LAB 54.08, 20.57, -63.58

 

CMYK 8 / 70 / 0 / 6

HEX #DC47F0

RGB 220 71 240

HSL 292.9, 0.85%, 0.61%

LAB 58.05, 77.6, -56.45

 

CMYK 0 / 21 / 70 / 6

HEX #F0BD47

RGB 240 189 71

HSL 41.89, 0.85%, 0.61%

LAB 79.26, 6.75, 63.93

 

CMYK 70 / 0 / 58 / 6

HEX #47F066

RGB 71 240 102

HSL 131.01, 0.85%, 0.61%

LAB 84.29, -69.98, 53.56

 

CMYK 70 / 48 / 0 / 6

HEX #477CF0

RGB 71 124 240

HSL 221.18, 0.85%, 0.61%

LAB 54.08, 20.57, -63.58

 

CMYK 0 / 70 / 13 / 6

HEX #F047D1

RGB 240 71 209

HSL 311.01, 0.85%, 0.61%

LAB 59.56, 77.13, -36.42

 

Description

Color code: HEX #F0BD47 | qconv.com Color code: HEX #F0BD47 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 189 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 189 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 70 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 70% 6% C M Y K

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