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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FE7B7F it is the complementary color #018480. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FE7B7F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FE7B7F shade: #FF7B7A, #FF8D8D, #FF9FA0, #FFB1B3 and #FFC3C6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FE7B7F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FE7B7F shade: #FE7B7F, #ED696C, #DC5759, #CB4546 and #BA3333

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FE7B7F shade: #FD7B7F and #FD7B7B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FE7B7F shade: #FD7B7F, #FD7BA2, #FD7BC5, #FD7BE8 and #EF7BFD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FE7B7F shade matches the following richer shades: #FD7B7F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FE7B7F shade: #FD7B7F, #F28689, #E89193, #DD9B9D and #D2A6A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FE7B7F shade: #FD7BC5, #FD7BA2, #FD7B80, #FD9A7B and #FDBC7B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FE7B7F shade: #FC2A30, #FD5258, #FD7B7F, #FEA4A7 and #FECDCE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FE7B7F shade: #FE7B7F, #E8FD7B and #7BB4FD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FE7B7F shade: #FE7B7F, #80FD7B and #7B80FD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FE7B7F shade: #FE7B7F, #E8FD7B, #7BFDF9 and #917BFD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FE7B7F shade: #FE7B7F, #C1FD7B, #7BFDF9 and #B87BFD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 50 / 0

HEX #FE7B7F

RGB 254 123 127

HSL 358.17, 0.98%, 0.74%

LAB 67.1, 50.17, 21.72

 

Complementary color

CMYK 99 / 0 / 3 / 48

HEX #018480

RGB 1 132 128

HSL 178.17, 0.98%, 0.26%

LAB 49.58, -30.72, -6.51

 

CMYK 0 / 52 / 52 / 0

HEX #FF7B7A

RGB 255 123 122

HSL 0.45, 1%, 0.74%

LAB 67.15, 50.1, 24.62

 

CMYK 0 / 45 / 45 / 0

HEX #FF8D8D

RGB 255 141 141

HSL 0, 1%, 0.78%

LAB 71.03, 42.96, 19.3

 

CMYK 0 / 38 / 37 / 0

HEX #FF9FA0

RGB 255 159 160

HSL 359.38, 1%, 0.81%

LAB 75.2, 35.78, 14.63

 

CMYK 0 / 31 / 30 / 0

HEX #FFB1B3

RGB 255 177 179

HSL 358.46, 1%, 0.85%

LAB 79.59, 28.71, 10.49

 

CMYK 0 / 24 / 22 / 0

HEX #FFC3C6

RGB 255 195 198

HSL 357, 1%, 0.88%

LAB 84.16, 21.85, 6.81

 

CMYK 0 / 52 / 50 / 0

HEX #FE7B7F

RGB 254 123 127

HSL 358.17, 0.98%, 0.74%

LAB 67.1, 50.17, 21.72

 

CMYK 0 / 56 / 54 / 7

HEX #ED696C

RGB 237 105 108

HSL 358.64, 0.79%, 0.67%

LAB 60.95, 51.21, 23.78

 

CMYK 0 / 60 / 60 / 14

HEX #DC5759

RGB 220 87 89

HSL 359.1, 0.66%, 0.6%

LAB 54.82, 52.2, 26.18

 

CMYK 0 / 66 / 66 / 20

HEX #CB4546

RGB 203 69 70

HSL 359.55, 0.56%, 0.53%

LAB 48.75, 53.03, 29

 

CMYK 0 / 73 / 73 / 27

HEX #BA3333

RGB 186 51 51

HSL 0, 0.57%, 0.46%

LAB 42.83, 53.55, 32.34

 

CMYK 0 / 51 / 50 / 1

HEX #FD7B7F

RGB 253 123 127

HSL 358.15, 0.97%, 0.74%

LAB 66.96, 49.83, 21.51

 

CMYK 0 / 51 / 51 / 1

HEX #FD7B7B

RGB 253 123 123

HSL 0, 0.97%, 0.74%

LAB 66.88, 49.48, 23.65

 

CMYK 0 / 51 / 50 / 1

HEX #FD7B7F

RGB 253 123 127

HSL 358.15, 0.97%, 0.74%

LAB 66.96, 49.83, 21.51

 

CMYK 0 / 51 / 36 / 1

HEX #FD7BA2

RGB 253 123 162

HSL 342, 0.97%, 0.74%

LAB 67.77, 53.34, 2.88

 

CMYK 0 / 51 / 22 / 1

HEX #FD7BC5

RGB 253 123 197

HSL 325.85, 0.97%, 0.74%

LAB 68.81, 57.73, -15.27

 

CMYK 0 / 51 / 8 / 1

HEX #FD7BE8

RGB 253 123 232

HSL 309.69, 0.97%, 0.74%

LAB 70.09, 62.93, -32.76

 

CMYK 6 / 51 / 0 / 1

HEX #EF7BFD

RGB 239 123 253

HSL 293.54, 0.97%, 0.74%

LAB 69.19, 62.69, -45.82

 

CMYK 0 / 51 / 50 / 1

HEX #FD7B7F

RGB 253 123 127

HSL 358.15, 0.97%, 0.74%

LAB 66.96, 49.83, 21.51

 

CMYK 0 / 51 / 50 / 1

HEX #FD7B7F

RGB 253 123 127

HSL 358.15, 0.97%, 0.74%

LAB 66.96, 49.83, 21.51

 

CMYK 0 / 45 / 43 / 5

HEX #F28689

RGB 242 134 137

HSL 358.33, 0.81%, 0.74%

LAB 67.82, 41.4, 16.84

 

