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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F5EB9A it is the complementary color #0A1465. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F5EB9A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F5EB9A shade: #FAEB95, #FFFDA8, #FFFFBB, #FFFFCE and #FFFFE1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F5EB9A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F5EB9A shade: #F5EB9A, #E4D987, #D3C774, #C2B561 and #B1A34E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F5EB9A shade: #F4EA98, #F4D198, #F4B998, #F4A098 and #F49898

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F5EB9A shade: #F4EA98, #E6F498, #CDF498, #B4F498 and #9BF498

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F5EB9A shade matches the following richer shades: #F4EA98 and #FDF18F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F5EB9A shade: #F4EA98, #EBE3A1, #E2DCAB, #D9D5B4 and #D0CEBD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F5EB9A shade: #F4B998, #F4D198, #F4EA98, #E7F498 and #CEF498

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F5EB9A shade: #EDDB4D, #F1E373, #F4EA98, #F8F2BE and #FCF9E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F5EB9A shade: #F5EB9A, #98F4A0 and #C598F4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F5EB9A shade: #F5EB9A, #98F4EA and #EA98F4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F5EB9A shade: #F5EB9A, #98F4A0, #98A3F4 and #F498ED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F5EB9A shade: #F5EB9A, #98F4BC, #98A3F4 and #F498D1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 37 / 4

HEX #F5EB9A

RGB 245 235 154

HSL 53.41, 0.82%, 0.78%

LAB 92.2, -8.09, 40.53

 

Complementary color

CMYK 90 / 80 / 0 / 60

HEX #0A1465

RGB 10 20 101

HSL 233.41, 0.82%, 0.22%

LAB 12.64, 29.59, -47.72

 

CMYK 0 / 6 / 40 / 2

HEX #FAEB95

RGB 250 235 149

HSL 51.09, 0.91%, 0.78%

LAB 92.54, -6.7, 43.52

 

CMYK 0 / 1 / 34 / 0

HEX #FFFDA8

RGB 255 253 168

HSL 58.62, 1%, 0.83%

LAB 97.77, -11.63, 40.97

 

CMYK 0 / 0 / 27 / 0

HEX #FFFFBB

RGB 255 255 187

HSL 60, 1%, 0.87%

LAB 98.58, -10.32, 32.6

 

CMYK 0 / 0 / 19 / 0

HEX #FFFFCE

RGB 255 255 206

HSL 60, 1%, 0.9%

LAB 98.92, -7.77, 23.48

 

CMYK 0 / 0 / 12 / 0

HEX #FFFFE1

RGB 255 255 225

HSL 60, 1%, 0.94%

LAB 99.31, -4.95, 14.35

 

CMYK 0 / 4 / 37 / 4

HEX #F5EB9A

RGB 245 235 154

HSL 53.41, 0.82%, 0.78%

LAB 92.2, -8.09, 40.53

 

CMYK 0 / 5 / 41 / 11

HEX #E4D987

RGB 228 217 135

HSL 52.9, 0.63%, 0.71%

LAB 85.94, -7.69, 41.69

 

CMYK 0 / 6 / 45 / 17

HEX #D3C774

RGB 211 199 116

HSL 52.42, 0.52%, 0.64%

LAB 79.59, -7.22, 42.89

 

CMYK 0 / 7 / 50 / 24

HEX #C2B561

RGB 194 181 97

HSL 51.96, 0.44%, 0.57%

LAB 73.14, -6.66, 44.11

 

CMYK 0 / 8 / 56 / 31

HEX #B1A34E

RGB 177 163 78

HSL 51.52, 0.39%, 0.5%

LAB 66.59, -5.98, 45.31

 

CMYK 0 / 4 / 38 / 4

HEX #F4EA98

RGB 244 234 152

HSL 53.48, 0.81%, 0.78%

LAB 91.84, -8.19, 41.04

 

CMYK 0 / 14 / 38 / 4

HEX #F4D198

RGB 244 209 152

HSL 37.17, 0.81%, 0.78%

LAB 85.55, 4.53, 32.83

 

