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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FE752E it is the complementary color #018AD1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FE752E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FE752E shade: #FF7529, #FF873C, #FF994F, #FFAB62 and #FFBD75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FE752E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FE752E shade: #FE752E, #ED631B, #DC5108, #CB3F00 and #BA2D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FE752E shade: #FD752E, #FD3D2E and #FD2E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FE752E shade: #FD752E, #FDAD2E, #FDE52E, #DEFD2E and #A7FD2E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FE752E shade matches the following richer shades: #FD752E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FE752E shade: #FD752E, #ED7A3F, #DC8050, #CB8561 and #BA8B72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FE752E shade: #FD2E58, #FD3C2E, #FD732E, #FDAB2E and #FDE22E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FE752E shade: #D94A01, #FD5A05, #FD752E, #FE9057 and #FEAB81

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FE752E shade: #FE752E, #8FFD2E and #2E3CFD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FE752E shade: #FE752E, #2EFD73 and #732EFD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FE752E shade: #FE752E, #8FFD2E, #2EB8FD and #9D2EFD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FE752E shade: #FE752E, #51FD2E, #2EB8FD and #DB2EFD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 82 / 0

HEX #FE752E

RGB 254 117 46

HSL 20.48, 0.99%, 0.59%

LAB 64.96, 48.47, 60.89

 

Complementary color

CMYK 100 / 34 / 0 / 18

HEX #018AD1

RGB 1 138 209

HSL 200.48, 0.99%, 0.41%

LAB 54.85, -5.01, -45.06

 

CMYK 0 / 54 / 84 / 0

HEX #FF7529

RGB 255 117 41

HSL 21.31, 1%, 0.58%

LAB 65.08, 48.71, 63.02

 

CMYK 0 / 47 / 76 / 0

HEX #FF873C

RGB 255 135 60

HSL 23.08, 1%, 0.62%

LAB 68.69, 40.52, 58.53

 

CMYK 0 / 40 / 69 / 0

HEX #FF994F

RGB 255 153 79

HSL 25.23, 1%, 0.65%

LAB 72.63, 32.19, 53.93

 

CMYK 0 / 33 / 62 / 0

HEX #FFAB62

RGB 255 171 98

HSL 27.9, 1%, 0.69%

LAB 76.84, 23.94, 49.51

 

CMYK 0 / 26 / 54 / 0

HEX #FFBD75

RGB 255 189 117

HSL 31.3, 1%, 0.73%

LAB 81.26, 15.92, 45.38

 

CMYK 0 / 54 / 82 / 0

HEX #FE752E

RGB 254 117 46

HSL 20.48, 0.99%, 0.59%

LAB 64.96, 48.47, 60.89

 

CMYK 0 / 58 / 89 / 7

HEX #ED631B

RGB 237 99 27

HSL 20.57, 0.85%, 0.52%

LAB 58.98, 50.2, 61.9

 

CMYK 0 / 63 / 96 / 14

HEX #DC5108

RGB 220 81 8

HSL 20.66, 0.93%, 0.45%

LAB 53.08, 51.89, 61.56

 

CMYK 0 / 69 / 100 / 20

HEX #CB3F00

RGB 203 63 0

HSL 18.62, 1%, 0.4%

LAB 47.3, 53.4, 58.72

 

CMYK 0 / 76 / 100 / 27

HEX #BA2D00

RGB 186 45 0

HSL 14.52, 1%, 0.36%

LAB 41.71, 54.4, 54.26

 

CMYK 0 / 54 / 82 / 1

HEX #FD752E

RGB 253 117 46

HSL 20.58, 0.98%, 0.59%

LAB 64.81, 48.1, 60.7

 

CMYK 0 / 76 / 82 / 1

HEX #FD3D2E

RGB 253 61 46

HSL 4.35, 0.98%, 0.59%

LAB 56.5, 70.34, 53.15

 

CMYK 0 / 82 / 82 / 1

HEX #FD2E2E

RGB 253 46 46

HSL 0, 0.98%, 0.59%

LAB 55.11, 74.28, 51.86

 

CMYK 0 / 54 / 82 / 1

HEX #FD752E

RGB 253 117 46

HSL 20.58, 0.98%, 0.59%

LAB 64.81, 48.1, 60.7

 

CMYK 0 / 32 / 82 / 1

HEX #FDAD2E

RGB 253 173 46

HSL 36.81, 0.98%, 0.59%

LAB 76.66, 19.64, 71.13

 

CMYK 0 / 9 / 82 / 1

HEX #FDE52E

RGB 253 229 46

HSL 53.04, 0.98%, 0.59%

LAB 90.38, -9.1, 82.87

 

CMYK 12 / 0 / 82 / 1

HEX #DEFD2E

RGB 222 253 46

HSL 68.99, 0.98%, 0.59%

LAB 94.3, -33.26, 85.27

 

CMYK 34 / 0 / 82 / 1

HEX #A7FD2E

RGB 167 253 46

HSL 84.93, 0.98%, 0.59%

LAB 91.08, -53.79, 81.21

 

CMYK 0 / 54 / 82 / 1

HEX #FD752E

RGB 253 117 46

HSL 20.58, 0.98%, 0.59%

LAB 64.81, 48.1, 60.7

 

CMYK 0 / 54 / 82 / 1

HEX #FD752E

RGB 253 117 46

HSL 20.58, 0.98%, 0.59%

LAB 64.81, 48.1, 60.7

 

CMYK 0 / 49 / 73 / 7

HEX #ED7A3F

RGB 237 122 63

HSL 20.34, 0.83%, 0.59%

LAB 63.58, 40.19, 51.13

 

