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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FE7BE6 it is the complementary color #018419. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FE7BE6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FE7BE6 shade: #FF7BE1, #FF8DF4, #FF9FFF, #FFB1FF and #FFC3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FE7BE6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FE7BE6 shade: #FE7BE6, #ED69D3, #DC57C0, #CB45AD and #BA339A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FE7BE6 shade: #FD7BE5, #FD7BC2, #FD7B9F, #FD7B7C and #FD7B7B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FE7BE6 shade: #FD7BE5, #F27BFD, #CF7BFD, #AC7BFD and #897BFD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FE7BE6 shade matches the following richer shades: #FD7BE5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FE7BE6 shade: #FD7BE5, #F286DF, #E891D8, #DD9BD1 and #D2A6CA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FE7BE6 shade: #CE7BFD, #F07BFD, #FD7BE8, #FD7BC5 and #FD7BA2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FE7BE6 shade: #FC2AD6, #FD52DE, #FD7BE5, #FEA4ED and #FECDF5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FE7BE6 shade: #FE7BE6, #FDAB7B and #7BFDDF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FE7BE6 shade: #FE7BE6, #E8FD7B and #7BE8FD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FE7BE6 shade: #FE7BE6, #FDAB7B, #7BFD91 and #7BCEFD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FE7BE6 shade: #FE7BE6, #FDD27B, #7BFD91 and #7BA7FD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 9 / 0

HEX #FE7BE6

RGB 254 123 230

HSL 310.99, 0.98%, 0.74%

LAB 70.14, 62.89, -31.57

 

Complementary color

CMYK 99 / 0 / 81 / 48

HEX #018419

RGB 1 132 25

HSL 130.99, 0.98%, 0.26%

LAB 47.73, -51.62, 45.24

 

CMYK 0 / 52 / 12 / 0

HEX #FF7BE1

RGB 255 123 225

HSL 313.64, 1%, 0.74%

LAB 70.08, 62.4, -28.89

 

CMYK 0 / 45 / 4 / 0

HEX #FF8DF4

RGB 255 141 244

HSL 305.79, 1%, 0.78%

LAB 74.09, 56.89, -33.13

 

CMYK 0 / 38 / 0 / 0

HEX #FF9FFF

RGB 255 159 255

HSL 300, 1%, 0.81%

LAB 78.04, 49.8, -32.99

 

CMYK 0 / 31 / 0 / 0

HEX #FFB1FF

RGB 255 177 255

HSL 300, 1%, 0.85%

LAB 81.8, 40.52, -27.22

 

CMYK 0 / 24 / 0 / 0

HEX #FFC3FF

RGB 255 195 255

HSL 300, 1%, 0.88%

LAB 85.76, 31.1, -21.19

 

CMYK 0 / 52 / 9 / 0

HEX #FE7BE6

RGB 254 123 230

HSL 310.99, 0.98%, 0.74%

LAB 70.14, 62.89, -31.57

 

CMYK 0 / 56 / 11 / 7

HEX #ED69D3

RGB 237 105 211

HSL 311.82, 0.79%, 0.67%

LAB 64.01, 63.38, -30.66

 

CMYK 0 / 60 / 13 / 14

HEX #DC57C0

RGB 220 87 192

HSL 312.63, 0.66%, 0.6%

LAB 57.88, 63.7, -29.57

 

CMYK 0 / 66 / 15 / 20

HEX #CB45AD

RGB 203 69 173

HSL 313.43, 0.56%, 0.53%

LAB 51.8, 63.72, -28.2

 

CMYK 0 / 73 / 17 / 27

HEX #BA339A

RGB 186 51 154

HSL 314.22, 0.57%, 0.46%

LAB 45.83, 63.27, -26.46

 

CMYK 0 / 51 / 9 / 1

HEX #FD7BE5

RGB 253 123 229

HSL 311.08, 0.97%, 0.74%

LAB 69.97, 62.45, -31.29

 

