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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F23AEF it is the complementary color #0DC510. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F23AEF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F23AEF shade: #F73AEA, #FF4CFD, #FF5EFF, #FF70FF and #FF82FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F23AEF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F23AEF shade: #F23AEF, #E128DC, #D016C9, #BF04B6 and #AE00A3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F23AEF shade: #F23AEF, #F23ABD, #F23A8C, #F23A5A and #F23A3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F23AEF shade: #F23AEF, #C33AF2, #923AF2, #603AF2 and #3A3AF2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F23AEF shade matches the following richer shades: #F23AEF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F23AEF shade: #F23AEF, #E14BDF, #D05CCE, #BF6DBE and #AE7EAD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F23AEF shade: #903AF2, #C13AF2, #F23AF2, #F23AC1 and #F23A90

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F23AEF shade: #CD0DCA, #EF13EC, #F23AEF, #F461F2 and #F788F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F23AEF shade: #F23AEF, #F25F3A and #3AF2A8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F23AEF shade: #F23AEF, #F2F23A and #3AF2F2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F23AEF shade: #F23AEF, #F25F3A, #3AF23A and #3ACDF2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F23AEF shade: #F23AEF, #F2963A, #3AF23A and #3A96F2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 1 / 5

HEX #F23AEF

RGB 242 58 239

HSL 300.98, 0.88%, 0.59%

LAB 60.01, 85.74, -52.57

 

Complementary color

CMYK 93 / 0 / 92 / 23

HEX #0DC510

RGB 13 197 16

HSL 120.98, 0.88%, 0.41%

LAB 69.51, -70.06, 66.72

 

CMYK 0 / 77 / 5 / 3

HEX #F73AEA

RGB 247 58 234

HSL 304.13, 0.92%, 0.6%

LAB 60.55, 85.99, -48.86

 

CMYK 0 / 70 / 1 / 0

HEX #FF4CFD

RGB 255 76 253

HSL 300.67, 1%, 0.65%

LAB 64.58, 85.26, -52.95

 

CMYK 0 / 63 / 0 / 0

HEX #FF5EFF

RGB 255 94 255

HSL 300, 1%, 0.68%

LAB 66.89, 79.34, -50.4

 

CMYK 0 / 56 / 0 / 0

HEX #FF70FF

RGB 255 112 255

HSL 300, 1%, 0.72%

LAB 69.52, 72.09, -46.25

 

CMYK 0 / 49 / 0 / 0

HEX #FF82FF

RGB 255 130 255

HSL 300, 1%, 0.75%

LAB 72.53, 64.02, -41.54

 

CMYK 0 / 76 / 1 / 5

HEX #F23AEF

RGB 242 58 239

HSL 300.98, 0.88%, 0.59%

LAB 60.01, 85.74, -52.57

 

CMYK 0 / 82 / 2 / 12

HEX #E128DC

RGB 225 40 220

HSL 301.62, 0.76%, 0.52%

LAB 54.75, 83.94, -50.4

 

CMYK 0 / 89 / 3 / 18

HEX #D016C9

RGB 208 22 201

HSL 302.26, 0.81%, 0.45%

LAB 49.74, 81.21, -47.69

 

CMYK 0 / 98 / 5 / 25

HEX #BF04B6

RGB 191 4 182

HSL 302.89, 0.96%, 0.38%

LAB 45, 77.41, -44.34

 

CMYK 0 / 100 / 6 / 32

HEX #AE00A3

RGB 174 0 163

HSL 303.79, 1%, 0.34%

LAB 40.64, 72.17, -40.16

 

CMYK 0 / 76 / 1 / 5

HEX #F23AEF

RGB 242 58 239

HSL 300.98, 0.88%, 0.59%

LAB 60.01, 85.74, -52.57

 

CMYK 0 / 76 / 22 / 5

HEX #F23ABD

RGB 242 58 189

HSL 317.28, 0.88%, 0.59%

LAB 57.63, 78.89, -27.95

 

