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Color name
RGB 220 128 80

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 220 128 80 it is the complementary color RGB 35 127 175. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 220 128 80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 220 128 80 shade: RGB 225 128 75, RGB 242 146 94, RGB 255 164 113, RGB 255 182 132 and RGB 255 200 151

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 220 128 80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 220 128 80 shade: RGB 220 128 80, RGB 203 110 61, RGB 186 92 42, RGB 169 74 23 and RGB 152 56 4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 220 128 80 shade: RGB 220 128 80, RGB 220 90 80 and RGB 220 80 80

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 220 128 80 shade: RGB 220 128 80, RGB 220 166 80, RGB 220 203 80, RGB 199 220 80 and RGB 161 220 80

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 220 128 80 shade matches the following richer shades: RGB 220 128 80, RGB 237 123 63 and RGB 254 117 46

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 220 128 80 shade: RGB 220 128 80, RGB 203 133 97, RGB 186 139 114, RGB 169 144 131 and RGB 152 149 148

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 220 128 80 shade: RGB 220 80 108, RGB 220 89 80, RGB 220 127 80, RGB 220 164 80 and RGB 220 201 80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 220 128 80 shade: RGB 182 86 36, RGB 213 103 45, RGB 220 128 80, RGB 227 153 114 and RGB 234 178 149

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 220 128 80 shade: RGB 220 128 80, RGB 145 220 80 and RGB 80 89 220

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 220 128 80 shade: RGB 220 128 80, RGB 80 220 127 and RGB 127 80 220

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 220 128 80 shade: RGB 220 128 80, RGB 145 220 80, RGB 80 173 220 and RGB 155 80 220

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 220 128 80 shade: RGB 220 128 80, RGB 103 220 80, RGB 80 173 220 and RGB 197 80 220

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 64 / 14

HEX #DC8050

RGB 220 128 80

HSL 20.57, 0.67%, 0.59%

LAB 62.7, 31.29, 40.94

 

Complementary color

CMYK 80 / 27 / 0 / 31

HEX #237FAF

RGB 35 127 175

HSL 200.57, 0.67%, 0.41%

LAB 50.25, -9.38, -32.86

 

CMYK 0 / 43 / 67 / 12

HEX #E1804B

RGB 225 128 75

HSL 21.2, 0.71%, 0.59%

LAB 63.3, 32.99, 44.4

 

CMYK 0 / 40 / 61 / 5

HEX #F2925E

RGB 242 146 94

HSL 21.08, 0.85%, 0.66%

LAB 69.64, 31.54, 42.61

 

CMYK 0 / 36 / 56 / 0

HEX #FFA471

RGB 255 164 113

HSL 21.55, 1%, 0.72%

LAB 75.45, 28.67, 40.23

 

CMYK 0 / 29 / 48 / 0

HEX #FFB684

RGB 255 182 132

HSL 24.39, 1%, 0.76%

LAB 79.83, 20.88, 35.9

 

CMYK 0 / 22 / 41 / 0

HEX #FFC897

RGB 255 200 151

HSL 28.27, 1%, 0.8%

LAB 84.38, 13.37, 31.98

 

CMYK 0 / 42 / 64 / 14

HEX #DC8050

RGB 220 128 80

HSL 20.57, 0.67%, 0.59%

LAB 62.7, 31.29, 40.94

 

CMYK 0 / 46 / 70 / 20

HEX #CB6E3D

RGB 203 110 61

HSL 20.7, 0.58%, 0.52%

LAB 56.27, 32.83, 42.82

 

CMYK 0 / 51 / 77 / 27

HEX #BA5C2A

RGB 186 92 42

HSL 20.83, 0.63%, 0.45%

LAB 49.81, 34.52, 44.71

 

CMYK 0 / 56 / 86 / 34

HEX #A94A17

RGB 169 74 23

HSL 20.96, 0.76%, 0.38%

LAB 43.35, 36.35, 46.28

 

CMYK 0 / 63 / 97 / 40

HEX #983804

RGB 152 56 4

HSL 21.08, 0.95%, 0.31%

LAB 36.95, 38.21, 46.88

 

