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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 242 187 119 it is the complementary color RGB 13 68 136. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 242 187 119. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 242 187 119 shade: RGB 247 187 114, RGB 255 205 133, RGB 255 223 152, RGB 255 241 171 and RGB 255 255 190

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 242 187 119. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 242 187 119 shade: RGB 242 187 119, RGB 225 169 100, RGB 208 151 81, RGB 191 133 62 and RGB 174 115 43

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 242 187 119 shade: RGB 242 187 119, RGB 242 154 119, RGB 242 121 119 and RGB 242 119 119

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 242 187 119 shade: RGB 242 187 119, RGB 242 220 119, RGB 231 242 119, RGB 198 242 119 and RGB 164 242 119

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 242 187 119 shade matches the following richer shades: RGB 242 187 119 and RGB 254 188 107

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 242 187 119 shade: RGB 242 187 119, RGB 230 186 131, RGB 218 185 143, RGB 206 183 155 and RGB 194 182 167

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 242 187 119 shade: RGB 242 121 119, RGB 242 154 119, RGB 242 187 119, RGB 242 219 119 and RGB 232 242 119

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 242 187 119 shade: RGB 235 149 44, RGB 238 168 81, RGB 242 187 119, RGB 245 206 157 and RGB 249 225 195

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 242 187 119 shade: RGB 242 187 119, RGB 150 242 119 and RGB 138 119 242

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 242 187 119 shade: RGB 242 187 119, RGB 119 242 187 and RGB 187 119 242

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 242 187 119 shade: RGB 242 187 119, RGB 150 242 119, RGB 119 174 242 and RGB 211 119 242

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 242 187 119 shade: RGB 242 187 119, RGB 119 242 125, RGB 119 174 242 and RGB 242 119 236

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 51 / 5

HEX #F2BB77

RGB 242 187 119

HSL 33.17, 0.83%, 0.71%

LAB 79.47, 11.9, 41.86

 

Complementary color

CMYK 90 / 50 / 0 / 47

HEX #0D4488

RGB 13 68 136

HSL 213.17, 0.83%, 0.29%

LAB 29.41, 10.59, -42.69

 

CMYK 0 / 24 / 54 / 3

HEX #F7BB72

RGB 247 187 114

HSL 32.93, 0.89%, 0.71%

LAB 79.91, 13.5, 45.04

 

CMYK 0 / 20 / 48 / 0

HEX #FFCD85

RGB 255 205 133

HSL 35.41, 1%, 0.76%

LAB 85.31, 8.98, 42.39

 

CMYK 0 / 13 / 40 / 0

HEX #FFDF98

RGB 255 223 152

HSL 41.36, 1%, 0.8%

LAB 90, 1.62, 38.84

 

CMYK 0 / 5 / 33 / 0

HEX #FFF1AB

RGB 255 241 171

HSL 50, 1%, 0.84%

LAB 94.79, -5.35, 35.56

 

CMYK 0 / 0 / 25 / 0

HEX #FFFFBE

RGB 255 255 190

HSL 60, 1%, 0.87%

LAB 98.63, -9.94, 31.16

 

CMYK 0 / 23 / 51 / 5

HEX #F2BB77

RGB 242 187 119

HSL 33.17, 0.83%, 0.71%

LAB 79.47, 11.9, 41.86

 

CMYK 0 / 25 / 56 / 12

HEX #E1A964

RGB 225 169 100

HSL 33.12, 0.68%, 0.64%

LAB 73.09, 12.88, 43.24

 

CMYK 0 / 27 / 61 / 18

HEX #D09751

RGB 208 151 81

HSL 33.07, 0.57%, 0.57%

LAB 66.62, 14.02, 44.67

 

CMYK 0 / 30 / 68 / 25

HEX #BF853E

RGB 191 133 62

HSL 33.02, 0.51%, 0.5%

LAB 60.07, 15.34, 46.08

 

CMYK 0 / 34 / 75 / 32

HEX #AE732B

RGB 174 115 43

HSL 32.98, 0.6%, 0.43%

LAB 53.42, 16.9, 47.33

 

