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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 230 142 167 it is the complementary color RGB 25 113 88. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 230 142 167. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 230 142 167 shade: RGB 235 142 162, RGB 252 160 181, RGB 255 178 200, RGB 255 196 219 and RGB 255 214 238

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 230 142 167. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 230 142 167 shade: RGB 230 142 167, RGB 213 124 148, RGB 196 106 129, RGB 179 88 110 and RGB 162 70 91

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 230 142 167 shade: RGB 230 142 167, RGB 230 142 143 and RGB 230 142 142

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 230 142 167 shade: RGB 230 142 167, RGB 230 142 190, RGB 230 142 214, RGB 222 142 230 and RGB 198 142 230

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 230 142 167 shade matches the following richer shades: RGB 230 142 167, RGB 241 130 162 and RGB 252 119 157

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 230 142 167 shade: RGB 230 142 167, RGB 219 153 171, RGB 207 164 176, RGB 196 175 181 and RGB 185 186 186

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 230 142 167 shade: RGB 230 142 215, RGB 230 142 192, RGB 230 142 168, RGB 230 142 145 and RGB 230 162 142

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 230 142 167 shade: RGB 215 74 114, RGB 222 108 140, RGB 230 142 167, RGB 237 175 193 and RGB 245 209 219

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 230 142 167 shade: RGB 230 142 167, RGB 230 221 142 and RGB 142 203 230

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 230 142 167 shade: RGB 230 142 167, RGB 168 230 142 and RGB 142 168 230

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 230 142 167 shade: RGB 230 142 167, RGB 230 221 142, RGB 142 230 203 and RGB 142 150 230

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 230 142 167 shade: RGB 230 142 167, RGB 212 230 142, RGB 142 230 203 and RGB 159 142 230

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 27 / 10

HEX #E68EA7

RGB 230 142 167

HSL 342.95, 0.64%, 0.73%

LAB 68.72, 36.5, 1.08

 

Complementary color

CMYK 78 / 0 / 22 / 56

HEX #197158

RGB 25 113 88

HSL 162.95, 0.64%, 0.27%

LAB 42.34, -31.73, 6.7

 

CMYK 0 / 40 / 31 / 8

HEX #EB8EA2

RGB 235 142 162

HSL 347.1, 0.7%, 0.74%

LAB 69.2, 37.63, 4.65

 

CMYK 0 / 37 / 28 / 1

HEX #FCA0B5

RGB 252 160 181

HSL 346.3, 0.94%, 0.81%

LAB 75.56, 36.77, 3.57

 

CMYK 0 / 30 / 22 / 0

HEX #FFB2C8

RGB 255 178 200

HSL 342.86, 1%, 0.85%

LAB 80.33, 31.06, 0.2

 

CMYK 0 / 23 / 14 / 0

HEX #FFC4DB

RGB 255 196 219

HSL 336.61, 1%, 0.88%

LAB 84.92, 24.48, -3.28

 

CMYK 0 / 16 / 7 / 0

HEX #FFD6EE

RGB 255 214 238

HSL 324.88, 1%, 0.92%

LAB 89.64, 18.16, -6.4

 

CMYK 0 / 38 / 27 / 10

HEX #E68EA7

RGB 230 142 167

HSL 342.95, 0.64%, 0.73%

LAB 68.72, 36.5, 1.08

 

CMYK 0 / 42 / 31 / 16

HEX #D57C94

RGB 213 124 148

HSL 343.82, 0.51%, 0.66%

LAB 62.25, 37.38, 2.18

 

CMYK 0 / 46 / 34 / 23

HEX #C46A81

RGB 196 106 129

HSL 344.67, 0.43%, 0.59%

LAB 55.71, 38.29, 3.42

 

CMYK 0 / 51 / 39 / 30

HEX #B3586E

RGB 179 88 110

HSL 345.49, 0.37%, 0.52%

LAB 49.12, 39.23, 4.88

 

CMYK 0 / 57 / 44 / 36

HEX #A2465B

RGB 162 70 91

HSL 346.3, 0.4%, 0.45%

LAB 42.49, 40.15, 6.65

 

