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Color name
HEX #F5DD93

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F5DD93 it is the complementary color #0A226C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F5DD93. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F5DD93 shade: #FADD8E, #FFEFA1, #FFFFB4, #FFFFC7 and #FFFFDA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F5DD93. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F5DD93 shade: #F5DD93, #E4CB80, #D3B96D, #C2A75A and #B19547

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F5DD93 shade: #F5DD93, #F5C293, #F5A893 and #F59393

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F5DD93 shade: #F5DD93, #F2F593, #D8F593, #BEF593 and #A3F593

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F5DD93 shade matches the following richer shades: #F5DD93 and #FEE28A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F5DD93 shade: #F5DD93, #EBD89D, #E2D3A6, #D8CEB0 and #CFC9B9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F5DD93 shade: #F5A893, #F5C293, #F5DC93, #F3F593 and #D9F593

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F5DD93 shade: #EEC548, #F1D16D, #F5DD93, #F8E9B9 and #FCF4DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F5DD93 shade: #F5DD93, #98F593 and #B593F5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F5DD93 shade: #F5DD93, #93F5DC and #DC93F5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F5DD93 shade: #F5DD93, #98F593, #93ACF5 and #F093F5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F5DD93 shade: #F5DD93, #93F5AC, #93ACF5 and #F593DC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 40 / 4

HEX #F5DD93

RGB 245 221 147

HSL 45.31, 0.83%, 0.77%

LAB 88.56, -1.79, 39.32

 

Complementary color

CMYK 91 / 69 / 0 / 58

HEX #0A226C

RGB 10 34 108

HSL 225.31, 0.83%, 0.23%

LAB 16.95, 22.8, -45.21

 

CMYK 0 / 12 / 43 / 2

HEX #FADD8E

RGB 250 221 142

HSL 43.89, 0.92%, 0.77%

LAB 88.92, -0.35, 42.37

 

CMYK 0 / 6 / 37 / 0

HEX #FFEFA1

RGB 255 239 161

HSL 49.79, 1%, 0.82%

LAB 94.13, -5.49, 39.7

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB4

RGB 255 255 180

HSL 60, 1%, 0.85%

LAB 98.46, -11.2, 35.94

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC7

RGB 255 255 199

HSL 60, 1%, 0.89%

LAB 98.79, -8.74, 26.85

 

CMYK 0 / 0 / 15 / 0

HEX #FFFFDA

RGB 255 255 218

HSL 60, 1%, 0.93%

LAB 99.16, -6.02, 17.71

 

CMYK 0 / 10 / 40 / 4

HEX #F5DD93

RGB 245 221 147

HSL 45.31, 0.83%, 0.77%

LAB 88.56, -1.79, 39.32

 

CMYK 0 / 11 / 44 / 11

HEX #E4CB80

RGB 228 203 128

HSL 45, 0.65%, 0.7%

LAB 82.25, -1.24, 40.52

 

CMYK 0 / 12 / 48 / 17

HEX #D3B96D

RGB 211 185 109

HSL 44.71, 0.54%, 0.63%

LAB 75.85, -0.61, 41.77

 

CMYK 0 / 14 / 54 / 24

HEX #C2A75A

RGB 194 167 90

HSL 44.42, 0.46%, 0.56%

LAB 69.36, 0.13, 43.04

 

CMYK 0 / 16 / 60 / 31

HEX #B19547

RGB 177 149 71

HSL 44.15, 0.43%, 0.49%

LAB 62.76, 1.02, 44.31

 

CMYK 0 / 10 / 40 / 4

HEX #F5DD93

RGB 245 221 147

HSL 45.31, 0.83%, 0.77%

LAB 88.56, -1.79, 39.32

 

CMYK 0 / 21 / 40 / 4

HEX #F5C293

RGB 245 194 147

HSL 28.78, 0.83%, 0.77%

LAB 81.89, 12.17, 30.58

 

CMYK 0 / 31 / 40 / 4

HEX #F5A893

RGB 245 168 147

HSL 12.86, 0.83%, 0.77%

LAB 75.78, 25.87, 22.33

 

CMYK 0 / 40 / 40 / 4

HEX #F59393

RGB 245 147 147

HSL 0, 0.83%, 0.77%

LAB 71.14, 36.88, 15.93

 

CMYK 0 / 10 / 40 / 4

HEX #F5DD93

RGB 245 221 147

HSL 45.31, 0.83%, 0.77%

LAB 88.56, -1.79, 39.32

 

CMYK 1 / 0 / 40 / 4

HEX #F2F593

RGB 242 245 147

HSL 61.84, 0.83%, 0.77%

LAB 94.44, -14.93, 46.77

 

CMYK 12 / 0 / 40 / 4

HEX #D8F593

RGB 216 245 147

HSL 77.76, 0.83%, 0.77%

LAB 92.58, -24.72, 44.04

 

CMYK 22 / 0 / 40 / 4

HEX #BEF593

RGB 190 245 147

HSL 93.67, 0.83%, 0.77%

LAB 90.94, -34.07, 41.61

 

CMYK 33 / 0 / 40 / 4

HEX #A3F593

RGB 163 245 147

HSL 110.2, 0.83%, 0.77%

LAB 89.49, -43.08, 39.44

 

CMYK 0 / 10 / 40 / 4

HEX #F5DD93

RGB 245 221 147

HSL 45.31, 0.83%, 0.77%

LAB 88.56, -1.79, 39.32

 

CMYK 0 / 11 / 46 / 0

HEX #FEE28A

RGB 254 226 138

HSL 45.52, 0.98%, 0.77%

LAB 90.46, -1.7, 46.37

 

CMYK 0 / 10 / 40 / 4

HEX #F5DD93

RGB 245 221 147

HSL 45.31, 0.83%, 0.77%

LAB 88.56, -1.79, 39.32

 

