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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F39C76 it is the complementary color #0C6389. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F39C76. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F39C76 shade: #F89C71, #FFAE84, #FFC097, #FFD2AA and #FFE4BD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F39C76. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F39C76 shade: #F39C76, #E28A63, #D17850, #C0663D and #AF542A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F39C76 shade: #F39C76, #F37B76 and #F37676

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F39C76 shade: #F39C76, #F3BE76, #F3DF76, #E5F376 and #C3F376

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F39C76 shade matches the following richer shades: #F39C76

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F39C76 shade: #F39C76, #E7A182, #DBA68E, #CFAA9A and #C3AFA6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F39C76 shade: #F37693, #F37B76, #F39C76, #F3BD76 and #F3DE76

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F39C76 shade: #EC652B, #EF8150, #F39C76, #F6B89C and #F9D3C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F39C76 shade: #F39C76, #B5F376 and #7683F3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F39C76 shade: #F39C76, #76F39C and #9C76F3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F39C76 shade: #F39C76, #B5F376, #76CDF3 and #B576F3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F39C76 shade: #F39C76, #8FF376, #76CDF3 and #DA76F3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 51 / 5

HEX #F39C76

RGB 243 156 118

HSL 18.24, 0.84%, 0.71%

LAB 72.32, 28.56, 33.32

 

Complementary color

CMYK 91 / 28 / 0 / 46

HEX #0C6389

RGB 12 99 137

HSL 198.24, 0.84%, 0.29%

LAB 39.26, -9.19, -27.64

 

CMYK 0 / 37 / 54 / 3

HEX #F89C71

RGB 248 156 113

HSL 19.11, 0.91%, 0.71%

LAB 72.84, 30.1, 36.77

 

CMYK 0 / 32 / 48 / 0

HEX #FFAE84

RGB 255 174 132

HSL 20.49, 1%, 0.76%

LAB 77.99, 25.07, 33.51

 

CMYK 0 / 25 / 41 / 0

HEX #FFC097

RGB 255 192 151

HSL 23.65, 1%, 0.8%

LAB 82.48, 17.54, 29.45

 

CMYK 0 / 18 / 33 / 0

HEX #FFD2AA

RGB 255 210 170

HSL 28.24, 1%, 0.83%

LAB 87.12, 10.33, 25.77

 

CMYK 0 / 11 / 26 / 0

HEX #FFE4BD

RGB 255 228 189

HSL 35.45, 1%, 0.87%

LAB 91.87, 3.48, 22.43

 

CMYK 0 / 36 / 51 / 5

HEX #F39C76

RGB 243 156 118

HSL 18.24, 0.84%, 0.71%

LAB 72.32, 28.56, 33.32

 

CMYK 0 / 39 / 56 / 11

HEX #E28A63

RGB 226 138 99

HSL 18.43, 0.69%, 0.64%

LAB 65.94, 29.77, 34.96

 

CMYK 0 / 43 / 62 / 18

HEX #D17850

RGB 209 120 80

HSL 18.6, 0.58%, 0.57%

LAB 59.5, 31.11, 36.75

 

CMYK 0 / 47 / 68 / 25

HEX #C0663D

RGB 192 102 61

HSL 18.78, 0.52%, 0.5%

LAB 53, 32.61, 38.71

 

CMYK 0 / 52 / 76 / 31

HEX #AF542A

RGB 175 84 42

HSL 18.95, 0.61%, 0.43%

LAB 46.47, 34.26, 40.76

 

CMYK 0 / 36 / 51 / 5

HEX #F39C76

RGB 243 156 118

HSL 18.24, 0.84%, 0.71%

LAB 72.32, 28.56, 33.32

 

CMYK 0 / 49 / 51 / 5

HEX #F37B76

RGB 243 123 118

HSL 2.4, 0.84%, 0.71%

LAB 65.38, 45.49, 24.19

 

CMYK 0 / 51 / 51 / 5

HEX #F37676

RGB 243 118 118

HSL 0, 0.84%, 0.71%

LAB 64.42, 47.94, 22.9

 

CMYK 0 / 36 / 51 / 5

HEX #F39C76

RGB 243 156 118

HSL 18.24, 0.84%, 0.71%

LAB 72.32, 28.56, 33.32

 

CMYK 0 / 22 / 51 / 5

HEX #F3BE76

RGB 243 190 118

HSL 34.56, 0.84%, 0.71%

LAB 80.29, 10.64, 43.4

 

CMYK 0 / 8 / 51 / 5

HEX #F3DF76

RGB 243 223 118

HSL 50.4, 0.84%, 0.71%

LAB 88.51, -6.34, 53.4

 

CMYK 6 / 0 / 51 / 5

HEX #E5F376

RGB 229 243 118

HSL 66.72, 0.84%, 0.71%

LAB 92.6, -21.74, 57.96

 

CMYK 20 / 0 / 51 / 5

HEX #C3F376

RGB 195 243 118

HSL 83.04, 0.84%, 0.71%

LAB 90.33, -34.63, 54.71

 

CMYK 0 / 36 / 51 / 5

HEX #F39C76

RGB 243 156 118

HSL 18.24, 0.84%, 0.71%

LAB 72.32, 28.56, 33.32

 

CMYK 0 / 36 / 51 / 5

HEX #F39C76

RGB 243 156 118

HSL 18.24, 0.84%, 0.71%

LAB 72.32, 28.56, 33.32

 

CMYK 0 / 30 / 44 / 9

HEX #E7A182

RGB 231 161 130

HSL 18.42, 0.68%, 0.71%

LAB 72.29, 22.34, 26.56

 