CMYK 0 / 51 / 23 / 1

HEX #FD7BC2

RGB 253 123 194

HSL 327.23, 0.97%, 0.74%

LAB 68.71, 57.32, -13.74

 

CMYK 0 / 51 / 37 / 1

HEX #FD7B9F

RGB 253 123 159

HSL 343.38, 0.97%, 0.74%

LAB 67.69, 53, 4.46

 

CMYK 0 / 51 / 51 / 1

HEX #FD7B7C

RGB 253 123 124

HSL 359.54, 0.97%, 0.74%

LAB 66.9, 49.57, 23.11

 

CMYK 0 / 51 / 51 / 1

HEX #FD7B7B

RGB 253 123 123

HSL 0, 0.97%, 0.74%

LAB 66.88, 49.48, 23.65

 

CMYK 0 / 51 / 9 / 1

HEX #FD7BE5

RGB 253 123 229

HSL 311.08, 0.97%, 0.74%

LAB 69.97, 62.45, -31.29

 

CMYK 4 / 51 / 0 / 1

HEX #F27BFD

RGB 242 123 253

HSL 294.92, 0.97%, 0.74%

LAB 69.57, 63.48, -45.2

 

CMYK 18 / 51 / 0 / 1

HEX #CF7BFD

RGB 207 123 253

HSL 278.77, 0.97%, 0.74%

LAB 65.38, 54.33, -52.09

 

CMYK 32 / 51 / 0 / 1

HEX #AC7BFD

RGB 172 123 253

HSL 262.62, 0.97%, 0.74%

LAB 61.68, 45.49, -58.2

 

CMYK 46 / 51 / 0 / 1

HEX #897BFD

RGB 137 123 253

HSL 246.46, 0.97%, 0.74%

LAB 58.58, 37.36, -63.33

 

CMYK 0 / 51 / 9 / 1

HEX #FD7BE5

RGB 253 123 229

HSL 311.08, 0.97%, 0.74%

LAB 69.97, 62.45, -31.29

 

CMYK 0 / 51 / 9 / 1

HEX #FD7BE5

RGB 253 123 229

HSL 311.08, 0.97%, 0.74%

LAB 69.97, 62.45, -31.29

 

CMYK 0 / 45 / 8 / 5

HEX #F286DF

RGB 242 134 223

HSL 310.56, 0.81%, 0.74%

LAB 70.35, 53.01, -27.5

 

CMYK 0 / 38 / 7 / 9

HEX #E891D8

RGB 232 145 216

HSL 311.03, 0.65%, 0.74%

LAB 71.12, 43.14, -22.57

 

CMYK 0 / 30 / 5 / 13

HEX #DD9BD1

RGB 221 155 209

HSL 310.91, 0.49%, 0.74%

LAB 71.84, 33.06, -17.74

 

CMYK 0 / 21 / 4 / 18

HEX #D2A6CA

RGB 210 166 202

HSL 310.91, 0.33%, 0.74%

LAB 73.05, 22.14, -12.17

 

CMYK 19 / 51 / 0 / 1

HEX #CE7BFD

RGB 206 123 253

HSL 278.31, 0.97%, 0.74%

LAB 65.26, 54.07, -52.28

 

CMYK 5 / 51 / 0 / 1

HEX #F07BFD

RGB 240 123 253

HSL 294, 0.97%, 0.74%

LAB 69.31, 62.96, -45.62

 

CMYK 0 / 51 / 8 / 1

HEX #FD7BE8

RGB 253 123 232

HSL 309.69, 0.97%, 0.74%

LAB 70.09, 62.93, -32.76

 

CMYK 0 / 51 / 22 / 1

HEX #FD7BC5

RGB 253 123 197

HSL 325.85, 0.97%, 0.74%

LAB 68.81, 57.73, -15.27

 

CMYK 0 / 51 / 36 / 1

HEX #FD7BA2

RGB 253 123 162

HSL 342, 0.97%, 0.74%

LAB 67.77, 53.34, 2.88

 