CMYK 0 / 23 / 51 / 5

HEX #F2BB77

RGB 242 187 119

HSL 33.17, 0.83%, 0.71%

LAB 79.47, 11.9, 41.86

 

CMYK 0 / 36 / 51 / 5

HEX #F29A77

RGB 242 154 119

HSL 17.07, 0.83%, 0.71%

LAB 71.77, 29.31, 32.05

 

CMYK 0 / 50 / 51 / 5

HEX #F27977

RGB 242 121 119

HSL 0.98, 0.83%, 0.71%

LAB 64.87, 46.21, 22.92

 

CMYK 0 / 51 / 51 / 5

HEX #F27777

RGB 242 119 119

HSL 0, 0.83%, 0.71%

LAB 64.49, 47.19, 22.4

 

CMYK 0 / 23 / 51 / 5

HEX #F2BB77

RGB 242 187 119

HSL 33.17, 0.83%, 0.71%

LAB 79.47, 11.9, 41.86

 

CMYK 0 / 9 / 51 / 5

HEX #F2DC77

RGB 242 220 119

HSL 49.27, 0.83%, 0.71%

LAB 87.68, -5.15, 51.91

 

CMYK 5 / 0 / 51 / 5

HEX #E7F277

RGB 231 242 119

HSL 65.37, 0.83%, 0.71%

LAB 92.5, -20.39, 57.42

 

CMYK 18 / 0 / 51 / 5

HEX #C6F277

RGB 198 242 119

HSL 81.46, 0.83%, 0.71%

LAB 90.25, -32.97, 54.2

 

CMYK 32 / 0 / 51 / 5

HEX #A4F277

RGB 164 242 119

HSL 98.05, 0.83%, 0.71%

LAB 88.32, -44.97, 51.42

 

CMYK 0 / 23 / 51 / 5

HEX #F2BB77

RGB 242 187 119

HSL 33.17, 0.83%, 0.71%

LAB 79.47, 11.9, 41.86

 

CMYK 0 / 26 / 58 / 0

HEX #FEBC6B

RGB 254 188 107

HSL 33.06, 0.99%, 0.71%

LAB 80.79, 15.27, 49.74

 

CMYK 0 / 23 / 51 / 5

HEX #F2BB77

RGB 242 187 119

HSL 33.17, 0.83%, 0.71%

LAB 79.47, 11.9, 41.86

 

CMYK 0 / 19 / 43 / 10

HEX #E6BA83

RGB 230 186 131

HSL 33.33, 0.66%, 0.71%

LAB 78.22, 8.75, 33.83

 

CMYK 0 / 15 / 34 / 15

HEX #DAB98F

RGB 218 185 143

HSL 33.6, 0.5%, 0.71%

LAB 77.03, 5.88, 25.73

 

CMYK 0 / 11 / 25 / 19

HEX #CEB79B

RGB 206 183 155

HSL 32.94, 0.34%, 0.71%

LAB 75.67, 3.87, 17.25

 

CMYK 0 / 6 / 14 / 24

HEX #C2B6A7

RGB 194 182 167

HSL 33.33, 0.18%, 0.71%

LAB 74.64, 1.71, 9.16

 

CMYK 0 / 50 / 51 / 5

HEX #F27977

RGB 242 121 119

HSL 0.98, 0.83%, 0.71%

LAB 64.87, 46.21, 22.92

 

CMYK 0 / 36 / 51 / 5

HEX #F29A77

RGB 242 154 119

HSL 17.07, 0.83%, 0.71%

LAB 71.77, 29.31, 32.05

 

CMYK 0 / 23 / 51 / 5

HEX #F2BB77

RGB 242 187 119

HSL 33.17, 0.83%, 0.71%

LAB 79.47, 11.9, 41.86

 

CMYK 0 / 10 / 51 / 5

HEX #F2DB77

RGB 242 219 119

HSL 48.78, 0.83%, 0.71%

LAB 87.42, -4.64, 51.6

 

