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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F670F9 it is the complementary color #098F06. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F670F9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F670F9 shade: #FB70F4, #FF82FF, #FF94FF, #FFA6FF and #FFB8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F670F9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F670F9 shade: #F670F9, #E55EE6, #D44CD3, #C33AC0 and #B228AD

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F670F9 shade: #F671F9, #F971D7, #F971B2, #F9718D and #F97171

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F670F9 shade: #F671F9, #D171F9, #AC71F9, #8871F9 and #7171F9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F670F9 shade matches the following richer shades: #F671F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F670F9 shade: #F671F9, #EA7CED, #DF88E1, #D394D5 and #C8A0C9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F670F9 shade: #AB71F9, #D071F9, #F471F9, #F971D9 and #F971B5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F670F9 shade: #F121F5, #F349F7, #F671F9, #F898FA and #FBC0FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F670F9 shade: #F670F9, #F98771 and #71F9BE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F670F9 shade: #F670F9, #F9F471 and #71F9F4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F670F9 shade: #F670F9, #F98771, #75F971 and #71E2F9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F670F9 shade: #F670F9, #F9B071, #75F971 and #71B9F9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 55 / 0 / 2

HEX #F670F9

RGB 246 112 249

HSL 298.69, 0.92%, 0.71%

LAB 68.04, 68.83, -45.38

 

Complementary color

CMYK 94 / 0 / 96 / 44

HEX #098F06

RGB 9 143 6

HSL 118.69, 0.92%, 0.29%

LAB 51.51, -55.22, 53.1

 

CMYK 0 / 55 / 3 / 2

HEX #FB70F4

RGB 251 112 244

HSL 303.02, 0.95%, 0.71%

LAB 68.48, 69.27, -41.89

 

CMYK 0 / 49 / 0 / 0

HEX #FF82FF

RGB 255 130 255

HSL 300, 1%, 0.75%

LAB 72.53, 64.02, -41.54

 

CMYK 0 / 42 / 0 / 0

HEX #FF94FF

RGB 255 148 255

HSL 300, 1%, 0.79%

LAB 75.86, 55.33, -36.36

 

CMYK 0 / 35 / 0 / 0

HEX #FFA6FF

RGB 255 166 255

HSL 300, 1%, 0.83%

LAB 79.47, 46.22, -30.78

 

CMYK 0 / 28 / 0 / 0

HEX #FFB8FF

RGB 255 184 255

HSL 300, 1%, 0.86%

LAB 83.32, 36.87, -24.9

 

CMYK 1 / 55 / 0 / 2

HEX #F670F9

RGB 246 112 249

HSL 298.69, 0.92%, 0.71%

LAB 68.04, 68.83, -45.38

 

CMYK 0 / 59 / 0 / 10

HEX #E55EE6

RGB 229 94 230

HSL 299.56, 0.73%, 0.64%

LAB 61.98, 69.12, -44.55

 

CMYK 0 / 64 / 0 / 17

HEX #D44CD3

RGB 212 76 211

HSL 300.44, 0.61%, 0.56%

LAB 55.96, 69.14, -43.51

 

CMYK 0 / 70 / 2 / 24

HEX #C33AC0

RGB 195 58 192

HSL 301.31, 0.54%, 0.5%

LAB 50.02, 68.74, -42.16

 

CMYK 0 / 78 / 3 / 30

HEX #B228AD

RGB 178 40 173

HSL 302.17, 0.63%, 0.43%

LAB 44.23, 67.68, -40.38

 

CMYK 1 / 55 / 0 / 2

HEX #F671F9

RGB 246 113 249

HSL 298.68, 0.92%, 0.71%

LAB 68.2, 68.38, -45.12

 

CMYK 0 / 55 / 14 / 2

HEX #F971D7

RGB 249 113 215

HSL 315, 0.92%, 0.71%

LAB 67.17, 63.74, -27.88

 

CMYK 0 / 55 / 29 / 2

HEX #F971B2

RGB 249 113 178

HSL 331.32, 0.92%, 0.71%

LAB 65.88, 58.65, -9.03

 

CMYK 0 / 55 / 43 / 2

HEX #F9718D

RGB 249 113 141

HSL 347.65, 0.92%, 0.71%

LAB 64.86, 54.49, 10.57

 

CMYK 0 / 55 / 55 / 2

HEX #F97171

RGB 249 113 113

HSL 0, 0.92%, 0.71%

LAB 64.28, 52.02, 25.69

 

CMYK 1 / 55 / 0 / 2

HEX #F671F9

RGB 246 113 249

HSL 298.68, 0.92%, 0.71%

LAB 68.2, 68.38, -45.12

 

CMYK 16 / 55 / 0 / 2

HEX #D171F9

RGB 209 113 249

HSL 282.35, 0.92%, 0.71%

LAB 63.51, 59.01, -52.83

 

CMYK 31 / 55 / 0 / 2

HEX #AC71F9

RGB 172 113 249

HSL 266.03, 0.92%, 0.71%

LAB 59.36, 49.91, -59.69

 

CMYK 45 / 55 / 0 / 2

HEX #8871F9

RGB 136 113 249

HSL 250.15, 0.92%, 0.71%

LAB 55.97, 41.76, -65.32

 

CMYK 55 / 55 / 0 / 2

HEX #7171F9

RGB 113 113 249

HSL 240, 0.92%, 0.71%

LAB 54.2, 37.15, -68.27

 

CMYK 1 / 55 / 0 / 2

HEX #F671F9

RGB 246 113 249

HSL 298.68, 0.92%, 0.71%

LAB 68.2, 68.38, -45.12

 

CMYK 1 / 55 / 0 / 2

HEX #F671F9

RGB 246 113 249

HSL 298.68, 0.92%, 0.71%

LAB 68.2, 68.38, -45.12

 

