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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F2DC77 it is the complementary color #0D2388. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F2DC77. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F2DC77 shade: #F7DC72, #FFEE85, #FFFF98, #FFFFAB and #FFFFBE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F2DC77. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F2DC77 shade: #F2DC77, #E1CA64, #D0B851, #BFA63E and #AE942B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F2DC77 shade: #F2DC77, #F2BB77, #F29A77, #F27977 and #F27777

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F2DC77 shade: #F2DC77, #E7F277, #C6F277, #A5F277 and #83F277

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F2DC77 shade matches the following richer shades: #F2DC77 and #FEE46B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F2DC77 shade: #F2DC77, #E6D483, #DACD8F, #CEC59B and #C2BDA7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F2DC77 shade: #F29A77, #F2BB77, #F2DB77, #E8F277 and #C7F277

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F2DC77 shade: #EBC92C, #EED251, #F2DC77, #F5E69D and #F9EFC3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F2DC77 shade: #F2DC77, #77F279 and #AA77F2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F2DC77 shade: #F2DC77, #77F2DB and #DB77F2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F2DC77 shade: #F2DC77, #77F279, #778EF2 and #F277F0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F2DC77 shade: #F2DC77, #77F29E, #778EF2 and #F277CB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 51 / 5

HEX #F2DC77

RGB 242 220 119

HSL 49.27, 0.83%, 0.71%

LAB 87.68, -5.15, 51.91

 

Complementary color

CMYK 90 / 74 / 0 / 47

HEX #0D2388

RGB 13 35 136

HSL 229.27, 0.83%, 0.29%

LAB 20.3, 33.47, -57.56

 

CMYK 0 / 11 / 54 / 3

HEX #F7DC72

RGB 247 220 114

HSL 47.82, 0.89%, 0.71%

LAB 88.05, -3.54, 54.81

 

CMYK 0 / 7 / 48 / 0

HEX #FFEE85

RGB 255 238 133

HSL 51.64, 1%, 0.76%

LAB 93.5, -7.78, 52.55

 

CMYK 0 / 0 / 40 / 0

HEX #FFFF98

RGB 255 255 152

HSL 60, 1%, 0.8%

LAB 98.05, -14.33, 49.12

 

CMYK 0 / 0 / 33 / 0

HEX #FFFFAB

RGB 255 255 171

HSL 60, 1%, 0.84%

LAB 98.32, -12.27, 40.22

 

CMYK 0 / 0 / 25 / 0

HEX #FFFFBE

RGB 255 255 190

HSL 60, 1%, 0.87%

LAB 98.63, -9.94, 31.16

 

CMYK 0 / 9 / 51 / 5

HEX #F2DC77

RGB 242 220 119

HSL 49.27, 0.83%, 0.71%

LAB 87.68, -5.15, 51.91

 

CMYK 0 / 10 / 56 / 12

HEX #E1CA64

RGB 225 202 100

HSL 48.96, 0.68%, 0.64%

LAB 81.38, -4.44, 53.08

 

CMYK 0 / 12 / 61 / 18

HEX #D0B851

RGB 208 184 81

HSL 48.66, 0.57%, 0.57%

LAB 75, -3.61, 54.18

 

CMYK 0 / 13 / 68 / 25

HEX #BFA63E

RGB 191 166 62

HSL 48.37, 0.51%, 0.5%

LAB 68.53, -2.62, 55.12

 

CMYK 0 / 15 / 75 / 32

HEX #AE942B

RGB 174 148 43

HSL 48.09, 0.6%, 0.43%

LAB 61.96, -1.43, 55.67

 

CMYK 0 / 9 / 51 / 5

HEX #F2DC77

RGB 242 220 119

HSL 49.27, 0.83%, 0.71%

LAB 87.68, -5.15, 51.91

 

CMYK 0 / 23 / 51 / 5

HEX #F2BB77

RGB 242 187 119

HSL 33.17, 0.83%, 0.71%

LAB 79.47, 11.9, 41.86

 

