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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FC50FF it is the complementary color #03AF00. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FC50FF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FC50FF shade: #FF50FA, #FF62FF, #FF74FF, #FF86FF and #FF98FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FC50FF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FC50FF shade: #FC50FF, #EB3EEC, #DA2CD9, #C91AC6 and #B808B3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FC50FF shade: #FC51FF, #FF51D3, #FF51A4, #FF5175 and #FF5151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FC50FF shade: #FC51FF, #CD51FF, #9E51FF, #6F51FF and #5151FF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FC50FF shade matches the following richer shades: #FC51FF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FC50FF shade: #FC51FF, #EE5FF0, #E06DE2, #D37BD4 and #C589C6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FC50FF shade: #9C51FF, #CA51FF, #F951FF, #FF51D6 and #FF51A8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FC50FF shade: #F900FE, #FB28FF, #FC51FF, #FC7AFF and #FDA4FF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FC50FF shade: #FC50FF, #FF6E51 and #51FFB3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FC50FF shade: #FC50FF, #FFF951 and #51FFF9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FC50FF shade: #FC50FF, #FF6E51, #57FF51 and #51E2FF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FC50FF shade: #FC50FF, #FFA251, #57FF51 and #51AEFF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 69 / 0 / 0

HEX #FC50FF

RGB 252 80 255

HSL 298.97, 1%, 0.66%

LAB 64.69, 83.65, -53.91

 

Complementary color

CMYK 98 / 0 / 100 / 31

HEX #03AF00

RGB 3 175 0

HSL 118.97, 1%, 0.34%

LAB 62.24, -64.83, 62.74

 

CMYK 0 / 69 / 2 / 0

HEX #FF50FA

RGB 255 80 250

HSL 301.71, 1%, 0.66%

LAB 64.88, 83.51, -50.82

 

CMYK 0 / 62 / 0 / 0

HEX #FF62FF

RGB 255 98 255

HSL 300, 1%, 0.69%

LAB 67.44, 77.81, -49.53

 

CMYK 0 / 55 / 0 / 0

HEX #FF74FF

RGB 255 116 255

HSL 300, 1%, 0.73%

LAB 70.16, 70.36, -45.25

 

CMYK 0 / 47 / 0 / 0

HEX #FF86FF

RGB 255 134 255

HSL 300, 1%, 0.76%

LAB 73.24, 62.13, -40.43

 

CMYK 0 / 40 / 0 / 0

HEX #FF98FF

RGB 255 152 255

HSL 300, 1%, 0.8%

LAB 76.64, 53.33, -35.15

 

CMYK 1 / 69 / 0 / 0

HEX #FC50FF

RGB 252 80 255

HSL 298.97, 1%, 0.66%

LAB 64.69, 83.65, -53.91

 

CMYK 0 / 74 / 0 / 7

HEX #EB3EEC

RGB 235 62 236

HSL 299.66, 0.82%, 0.58%

LAB 59.13, 82.81, -52.37

 

CMYK 0 / 80 / 0 / 15

HEX #DA2CD9

RGB 218 44 217

HSL 300.34, 0.7%, 0.51%

LAB 53.72, 81.32, -50.41

 

CMYK 0 / 87 / 1 / 21

HEX #C91AC6

RGB 201 26 198

HSL 301.03, 0.77%, 0.45%

LAB 48.55, 78.94, -47.91

 

CMYK 0 / 96 / 3 / 28

HEX #B808B3

RGB 184 8 179

HSL 301.7, 0.92%, 0.38%

LAB 43.68, 75.41, -44.74

 

CMYK 1 / 68 / 0 / 0

HEX #FC51FF

RGB 252 81 255

HSL 298.97, 1%, 0.66%

LAB 64.8, 83.32, -53.73

 

CMYK 0 / 68 / 17 / 0

HEX #FF51D3

RGB 255 81 211

HSL 315.17, 1%, 0.66%

LAB 63.22, 77.56, -31.67

 

CMYK 0 / 68 / 36 / 0

HEX #FF51A4

RGB 255 81 164

HSL 331.38, 1%, 0.66%

LAB 61.5, 71.93, -7.43

 

CMYK 0 / 68 / 54 / 0

HEX #FF5175

RGB 255 81 117

HSL 347.59, 1%, 0.66%

LAB 60.27, 67.72, 18.16

 

CMYK 0 / 68 / 68 / 0

HEX #FF5151

RGB 255 81 81

HSL 0, 1%, 0.66%

LAB 59.65, 65.53, 38.05

 

CMYK 1 / 68 / 0 / 0

HEX #FC51FF

RGB 252 81 255

HSL 298.97, 1%, 0.66%

LAB 64.8, 83.32, -53.73

 

CMYK 20 / 68 / 0 / 0

HEX #CD51FF

RGB 205 81 255

HSL 282.76, 1%, 0.66%

LAB 58.12, 73.58, -64.79

 

CMYK 38 / 68 / 0 / 0

HEX #9E51FF

RGB 158 81 255

HSL 266.55, 1%, 0.66%

LAB 52.26, 64.49, -74.55

 

CMYK 56 / 68 / 0 / 0

HEX #6F51FF

RGB 111 81 255

HSL 250.34, 1%, 0.66%

LAB 47.6, 56.74, -82.34

 

CMYK 68 / 68 / 0 / 0

HEX #5151FF

RGB 81 81 255

HSL 240, 1%, 0.66%

LAB 45.43, 52.91, -85.98

 

CMYK 1 / 68 / 0 / 0

HEX #FC51FF

RGB 252 81 255

HSL 298.97, 1%, 0.66%

LAB 64.8, 83.32, -53.73

 

