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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F44CB9 it is the complementary color #0BB346. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F44CB9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F44CB9 shade: #F94CB4, #FF5EC7, #FF70DA, #FF82ED and #FF94FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F44CB9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F44CB9 shade: #F44CB9, #E33AA6, #D22893, #C11680 and #B0046D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F44CB9 shade: #F34DB9, #F34D8C, #F34D5F and #F34D4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F44CB9 shade: #F34DB9, #F34DE6, #D44DF3, #A74DF3 and #7A4DF3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F44CB9 shade matches the following richer shades: #F34DB9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F44CB9 shade: #F34DB9, #E45CB4, #D56CB0, #C57BAB and #B68AA7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F44CB9 shade: #D54DF3, #F34DE5, #F34DB9, #F34D8D and #F34D60

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F44CB9 shade: #E00E96, #F126AA, #F34DB9, #F674C8 and #F89BD7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F44CB9 shade: #F44CB9, #F3A84D and #4DF3EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F44CB9 shade: #F44CB9, #B9F34D and #4DB9F3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F44CB9 shade: #F44CB9, #F3A84D, #4DF387 and #4D98F3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F44CB9 shade: #F44CB9, #F3DA4D, #4DF387 and #4D66F3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 24 / 4

HEX #F44CB9

RGB 244 76 185

HSL 321.07, 0.88%, 0.63%

LAB 59.8, 73.23, -22.28

 

Complementary color

CMYK 94 / 0 / 61 / 30

HEX #0BB346

RGB 11 179 70

HSL 141.07, 0.88%, 0.37%

LAB 63.96, -60.95, 44.15

 

CMYK 0 / 69 / 28 / 2

HEX #F94CB4

RGB 249 76 180

HSL 323.93, 0.94%, 0.64%

LAB 60.43, 73.89, -18.37

 

CMYK 0 / 63 / 22 / 0

HEX #FF5EC7

RGB 255 94 199

HSL 320.87, 1%, 0.68%

LAB 64.47, 71.17, -22.96

 

CMYK 0 / 56 / 15 / 0

HEX #FF70DA

RGB 255 112 218

HSL 315.52, 1%, 0.72%

LAB 67.95, 66.3, -28.28

 

CMYK 0 / 49 / 7 / 0

HEX #FF82ED

RGB 255 130 237

HSL 308.64, 1%, 0.75%

LAB 71.78, 61.02, -32.86

 

CMYK 0 / 42 / 0 / 0

HEX #FF94FF

RGB 255 148 255

HSL 300, 1%, 0.79%

LAB 75.86, 55.33, -36.36

 

CMYK 0 / 69 / 24 / 4

HEX #F44CB9

RGB 244 76 185

HSL 321.07, 0.88%, 0.63%

LAB 59.8, 73.23, -22.28

 

CMYK 0 / 74 / 27 / 11

HEX #E33AA6

RGB 227 58 166

HSL 321.66, 0.75%, 0.56%

LAB 54.14, 72.58, -20.16

 

CMYK 0 / 81 / 30 / 18

HEX #D22893

RGB 210 40 147

HSL 322.24, 0.68%, 0.49%

LAB 48.67, 71.27, -17.52

 

CMYK 0 / 89 / 34 / 24

HEX #C11680

RGB 193 22 128

HSL 322.81, 0.8%, 0.42%

LAB 43.46, 69, -14.2

 

CMYK 0 / 98 / 38 / 31

HEX #B0046D

RGB 176 4 109

HSL 323.37, 0.96%, 0.35%

LAB 38.59, 65.57, -10.06

 

CMYK 0 / 68 / 24 / 5

HEX #F34DB9

RGB 243 77 185

HSL 320.96, 0.87%, 0.63%

LAB 59.77, 72.62, -22.35

 

CMYK 0 / 68 / 42 / 5

HEX #F34D8C

RGB 243 77 140

HSL 337.23, 0.87%, 0.63%

LAB 58.28, 67.64, 1.58

 

CMYK 0 / 68 / 61 / 5

HEX #F34D5F

RGB 243 77 95

HSL 353.49, 0.87%, 0.63%

LAB 57.26, 64.1, 26.6

 

CMYK 0 / 68 / 68 / 5

HEX #F34D4D

RGB 243 77 77

HSL 0, 0.87%, 0.63%

LAB 56.98, 63.1, 36.59

 

CMYK 0 / 68 / 24 / 5

HEX #F34DB9

RGB 243 77 185

HSL 320.96, 0.87%, 0.63%

LAB 59.77, 72.62, -22.35

 

CMYK 0 / 68 / 5 / 5

HEX #F34DE6

RGB 243 77 230

HSL 304.7, 0.87%, 0.63%

LAB 61.72, 78.86, -44.82

 

CMYK 13 / 68 / 0 / 5

HEX #D44DF3

RGB 212 77 243

HSL 288.8, 0.87%, 0.63%

LAB 57.82, 74.31, -58.55

 

CMYK 31 / 68 / 0 / 5

HEX #A74DF3

RGB 167 77 243

HSL 272.53, 0.87%, 0.63%

LAB 51.83, 65.21, -68.51

 

CMYK 50 / 68 / 0 / 5

HEX #7A4DF3

RGB 122 77 243

HSL 256.27, 0.87%, 0.63%

LAB 46.86, 57.14, -76.81

 

CMYK 0 / 68 / 24 / 5

HEX #F34DB9

RGB 243 77 185

HSL 320.96, 0.87%, 0.63%

LAB 59.77, 72.62, -22.35

 

CMYK 0 / 68 / 24 / 5

HEX #F34DB9

RGB 243 77 185

HSL 320.96, 0.87%, 0.63%

LAB 59.77, 72.62, -22.35

 