CMYK 0 / 38 / 27 / 10

HEX #E68EA7

RGB 230 142 167

HSL 342.95, 0.64%, 0.73%

LAB 68.72, 36.5, 1.08

 

CMYK 0 / 38 / 38 / 10

HEX #E68E8F

RGB 230 142 143

HSL 359.32, 0.64%, 0.73%

LAB 68.13, 33.49, 13.68

 

CMYK 0 / 38 / 38 / 10

HEX #E68E8E

RGB 230 142 142

HSL 0, 0.64%, 0.73%

LAB 68.11, 33.37, 14.21

 

CMYK 0 / 38 / 27 / 10

HEX #E68EA7

RGB 230 142 167

HSL 342.95, 0.64%, 0.73%

LAB 68.72, 36.5, 1.08

 

CMYK 0 / 38 / 17 / 10

HEX #E68EBE

RGB 230 142 190

HSL 327.27, 0.64%, 0.73%

LAB 69.39, 39.83, -10.79

 

CMYK 0 / 38 / 7 / 10

HEX #E68ED6

RGB 230 142 214

HSL 310.91, 0.64%, 0.73%

LAB 70.19, 43.73, -22.9

 

CMYK 3 / 38 / 0 / 10

HEX #DE8EE6

RGB 222 142 230

HSL 294.55, 0.64%, 0.73%

LAB 69.89, 44.12, -32.27

 

CMYK 14 / 38 / 0 / 10

HEX #C68EE6

RGB 198 142 230

HSL 278.18, 0.64%, 0.73%

LAB 67.33, 36.91, -36.45

 

CMYK 0 / 38 / 27 / 10

HEX #E68EA7

RGB 230 142 167

HSL 342.95, 0.64%, 0.73%

LAB 68.72, 36.5, 1.08

 

CMYK 0 / 46 / 33 / 5

HEX #F182A2

RGB 241 130 162

HSL 342.7, 0.8%, 0.73%

LAB 67.48, 45.88, 2.26

 

CMYK 0 / 53 / 38 / 1

HEX #FC779D

RGB 252 119 157

HSL 342.86, 0.96%, 0.73%

LAB 66.77, 54.35, 4.24

 

CMYK 0 / 38 / 27 / 10

HEX #E68EA7

RGB 230 142 167

HSL 342.95, 0.64%, 0.73%

LAB 68.72, 36.5, 1.08

 

CMYK 0 / 30 / 22 / 14

HEX #DB99AB

RGB 219 153 171

HSL 343.64, 0.48%, 0.73%

LAB 70.02, 27.26, 0.6

 

CMYK 0 / 21 / 15 / 19

HEX #CFA4B0

RGB 207 164 176

HSL 343.26, 0.31%, 0.73%

LAB 71.52, 17.7, -0.14

 

CMYK 0 / 11 / 8 / 23

HEX #C4AFB5

RGB 196 175 181

HSL 342.86, 0.15%, 0.73%

LAB 73.37, 8.58, -0.31

 

CMYK 1 / 0 / 0 / 27

HEX #B9BABA

RGB 185 186 186

HSL 180, 0.01%, 0.73%

LAB 75.44, -0.34, -0.13

 

CMYK 0 / 38 / 7 / 10

HEX #E68ED7

RGB 230 142 215

HSL 310.23, 0.64%, 0.73%

LAB 70.23, 43.9, -23.4

 

CMYK 0 / 38 / 17 / 10

HEX #E68EC0

RGB 230 142 192

HSL 325.91, 0.64%, 0.73%

LAB 69.45, 40.14, -11.81

 

CMYK 0 / 38 / 27 / 10

HEX #E68EA8

RGB 230 142 168

HSL 342.27, 0.64%, 0.73%

LAB 68.75, 36.64, 0.56

 

CMYK 0 / 38 / 37 / 10

HEX #E68E91

RGB 230 142 145

HSL 357.95, 0.64%, 0.73%

LAB 68.18, 33.72, 12.63

 