CMYK 1 / 68 / 0 / 0

HEX #FC51FF

RGB 252 81 255

HSL 298.97, 1%, 0.66%

LAB 64.8, 83.32, -53.73

 

CMYK 1 / 60 / 0 / 6

HEX #EE5FF0

RGB 238 95 240

HSL 299.17, 0.83%, 0.66%

LAB 63.88, 72.55, -47.04

 

CMYK 1 / 52 / 0 / 11

HEX #E06DE2

RGB 224 109 226

HSL 298.97, 0.67%, 0.66%

LAB 63.57, 60.48, -39.87

 

CMYK 0 / 42 / 0 / 17

HEX #D37BD4

RGB 211 123 212

HSL 299.33, 0.51%, 0.66%

LAB 63.97, 47.37, -31.55

 

CMYK 1 / 31 / 0 / 22

HEX #C589C6

RGB 197 137 198

HSL 299.02, 0.35%, 0.66%

LAB 64.83, 32.91, -22.51

 

CMYK 39 / 68 / 0 / 0

HEX #9C51FF

RGB 156 81 255

HSL 265.86, 1%, 0.66%

LAB 52.03, 64.12, -74.93

 

CMYK 21 / 68 / 0 / 0

HEX #CA51FF

RGB 202 81 255

HSL 281.72, 1%, 0.66%

LAB 57.71, 72.97, -65.46

 

CMYK 2 / 68 / 0 / 0

HEX #F951FF

RGB 249 81 255

HSL 297.93, 1%, 0.66%

LAB 64.36, 82.69, -54.46

 

CMYK 0 / 68 / 16 / 0

HEX #FF51D6

RGB 255 81 214

HSL 314.14, 1%, 0.66%

LAB 63.34, 77.97, -33.17

 

CMYK 0 / 68 / 34 / 0

HEX #FF51A8

RGB 255 81 168

HSL 330, 1%, 0.66%

LAB 61.63, 72.35, -9.55

 

CMYK 2 / 100 / 0 / 0

HEX #F900FE

RGB 249 0 254

HSL 298.82, 1%, 0.5%

LAB 59.25, 97.2, -62.06

 

CMYK 2 / 84 / 0 / 0

HEX #FB28FF

RGB 251 40 255

HSL 298.88, 1%, 0.58%

LAB 61, 93.65, -59.79

 

CMYK 1 / 68 / 0 / 0

HEX #FC51FF

RGB 252 81 255

HSL 298.97, 1%, 0.66%

LAB 64.8, 83.32, -53.73

 

CMYK 1 / 52 / 0 / 0

HEX #FC7AFF

RGB 252 122 255

HSL 298.65, 1%, 0.74%

LAB 70.76, 66.91, -44.34

 

CMYK 1 / 36 / 0 / 0

HEX #FDA4FF

RGB 253 164 255

HSL 298.68, 1%, 0.82%

LAB 78.84, 46.64, -31.77

 

CMYK 1 / 69 / 0 / 0

HEX #FC50FF

RGB 252 80 255

HSL 298.97, 1%, 0.66%

LAB 64.69, 83.65, -53.91

 

CMYK 0 / 57 / 68 / 0

HEX #FF6E51

RGB 255 110 81

HSL 10, 1%, 0.66%

LAB 64.17, 53.46, 43.38

 

CMYK 68 / 0 / 30 / 0

HEX #51FFB3

RGB 81 255 179

HSL 153.79, 1%, 0.66%

LAB 90.1, -61.14, 23.73

 

CMYK 1 / 69 / 0 / 0

HEX #FC50FF

RGB 252 80 255

HSL 298.97, 1%, 0.66%

LAB 64.69, 83.65, -53.91

 

CMYK 0 / 2 / 68 / 0

HEX #FFF951

RGB 255 249 81

HSL 57.93, 1%, 0.66%

LAB 95.83, -16.74, 77.18

 

CMYK 68 / 0 / 2 / 0

HEX #51FFF9

RGB 81 255 249

HSL 177.93, 1%, 0.66%

LAB 91.73, -44.57, -10.02

 

CMYK 1 / 69 / 0 / 0

HEX #FC50FF

RGB 252 80 255

HSL 298.97, 1%, 0.66%

LAB 64.69, 83.65, -53.91

 

CMYK 0 / 57 / 68 / 0

HEX #FF6E51

RGB 255 110 81

HSL 10, 1%, 0.66%

LAB 64.17, 53.46, 43.38

 

CMYK 66 / 0 / 68 / 0

HEX #57FF51

RGB 87 255 81

HSL 117.93, 1%, 0.66%

LAB 88.99, -74.21, 67.47

 

CMYK 68 / 11 / 0 / 0

HEX #51E2FF

RGB 81 226 255

HSL 190, 1%, 0.66%

LAB 83.63, -29.52, -25.36

 

CMYK 1 / 69 / 0 / 0

HEX #FC50FF

RGB 252 80 255

HSL 298.97, 1%, 0.66%

LAB 64.69, 83.65, -53.91

 

CMYK 0 / 36 / 68 / 0

HEX #FFA251

RGB 255 162 81

HSL 27.93, 1%, 0.66%

LAB 74.63, 27.63, 55.18

 

CMYK 66 / 0 / 68 / 0

HEX #57FF51

RGB 87 255 81

HSL 117.93, 1%, 0.66%

LAB 88.99, -74.21, 67.47

 

CMYK 68 / 32 / 0 / 0

HEX #51AEFF

RGB 81 174 255

HSL 207.93, 1%, 0.66%

LAB 68.93, -2.37, -48.15

 

Description

Color code: HEX #FC50FF | qconv.com Color code: HEX #FC50FF | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 80 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 80 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 69 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 69% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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