CMYK 0 / 60 / 21 / 11

HEX #E45CB4

RGB 228 92 180

HSL 321.18, 0.72%, 0.63%

LAB 59.38, 62.04, -20.27

 

CMYK 0 / 49 / 17 / 16

HEX #D56CB0

RGB 213 108 176

HSL 321.14, 0.56%, 0.63%

LAB 59.89, 49.55, -17.39

 

CMYK 0 / 38 / 13 / 23

HEX #C57BAB

RGB 197 123 171

HSL 321.08, 0.39%, 0.63%

LAB 60.76, 35.72, -13.41

 

CMYK 0 / 24 / 8 / 29

HEX #B68AA7

RGB 182 138 167

HSL 320.45, 0.23%, 0.63%

LAB 62.43, 21.51, -8.8

 

CMYK 12 / 68 / 0 / 5

HEX #D54DF3

RGB 213 77 243

HSL 289.16, 0.87%, 0.63%

LAB 57.97, 74.52, -58.32

 

CMYK 0 / 68 / 6 / 5

HEX #F34DE5

RGB 243 77 229

HSL 305.06, 0.87%, 0.63%

LAB 61.67, 78.71, -44.34

 

CMYK 0 / 68 / 24 / 5

HEX #F34DB9

RGB 243 77 185

HSL 320.96, 0.87%, 0.63%

LAB 59.77, 72.62, -22.35

 

CMYK 0 / 68 / 42 / 5

HEX #F34D8D

RGB 243 77 141

HSL 336.87, 0.87%, 0.63%

LAB 58.31, 67.74, 1.04

 

CMYK 0 / 68 / 60 / 5

HEX #F34D60

RGB 243 77 96

HSL 353.13, 0.87%, 0.63%

LAB 57.28, 64.17, 26.04

 

CMYK 0 / 94 / 33 / 12

HEX #E00E96

RGB 224 14 150

HSL 321.14, 0.88%, 0.47%

LAB 49.93, 78.91, -17.15

 

CMYK 0 / 84 / 29 / 5

HEX #F126AA

RGB 241 38 170

HSL 320.99, 0.88%, 0.55%

LAB 55.06, 81.15, -20.88

 

CMYK 0 / 68 / 24 / 5

HEX #F34DB9

RGB 243 77 185

HSL 320.96, 0.87%, 0.63%

LAB 59.77, 72.62, -22.35

 

CMYK 0 / 53 / 19 / 4

HEX #F674C8

RGB 246 116 200

HSL 321.23, 0.88%, 0.71%

LAB 66.71, 59.32, -20.22

 

CMYK 0 / 38 / 13 / 3

HEX #F89BD7

RGB 248 155 215

HSL 321.29, 0.87%, 0.79%

LAB 75.02, 42.94, -15.94

 

CMYK 0 / 69 / 24 / 4

HEX #F44CB9

RGB 244 76 185

HSL 321.07, 0.88%, 0.63%

LAB 59.8, 73.23, -22.28

 

CMYK 0 / 31 / 68 / 5

HEX #F3A84D

RGB 243 168 77

HSL 32.89, 0.87%, 0.63%

LAB 74.57, 19.35, 56.54

 

CMYK 68 / 0 / 3 / 5

HEX #4DF3EB

RGB 77 243 235

HSL 177.11, 0.87%, 0.63%

LAB 87.81, -43.56, -8.56

 

CMYK 0 / 69 / 24 / 4

HEX #F44CB9

RGB 244 76 185

HSL 321.07, 0.88%, 0.63%

LAB 59.8, 73.23, -22.28

 

CMYK 24 / 0 / 68 / 5

HEX #B9F34D

RGB 185 243 77

HSL 80.96, 0.87%, 0.63%

LAB 89.37, -41.61, 70.55

 

CMYK 68 / 24 / 0 / 5

HEX #4DB9F3

RGB 77 185 243

HSL 200.96, 0.87%, 0.63%

LAB 71.38, -12.93, -37.81

 

CMYK 0 / 69 / 24 / 4

HEX #F44CB9

RGB 244 76 185

HSL 321.07, 0.88%, 0.63%

LAB 59.8, 73.23, -22.28

 

CMYK 0 / 31 / 68 / 5

HEX #F3A84D

RGB 243 168 77

HSL 32.89, 0.87%, 0.63%

LAB 74.57, 19.35, 56.54

 

CMYK 68 / 0 / 44 / 5

HEX #4DF387

RGB 77 243 135

HSL 140.96, 0.87%, 0.63%

LAB 85.72, -65.37, 39.88

 

CMYK 68 / 37 / 0 / 5

HEX #4D98F3

RGB 77 152 243

HSL 212.89, 0.87%, 0.63%

LAB 62.09, 5.6, -52.42

 

CMYK 0 / 69 / 24 / 4

HEX #F44CB9

RGB 244 76 185

HSL 321.07, 0.88%, 0.63%

LAB 59.8, 73.23, -22.28

 

CMYK 0 / 10 / 68 / 5

HEX #F3DA4D

RGB 243 218 77

HSL 50.96, 0.87%, 0.63%

LAB 86.87, -6.58, 69.36

 

CMYK 68 / 0 / 44 / 5

HEX #4DF387

RGB 77 243 135

HSL 140.96, 0.87%, 0.63%

LAB 85.72, -65.37, 39.88

 

CMYK 68 / 58 / 0 / 5

HEX #4D66F3

RGB 77 102 243

HSL 230.96, 0.87%, 0.63%

LAB 48.95, 36.04, -73.55

 

Description

Color code: HEX #F44CB9 | qconv.com Color code: HEX #F44CB9 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 76 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 76 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 24 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 24% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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