CMYK 4 / 0 / 51 / 5

HEX #E8F277

RGB 232 242 119

HSL 64.88, 0.83%, 0.71%

LAB 92.57, -20, 57.52

 

CMYK 0 / 37 / 81 / 8

HEX #EB952C

RGB 235 149 44

HSL 32.98, 0.83%, 0.55%

LAB 69, 24.67, 64.27

 

CMYK 0 / 29 / 66 / 7

HEX #EEA851

RGB 238 168 81

HSL 33.25, 0.82%, 0.63%

LAB 74.05, 17.5, 53.98

 

CMYK 0 / 23 / 51 / 5

HEX #F2BB77

RGB 242 187 119

HSL 33.17, 0.83%, 0.71%

LAB 79.47, 11.9, 41.86

 

CMYK 0 / 16 / 36 / 4

HEX #F5CE9D

RGB 245 206 157

HSL 33.41, 0.81%, 0.79%

LAB 84.99, 7.04, 29.5

 

CMYK 0 / 10 / 22 / 2

HEX #F9E1C3

RGB 249 225 195

HSL 33.33, 0.82%, 0.87%

LAB 90.75, 3.64, 17.68

 

CMYK 0 / 23 / 51 / 5

HEX #F2BB77

RGB 242 187 119

HSL 33.17, 0.83%, 0.71%

LAB 79.47, 11.9, 41.86

 

CMYK 38 / 0 / 51 / 5

HEX #96F277

RGB 150 242 119

HSL 104.88, 0.83%, 0.71%

LAB 87.64, -49.5, 50.45

 

CMYK 43 / 51 / 0 / 5

HEX #8A77F2

RGB 138 119 242

HSL 249.27, 0.83%, 0.71%

LAB 57.08, 36.78, -59.64

 

CMYK 0 / 23 / 51 / 5

HEX #F2BB77

RGB 242 187 119

HSL 33.17, 0.83%, 0.71%

LAB 79.47, 11.9, 41.86

 

CMYK 51 / 0 / 23 / 5

HEX #77F2BB

RGB 119 242 187

HSL 153.17, 0.83%, 0.71%

LAB 87.49, -47, 16.15

 

CMYK 23 / 51 / 0 / 5

HEX #BB77F2

RGB 187 119 242

HSL 273.17, 0.83%, 0.71%

LAB 61.8, 48.84, -51.84

 

CMYK 0 / 23 / 51 / 5

HEX #F2BB77

RGB 242 187 119

HSL 33.17, 0.83%, 0.71%

LAB 79.47, 11.9, 41.86

 

CMYK 38 / 0 / 51 / 5

HEX #96F277

RGB 150 242 119

HSL 104.88, 0.83%, 0.71%

LAB 87.64, -49.5, 50.45

 

CMYK 51 / 28 / 0 / 5

HEX #77AEF2

RGB 119 174 242

HSL 213.17, 0.83%, 0.71%

LAB 69.9, 0.57, -39.46

 

CMYK 13 / 51 / 0 / 5

HEX #D377F2

RGB 211 119 242

HSL 284.88, 0.83%, 0.71%

LAB 64.53, 55.15, -47.35

 

CMYK 0 / 23 / 51 / 5

HEX #F2BB77

RGB 242 187 119

HSL 33.17, 0.83%, 0.71%

LAB 79.47, 11.9, 41.86

 

CMYK 51 / 0 / 48 / 5

HEX #77F27D

RGB 119 242 125

HSL 122.93, 0.83%, 0.71%

LAB 86.46, -57.61, 45.89

 

CMYK 51 / 28 / 0 / 5

HEX #77AEF2

RGB 119 174 242

HSL 213.17, 0.83%, 0.71%

LAB 69.9, 0.57, -39.46

 

CMYK 0 / 51 / 2 / 5

HEX #F277EC

RGB 242 119 236

HSL 302.93, 0.83%, 0.71%

LAB 68.11, 62.4, -38.14

 

Description

Color code: RGB 242 187 119 | qconv.com Color code: RGB 242 187 119 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 187 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 187 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 51 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 51% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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