CMYK 0 / 24 / 38 / 4

HEX #F4B998

RGB 244 185 152

HSL 21.52, 0.81%, 0.78%

LAB 79.73, 17.08, 25.01

 

CMYK 0 / 34 / 38 / 4

HEX #F4A098

RGB 244 160 152

HSL 5.22, 0.81%, 0.78%

LAB 73.96, 30.27, 17.09

 

CMYK 0 / 38 / 38 / 4

HEX #F49898

RGB 244 152 152

HSL 0, 0.81%, 0.78%

LAB 72.2, 34.47, 14.63

 

CMYK 0 / 4 / 38 / 4

HEX #F4EA98

RGB 244 234 152

HSL 53.48, 0.81%, 0.78%

LAB 91.84, -8.19, 41.04

 

CMYK 6 / 0 / 38 / 4

HEX #E6F498

RGB 230 244 152

HSL 69.13, 0.81%, 0.78%

LAB 93.36, -18.45, 42.78

 

CMYK 16 / 0 / 38 / 4

HEX #CDF498

RGB 205 244 152

HSL 85.43, 0.81%, 0.78%

LAB 91.66, -27.66, 40.26

 

CMYK 26 / 0 / 38 / 4

HEX #B4F498

RGB 180 244 152

HSL 101.74, 0.81%, 0.78%

LAB 90.17, -36.38, 38.03

 

CMYK 36 / 0 / 38 / 4

HEX #9BF498

RGB 155 244 152

HSL 118.04, 0.81%, 0.78%

LAB 88.89, -44.41, 36.12

 

CMYK 0 / 4 / 38 / 4

HEX #F4EA98

RGB 244 234 152

HSL 53.48, 0.81%, 0.78%

LAB 91.84, -8.19, 41.04

 

CMYK 0 / 5 / 43 / 1

HEX #FDF18F

RGB 253 241 143

HSL 53.45, 0.96%, 0.78%

LAB 94.22, -9.12, 48.62

 

CMYK 0 / 4 / 38 / 4

HEX #F4EA98

RGB 244 234 152

HSL 53.48, 0.81%, 0.78%

LAB 91.84, -8.19, 41.04

 

CMYK 0 / 3 / 31 / 8

HEX #EBE3A1

RGB 235 227 161

HSL 53.51, 0.65%, 0.78%

LAB 89.47, -7.08, 33.28

 

CMYK 0 / 3 / 24 / 11

HEX #E2DCAB

RGB 226 220 171

HSL 53.45, 0.49%, 0.78%

LAB 87.14, -5.63, 24.87

 

CMYK 0 / 2 / 17 / 15

HEX #D9D5B4

RGB 217 213 180

HSL 53.51, 0.33%, 0.78%

LAB 84.81, -4.07, 16.83

 

CMYK 0 / 1 / 9 / 18

HEX #D0CEBD

RGB 208 206 189

HSL 53.68, 0.17%, 0.78%

LAB 82.5, -2.26, 8.69

HEX #D0CEBD

CMYK 0 / 24 / 38 / 4

HEX #F4B998

RGB 244 185 152

HSL 21.52, 0.81%, 0.78%

LAB 79.73, 17.08, 25.01

 

CMYK 0 / 14 / 38 / 4

HEX #F4D198

RGB 244 209 152

HSL 37.17, 0.81%, 0.78%

LAB 85.55, 4.53, 32.83

 

CMYK 0 / 4 / 38 / 4

HEX #F4EA98

RGB 244 234 152

HSL 53.48, 0.81%, 0.78%

LAB 91.84, -8.19, 41.04

 

CMYK 5 / 0 / 38 / 4

HEX #E7F498

RGB 231 244 152

HSL 68.48, 0.81%, 0.78%

LAB 93.43, -18.07, 42.89

 

CMYK 16 / 0 / 38 / 4

HEX #CEF498

RGB 206 244 152

HSL 84.78, 0.81%, 0.78%

LAB 91.73, -27.3, 40.35

 

