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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F5B4E4 it is the complementary color #0A4B1B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F5B4E4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F5B4E4 shade: #FAB4DF, #FFC6F2, #FFD8FF, #FFEAFF and #FFFCFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F5B4E4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F5B4E4 shade: #F5B4E4, #E4A2D1, #D390BE, #C27EAB and #B16C98

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F5B4E4 shade: #F4B2E3, #F4B2D1, #F4B2BF and #F4B2B2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F5B4E4 shade: #F4B2E3, #F4B2F4, #E2B2F4, #D0B2F4 and #BEB2F4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F5B4E4 shade matches the following richer shades: #F4B2E3 and #FBABE6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F5B4E4 shade: #F4B2E3, #EDB9E0, #E6C0DC, #DFC7D9 and #D8CED5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F5B4E4 shade: #E1B2F4, #F3B2F4, #F4B2E4, #F4B2D2 and #F4B2C0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F5B4E4 shade: #EA6AC9, #EF8ED6, #F4B2E3, #F9D7F0 and #FEFBFD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F5B4E4 shade: #F5B4E4, #F4D0B2 and #B2F4EA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F5B4E4 shade: #F5B4E4, #E4F4B2 and #B2E4F4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F5B4E4 shade: #F5B4E4, #F4D0B2, #B2F4C3 and #B2D6F4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F5B4E4 shade: #F5B4E4, #F4E4B2, #B2F4C3 and #B2C3F4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 7 / 4

HEX #F5B4E4

RGB 245 180 228

HSL 315.69, 0.76%, 0.83%

LAB 80.55, 31, -14.72

 

Complementary color

CMYK 87 / 0 / 64 / 71

HEX #0A4B1B

RGB 10 75 27

HSL 135.69, 0.76%, 0.17%

LAB 27.23, -31.2, 22.78

 

CMYK 0 / 28 / 11 / 2

HEX #FAB4DF

RGB 250 180 223

HSL 323.14, 0.88%, 0.84%

LAB 80.9, 31.83, -11.44

 

CMYK 0 / 22 / 5 / 0

HEX #FFC6F2

RGB 255 198 242

HSL 313.68, 1%, 0.89%

LAB 86.04, 27.23, -13.88

 

CMYK 0 / 15 / 0 / 0

HEX #FFD8FF

RGB 255 216 255

HSL 300, 1%, 0.92%

LAB 90.59, 20.08, -13.92

 

CMYK 0 / 8 / 0 / 0

HEX #FFEAFF

RGB 255 234 255

HSL 300, 1%, 0.96%

LAB 94.88, 10.72, -7.54

 

CMYK 0 / 1 / 0 / 0

HEX #FFFCFF

RGB 255 252 255

HSL 300, 1%, 0.99%

LAB 99.26, 1.52, -1.09

 

CMYK 0 / 27 / 7 / 4

HEX #F5B4E4

RGB 245 180 228

HSL 315.69, 0.76%, 0.83%

LAB 80.55, 31, -14.72

 

CMYK 0 / 29 / 8 / 11

HEX #E4A2D1

RGB 228 162 209

HSL 317.27, 0.55%, 0.76%

LAB 74.15, 31.64, -14.18

 

CMYK 0 / 32 / 10 / 17

HEX #D390BE

RGB 211 144 190

HSL 318.81, 0.43%, 0.7%

LAB 67.66, 32.33, -13.6

 

CMYK 0 / 35 / 12 / 24

HEX #C27EAB

RGB 194 126 171

HSL 320.29, 0.36%, 0.63%

LAB 61.07, 33.07, -12.98

 

CMYK 0 / 39 / 14 / 31

HEX #B16C98

RGB 177 108 152

HSL 321.74, 0.31%, 0.56%

LAB 54.39, 33.85, -12.28

 

CMYK 0 / 27 / 7 / 4

HEX #F4B2E3

RGB 244 178 227

HSL 315.45, 0.75%, 0.83%

LAB 79.97, 31.55, -15.06

 