CMYK 0 / 76 / 42 / 5

HEX #F23A8C

RGB 242 58 140

HSL 333.26, 0.88%, 0.59%

LAB 55.88, 73.59, -1.94

 

CMYK 0 / 76 / 63 / 5

HEX #F23A5A

RGB 242 58 90

HSL 349.57, 0.88%, 0.59%

LAB 54.7, 69.87, 26.18

 

CMYK 0 / 76 / 76 / 5

HEX #F23A3A

RGB 242 58 58

HSL 0, 0.88%, 0.59%

LAB 54.25, 68.42, 44.01

 

CMYK 0 / 76 / 1 / 5

HEX #F23AEF

RGB 242 58 239

HSL 300.98, 0.88%, 0.59%

LAB 60.01, 85.74, -52.57

 

CMYK 19 / 76 / 0 / 5

HEX #C33AF2

RGB 195 58 242

HSL 284.67, 0.88%, 0.59%

LAB 52.99, 77.46, -65.89

 

CMYK 40 / 76 / 0 / 5

HEX #923AF2

RGB 146 58 242

HSL 268.7, 0.88%, 0.59%

LAB 46.38, 69.26, -76.94

 

CMYK 60 / 76 / 0 / 5

HEX #603AF2

RGB 96 58 242

HSL 252.39, 0.88%, 0.59%

LAB 41.09, 62.58, -85.81

 

CMYK 76 / 76 / 0 / 5

HEX #3A3AF2

RGB 58 58 242

HSL 240, 0.88%, 0.59%

LAB 38.44, 59.15, -90.28

 

CMYK 0 / 76 / 1 / 5

HEX #F23AEF

RGB 242 58 239

HSL 300.98, 0.88%, 0.59%

LAB 60.01, 85.74, -52.57

 

CMYK 0 / 76 / 1 / 5

HEX #F23AEF

RGB 242 58 239

HSL 300.98, 0.88%, 0.59%

LAB 60.01, 85.74, -52.57

 

CMYK 0 / 67 / 1 / 12

HEX #E14BDF

RGB 225 75 223

HSL 300.8, 0.71%, 0.59%

LAB 58.38, 74.45, -46.34

 

CMYK 0 / 56 / 1 / 18

HEX #D05CCE

RGB 208 92 206

HSL 301.03, 0.55%, 0.59%

LAB 57.58, 60.58, -38.16

 

CMYK 0 / 43 / 1 / 25

HEX #BF6DBE

RGB 191 109 190

HSL 300.73, 0.39%, 0.59%

LAB 57.78, 44.57, -28.89

 

CMYK 0 / 28 / 1 / 32

HEX #AE7EAD

RGB 174 126 173

HSL 301.25, 0.23%, 0.59%

LAB 58.92, 26.58, -17.6

 

CMYK 40 / 76 / 0 / 5

HEX #903AF2

RGB 144 58 242

HSL 268.04, 0.88%, 0.59%

LAB 46.13, 68.96, -77.35

 

CMYK 20 / 76 / 0 / 5

HEX #C13AF2

RGB 193 58 242

HSL 284.02, 0.88%, 0.59%

LAB 52.7, 77.1, -66.37

 

CMYK 0 / 76 / 0 / 5

HEX #F23AF2

RGB 242 58 242

HSL 300, 0.88%, 0.59%

LAB 60.17, 86.19, -53.98

 

CMYK 0 / 76 / 20 / 5

HEX #F23AC1

RGB 242 58 193

HSL 315.98, 0.88%, 0.59%

LAB 57.8, 79.38, -29.99

 

CMYK 0 / 76 / 40 / 5

HEX #F23A90

RGB 242 58 144

HSL 331.96, 0.88%, 0.59%

LAB 56, 73.96, -4.13

 

