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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F8B98F it is the complementary color #074670. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F8B98F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F8B98F shade: #FDB98A, #FFCB9D, #FFDDB0, #FFEFC3 and #FFFFD6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F8B98F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F8B98F shade: #F8B98F, #E7A77C, #D69569, #C58356 and #B47143

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F8B98F shade: #F7BA90, #F79E90 and #F79090

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F8B98F shade: #F7BA90, #F7D590, #F7F190, #E2F790 and #C6F790

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F8B98F shade matches the following richer shades: #F7BA90

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F8B98F shade: #F7BA90, #EEBB9A, #E4BDA3, #DBBFAD and #D2C1B6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F8B98F shade: #F7909E, #F79E90, #F7BA90, #F7D590 and #F7F190

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F8B98F shade: #F38943, #F5A169, #F7BA90, #FAD2B7 and #FCEADE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F8B98F shade: #F8B98F, #BAF790 and #9090F7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F8B98F shade: #F8B98F, #90F7BA and #BA90F7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F8B98F shade: #F8B98F, #BAF790, #90CEF7 and #CE90F7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F8B98F shade: #F8B98F, #9BF790, #90CEF7 and #ED90F7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 42 / 3

HEX #F8B98F

RGB 248 185 143

HSL 24, 0.88%, 0.77%

LAB 79.98, 17.64, 30.18

 

Complementary color

CMYK 94 / 38 / 0 / 56

HEX #074670

RGB 7 70 112

HSL 204, 0.88%, 0.23%

LAB 28.37, -1.4, -29.34

 

CMYK 0 / 27 / 45 / 1

HEX #FDB98A

RGB 253 185 138

HSL 24.52, 0.97%, 0.77%

LAB 80.41, 19.09, 33.48

 

CMYK 0 / 20 / 38 / 0

HEX #FFCB9D

RGB 255 203 157

HSL 28.16, 1%, 0.81%

LAB 85.2, 12.46, 29.95

 

CMYK 0 / 13 / 31 / 0

HEX #FFDDB0

RGB 255 221 176

HSL 34.18, 1%, 0.85%

LAB 89.91, 5.39, 26.46

 

CMYK 0 / 6 / 24 / 0

HEX #FFEFC3

RGB 255 239 195

HSL 44, 1%, 0.88%

LAB 94.71, -1.29, 23.27

 

CMYK 0 / 0 / 16 / 0

HEX #FFFFD6

RGB 255 255 214

HSL 60, 1%, 0.92%

LAB 99.08, -6.61, 19.64

 

CMYK 0 / 25 / 42 / 3

HEX #F8B98F

RGB 248 185 143

HSL 24, 0.88%, 0.77%

LAB 79.98, 17.64, 30.18

 

CMYK 0 / 28 / 46 / 9

HEX #E7A77C

RGB 231 167 124

HSL 24.11, 0.69%, 0.7%

LAB 73.6, 18.53, 31.51

 

CMYK 0 / 30 / 51 / 16

HEX #D69569

RGB 214 149 105

HSL 24.22, 0.57%, 0.63%

LAB 67.13, 19.54, 32.95

 

CMYK 0 / 34 / 56 / 23

HEX #C58356

RGB 197 131 86

HSL 24.32, 0.49%, 0.55%

LAB 60.58, 20.69, 34.5

 

CMYK 0 / 37 / 63 / 29

HEX #B47143

RGB 180 113 67

HSL 24.42, 0.46%, 0.48%

LAB 53.94, 22.02, 36.18

 

CMYK 0 / 25 / 42 / 3

HEX #F7BA90

RGB 247 186 144

HSL 24.47, 0.87%, 0.77%

LAB 80.13, 16.83, 29.84

 

CMYK 0 / 36 / 42 / 3

HEX #F79E90

RGB 247 158 144

HSL 8.16, 0.87%, 0.77%

LAB 73.7, 31.57, 21.16

 

CMYK 0 / 42 / 42 / 3

HEX #F79090

RGB 247 144 144

HSL 0, 0.87%, 0.77%

LAB 70.69, 38.83, 17.01

 

CMYK 0 / 25 / 42 / 3

HEX #F7BA90

RGB 247 186 144

HSL 24.47, 0.87%, 0.77%

LAB 80.13, 16.83, 29.84

 

CMYK 0 / 14 / 42 / 3

HEX #F7D590

RGB 247 213 144

HSL 40.19, 0.87%, 0.77%

LAB 86.69, 2.77, 38.45

 

CMYK 0 / 2 / 42 / 3

HEX #F7F190

RGB 247 241 144

HSL 56.5, 0.87%, 0.77%

LAB 93.75, -11.35, 47.45

 

CMYK 9 / 0 / 42 / 3

HEX #E2F790

RGB 226 247 144

HSL 72.23, 0.87%, 0.77%

LAB 93.76, -22.28, 47.12

 

CMYK 20 / 0 / 42 / 3

HEX #C6F790

RGB 198 247 144

HSL 88.54, 0.87%, 0.77%

LAB 91.93, -32.54, 44.43

 

CMYK 0 / 25 / 42 / 3

HEX #F7BA90

RGB 247 186 144

HSL 24.47, 0.87%, 0.77%

LAB 80.13, 16.83, 29.84

 

CMYK 0 / 25 / 42 / 3

HEX #F7BA90

RGB 247 186 144

HSL 24.47, 0.87%, 0.77%

LAB 80.13, 16.83, 29.84

 