CMYK 0 / 36 / 51 / 5

HEX #F29A77

RGB 242 154 119

HSL 17.07, 0.83%, 0.71%

LAB 71.77, 29.31, 32.05

 

CMYK 0 / 50 / 51 / 5

HEX #F27977

RGB 242 121 119

HSL 0.98, 0.83%, 0.71%

LAB 64.87, 46.21, 22.92

 

CMYK 0 / 51 / 51 / 5

HEX #F27777

RGB 242 119 119

HSL 0, 0.83%, 0.71%

LAB 64.49, 47.19, 22.4

 

CMYK 0 / 9 / 51 / 5

HEX #F2DC77

RGB 242 220 119

HSL 49.27, 0.83%, 0.71%

LAB 87.68, -5.15, 51.91

 

CMYK 5 / 0 / 51 / 5

HEX #E7F277

RGB 231 242 119

HSL 65.37, 0.83%, 0.71%

LAB 92.5, -20.39, 57.42

 

CMYK 18 / 0 / 51 / 5

HEX #C6F277

RGB 198 242 119

HSL 81.46, 0.83%, 0.71%

LAB 90.25, -32.97, 54.2

 

CMYK 32 / 0 / 51 / 5

HEX #A5F277

RGB 165 242 119

HSL 97.56, 0.83%, 0.71%

LAB 88.37, -44.63, 51.5

 

CMYK 46 / 0 / 51 / 5

HEX #83F277

RGB 131 242 119

HSL 114.15, 0.83%, 0.71%

LAB 86.83, -55.15, 49.27

 

CMYK 0 / 9 / 51 / 5

HEX #F2DC77

RGB 242 220 119

HSL 49.27, 0.83%, 0.71%

LAB 87.68, -5.15, 51.91

 

CMYK 0 / 10 / 58 / 0

HEX #FEE46B

RGB 254 228 107

HSL 49.39, 0.99%, 0.71%

LAB 90.61, -5.26, 61.11

 

CMYK 0 / 9 / 51 / 5

HEX #F2DC77

RGB 242 220 119

HSL 49.27, 0.83%, 0.71%

LAB 87.68, -5.15, 51.91

 

CMYK 0 / 8 / 43 / 10

HEX #E6D483

RGB 230 212 131

HSL 49.09, 0.66%, 0.71%

LAB 84.77, -4.77, 42.24

 

CMYK 0 / 6 / 34 / 15

HEX #DACD8F

RGB 218 205 143

HSL 49.6, 0.5%, 0.71%

LAB 82.14, -4.58, 32.54

 

CMYK 0 / 4 / 25 / 19

HEX #CEC59B

RGB 206 197 155

HSL 49.41, 0.34%, 0.71%

LAB 79.28, -3.51, 22.24

 

CMYK 0 / 3 / 14 / 24

HEX #C2BDA7

RGB 194 189 167

HSL 48.89, 0.18%, 0.71%

LAB 76.47, -2.01, 11.75

 

CMYK 0 / 36 / 51 / 5

HEX #F29A77

RGB 242 154 119

HSL 17.07, 0.83%, 0.71%

LAB 71.77, 29.31, 32.05

 

CMYK 0 / 23 / 51 / 5

HEX #F2BB77

RGB 242 187 119

HSL 33.17, 0.83%, 0.71%

LAB 79.47, 11.9, 41.86

 

CMYK 0 / 10 / 51 / 5

HEX #F2DB77

RGB 242 219 119

HSL 48.78, 0.83%, 0.71%

LAB 87.42, -4.64, 51.6

 

CMYK 4 / 0 / 51 / 5

HEX #E8F277

RGB 232 242 119

HSL 64.88, 0.83%, 0.71%

LAB 92.57, -20, 57.52

 

CMYK 18 / 0 / 51 / 5

HEX #C7F277

RGB 199 242 119

HSL 80.98, 0.83%, 0.71%

LAB 90.31, -32.6, 54.29

 