CMYK 0 / 8 / 33 / 8

HEX #EBD89D

RGB 235 216 157

HSL 45.38, 0.66%, 0.77%

LAB 86.61, -1.98, 31.51

 

CMYK 0 / 7 / 27 / 11

HEX #E2D3A6

RGB 226 211 166

HSL 45, 0.51%, 0.77%

LAB 84.75, -1.69, 24.2

 

CMYK 0 / 5 / 19 / 15

HEX #D8CEB0

RGB 216 206 176

HSL 45, 0.34%, 0.77%

LAB 82.85, -1.42, 16.18

 

CMYK 0 / 3 / 11 / 19

HEX #CFC9B9

RGB 207 201 185

HSL 43.64, 0.19%, 0.77%

LAB 81.04, -0.67, 8.73

 

CMYK 0 / 31 / 40 / 4

HEX #F5A893

RGB 245 168 147

HSL 12.86, 0.83%, 0.77%

LAB 75.78, 25.87, 22.33

 

CMYK 0 / 21 / 40 / 4

HEX #F5C293

RGB 245 194 147

HSL 28.78, 0.83%, 0.77%

LAB 81.89, 12.17, 30.58

 

CMYK 0 / 10 / 40 / 4

HEX #F5DC93

RGB 245 220 147

HSL 44.69, 0.83%, 0.77%

LAB 88.31, -1.28, 39

 

CMYK 1 / 0 / 40 / 4

HEX #F3F593

RGB 243 245 147

HSL 61.22, 0.83%, 0.77%

LAB 94.51, -14.55, 46.88

 

CMYK 11 / 0 / 40 / 4

HEX #D9F593

RGB 217 245 147

HSL 77.14, 0.83%, 0.77%

LAB 92.65, -24.35, 44.13

 

CMYK 0 / 17 / 70 / 7

HEX #EEC548

RGB 238 197 72

HSL 45.18, 0.83%, 0.61%

LAB 81.06, 1.79, 65.29

 

CMYK 0 / 13 / 55 / 5

HEX #F1D16D

RGB 241 209 109

HSL 45.45, 0.83%, 0.69%

LAB 84.69, -0.77, 53.07

 

CMYK 0 / 10 / 40 / 4

HEX #F5DD93

RGB 245 221 147

HSL 45.31, 0.83%, 0.77%

LAB 88.56, -1.79, 39.32

 

CMYK 0 / 6 / 25 / 3

HEX #F8E9B9

RGB 248 233 185

HSL 45.71, 0.82%, 0.85%

LAB 92.46, -2.18, 25.21

 

CMYK 0 / 3 / 12 / 1

HEX #FCF4DF

RGB 252 244 223

HSL 43.45, 0.83%, 0.93%

LAB 96.3, -0.78, 11.06

 

CMYK 0 / 10 / 40 / 4

HEX #F5DD93

RGB 245 221 147

HSL 45.31, 0.83%, 0.77%

LAB 88.56, -1.79, 39.32

 

CMYK 38 / 0 / 40 / 4

HEX #98F593

RGB 152 245 147

HSL 116.94, 0.83%, 0.77%

LAB 88.96, -46.48, 38.67

 

CMYK 26 / 40 / 0 / 4

HEX #B593F5

RGB 181 147 245

HSL 260.82, 0.83%, 0.77%

LAB 67.49, 32.61, -44.55

 

CMYK 0 / 10 / 40 / 4

HEX #F5DD93

RGB 245 221 147

HSL 45.31, 0.83%, 0.77%

LAB 88.56, -1.79, 39.32

 

CMYK 40 / 0 / 10 / 4

HEX #93F5DC

RGB 147 245 220

HSL 164.69, 0.83%, 0.77%

LAB 90.17, -34.51, 2.98

 

CMYK 10 / 40 / 0 / 4

HEX #DC93F5

RGB 220 147 245

HSL 284.69, 0.83%, 0.77%

LAB 71.33, 43.8, -38.26

 

CMYK 0 / 10 / 40 / 4

HEX #F5DD93

RGB 245 221 147

HSL 45.31, 0.83%, 0.77%

LAB 88.56, -1.79, 39.32

 

CMYK 38 / 0 / 40 / 4

HEX #98F593

RGB 152 245 147

HSL 116.94, 0.83%, 0.77%

LAB 88.96, -46.48, 38.67

 

CMYK 40 / 30 / 0 / 4

HEX #93ACF5

RGB 147 172 245

HSL 224.69, 0.83%, 0.77%

LAB 71.08, 9.29, -39.13

 

CMYK 2 / 40 / 0 / 4

HEX #F093F5

RGB 240 147 245

HSL 296.94, 0.83%, 0.77%

LAB 73.54, 49.67, -34.67

 

CMYK 0 / 10 / 40 / 4

HEX #F5DD93

RGB 245 221 147

HSL 45.31, 0.83%, 0.77%

LAB 88.56, -1.79, 39.32

 

CMYK 40 / 0 / 30 / 4

HEX #93F5AC

RGB 147 245 172

HSL 135.31, 0.83%, 0.77%

LAB 89.15, -43.96, 26.32

 

CMYK 40 / 30 / 0 / 4

HEX #93ACF5

RGB 147 172 245

HSL 224.69, 0.83%, 0.77%

LAB 71.08, 9.29, -39.13

 

CMYK 0 / 40 / 10 / 4

HEX #F593DC

RGB 245 147 220

HSL 315.31, 0.83%, 0.77%

LAB 73.19, 46.89, -21.49

 

Description

Color code: HEX #F5DD93 | qconv.com Color code: HEX #F5DD93 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 221 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 221 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 40 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 40% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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