CMYK 0 / 83 / 15 / 1

HEX #FC2AD6

RGB 252 42 214

HSL 310.86, 0.97%, 0.58%

LAB 59.16, 87.84, -39.73

 

CMYK 0 / 68 / 12 / 1

HEX #FD52DE

RGB 253 82 222

HSL 310.88, 0.98%, 0.66%

LAB 63.5, 78.26, -37.44

 

CMYK 0 / 51 / 9 / 1

HEX #FD7BE5

RGB 253 123 229

HSL 311.08, 0.97%, 0.74%

LAB 69.97, 62.45, -31.29

 

CMYK 0 / 35 / 7 / 0

HEX #FEA4ED

RGB 254 164 237

HSL 311.33, 0.98%, 0.82%

LAB 78.31, 43.82, -22.87

 

CMYK 0 / 19 / 4 / 0

HEX #FECDF5

RGB 254 205 245

HSL 311.02, 0.96%, 0.9%

LAB 87.64, 23.74, -13.07

 

CMYK 0 / 52 / 9 / 0

HEX #FE7BE6

RGB 254 123 230

HSL 310.99, 0.98%, 0.74%

LAB 70.14, 62.89, -31.57

 

CMYK 0 / 32 / 51 / 1

HEX #FDAB7B

RGB 253 171 123

HSL 22.15, 0.97%, 0.74%

LAB 76.94, 25.05, 36.85

 

CMYK 51 / 0 / 12 / 1

HEX #7BFDDF

RGB 123 253 223

HSL 166.15, 0.97%, 0.74%

LAB 91.59, -43.06, 3.37

 

CMYK 0 / 52 / 9 / 0

HEX #FE7BE6

RGB 254 123 230

HSL 310.99, 0.98%, 0.74%

LAB 70.14, 62.89, -31.57

 

CMYK 8 / 0 / 51 / 1

HEX #E8FD7B

RGB 232 253 123

HSL 69.69, 0.97%, 0.74%

LAB 95.51, -24.91, 59.16

 

CMYK 51 / 8 / 0 / 1

HEX #7BE8FD

RGB 123 232 253

HSL 189.69, 0.97%, 0.74%

LAB 86.51, -25.83, -19.82

 

CMYK 0 / 52 / 9 / 0

HEX #FE7BE6

RGB 254 123 230

HSL 310.99, 0.98%, 0.74%

LAB 70.14, 62.89, -31.57

 

CMYK 0 / 32 / 51 / 1

HEX #FDAB7B

RGB 253 171 123

HSL 22.15, 0.97%, 0.74%

LAB 76.94, 25.05, 36.85

 

CMYK 51 / 0 / 43 / 1

HEX #7BFD91

RGB 123 253 145

HSL 130.15, 0.97%, 0.74%

LAB 90.09, -58.01, 40.88

 

CMYK 51 / 19 / 0 / 1

HEX #7BCEFD

RGB 123 206 253

HSL 201.69, 0.97%, 0.74%

LAB 79.3, -12.68, -30.81

 

CMYK 0 / 52 / 9 / 0

HEX #FE7BE6

RGB 254 123 230

HSL 310.99, 0.98%, 0.74%

LAB 70.14, 62.89, -31.57

 

CMYK 0 / 17 / 51 / 1

HEX #FDD27B

RGB 253 210 123

HSL 40.15, 0.97%, 0.74%

LAB 86.21, 4.72, 48.43

 

CMYK 51 / 0 / 43 / 1

HEX #7BFD91

RGB 123 253 145

HSL 130.15, 0.97%, 0.74%

LAB 90.09, -58.01, 40.88

 

CMYK 51 / 34 / 0 / 1

HEX #7BA7FD

RGB 123 167 253

HSL 219.69, 0.97%, 0.74%

LAB 68.71, 8.69, -47.28

 

Description

Color code: HEX #FE7BE6 | qconv.com Color code: HEX #FE7BE6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 123 green and 230 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 123 230 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 9 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 9% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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