CMYK 0 / 27 / 14 / 4

HEX #F4B2D1

RGB 244 178 209

HSL 331.82, 0.75%, 0.83%

LAB 79.43, 28.59, -6.13

 

CMYK 0 / 27 / 22 / 4

HEX #F4B2BF

RGB 244 178 191

HSL 348.18, 0.75%, 0.83%

LAB 78.95, 25.85, 2.91

 

CMYK 0 / 27 / 27 / 4

HEX #F4B2B2

RGB 244 178 178

HSL 0, 0.75%, 0.83%

LAB 78.63, 24.02, 9.51

 

CMYK 0 / 27 / 7 / 4

HEX #F4B2E3

RGB 244 178 227

HSL 315.45, 0.75%, 0.83%

LAB 79.97, 31.55, -15.06

 

CMYK 0 / 27 / 0 / 4

HEX #F4B2F4

RGB 244 178 244

HSL 300, 0.75%, 0.83%

LAB 80.52, 34.55, -23.38

 

CMYK 7 / 27 / 0 / 4

HEX #E2B2F4

RGB 226 178 244

HSL 283.64, 0.75%, 0.83%

LAB 78.78, 28.84, -26.19

 

CMYK 15 / 27 / 0 / 4

HEX #D0B2F4

RGB 208 178 244

HSL 267.27, 0.75%, 0.83%

LAB 77.15, 23.23, -28.82

 

CMYK 22 / 27 / 0 / 4

HEX #BEB2F4

RGB 190 178 244

HSL 250.91, 0.75%, 0.83%

LAB 75.65, 17.75, -31.26

 

CMYK 0 / 27 / 7 / 4

HEX #F4B2E3

RGB 244 178 227

HSL 315.45, 0.75%, 0.83%

LAB 79.97, 31.55, -15.06

 

CMYK 0 / 32 / 8 / 2

HEX #FBABE6

RGB 251 171 230

HSL 315.75, 0.91%, 0.83%

LAB 79.24, 38.04, -17.7

 

CMYK 0 / 27 / 7 / 4

HEX #F4B2E3

RGB 244 178 227

HSL 315.45, 0.75%, 0.83%

LAB 79.97, 31.55, -15.06

 

CMYK 0 / 22 / 5 / 7

HEX #EDB9E0

RGB 237 185 224

HSL 315, 0.59%, 0.83%

LAB 80.79, 24.98, -12.29

 

CMYK 0 / 17 / 4 / 10

HEX #E6C0DC

RGB 230 192 220

HSL 315.79, 0.43%, 0.83%

LAB 81.67, 18.17, -8.89

 

CMYK 0 / 11 / 3 / 13

HEX #DFC7D9

RGB 223 199 217

HSL 315, 0.27%, 0.83%

LAB 82.67, 11.52, -5.87

 

CMYK 0 / 5 / 1 / 15

HEX #D8CED5

RGB 216 206 213

HSL 318, 0.11%, 0.83%

LAB 83.73, 4.7, -2.24

 

CMYK 8 / 27 / 0 / 4

HEX #E1B2F4

RGB 225 178 244

HSL 282.73, 0.75%, 0.83%

LAB 78.68, 28.53, -26.34

 

CMYK 0 / 27 / 0 / 4

HEX #F3B2F4

RGB 243 178 244

HSL 299.09, 0.75%, 0.83%

LAB 80.42, 34.23, -23.54

 

CMYK 0 / 27 / 7 / 4

HEX #F4B2E4

RGB 244 178 228

HSL 314.55, 0.75%, 0.83%

LAB 80, 31.72, -15.55

 

CMYK 0 / 27 / 14 / 4

HEX #F4B2D2

RGB 244 178 210

HSL 330.91, 0.75%, 0.83%

LAB 79.46, 28.75, -6.63

 

CMYK 0 / 27 / 21 / 4

HEX #F4B2C0

RGB 244 178 192

HSL 347.27, 0.75%, 0.83%

LAB 78.97, 26, 2.41

 