CMYK 0 / 30 / 38 / 10

HEX #E6A28E

RGB 230 162 142

HSL 13.64, 0.64%, 0.73%

LAB 72.64, 22.73, 20.49

 

CMYK 0 / 66 / 47 / 16

HEX #D74A72

RGB 215 74 114

HSL 342.98, 0.64%, 0.57%

LAB 52.46, 58.12, 8.03

 

CMYK 0 / 51 / 37 / 13

HEX #DE6C8C

RGB 222 108 140

HSL 343.16, 0.63%, 0.65%

LAB 60.02, 47.7, 3.7

 

CMYK 0 / 38 / 27 / 10

HEX #E68EA7

RGB 230 142 167

HSL 342.95, 0.64%, 0.73%

LAB 68.72, 36.5, 1.08

 

CMYK 0 / 26 / 19 / 7

HEX #EDAFC1

RGB 237 175 193

HSL 342.58, 0.63%, 0.81%

LAB 77.59, 25.24, -0.24

 

CMYK 0 / 15 / 11 / 4

HEX #F5D1DB

RGB 245 209 219

HSL 343.33, 0.64%, 0.89%

LAB 87.06, 14.18, -0.26

 

CMYK 0 / 38 / 27 / 10

HEX #E68EA7

RGB 230 142 167

HSL 342.95, 0.64%, 0.73%

LAB 68.72, 36.5, 1.08

 

CMYK 0 / 4 / 38 / 10

HEX #E6DD8E

RGB 230 221 142

HSL 53.86, 0.64%, 0.73%

LAB 87.24, -8.18, 39.88

 

CMYK 38 / 12 / 0 / 10

HEX #8ECBE6

RGB 142 203 230

HSL 198.41, 0.64%, 0.73%

LAB 78.56, -12.79, -19.55

 

CMYK 0 / 38 / 27 / 10

HEX #E68EA7

RGB 230 142 167

HSL 342.95, 0.64%, 0.73%

LAB 68.72, 36.5, 1.08

 

CMYK 27 / 0 / 38 / 10

HEX #A8E68E

RGB 168 230 142

HSL 102.27, 0.64%, 0.73%

LAB 85.44, -35.43, 36.73

 

CMYK 38 / 27 / 0 / 10

HEX #8EA8E6

RGB 142 168 230

HSL 222.27, 0.64%, 0.73%

LAB 69.09, 6.17, -34.07

 

CMYK 0 / 38 / 27 / 10

HEX #E68EA7

RGB 230 142 167

HSL 342.95, 0.64%, 0.73%

LAB 68.72, 36.5, 1.08

 

CMYK 0 / 4 / 38 / 10

HEX #E6DD8E

RGB 230 221 142

HSL 53.86, 0.64%, 0.73%

LAB 87.24, -8.18, 39.88

 

CMYK 38 / 0 / 12 / 10

HEX #8EE6CB

RGB 142 230 203

HSL 161.59, 0.64%, 0.73%

LAB 85.33, -32.52, 4.83

 

CMYK 38 / 35 / 0 / 10

HEX #8E96E6

RGB 142 150 230

HSL 234.55, 0.64%, 0.73%

LAB 64.38, 16.43, -41.4

 

CMYK 0 / 38 / 27 / 10

HEX #E68EA7

RGB 230 142 167

HSL 342.95, 0.64%, 0.73%

LAB 68.72, 36.5, 1.08

 

CMYK 8 / 0 / 38 / 10

HEX #D4E68E

RGB 212 230 142

HSL 72.27, 0.64%, 0.73%

LAB 88.23, -19.56, 40.88

 

CMYK 38 / 0 / 12 / 10

HEX #8EE6CB

RGB 142 230 203

HSL 161.59, 0.64%, 0.73%

LAB 85.33, -32.52, 4.83

 

CMYK 31 / 38 / 0 / 10

HEX #9F8EE6

RGB 159 142 230

HSL 251.59, 0.64%, 0.73%

LAB 63.7, 25.64, -42.39

 

Description

Color code: RGB 230 142 167 | qconv.com Color code: RGB 230 142 167 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 142 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 142 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 27 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 27% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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