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Color name
HEX #F4977B

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F4977B it is the complementary color #0B6884. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F4977B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F4977B shade: #F99776, #FFA989, #FFBB9C, #FFCDAF and #FFDFC2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F4977B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F4977B shade: #F4977B, #E38568, #D27355, #C16142 and #B04F2F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F4977B shade: #F4967A and #F47A7A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F4977B shade: #F4967A, #F4B77A, #F4D87A, #EFF47A and #CEF47A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F4977B shade matches the following richer shades: #F4967A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F4977B shade: #F4967A, #E89D86, #DDA392, #D1A99D and #C6AFA9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F4977B shade: #F47AA1, #F47A80, #F4957A, #F4B57A and #F4D57A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F4977B shade: #EE5A2E, #F17854, #F4967A, #F7B5A1 and #FAD3C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F4977B shade: #F4977B, #C1F47A and #7A91F4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F4977B shade: #F4977B, #7AF495 and #957AF4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F4977B shade: #F4977B, #C1F47A, #7AD9F4 and #AD7AF4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F4977B shade: #F4977B, #9DF47A, #7AD9F4 and #D17AF4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 50 / 4

HEX #F4977B

RGB 244 151 123

HSL 13.88, 0.85%, 0.72%

LAB 71.42, 32.01, 29.47

 

Complementary color

CMYK 92 / 21 / 0 / 48

HEX #0B6884

RGB 11 104 132

HSL 193.88, 0.85%, 0.28%

LAB 40.63, -14.1, -22.47

 

CMYK 0 / 39 / 53 / 2

HEX #F99776

RGB 249 151 118

HSL 15.11, 0.92%, 0.72%

LAB 71.95, 33.5, 32.98

 

CMYK 0 / 34 / 46 / 0

HEX #FFA989

RGB 255 169 137

HSL 16.27, 1%, 0.77%

LAB 76.95, 28.15, 29.48

 

CMYK 0 / 27 / 39 / 0

HEX #FFBB9C

RGB 255 187 156

HSL 18.79, 1%, 0.81%

LAB 81.4, 20.71, 25.35

 

CMYK 0 / 20 / 31 / 0

HEX #FFCDAF

RGB 255 205 175

HSL 22.5, 1%, 0.84%

LAB 86.02, 13.55, 21.64

 

CMYK 0 / 13 / 24 / 0

HEX #FFDFC2

RGB 255 223 194

HSL 28.52, 1%, 0.88%

LAB 90.75, 6.72, 18.27

 

CMYK 0 / 38 / 50 / 4

HEX #F4977B

RGB 244 151 123

HSL 13.88, 0.85%, 0.72%

LAB 71.42, 32.01, 29.47

 

CMYK 0 / 41 / 54 / 11

HEX #E38568

RGB 227 133 104

HSL 14.15, 0.69%, 0.65%

LAB 65.05, 33.2, 31.13

 

CMYK 0 / 45 / 60 / 18

HEX #D27355

RGB 210 115 85

HSL 14.4, 0.58%, 0.58%

LAB 58.62, 34.51, 32.97

 

CMYK 0 / 50 / 66 / 24

HEX #C16142

RGB 193 97 66

HSL 14.65, 0.51%, 0.51%

LAB 52.15, 35.94, 35.04

 

CMYK 0 / 55 / 73 / 31

HEX #B04F2F

RGB 176 79 47

HSL 14.88, 0.58%, 0.44%

LAB 45.67, 37.47, 37.33

 

CMYK 0 / 39 / 50 / 4

HEX #F4967A

RGB 244 150 122

HSL 13.77, 0.85%, 0.72%

LAB 71.18, 32.44, 29.7

 

CMYK 0 / 50 / 50 / 4

HEX #F47A7A

RGB 244 122 122

HSL 0, 0.85%, 0.72%

LAB 65.4, 46.69, 21.99

 

CMYK 0 / 39 / 50 / 4

HEX #F4967A

RGB 244 150 122

HSL 13.77, 0.85%, 0.72%

LAB 71.18, 32.44, 29.7

 

CMYK 0 / 25 / 50 / 4

HEX #F4B77A

RGB 244 183 122

HSL 30, 0.85%, 0.72%

LAB 78.76, 15.07, 39.47

 

CMYK 0 / 11 / 50 / 4

HEX #F4D87A

RGB 244 216 122

HSL 46.23, 0.85%, 0.72%

LAB 86.87, -2.06, 49.54

 

CMYK 2 / 0 / 50 / 4

HEX #EFF47A

RGB 239 244 122

HSL 62.46, 0.85%, 0.72%

LAB 93.65, -17.97, 57.55

 

CMYK 16 / 0 / 50 / 4

HEX #CEF47A

RGB 206 244 122

HSL 78.69, 0.85%, 0.72%

LAB 91.34, -30.63, 54.24

 

CMYK 0 / 39 / 50 / 4

HEX #F4967A

RGB 244 150 122

HSL 13.77, 0.85%, 0.72%

LAB 71.18, 32.44, 29.7

 

CMYK 0 / 39 / 50 / 4

HEX #F4967A

RGB 244 150 122

HSL 13.77, 0.85%, 0.72%

LAB 71.18, 32.44, 29.7

 

CMYK 0 / 32 / 42 / 9

HEX #E89D86

RGB 232 157 134

HSL 14.08, 0.68%, 0.72%

LAB 71.55, 25.29, 23.41

 