CMYK 0 / 42 / 64 / 14

HEX #DC8050

RGB 220 128 80

HSL 20.57, 0.67%, 0.59%

LAB 62.7, 31.29, 40.94

 

CMYK 0 / 34 / 52 / 20

HEX #CB8561

RGB 203 133 97

HSL 20.38, 0.5%, 0.59%

LAB 61.94, 23.02, 30.38

 

CMYK 0 / 25 / 39 / 27

HEX #BA8B72

RGB 186 139 114

HSL 20.83, 0.34%, 0.59%

LAB 61.76, 14.55, 20.34

 

CMYK 0 / 82 / 65 / 1

HEX #FD2E58

RGB 253 46 88

HSL 347.83, 0.98%, 0.59%

LAB 55.63, 75.84, 28.96

 

CMYK 0 / 76 / 82 / 1

HEX #FD3C2E

RGB 253 60 46

HSL 4.06, 0.98%, 0.59%

LAB 56.4, 70.63, 53.06

 

CMYK 0 / 55 / 82 / 1

HEX #FD732E

RGB 253 115 46

HSL 20, 0.98%, 0.59%

LAB 64.44, 49.05, 60.37

 

CMYK 0 / 32 / 82 / 1

HEX #FDAB2E

RGB 253 171 46

HSL 36.23, 0.98%, 0.59%

LAB 76.2, 20.68, 70.73

 

CMYK 0 / 11 / 82 / 1

HEX #FDE22E

RGB 253 226 46

HSL 52.17, 0.98%, 0.59%

LAB 89.61, -7.61, 82.22

 

CMYK 0 / 66 / 100 / 15

HEX #D94A01

RGB 217 74 1

HSL 20.28, 0.99%, 0.43%

LAB 51.44, 53.74, 61.93

 

CMYK 0 / 64 / 98 / 1

HEX #FD5A05

RGB 253 90 5

HSL 20.56, 0.98%, 0.51%

LAB 60.07, 59.44, 69.07

 

CMYK 0 / 54 / 82 / 1

HEX #FD752E

RGB 253 117 46

HSL 20.58, 0.98%, 0.59%

LAB 64.81, 48.1, 60.7

 

CMYK 0 / 43 / 66 / 0

HEX #FE9057

RGB 254 144 87

HSL 20.48, 0.99%, 0.67%

LAB 70.67, 36.85, 47.77

 

CMYK 0 / 33 / 49 / 0

HEX #FEAB81

RGB 254 171 129

HSL 20.16, 0.98%, 0.75%

LAB 77.15, 25.97, 33.98

 

CMYK 0 / 54 / 82 / 0

HEX #FE752E

RGB 254 117 46

HSL 20.48, 0.99%, 0.59%

LAB 64.96, 48.47, 60.89

 

CMYK 43 / 0 / 82 / 1

HEX #8FFD2E

RGB 143 253 46

HSL 91.88, 0.98%, 0.59%

LAB 89.99, -61.63, 79.83

 

CMYK 82 / 76 / 0 / 1

HEX #2E3CFD

RGB 46 60 253

HSL 235.94, 0.98%, 0.59%

LAB 39.42, 60.84, -94.86

 

CMYK 0 / 54 / 82 / 0

HEX #FE752E

RGB 254 117 46

HSL 20.48, 0.99%, 0.59%

LAB 64.96, 48.47, 60.89

 

CMYK 82 / 0 / 55 / 1

HEX #2EFD73

RGB 46 253 115

HSL 140, 0.98%, 0.59%

LAB 88, -75.64, 52.04

 

CMYK 55 / 82 / 0 / 1

HEX #732EFD

RGB 115 46 253

HSL 260, 0.98%, 0.59%

LAB 42.29, 72.38, -89.94

 

CMYK 0 / 54 / 82 / 0

HEX #FE752E

RGB 254 117 46

HSL 20.48, 0.99%, 0.59%

LAB 64.96, 48.47, 60.89

 

CMYK 43 / 0 / 82 / 1

HEX #8FFD2E

RGB 143 253 46

HSL 91.88, 0.98%, 0.59%

LAB 89.99, -61.63, 79.83

 

CMYK 82 / 27 / 0 / 1

HEX #2EB8FD

RGB 46 184 253

HSL 200, 0.98%, 0.59%

LAB 70.84, -12.55, -44.12

 

CMYK 38 / 82 / 0 / 1

HEX #9D2EFD

RGB 157 46 253

HSL 272.17, 0.98%, 0.59%

LAB 47.25, 77.39, -81.61

 

CMYK 0 / 54 / 82 / 0

HEX #FE752E

RGB 254 117 46

HSL 20.48, 0.99%, 0.59%

LAB 64.96, 48.47, 60.89

 

CMYK 68 / 0 / 82 / 1

HEX #51FD2E

RGB 81 253 46

HSL 109.86, 0.98%, 0.59%

LAB 88.06, -76.97, 77.37

 

CMYK 82 / 27 / 0 / 1

HEX #2EB8FD

RGB 46 184 253

HSL 200, 0.98%, 0.59%

LAB 70.84, -12.55, -44.12

 

CMYK 13 / 82 / 0 / 1

HEX #DB2EFD

RGB 219 46 253

HSL 290.14, 0.98%, 0.59%

LAB 56.19, 86.77, -66.68

 

Description

Color code: HEX #FE752E | qconv.com Color code: HEX #FE752E | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 117 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 117 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 82 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 82% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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