CMYK 1 / 48 / 0 / 7

HEX #EA7CED

RGB 234 124 237

HSL 298.41, 0.76%, 0.71%

LAB 68.04, 58, -38.89

 

CMYK 1 / 40 / 0 / 12

HEX #DF88E1

RGB 223 136 225

HSL 298.65, 0.6%, 0.71%

LAB 68.56, 46.62, -31.57

 

CMYK 1 / 31 / 0 / 16

HEX #D394D5

RGB 211 148 213

HSL 298.15, 0.44%, 0.71%

LAB 69.35, 34.29, -23.83

 

CMYK 0 / 20 / 0 / 21

HEX #C8A0C9

RGB 200 160 201

HSL 298.54, 0.28%, 0.71%

LAB 70.62, 21.83, -15.37

 

CMYK 31 / 55 / 0 / 2

HEX #AB71F9

RGB 171 113 249

HSL 265.59, 0.92%, 0.71%

LAB 59.26, 49.68, -59.87

 

CMYK 16 / 55 / 0 / 2

HEX #D071F9

RGB 208 113 249

HSL 281.91, 0.92%, 0.71%

LAB 63.39, 58.76, -53.03

 

CMYK 2 / 55 / 0 / 2

HEX #F471F9

RGB 244 113 249

HSL 297.79, 0.92%, 0.71%

LAB 67.93, 67.88, -45.56

 

CMYK 0 / 55 / 13 / 2

HEX #F971D9

RGB 249 113 217

HSL 314.12, 0.92%, 0.71%

LAB 67.25, 64.04, -28.88

 

CMYK 0 / 55 / 27 / 2

HEX #F971B5

RGB 249 113 181

HSL 330, 0.92%, 0.71%

LAB 65.97, 59.03, -10.59

 

CMYK 2 / 87 / 0 / 4

HEX #F121F5

RGB 241 33 245

HSL 298.87, 0.91%, 0.55%

LAB 58.4, 91.64, -58.5

 

CMYK 2 / 70 / 0 / 3

HEX #F349F7

RGB 243 73 247

HSL 298.62, 0.92%, 0.63%

LAB 62.11, 82.8, -53.66

 

CMYK 1 / 55 / 0 / 2

HEX #F671F9

RGB 246 113 249

HSL 298.68, 0.92%, 0.71%

LAB 68.2, 68.38, -45.12

 

CMYK 1 / 39 / 0 / 2

HEX #F898FA

RGB 248 152 250

HSL 298.78, 0.91%, 0.79%

LAB 75.65, 50.39, -34.05

 

CMYK 0 / 24 / 0 / 1

HEX #FBC0FC

RGB 251 192 252

HSL 299, 0.91%, 0.87%

LAB 84.61, 30.85, -21.38

 

CMYK 1 / 55 / 0 / 2

HEX #F670F9

RGB 246 112 249

HSL 298.69, 0.92%, 0.71%

LAB 68.04, 68.83, -45.38

 

CMYK 0 / 46 / 55 / 2

HEX #F98771

RGB 249 135 113

HSL 9.71, 0.92%, 0.71%

LAB 68.5, 41.29, 31.23

 

CMYK 55 / 0 / 24 / 2

HEX #71F9BE

RGB 113 249 190

HSL 153.97, 0.92%, 0.71%

LAB 89.38, -50.67, 17.22

 

CMYK 1 / 55 / 0 / 2

HEX #F670F9

RGB 246 112 249

HSL 298.69, 0.92%, 0.71%

LAB 68.04, 68.83, -45.38

 

CMYK 0 / 2 / 55 / 2

HEX #F9F471

RGB 249 244 113

HSL 57.79, 0.92%, 0.71%

LAB 94.33, -14.75, 62.57

 

CMYK 55 / 0 / 2 / 2

HEX #71F9F4

RGB 113 249 244

HSL 177.79, 0.92%, 0.71%

LAB 90.69, -38.17, -8.9

 

CMYK 1 / 55 / 0 / 2

HEX #F670F9

RGB 246 112 249

HSL 298.69, 0.92%, 0.71%

LAB 68.04, 68.83, -45.38

 

CMYK 0 / 46 / 55 / 2

HEX #F98771

RGB 249 135 113

HSL 9.71, 0.92%, 0.71%

LAB 68.5, 41.29, 31.23

 

CMYK 53 / 0 / 55 / 2

HEX #75F971

RGB 117 249 113

HSL 118.24, 0.92%, 0.71%

LAB 88.32, -62.29, 53.69

 

CMYK 55 / 9 / 0 / 2

HEX #71E2F9

RGB 113 226 249

HSL 190.15, 0.92%, 0.71%

LAB 84.35, -25.97, -21.01

 

CMYK 1 / 55 / 0 / 2

HEX #F670F9

RGB 246 112 249

HSL 298.69, 0.92%, 0.71%

LAB 68.04, 68.83, -45.38

 

CMYK 0 / 29 / 55 / 2

HEX #F9B071

RGB 249 176 113

HSL 27.79, 0.92%, 0.71%

LAB 77.51, 20, 42.63

 

CMYK 53 / 0 / 55 / 2

HEX #75F971

RGB 117 249 113

HSL 118.24, 0.92%, 0.71%

LAB 88.32, -62.29, 53.69

 

CMYK 55 / 26 / 0 / 2

HEX #71B9F9

RGB 113 185 249

HSL 208.24, 0.92%, 0.71%

LAB 72.92, -4.71, -38.56

 

Description

Color code: HEX #F670F9 | qconv.com Color code: HEX #F670F9 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 112 green and 249 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 112 249 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 55 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 55% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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