CMYK 0 / 24 / 35 / 14

HEX #DBA68E

RGB 219 166 142

HSL 18.7, 0.52%, 0.71%

LAB 72.42, 16.31, 20

 

CMYK 0 / 18 / 26 / 19

HEX #CFAA9A

RGB 207 170 154

HSL 18.11, 0.36%, 0.71%

LAB 72.46, 11.1, 13.32

 

CMYK 0 / 10 / 15 / 24

HEX #C3AFA6

RGB 195 175 166

HSL 18.62, 0.19%, 0.71%

LAB 72.9, 5.69, 7.22

 

CMYK 0 / 51 / 40 / 5

HEX #F37693

RGB 243 118 147

HSL 346.08, 0.84%, 0.71%

LAB 65.06, 50.74, 7.31

 

CMYK 0 / 49 / 51 / 5

HEX #F37B76

RGB 243 123 118

HSL 2.4, 0.84%, 0.71%

LAB 65.38, 45.49, 24.19

 

CMYK 0 / 36 / 51 / 5

HEX #F39C76

RGB 243 156 118

HSL 18.24, 0.84%, 0.71%

LAB 72.32, 28.56, 33.32

 

CMYK 0 / 22 / 51 / 5

HEX #F3BD76

RGB 243 189 118

HSL 34.08, 0.84%, 0.71%

LAB 80.04, 11.16, 43.1

 

CMYK 0 / 9 / 51 / 5

HEX #F3DE76

RGB 243 222 118

HSL 49.92, 0.84%, 0.71%

LAB 88.26, -5.84, 53.1

 

CMYK 0 / 57 / 82 / 7

HEX #EC652B

RGB 236 101 43

HSL 18.03, 0.84%, 0.55%

LAB 59.26, 49.28, 55.99

 

CMYK 0 / 46 / 67 / 6

HEX #EF8150

RGB 239 129 80

HSL 18.49, 0.83%, 0.63%

LAB 65.46, 38.27, 44.81

 

CMYK 0 / 36 / 51 / 5

HEX #F39C76

RGB 243 156 118

HSL 18.24, 0.84%, 0.71%

LAB 72.32, 28.56, 33.32

 

CMYK 0 / 25 / 37 / 4

HEX #F6B89C

RGB 246 184 156

HSL 18.67, 0.83%, 0.79%

LAB 79.77, 18.83, 22.97

 

CMYK 0 / 15 / 22 / 2

HEX #F9D3C2

RGB 249 211 194

HSL 18.55, 0.82%, 0.87%

LAB 87.3, 10.74, 13.35

 

CMYK 0 / 36 / 51 / 5

HEX #F39C76

RGB 243 156 118

HSL 18.24, 0.84%, 0.71%

LAB 72.32, 28.56, 33.32

 

CMYK 26 / 0 / 51 / 5

HEX #B5F376

RGB 181 243 118

HSL 89.76, 0.84%, 0.71%

LAB 89.5, -39.67, 53.52

 

CMYK 51 / 46 / 0 / 5

HEX #7683F3

RGB 118 131 243

HSL 233.76, 0.84%, 0.71%

LAB 58.56, 25.6, -57.92

 

CMYK 0 / 36 / 51 / 5

HEX #F39C76

RGB 243 156 118

HSL 18.24, 0.84%, 0.71%

LAB 72.32, 28.56, 33.32

 

CMYK 51 / 0 / 36 / 5

HEX #76F39C

RGB 118 243 156

HSL 138.24, 0.84%, 0.71%

LAB 87.17, -53.5, 31.56

 

CMYK 36 / 51 / 0 / 5

HEX #9C76F3

RGB 156 118 243

HSL 258.24, 0.84%, 0.71%

LAB 58.5, 41.85, -57.83

 

CMYK 0 / 36 / 51 / 5

HEX #F39C76

RGB 243 156 118

HSL 18.24, 0.84%, 0.71%

LAB 72.32, 28.56, 33.32

 

CMYK 26 / 0 / 51 / 5

HEX #B5F376

RGB 181 243 118

HSL 89.76, 0.84%, 0.71%

LAB 89.5, -39.67, 53.52

 

CMYK 51 / 16 / 0 / 5

HEX #76CDF3

RGB 118 205 243

HSL 198.24, 0.84%, 0.71%

LAB 78.45, -16.05, -26.79

 

CMYK 26 / 51 / 0 / 5

HEX #B576F3

RGB 181 118 243

HSL 270.24, 0.84%, 0.71%

LAB 61, 48.06, -53.7

 

CMYK 0 / 36 / 51 / 5

HEX #F39C76

RGB 243 156 118

HSL 18.24, 0.84%, 0.71%

LAB 72.32, 28.56, 33.32

 

CMYK 41 / 0 / 51 / 5

HEX #8FF376

RGB 143 243 118

HSL 108, 0.84%, 0.71%

LAB 87.61, -52.18, 50.79

 

CMYK 51 / 16 / 0 / 5

HEX #76CDF3

RGB 118 205 243

HSL 198.24, 0.84%, 0.71%

LAB 78.45, -16.05, -26.79

 

CMYK 10 / 51 / 0 / 5

HEX #DA76F3

RGB 218 118 243

HSL 288, 0.84%, 0.71%

LAB 65.23, 57.69, -46.75

 

Description

Color code: HEX #F39C76 | qconv.com Color code: HEX #F39C76 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 156 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 156 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 51 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 51% 5% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

50% - ⋆Yaoi Releases⋆
Link: http://yaoi-releases.tumblr.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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