CMYK 0 / 14 / 81 / 8

HEX #EBC92C

RGB 235 201 44

HSL 49.32, 0.83%, 0.55%

LAB 81.63, -2.65, 75.29

 

CMYK 0 / 12 / 66 / 7

HEX #EED251

RGB 238 210 81

HSL 49.3, 0.82%, 0.63%

LAB 84.41, -4.4, 65.11

 

CMYK 0 / 9 / 51 / 5

HEX #F2DC77

RGB 242 220 119

HSL 49.27, 0.83%, 0.71%

LAB 87.68, -5.15, 51.91

 

CMYK 0 / 6 / 36 / 4

HEX #F5E69D

RGB 245 230 157

HSL 49.77, 0.81%, 0.79%

LAB 90.98, -5.25, 37.44

 

CMYK 0 / 4 / 22 / 2

HEX #F9EFC3

RGB 249 239 195

HSL 48.89, 0.82%, 0.87%

LAB 94.23, -3.48, 22.53

 

CMYK 0 / 9 / 51 / 5

HEX #F2DC77

RGB 242 220 119

HSL 49.27, 0.83%, 0.71%

LAB 87.68, -5.15, 51.91

 

CMYK 51 / 0 / 50 / 5

HEX #77F279

RGB 119 242 121

HSL 120.98, 0.83%, 0.71%

LAB 86.41, -58.14, 47.72

 

CMYK 30 / 51 / 0 / 5

HEX #AA77F2

RGB 170 119 242

HSL 264.88, 0.83%, 0.71%

LAB 60.02, 44.49, -54.78

 

CMYK 0 / 9 / 51 / 5

HEX #F2DC77

RGB 242 220 119

HSL 49.27, 0.83%, 0.71%

LAB 87.68, -5.15, 51.91

 

CMYK 51 / 0 / 10 / 5

HEX #77F2DB

RGB 119 242 219

HSL 168.78, 0.83%, 0.71%

LAB 88.23, -39.94, 0.54

 

CMYK 10 / 51 / 0 / 5

HEX #DB77F2

RGB 219 119 242

HSL 288.78, 0.83%, 0.71%

LAB 65.49, 57.28, -45.78

 

CMYK 0 / 9 / 51 / 5

HEX #F2DC77

RGB 242 220 119

HSL 49.27, 0.83%, 0.71%

LAB 87.68, -5.15, 51.91

 

CMYK 51 / 0 / 50 / 5

HEX #77F279

RGB 119 242 121

HSL 120.98, 0.83%, 0.71%

LAB 86.41, -58.14, 47.72

 

CMYK 51 / 41 / 0 / 5

HEX #778EF2

RGB 119 142 242

HSL 228.78, 0.83%, 0.71%

LAB 61.38, 18.99, -52.87

 

CMYK 0 / 51 / 1 / 5

HEX #F277F0

RGB 242 119 240

HSL 300.98, 0.83%, 0.71%

LAB 68.29, 63.08, -40.08

 

CMYK 0 / 9 / 51 / 5

HEX #F2DC77

RGB 242 220 119

HSL 49.27, 0.83%, 0.71%

LAB 87.68, -5.15, 51.91

 

CMYK 51 / 0 / 35 / 5

HEX #77F29E

RGB 119 242 158

HSL 139.02, 0.83%, 0.71%

LAB 86.95, -52.5, 30.26

 

CMYK 51 / 41 / 0 / 5

HEX #778EF2

RGB 119 142 242

HSL 228.78, 0.83%, 0.71%

LAB 61.38, 18.99, -52.87

 

CMYK 0 / 51 / 16 / 5

HEX #F277CB

RGB 242 119 203

HSL 319.02, 0.83%, 0.71%

LAB 66.81, 57.16, -21.8

 

Description

Color code: HEX #F2DC77 | qconv.com Color code: HEX #F2DC77 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 220 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 220 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 51 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 51% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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