CMYK 0 / 55 / 14 / 8

HEX #EA6AC9

RGB 234 106 201

HSL 315.47, 0.75%, 0.67%

LAB 63.36, 60.57, -26.07

 

CMYK 0 / 41 / 10 / 6

HEX #EF8ED6

RGB 239 142 214

HSL 315.46, 0.75%, 0.75%

LAB 71.25, 46.57, -21.2

 

CMYK 0 / 27 / 7 / 4

HEX #F4B2E3

RGB 244 178 227

HSL 315.45, 0.75%, 0.83%

LAB 79.97, 31.55, -15.06

 

CMYK 0 / 14 / 4 / 2

HEX #F9D7F0

RGB 249 215 240

HSL 315.88, 0.74%, 0.91%

LAB 89.41, 15.95, -7.85

 

CMYK 0 / 1 / 0 / 0

HEX #FEFBFD

RGB 254 251 253

HSL 320, 0.6%, 0.99%

LAB 98.89, 1.35, -0.61

 

CMYK 0 / 27 / 7 / 4

HEX #F5B4E4

RGB 245 180 228

HSL 315.69, 0.76%, 0.83%

LAB 80.55, 31, -14.72

 

CMYK 0 / 15 / 27 / 4

HEX #F4D0B2

RGB 244 208 178

HSL 27.27, 0.75%, 0.83%

LAB 85.79, 8.24, 19.58

 

CMYK 27 / 0 / 4 / 4

HEX #B2F4EA

RGB 178 244 234

HSL 170.91, 0.75%, 0.83%

LAB 91.73, -22.58, -1.85

 

CMYK 0 / 27 / 7 / 4

HEX #F5B4E4

RGB 245 180 228

HSL 315.69, 0.76%, 0.83%

LAB 80.55, 31, -14.72

 

CMYK 7 / 0 / 27 / 4

HEX #E4F4B2

RGB 228 244 178

HSL 74.55, 0.75%, 0.83%

LAB 93.63, -15.94, 30.12

 

CMYK 27 / 7 / 0 / 4

HEX #B2E4F4

RGB 178 228 244

HSL 194.55, 0.75%, 0.83%

LAB 87.72, -12.43, -13.02

 

CMYK 0 / 27 / 7 / 4

HEX #F5B4E4

RGB 245 180 228

HSL 315.69, 0.76%, 0.83%

LAB 80.55, 31, -14.72

 

CMYK 0 / 15 / 27 / 4

HEX #F4D0B2

RGB 244 208 178

HSL 27.27, 0.75%, 0.83%

LAB 85.79, 8.24, 19.58

 

CMYK 27 / 0 / 20 / 4

HEX #B2F4C3

RGB 178 244 195

HSL 135.45, 0.75%, 0.83%

LAB 90.83, -30.22, 17.08

 

CMYK 27 / 12 / 0 / 4

HEX #B2D6F4

RGB 178 214 244

HSL 207.27, 0.75%, 0.83%

LAB 84.01, -5.2, -18.58

 

CMYK 0 / 27 / 7 / 4

HEX #F5B4E4

RGB 245 180 228

HSL 315.69, 0.76%, 0.83%

LAB 80.55, 31, -14.72

 

CMYK 0 / 7 / 27 / 4

HEX #F4E4B2

RGB 244 228 178

HSL 45.45, 0.75%, 0.83%

LAB 90.75, -2.05, 26.42

 

CMYK 27 / 0 / 20 / 4

HEX #B2F4C3

RGB 178 244 195

HSL 135.45, 0.75%, 0.83%

LAB 90.83, -30.22, 17.08

 

CMYK 27 / 20 / 0 / 4

HEX #B2C3F4

RGB 178 195 244

HSL 224.55, 0.75%, 0.83%

LAB 79.06, 4.91, -26.11

 

Description

Color code: HEX #F5B4E4 | qconv.com Color code: HEX #F5B4E4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 180 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 180 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 7 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 7% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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