CMYK 0 / 38 / 37 / 9

HEX #E89193

RGB 232 145 147

HSL 358.62, 0.65%, 0.74%

LAB 69.12, 33.12, 12.87

 

CMYK 0 / 30 / 29 / 13

HEX #DD9B9D

RGB 221 155 157

HSL 358.18, 0.49%, 0.74%

LAB 70.35, 24.94, 8.88

 

CMYK 0 / 21 / 20 / 18

HEX #D2A6A7

RGB 210 166 167

HSL 358.64, 0.33%, 0.74%

LAB 72.07, 16.3, 5.66

 

CMYK 0 / 51 / 22 / 1

HEX #FD7BC5

RGB 253 123 197

HSL 325.85, 0.97%, 0.74%

LAB 68.81, 57.73, -15.27

 

CMYK 0 / 51 / 36 / 1

HEX #FD7BA2

RGB 253 123 162

HSL 342, 0.97%, 0.74%

LAB 67.77, 53.34, 2.88

 

CMYK 0 / 51 / 49 / 1

HEX #FD7B80

RGB 253 123 128

HSL 357.69, 0.97%, 0.74%

LAB 66.98, 49.91, 20.97

 

CMYK 0 / 39 / 51 / 1

HEX #FD9A7B

RGB 253 154 123

HSL 14.31, 0.97%, 0.74%

LAB 73.17, 33.91, 31.97

 

CMYK 0 / 26 / 51 / 1

HEX #FDBC7B

RGB 253 188 123

HSL 30, 0.97%, 0.74%

LAB 80.89, 16.14, 41.85

 

CMYK 0 / 83 / 81 / 1

HEX #FC2A30

RGB 252 42 48

HSL 358.29, 0.97%, 0.58%

LAB 54.62, 74.94, 50.31

 

CMYK 0 / 68 / 65 / 1

HEX #FD5258

RGB 253 82 88

HSL 357.89, 0.98%, 0.66%

LAB 59.55, 64.9, 33.89

 

CMYK 0 / 51 / 50 / 1

HEX #FD7B7F

RGB 253 123 127

HSL 358.15, 0.97%, 0.74%

LAB 66.96, 49.83, 21.51

 

CMYK 0 / 35 / 34 / 0

HEX #FEA4A7

RGB 254 164 167

HSL 358, 0.98%, 0.82%

LAB 76.32, 33.64, 12.36

 

CMYK 0 / 19 / 19 / 0

HEX #FECDCE

RGB 254 205 206

HSL 358.78, 0.96%, 0.9%

LAB 86.6, 17.42, 6.06

 

CMYK 0 / 52 / 50 / 0

HEX #FE7B7F

RGB 254 123 127

HSL 358.17, 0.98%, 0.74%

LAB 67.1, 50.17, 21.72

 

CMYK 8 / 0 / 51 / 1

HEX #E8FD7B

RGB 232 253 123

HSL 69.69, 0.97%, 0.74%

LAB 95.51, -24.91, 59.16

 

CMYK 51 / 29 / 0 / 1

HEX #7BB4FD

RGB 123 180 253

HSL 213.69, 0.97%, 0.74%

LAB 72.19, 1.36, -41.82

 

CMYK 0 / 52 / 50 / 0

HEX #FE7B7F

RGB 254 123 127

HSL 358.17, 0.98%, 0.74%

LAB 67.1, 50.17, 21.72

 

CMYK 49 / 0 / 51 / 1

HEX #80FD7B

RGB 128 253 123

HSL 117.69, 0.97%, 0.74%

LAB 89.98, -59.76, 51.23

 

CMYK 51 / 49 / 0 / 1

HEX #7B80FD

RGB 123 128 253

HSL 237.69, 0.97%, 0.74%

LAB 58.73, 31.47, -63.14

 

CMYK 0 / 52 / 50 / 0

HEX #FE7B7F

RGB 254 123 127

HSL 358.17, 0.98%, 0.74%

LAB 67.1, 50.17, 21.72

 

CMYK 8 / 0 / 51 / 1

HEX #E8FD7B

RGB 232 253 123

HSL 69.69, 0.97%, 0.74%

LAB 95.51, -24.91, 59.16

 

CMYK 51 / 0 / 2 / 1

HEX #7BFDF9

RGB 123 253 249

HSL 178.15, 0.97%, 0.74%

LAB 92.27, -36.81, -9.11

 

CMYK 43 / 51 / 0 / 1

HEX #917BFD

RGB 145 123 253

HSL 250.15, 0.97%, 0.74%

LAB 59.23, 39.13, -62.25

 

CMYK 0 / 52 / 50 / 0

HEX #FE7B7F

RGB 254 123 127

HSL 358.17, 0.98%, 0.74%

LAB 67.1, 50.17, 21.72

 

CMYK 24 / 0 / 51 / 1

HEX #C1FD7B

RGB 193 253 123

HSL 87.69, 0.97%, 0.74%

LAB 93.02, -39.36, 55.6

 

CMYK 51 / 0 / 2 / 1

HEX #7BFDF9

RGB 123 253 249

HSL 178.15, 0.97%, 0.74%

LAB 92.27, -36.81, -9.11

 

CMYK 27 / 51 / 0 / 1

HEX #B87BFD

RGB 184 123 253

HSL 268.15, 0.97%, 0.74%

LAB 62.88, 48.46, -56.2

 

Description

Color code: HEX #FE7B7F | qconv.com Color code: HEX #FE7B7F | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 123 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 123 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 50 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 50% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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