CMYK 0 / 8 / 68 / 7

HEX #EDDB4D

RGB 237 219 77

HSL 53.25, 0.82%, 0.62%

LAB 86.6, -9.57, 68.93

 

CMYK 0 / 6 / 52 / 5

HEX #F1E373

RGB 241 227 115

HSL 53.33, 0.82%, 0.7%

LAB 89.34, -9.4, 55.73

 

CMYK 0 / 4 / 38 / 4

HEX #F4EA98

RGB 244 234 152

HSL 53.48, 0.81%, 0.78%

LAB 91.84, -8.19, 41.04

 

CMYK 0 / 2 / 23 / 3

HEX #F8F2BE

RGB 248 242 190

HSL 53.79, 0.81%, 0.86%

LAB 94.81, -6.04, 25.88

 

CMYK 0 / 1 / 10 / 1

HEX #FCF9E3

RGB 252 249 227

HSL 52.8, 0.81%, 0.94%

LAB 97.63, -2.67, 10.91

 

CMYK 0 / 4 / 37 / 4

HEX #F5EB9A

RGB 245 235 154

HSL 53.41, 0.82%, 0.78%

LAB 92.2, -8.09, 40.53

 

CMYK 38 / 0 / 34 / 4

HEX #98F4A0

RGB 152 244 160

HSL 125.22, 0.81%, 0.78%

LAB 88.88, -44.07, 32.07

 

CMYK 19 / 38 / 0 / 4

HEX #C598F4

RGB 197 152 244

HSL 269.35, 0.81%, 0.78%

LAB 70.08, 34.17, -39.85

 

CMYK 0 / 4 / 37 / 4

HEX #F5EB9A

RGB 245 235 154

HSL 53.41, 0.82%, 0.78%

LAB 92.2, -8.09, 40.53

 

CMYK 38 / 0 / 4 / 4

HEX #98F4EA

RGB 152 244 234

HSL 173.48, 0.81%, 0.78%

LAB 90.47, -29.63, -3.85

 

CMYK 4 / 38 / 0 / 4

HEX #EA98F4

RGB 234 152 244

HSL 293.48, 0.81%, 0.78%

LAB 73.86, 45.13, -33.68

 

CMYK 0 / 4 / 37 / 4

HEX #F5EB9A

RGB 245 235 154

HSL 53.41, 0.82%, 0.78%

LAB 92.2, -8.09, 40.53

 

CMYK 38 / 0 / 34 / 4

HEX #98F4A0

RGB 152 244 160

HSL 125.22, 0.81%, 0.78%

LAB 88.88, -44.07, 32.07

 

CMYK 38 / 33 / 0 / 4

HEX #98A3F4

RGB 152 163 244

HSL 232.83, 0.81%, 0.78%

LAB 69.04, 15.41, -41.74

 

CMYK 0 / 38 / 3 / 4

HEX #F498ED

RGB 244 152 237

HSL 304.57, 0.81%, 0.78%

LAB 74.7, 46.89, -28.48

 

CMYK 0 / 4 / 37 / 4

HEX #F5EB9A

RGB 245 235 154

HSL 53.41, 0.82%, 0.78%

LAB 92.2, -8.09, 40.53

 

CMYK 38 / 0 / 23 / 4

HEX #98F4BC

RGB 152 244 188

HSL 143.48, 0.81%, 0.78%

LAB 89.4, -39.22, 18.49

 

CMYK 38 / 33 / 0 / 4

HEX #98A3F4

RGB 152 163 244

HSL 232.83, 0.81%, 0.78%

LAB 69.04, 15.41, -41.74

 

CMYK 0 / 38 / 14 / 4

HEX #F498D1

RGB 244 152 209

HSL 322.83, 0.81%, 0.78%

LAB 73.74, 42.24, -14.62

 

Description

Color code: HEX #F5EB9A | qconv.com Color code: HEX #F5EB9A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 235 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 235 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 37 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 37% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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