CMYK 0 / 42 / 64 / 14

HEX #DC8050

RGB 220 128 80

HSL 20.57, 0.67%, 0.59%

LAB 62.7, 31.29, 40.94

 

CMYK 0 / 59 / 64 / 14

HEX #DC5A50

RGB 220 90 80

HSL 4.29, 0.67%, 0.59%

LAB 55.18, 50.26, 31.82

 

CMYK 0 / 64 / 64 / 14

HEX #DC5050

RGB 220 80 80

HSL 0, 0.67%, 0.59%

LAB 53.53, 54.66, 29.75

 

CMYK 0 / 42 / 64 / 14

HEX #DC8050

RGB 220 128 80

HSL 20.57, 0.67%, 0.59%

LAB 62.7, 31.29, 40.94

 

CMYK 0 / 25 / 64 / 14

HEX #DCA650

RGB 220 166 80

HSL 36.86, 0.67%, 0.59%

LAB 71.6, 10.95, 51.18

 

CMYK 0 / 8 / 64 / 14

HEX #DCCB50

RGB 220 203 80

HSL 52.71, 0.67%, 0.59%

LAB 81.02, -8.41, 61.46

 

CMYK 10 / 0 / 64 / 14

HEX #C7DC50

RGB 199 220 80

HSL 69, 0.67%, 0.59%

LAB 83.92, -25.46, 64.03

 

CMYK 27 / 0 / 64 / 14

HEX #A1DC50

RGB 161 220 80

HSL 85.29, 0.67%, 0.59%

LAB 81.48, -40.12, 60.7

 

CMYK 0 / 42 / 64 / 14

HEX #DC8050

RGB 220 128 80

HSL 20.57, 0.67%, 0.59%

LAB 62.7, 31.29, 40.94

 

CMYK 0 / 48 / 73 / 7

HEX #ED7B3F

RGB 237 123 63

HSL 20.69, 0.83%, 0.59%

LAB 63.78, 39.68, 51.34

 

CMYK 0 / 54 / 82 / 0

HEX #FE752E

RGB 254 117 46

HSL 20.48, 0.99%, 0.59%

LAB 64.96, 48.47, 60.89

 

CMYK 0 / 42 / 64 / 14

HEX #DC8050

RGB 220 128 80

HSL 20.57, 0.67%, 0.59%

LAB 62.7, 31.29, 40.94

 

CMYK 0 / 34 / 52 / 20

HEX #CB8561

RGB 203 133 97

HSL 20.38, 0.5%, 0.59%

LAB 61.94, 23.02, 30.38

 

CMYK 0 / 25 / 39 / 27

HEX #BA8B72

RGB 186 139 114

HSL 20.83, 0.34%, 0.59%

LAB 61.76, 14.55, 20.34

 

CMYK 0 / 15 / 22 / 34

HEX #A99083

RGB 169 144 131

HSL 20.53, 0.18%, 0.59%

LAB 61.67, 7.27, 10.37

 

CMYK 0 / 2 / 3 / 40

HEX #989594

RGB 152 149 148

HSL 15, 0.02%, 0.59%

LAB 61.92, 0.91, 0.91

 

CMYK 0 / 64 / 51 / 14

HEX #DC506C

RGB 220 80 108

HSL 348, 0.67%, 0.59%

LAB 54.06, 56.69, 13.98

 

CMYK 0 / 60 / 64 / 14

HEX #DC5950

RGB 220 89 80

HSL 3.86, 0.67%, 0.59%

LAB 55.01, 50.71, 31.61

 

CMYK 0 / 42 / 64 / 14

HEX #DC7F50

RGB 220 127 80

HSL 20.14, 0.67%, 0.59%

LAB 62.49, 31.82, 40.68

 

CMYK 0 / 25 / 64 / 14

HEX #DCA450

RGB 220 164 80

HSL 36, 0.67%, 0.59%

LAB 71.11, 12.02, 50.63

 