CMYK 0 / 21 / 35 / 7

HEX #EEBB9A

RGB 238 187 154

HSL 23.57, 0.71%, 0.77%

LAB 79.64, 13.94, 23.73

 

CMYK 0 / 17 / 29 / 11

HEX #E4BDA3

RGB 228 189 163

HSL 24, 0.55%, 0.77%

LAB 79.35, 10.18, 18.37

 

CMYK 0 / 13 / 21 / 14

HEX #DBBFAD

RGB 219 191 173

HSL 23.48, 0.39%, 0.77%

LAB 79.24, 7.13, 12.73

 

CMYK 0 / 8 / 13 / 18

HEX #D2C1B6

RGB 210 193 182

HSL 23.57, 0.24%, 0.77%

LAB 79.17, 4.15, 7.69

 

CMYK 0 / 42 / 36 / 3

HEX #F7909E

RGB 247 144 158

HSL 351.84, 0.87%, 0.77%

LAB 71, 40.39, 9.66

 

CMYK 0 / 36 / 42 / 3

HEX #F79E90

RGB 247 158 144

HSL 8.16, 0.87%, 0.77%

LAB 73.7, 31.57, 21.16

 

CMYK 0 / 25 / 42 / 3

HEX #F7BA90

RGB 247 186 144

HSL 24.47, 0.87%, 0.77%

LAB 80.13, 16.83, 29.84

 

CMYK 0 / 14 / 42 / 3

HEX #F7D590

RGB 247 213 144

HSL 40.19, 0.87%, 0.77%

LAB 86.69, 2.77, 38.45

 

CMYK 0 / 2 / 42 / 3

HEX #F7F190

RGB 247 241 144

HSL 56.5, 0.87%, 0.77%

LAB 93.75, -11.35, 47.45

 

CMYK 0 / 44 / 72 / 5

HEX #F38943

RGB 243 137 67

HSL 23.86, 0.88%, 0.61%

LAB 67.54, 35.08, 53.66

 

CMYK 0 / 34 / 57 / 4

HEX #F5A169

RGB 245 161 105

HSL 24, 0.88%, 0.69%

LAB 73.49, 25.66, 41.69

 

CMYK 0 / 25 / 42 / 3

HEX #F7BA90

RGB 247 186 144

HSL 24.47, 0.87%, 0.77%

LAB 80.13, 16.83, 29.84

 

CMYK 0 / 16 / 27 / 2

HEX #FAD2B7

RGB 250 210 183

HSL 24.18, 0.87%, 0.85%

LAB 86.92, 10.11, 18.61

 

CMYK 0 / 7 / 12 / 1

HEX #FCEADE

RGB 252 234 222

HSL 24, 0.83%, 0.93%

LAB 93.8, 4.15, 8.01

 

CMYK 0 / 25 / 42 / 3

HEX #F8B98F

RGB 248 185 143

HSL 24, 0.88%, 0.77%

LAB 79.98, 17.64, 30.18

 

CMYK 25 / 0 / 42 / 3

HEX #BAF790

RGB 186 247 144

HSL 95.53, 0.87%, 0.77%

LAB 91.22, -36.75, 43.39

 

CMYK 42 / 42 / 0 / 3

HEX #9090F7

RGB 144 144 247

HSL 240, 0.87%, 0.77%

LAB 63.83, 25.1, -51.63

 

CMYK 0 / 25 / 42 / 3

HEX #F8B98F

RGB 248 185 143

HSL 24, 0.88%, 0.77%

LAB 79.98, 17.64, 30.18

 

CMYK 42 / 0 / 25 / 3

HEX #90F7BA

RGB 144 247 186

HSL 144.47, 0.87%, 0.77%

LAB 89.86, -43.13, 20.11

 

CMYK 25 / 42 / 0 / 3

HEX #BA90F7

RGB 186 144 247

HSL 264.47, 0.87%, 0.77%

LAB 67.35, 36.14, -45.83

 

CMYK 0 / 25 / 42 / 3

HEX #F8B98F

RGB 248 185 143

HSL 24, 0.88%, 0.77%

LAB 79.98, 17.64, 30.18

 

CMYK 25 / 0 / 42 / 3

HEX #BAF790

RGB 186 247 144

HSL 95.53, 0.87%, 0.77%

LAB 91.22, -36.75, 43.39

 

CMYK 42 / 17 / 0 / 3

HEX #90CEF7

RGB 144 206 247

HSL 203.88, 0.87%, 0.77%

LAB 80.06, -9.45, -26.36

 

CMYK 17 / 42 / 0 / 3

HEX #CE90F7

RGB 206 144 247

HSL 276.12, 0.87%, 0.77%

LAB 69.32, 41.76, -42.61

 

CMYK 0 / 25 / 42 / 3

HEX #F8B98F

RGB 248 185 143

HSL 24, 0.88%, 0.77%

LAB 79.98, 17.64, 30.18

 

CMYK 37 / 0 / 42 / 3

HEX #9BF790

RGB 155 247 144

HSL 113.59, 0.87%, 0.77%

LAB 89.63, -46.85, 41.02

 

CMYK 42 / 17 / 0 / 3

HEX #90CEF7

RGB 144 206 247

HSL 203.88, 0.87%, 0.77%

LAB 80.06, -9.45, -26.36

 

CMYK 4 / 42 / 0 / 3

HEX #ED90F7

RGB 237 144 247

HSL 294.17, 0.87%, 0.77%

LAB 72.67, 50.69, -37.13

 

Description

Color code: HEX #F8B98F | qconv.com Color code: HEX #F8B98F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 185 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 185 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 42 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 42% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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