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Color name
HEX #F182A2

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F182A2 it is the complementary color #0E7D5D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F182A2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F182A2 shade: #F6829D, #FF94B0, #FFA6C3, #FFB8D6 and #FFCAE9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F182A2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F182A2 shade: #F182A2, #E0708F, #CF5E7C, #BE4C69 and #AD3A56

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F182A2 shade: #F183A2, #F18385 and #F18383

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F182A2 shade: #F183A2, #F183C0, #F183DE, #E683F1 and #C883F1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F182A2 shade matches the following richer shades: #F183A2 and #FC779E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F182A2 shade: #F183A2, #E68EA7, #DA99AC, #CFA4B0 and #C4AFB5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F182A2 shade: #F183DE, #F183C1, #F183A4, #F18386 and #F19C83

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F182A2 shade: #E8386B, #ED5D87, #F183A2, #F5A8BE and #F9CDDA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F182A2 shade: #F182A2, #F1E683 and #83D0F1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F182A2 shade: #F182A2, #A4F183 and #83A4F1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F182A2 shade: #F182A2, #F1E683, #83F1D0 and #838EF1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F182A2 shade: #F182A2, #DBF183, #83F1D0 and #9983F1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 33 / 5

HEX #F182A2

RGB 241 130 162

HSL 342.7, 0.8%, 0.73%

LAB 67.48, 45.88, 2.26

 

Complementary color

CMYK 89 / 0 / 26 / 51

HEX #0E7D5D

RGB 14 125 93

HSL 162.7, 0.8%, 0.27%

LAB 46.38, -36.91, 9.43

 

CMYK 0 / 47 / 36 / 4

HEX #F6829D

RGB 246 130 157

HSL 346.03, 0.87%, 0.74%

LAB 68.02, 47, 5.94

 

CMYK 0 / 42 / 31 / 0

HEX #FF94B0

RGB 255 148 176

HSL 344.3, 1%, 0.79%

LAB 73.27, 43.34, 3.05

 

CMYK 0 / 35 / 24 / 0

HEX #FFA6C3

RGB 255 166 195

HSL 340.45, 1%, 0.83%

LAB 77.56, 36.61, -1.13

 

CMYK 0 / 28 / 16 / 0

HEX #FFB8D6

RGB 255 184 214

HSL 334.65, 1%, 0.86%

LAB 82.05, 30, -4.83

 

CMYK 0 / 21 / 9 / 0

HEX #FFCAE9

RGB 255 202 233

HSL 324.91, 1%, 0.9%

LAB 86.69, 23.6, -8.12

 

CMYK 0 / 46 / 33 / 5

HEX #F182A2

RGB 241 130 162

HSL 342.7, 0.8%, 0.73%

LAB 67.48, 45.88, 2.26

 

CMYK 0 / 50 / 36 / 12

HEX #E0708F

RGB 224 112 143

HSL 343.39, 0.64%, 0.66%

LAB 61.15, 46.76, 3.63

 

CMYK 0 / 55 / 40 / 19

HEX #CF5E7C

RGB 207 94 124

HSL 344.07, 0.54%, 0.59%

LAB 54.79, 47.62, 5.23

 

CMYK 0 / 60 / 45 / 25

HEX #BE4C69

RGB 190 76 105

HSL 344.74, 0.47%, 0.52%

LAB 48.43, 48.39, 7.15

 

CMYK 0 / 66 / 50 / 32

HEX #AD3A56

RGB 173 58 86

HSL 345.39, 0.5%, 0.45%

LAB 42.13, 48.95, 9.52

 

CMYK 0 / 46 / 33 / 5

HEX #F183A2

RGB 241 131 162

HSL 343.09, 0.8%, 0.73%

LAB 67.68, 45.37, 2.55

 

CMYK 0 / 46 / 45 / 5

HEX #F18385

RGB 241 131 133

HSL 358.91, 0.8%, 0.73%

LAB 67, 42.15, 17.92

 

CMYK 0 / 46 / 46 / 5

HEX #F18383

RGB 241 131 131

HSL 0, 0.8%, 0.73%

LAB 66.95, 41.96, 18.98

 

CMYK 0 / 46 / 33 / 5

HEX #F183A2

RGB 241 131 162

HSL 343.09, 0.8%, 0.73%

LAB 67.68, 45.37, 2.55

 

CMYK 0 / 46 / 20 / 5

HEX #F183C0

RGB 241 131 192

HSL 326.73, 0.8%, 0.73%

LAB 68.56, 49.39, -13.01

 

CMYK 0 / 46 / 8 / 5

HEX #F183DE

RGB 241 131 222

HSL 310.36, 0.8%, 0.73%

LAB 69.62, 54.03, -28.09

 

CMYK 5 / 46 / 0 / 5

HEX #E683F1

RGB 230 131 241

HSL 294, 0.8%, 0.73%

LAB 69.04, 54.15, -39.56

 

CMYK 17 / 46 / 0 / 5

HEX #C883F1

RGB 200 131 241

HSL 277.64, 0.8%, 0.73%

LAB 65.64, 45.75, -45.13

 

CMYK 0 / 46 / 33 / 5

HEX #F183A2

RGB 241 131 162

HSL 343.09, 0.8%, 0.73%

LAB 67.68, 45.37, 2.55

 

CMYK 0 / 53 / 37 / 1

HEX #FC779E

RGB 252 119 158

HSL 342.41, 0.96%, 0.73%

LAB 66.79, 54.46, 3.71

 

CMYK 0 / 46 / 33 / 5

HEX #F183A2

RGB 241 131 162

HSL 343.09, 0.8%, 0.73%

LAB 67.68, 45.37, 2.55

 