CMYK 0 / 94 / 1 / 20

HEX #CD0DCA

RGB 205 13 202

HSL 300.94, 0.88%, 0.43%

LAB 48.92, 81.86, -49.6

 

CMYK 0 / 92 / 1 / 6

HEX #EF13EC

RGB 239 19 236

HSL 300.82, 0.87%, 0.51%

LAB 56.95, 91.78, -55.79

 

CMYK 0 / 76 / 1 / 5

HEX #F23AEF

RGB 242 58 239

HSL 300.98, 0.88%, 0.59%

LAB 60.01, 85.74, -52.57

 

CMYK 0 / 60 / 1 / 4

HEX #F461F2

RGB 244 97 242

HSL 300.82, 0.87%, 0.67%

LAB 65.12, 73.51, -46.14

 

CMYK 0 / 45 / 1 / 3

HEX #F788F5

RGB 247 136 245

HSL 301.08, 0.87%, 0.75%

LAB 72.21, 57.21, -36.66

 

CMYK 0 / 76 / 1 / 5

HEX #F23AEF

RGB 242 58 239

HSL 300.98, 0.88%, 0.59%

LAB 60.01, 85.74, -52.57

 

CMYK 0 / 61 / 76 / 5

HEX #F25F3A

RGB 242 95 58

HSL 12.07, 0.88%, 0.59%

LAB 59.31, 54.62, 49.35

 

CMYK 76 / 0 / 31 / 5

HEX #3AF2A8

RGB 58 242 168

HSL 155.87, 0.88%, 0.59%

LAB 85.62, -61.57, 23.11

 

CMYK 0 / 76 / 1 / 5

HEX #F23AEF

RGB 242 58 239

HSL 300.98, 0.88%, 0.59%

LAB 60.01, 85.74, -52.57

 

CMYK 0 / 0 / 76 / 5

HEX #F2F23A

RGB 242 242 58

HSL 60, 0.88%, 0.59%

LAB 92.88, -19.64, 81.48

 

CMYK 76 / 0 / 0 / 5

HEX #3AF2F2

RGB 58 242 242

HSL 180, 0.88%, 0.59%

LAB 87.39, -43.32, -12.89

 

CMYK 0 / 76 / 1 / 5

HEX #F23AEF

RGB 242 58 239

HSL 300.98, 0.88%, 0.59%

LAB 60.01, 85.74, -52.57

 

CMYK 0 / 61 / 76 / 5

HEX #F25F3A

RGB 242 95 58

HSL 12.07, 0.88%, 0.59%

LAB 59.31, 54.62, 49.35

 

CMYK 76 / 0 / 76 / 5

HEX #3AF23A

RGB 58 242 58

HSL 120, 0.88%, 0.59%

LAB 84.33, -76.63, 70.42

 

CMYK 76 / 15 / 0 / 5

HEX #3ACDF2

RGB 58 205 242

HSL 192.07, 0.88%, 0.59%

LAB 76.66, -25.96, -29.15

 

CMYK 0 / 76 / 1 / 5

HEX #F23AEF

RGB 242 58 239

HSL 300.98, 0.88%, 0.59%

LAB 60.01, 85.74, -52.57

 

CMYK 0 / 38 / 76 / 5

HEX #F2963A

RGB 242 150 58

HSL 30, 0.88%, 0.59%

LAB 70.17, 27.53, 60.27

 

CMYK 76 / 0 / 76 / 5

HEX #3AF23A

RGB 58 242 58

HSL 120, 0.88%, 0.59%

LAB 84.33, -76.63, 70.42

 

CMYK 76 / 38 / 0 / 5

HEX #3A96F2

RGB 58 150 242

HSL 210, 0.88%, 0.59%

LAB 60.89, 3.93, -53.81

 

Description

Color code: HEX #F23AEF | qconv.com Color code: HEX #F23AEF | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 58 green and 239 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 58 239 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 1 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 1% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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