CMYK 0 / 26 / 34 / 13

HEX #DDA392

RGB 221 163 146

HSL 13.6, 0.52%, 0.72%

LAB 71.99, 19.2, 17.25

 

CMYK 0 / 19 / 25 / 18

HEX #D1A99D

RGB 209 169 157

HSL 13.85, 0.36%, 0.72%

LAB 72.47, 12.83, 11.72

 

CMYK 0 / 12 / 15 / 22

HEX #C6AFA9

RGB 198 175 169

HSL 12.41, 0.2%, 0.72%

LAB 73.24, 7.28, 6.1

 

CMYK 0 / 50 / 34 / 4

HEX #F47AA1

RGB 244 122 161

HSL 340.82, 0.85%, 0.72%

LAB 66.31, 50.72, 1.17

 

CMYK 0 / 50 / 48 / 4

HEX #F47A80

RGB 244 122 128

HSL 357.05, 0.85%, 0.72%

LAB 65.52, 47.23, 18.77

 

CMYK 0 / 39 / 50 / 4

HEX #F4957A

RGB 244 149 122

HSL 13.28, 0.85%, 0.72%

LAB 70.96, 32.97, 29.41

 

CMYK 0 / 26 / 50 / 4

HEX #F4B57A

RGB 244 181 122

HSL 29.02, 0.85%, 0.72%

LAB 78.28, 16.12, 38.86

 

CMYK 0 / 13 / 50 / 4

HEX #F4D57A

RGB 244 213 122

HSL 44.75, 0.85%, 0.72%

LAB 86.12, -0.53, 48.62

 

CMYK 0 / 62 / 81 / 7

HEX #EE5A2E

RGB 238 90 46

HSL 13.75, 0.85%, 0.56%

LAB 57.74, 55, 53.36

 

CMYK 0 / 50 / 65 / 5

HEX #F17854

RGB 241 120 84

HSL 13.76, 0.85%, 0.64%

LAB 63.98, 43.79, 41.04

 

CMYK 0 / 39 / 50 / 4

HEX #F4967A

RGB 244 150 122

HSL 13.77, 0.85%, 0.72%

LAB 71.18, 32.44, 29.7

 

CMYK 0 / 27 / 35 / 3

HEX #F7B5A1

RGB 247 181 161

HSL 13.95, 0.84%, 0.8%

LAB 79.27, 21.39, 19.62

 

CMYK 0 / 16 / 20 / 2

HEX #FAD3C7

RGB 250 211 199

HSL 14.12, 0.84%, 0.88%

LAB 87.5, 11.82, 11.01

 

CMYK 0 / 38 / 50 / 4

HEX #F4977B

RGB 244 151 123

HSL 13.88, 0.85%, 0.72%

LAB 71.42, 32.01, 29.47

 

CMYK 21 / 0 / 50 / 4

HEX #C1F47A

RGB 193 244 122

HSL 85.08, 0.85%, 0.72%

LAB 90.53, -35.42, 53.07

 

CMYK 50 / 41 / 0 / 4

HEX #7A91F4

RGB 122 145 244

HSL 228.69, 0.85%, 0.72%

LAB 62.44, 18.5, -52.27

 

CMYK 0 / 38 / 50 / 4

HEX #F4977B

RGB 244 151 123

HSL 13.88, 0.85%, 0.72%

LAB 71.42, 32.01, 29.47

 

CMYK 50 / 0 / 39 / 4

HEX #7AF495

RGB 122 244 149

HSL 133.28, 0.85%, 0.72%

LAB 87.49, -54.08, 35.52

 

CMYK 39 / 50 / 0 / 4

HEX #957AF4

RGB 149 122 244

HSL 253.28, 0.85%, 0.72%

LAB 58.83, 38.17, -57.91

 

CMYK 0 / 38 / 50 / 4

HEX #F4977B

RGB 244 151 123

HSL 13.88, 0.85%, 0.72%

LAB 71.42, 32.01, 29.47

 

CMYK 21 / 0 / 50 / 4

HEX #C1F47A

RGB 193 244 122

HSL 85.08, 0.85%, 0.72%

LAB 90.53, -35.42, 53.07

 

CMYK 50 / 11 / 0 / 4

HEX #7AD9F4

RGB 122 217 244

HSL 193.28, 0.85%, 0.72%

LAB 82, -21.03, -21.9

 

CMYK 29 / 50 / 0 / 4

HEX #AD7AF4

RGB 173 122 244

HSL 265.08, 0.85%, 0.72%

LAB 61.08, 44.09, -54.19

 

CMYK 0 / 38 / 50 / 4

HEX #F4977B

RGB 244 151 123

HSL 13.88, 0.85%, 0.72%

LAB 71.42, 32.01, 29.47

 

CMYK 36 / 0 / 50 / 4

HEX #9DF47A

RGB 157 244 122

HSL 102.79, 0.85%, 0.72%

LAB 88.58, -47.77, 50.26

 

CMYK 50 / 11 / 0 / 4

HEX #7AD9F4

RGB 122 217 244

HSL 193.28, 0.85%, 0.72%

LAB 82, -21.03, -21.9

 

CMYK 14 / 50 / 0 / 4

HEX #D17AF4

RGB 209 122 244

HSL 282.79, 0.85%, 0.72%

LAB 64.97, 53.51, -47.78

 

Description

Color code: HEX #F4977B | qconv.com Color code: HEX #F4977B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 151 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 151 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 50 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 50% 4% C M Y K

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Provide designers and agencies with accurate color values.

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