CMYK 0 / 38 / 27 / 10

HEX #E68EA7

RGB 230 142 167

HSL 342.95, 0.64%, 0.73%

LAB 68.72, 36.5, 1.08

 

CMYK 0 / 30 / 21 / 15

HEX #DA99AC

RGB 218 153 172

HSL 342.46, 0.47%, 0.73%

LAB 69.94, 27.04, -0.09

 

CMYK 0 / 21 / 15 / 19

HEX #CFA4B0

RGB 207 164 176

HSL 343.26, 0.31%, 0.73%

LAB 71.52, 17.7, -0.14

 

CMYK 0 / 11 / 8 / 23

HEX #C4AFB5

RGB 196 175 181

HSL 342.86, 0.15%, 0.73%

LAB 73.37, 8.58, -0.31

 

CMYK 0 / 46 / 8 / 5

HEX #F183DE

RGB 241 131 222

HSL 310.36, 0.8%, 0.73%

LAB 69.62, 54.03, -28.09

 

CMYK 0 / 46 / 20 / 5

HEX #F183C1

RGB 241 131 193

HSL 326.18, 0.8%, 0.73%

LAB 68.59, 49.53, -13.52

 

CMYK 0 / 46 / 32 / 5

HEX #F183A4

RGB 241 131 164

HSL 342, 0.8%, 0.73%

LAB 67.73, 45.62, 1.5

 

CMYK 0 / 46 / 44 / 5

HEX #F18386

RGB 241 131 134

HSL 358.36, 0.8%, 0.73%

LAB 67.02, 42.25, 17.38

 

CMYK 0 / 35 / 46 / 5

HEX #F19C83

RGB 241 156 131

HSL 13.64, 0.8%, 0.73%

LAB 72.31, 28.99, 26.24

 

CMYK 0 / 76 / 54 / 9

HEX #E8386B

RGB 232 56 107

HSL 342.61, 0.79%, 0.56%

LAB 53, 68.81, 13.42

 

CMYK 0 / 61 / 43 / 7

HEX #ED5D87

RGB 237 93 135

HSL 342.5, 0.8%, 0.65%

LAB 59.51, 59, 6.16

 

CMYK 0 / 46 / 33 / 5

HEX #F183A2

RGB 241 131 162

HSL 343.09, 0.8%, 0.73%

LAB 67.68, 45.37, 2.55

 

CMYK 0 / 31 / 22 / 4

HEX #F5A8BE

RGB 245 168 190

HSL 342.86, 0.79%, 0.81%

LAB 76.76, 31.35, 0.29

 

CMYK 0 / 18 / 12 / 2

HEX #F9CDDA

RGB 249 205 218

HSL 342.27, 0.79%, 0.89%

LAB 86.44, 17.51, -0.6

 

CMYK 0 / 46 / 33 / 5

HEX #F182A2

RGB 241 130 162

HSL 342.7, 0.8%, 0.73%

LAB 67.48, 45.88, 2.26

 

CMYK 0 / 5 / 46 / 5

HEX #F1E683

RGB 241 230 131

HSL 54, 0.8%, 0.73%

LAB 90.29, -9.5, 49.32

 

CMYK 46 / 14 / 0 / 5

HEX #83D0F1

RGB 131 208 241

HSL 198, 0.8%, 0.73%

LAB 79.78, -15.23, -23.65

 

CMYK 0 / 46 / 33 / 5

HEX #F182A2

RGB 241 130 162

HSL 342.7, 0.8%, 0.73%

LAB 67.48, 45.88, 2.26

 

CMYK 32 / 0 / 46 / 5

HEX #A4F183

RGB 164 241 131

HSL 102, 0.8%, 0.73%

LAB 88.18, -43.12, 45.59

 

CMYK 46 / 32 / 0 / 5

HEX #83A4F1

RGB 131 164 241

HSL 222, 0.8%, 0.73%

LAB 67.82, 8.7, -42.11

 

CMYK 0 / 46 / 33 / 5

HEX #F182A2

RGB 241 130 162

HSL 342.7, 0.8%, 0.73%

LAB 67.48, 45.88, 2.26

 

CMYK 0 / 5 / 46 / 5

HEX #F1E683

RGB 241 230 131

HSL 54, 0.8%, 0.73%

LAB 90.29, -9.5, 49.32

 

CMYK 46 / 0 / 14 / 5

HEX #83F1D0

RGB 131 241 208

HSL 162, 0.8%, 0.73%

LAB 88.11, -39.28, 6.16

 

CMYK 46 / 41 / 0 / 5

HEX #838EF1

RGB 131 142 241

HSL 234, 0.8%, 0.73%

LAB 62.1, 21.43, -51.12

 

CMYK 0 / 46 / 33 / 5

HEX #F182A2

RGB 241 130 162

HSL 342.7, 0.8%, 0.73%

LAB 67.48, 45.88, 2.26

 

CMYK 9 / 0 / 46 / 5

HEX #DBF183

RGB 219 241 131

HSL 72, 0.8%, 0.73%

LAB 91.51, -23.42, 50.44

 

CMYK 46 / 0 / 14 / 5

HEX #83F1D0

RGB 131 241 208

HSL 162, 0.8%, 0.73%

LAB 88.11, -39.28, 6.16

 

CMYK 37 / 46 / 0 / 5

HEX #9983F1

RGB 153 131 241

HSL 252, 0.8%, 0.73%

LAB 61.09, 33.21, -52.62

 

Description

Color code: HEX #F182A2 | qconv.com Color code: HEX #F182A2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 241 red, 130 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
241 130 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 33 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 33% 5% C M Y K

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Provide designers and agencies with accurate color values.

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