CMYK 0 / 9 / 64 / 14

HEX #DCC950

RGB 220 201 80

HSL 51.86, 0.67%, 0.59%

LAB 80.5, -7.4, 60.91

 

CMYK 0 / 53 / 80 / 29

HEX #B65624

RGB 182 86 36

HSL 20.55, 0.67%, 0.43%

LAB 47.92, 35.8, 45.48

 

CMYK 0 / 52 / 79 / 16

HEX #D5672D

RGB 213 103 45

HSL 20.71, 0.67%, 0.51%

LAB 56.12, 39.7, 50.89

 

CMYK 0 / 42 / 64 / 14

HEX #DC8050

RGB 220 128 80

HSL 20.57, 0.67%, 0.59%

LAB 62.7, 31.29, 40.94

 

CMYK 0 / 33 / 50 / 11

HEX #E39972

RGB 227 153 114

HSL 20.71, 0.67%, 0.67%

LAB 69.7, 23.46, 31.71

 

CMYK 0 / 24 / 36 / 8

HEX #EAB295

RGB 234 178 149

HSL 20.47, 0.67%, 0.75%

LAB 76.98, 16.57, 22.71

 

CMYK 0 / 42 / 64 / 14

HEX #DC8050

RGB 220 128 80

HSL 20.57, 0.67%, 0.59%

LAB 62.7, 31.29, 40.94

 

CMYK 34 / 0 / 64 / 14

HEX #91DC50

RGB 145 220 80

HSL 92.14, 0.67%, 0.59%

LAB 80.62, -45.81, 59.52

 

CMYK 64 / 60 / 0 / 14

HEX #5059DC

RGB 80 89 220

HSL 236.14, 0.67%, 0.59%

LAB 44.26, 36.66, -68.2

 

CMYK 0 / 42 / 64 / 14

HEX #DC8050

RGB 220 128 80

HSL 20.57, 0.67%, 0.59%

LAB 62.7, 31.29, 40.94

 

CMYK 64 / 0 / 42 / 14

HEX #50DC7F

RGB 80 220 127

HSL 140.14, 0.67%, 0.59%

LAB 78.71, -57.76, 34.82

 

CMYK 42 / 64 / 0 / 14

HEX #7F50DC

RGB 127 80 220

HSL 260.14, 0.67%, 0.59%

LAB 46.2, 50.28, -64.87

 

CMYK 0 / 42 / 64 / 14

HEX #DC8050

RGB 220 128 80

HSL 20.57, 0.67%, 0.59%

LAB 62.7, 31.29, 40.94

 

CMYK 34 / 0 / 64 / 14

HEX #91DC50

RGB 145 220 80

HSL 92.14, 0.67%, 0.59%

LAB 80.62, -45.81, 59.52

 

CMYK 64 / 21 / 0 / 14

HEX #50ADDC

RGB 80 173 220

HSL 200.14, 0.67%, 0.59%

LAB 67.1, -13.37, -31.91

 

CMYK 30 / 64 / 0 / 14

HEX #9B50DC

RGB 155 80 220

HSL 272.14, 0.67%, 0.59%

LAB 49.34, 56.13, -59.64

 

CMYK 0 / 42 / 64 / 14

HEX #DC8050

RGB 220 128 80

HSL 20.57, 0.67%, 0.59%

LAB 62.7, 31.29, 40.94

 

CMYK 53 / 0 / 64 / 14

HEX #67DC50

RGB 103 220 80

HSL 110.14, 0.67%, 0.59%

LAB 78.84, -58.67, 57.06

 

CMYK 64 / 21 / 0 / 14

HEX #50ADDC

RGB 80 173 220

HSL 200.14, 0.67%, 0.59%

LAB 67.1, -13.37, -31.91

 

CMYK 10 / 64 / 0 / 14

HEX #C550DC

RGB 197 80 220

HSL 290.14, 0.67%, 0.59%

LAB 54.84, 65.61, -50.53

 

Description

Color code: RGB 220 128 80 | qconv.com Color code: RGB 220 128 80 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 128 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 128 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 64 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 64% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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