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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FF055C it is the complementary color #00FAA3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FF055C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FF055C shade: #FF0557, #FF176A, #FF297D, #FF3B90 and #FF4DA3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FF055C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FF055C shade: #FF055C, #EE0049, #DD0036, #CC0023 and #BB0010

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FF055C shade: #FF055C, #FF0518 and #FF0505

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FF055C shade: #FF055C, #FF059F, #FF05E2, #D705FF and #9405FF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FF055C shade matches the following richer shades: #FF055C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FF055C shade: #FF055C, #EA1962, #D62D68, #C2416E and #AE5574

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FF055C shade: #FF05E1, #FF059F, #FF055C, #FF0519 and #FF3205

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FF055C shade: #B1003D, #DA004C, #FF055C, #FF2E76 and #FF5791

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FF055C shade: #FF055C, #FFD905 and #05C0FF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FF055C shade: #FF055C, #5CFF05 and #055CFF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FF055C shade: #FF055C, #FFD905, #05FFA7 and #052AFF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FF055C shade: #FF055C, #D9FF05, #05FFA7 and #2A05FF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 98 / 64 / 0

HEX #FF055C

RGB 255 5 92

HSL 339.12, 1%, 0.51%

LAB 54.18, 82.02, 24.78

 

Complementary color

CMYK 100 / 0 / 35 / 2

HEX #00FAA3

RGB 0 250 163

HSL 159.12, 1%, 0.49%

LAB 87.49, -68.92, 28.14

 

CMYK 0 / 98 / 66 / 0

HEX #FF0557

RGB 255 5 87

HSL 340.32, 1%, 0.51%

LAB 54.09, 81.78, 27.67

 

CMYK 0 / 91 / 58 / 0

HEX #FF176A

RGB 255 23 106

HSL 338.53, 1%, 0.55%

LAB 54.98, 81.26, 17.44

 

CMYK 0 / 84 / 51 / 0

HEX #FF297D

RGB 255 41 125

HSL 336.45, 1%, 0.58%

LAB 56.41, 79.68, 8.05

 

CMYK 0 / 77 / 44 / 0

HEX #FF3B90

RGB 255 59 144

HSL 333.98, 1%, 0.62%

LAB 58.42, 76.96, -0.32

 

CMYK 0 / 70 / 36 / 0

HEX #FF4DA3

RGB 255 77 163

HSL 331.01, 1%, 0.65%

LAB 60.97, 73.22, -7.65

 

CMYK 0 / 98 / 64 / 0

HEX #FF055C

RGB 255 5 92

HSL 339.12, 1%, 0.51%

LAB 54.18, 82.02, 24.78

 

CMYK 0 / 100 / 69 / 7

HEX #EE0049

RGB 238 0 73

HSL 341.6, 1%, 0.47%

LAB 50.28, 77.6, 30.58

 

CMYK 0 / 100 / 76 / 13

HEX #DD0036

RGB 221 0 54

HSL 345.34, 1%, 0.43%

LAB 46.5, 72.87, 36.6

 

CMYK 0 / 100 / 83 / 20

HEX #CC0023

RGB 204 0 35

HSL 349.71, 1%, 0.4%

LAB 42.7, 68.21, 42.44

 

CMYK 0 / 100 / 91 / 27

HEX #BB0010

RGB 187 0 16

HSL 354.87, 1%, 0.37%

LAB 38.9, 63.63, 47.24

 

CMYK 0 / 98 / 64 / 0

HEX #FF055C

RGB 255 5 92

HSL 339.12, 1%, 0.51%

LAB 54.18, 82.02, 24.78

 

CMYK 0 / 98 / 91 / 0

HEX #FF0518

RGB 255 5 24

HSL 355.44, 1%, 0.51%

LAB 53.42, 79.96, 60.55

 

CMYK 0 / 98 / 98 / 0

HEX #FF0505

RGB 255 5 5

HSL 0, 1%, 0.51%

LAB 53.36, 79.8, 66.02

 

CMYK 0 / 98 / 64 / 0

HEX #FF055C

RGB 255 5 92

HSL 339.12, 1%, 0.51%

LAB 54.18, 82.02, 24.78

 

CMYK 0 / 98 / 38 / 0

HEX #FF059F

RGB 255 5 159

HSL 323.04, 1%, 0.51%

LAB 55.96, 86.76, -12.81

 

CMYK 0 / 98 / 11 / 0

HEX #FF05E2

RGB 255 5 226

HSL 306.96, 1%, 0.51%

LAB 58.84, 94.11, -46.99

 

CMYK 16 / 98 / 0 / 0

HEX #D705FF

RGB 215 5 255

HSL 290.4, 1%, 0.51%

LAB 53.79, 92.12, -71.71

 

CMYK 42 / 98 / 0 / 0

HEX #9405FF

RGB 148 5 255

HSL 274.32, 1%, 0.51%

LAB 43.69, 84.35, -88.63

 

CMYK 0 / 98 / 64 / 0

HEX #FF055C

RGB 255 5 92

HSL 339.12, 1%, 0.51%

LAB 54.18, 82.02, 24.78

 

CMYK 0 / 98 / 64 / 0

HEX #FF055C

RGB 255 5 92

HSL 339.12, 1%, 0.51%

LAB 54.18, 82.02, 24.78

 

CMYK 0 / 89 / 58 / 8

HEX #EA1962

RGB 234 25 98

HSL 339.04, 0.83%, 0.51%

LAB 50.77, 75.58, 15.85

 

CMYK 0 / 79 / 51 / 16

HEX #D62D68

RGB 214 45 104

HSL 339.05, 0.67%, 0.51%

LAB 48.48, 66.88, 8.41

 

CMYK 0 / 66 / 43 / 24

HEX #C2416E

RGB 194 65 110

HSL 339.07, 0.51%, 0.51%

LAB 47.46, 54.94, 2.81

 

CMYK 0 / 51 / 33 / 32

HEX #AE5574

RGB 174 85 116

HSL 339.1, 0.35%, 0.51%

LAB 47.95, 39.74, -0.51

 

CMYK 0 / 98 / 12 / 0

HEX #FF05E1

RGB 255 5 225

HSL 307.2, 1%, 0.51%

LAB 58.79, 93.98, -46.5

 

CMYK 0 / 98 / 38 / 0

HEX #FF059F

RGB 255 5 159

HSL 323.04, 1%, 0.51%

LAB 55.96, 86.76, -12.81

 

CMYK 0 / 98 / 64 / 0

HEX #FF055C

RGB 255 5 92

HSL 339.12, 1%, 0.51%

LAB 54.18, 82.02, 24.78

 

CMYK 0 / 98 / 90 / 0

HEX #FF0519

RGB 255 5 25

HSL 355.2, 1%, 0.51%

LAB 53.43, 79.98, 60.17

 

CMYK 0 / 80 / 98 / 0

HEX #FF3205

RGB 255 50 5

HSL 10.8, 1%, 0.51%

LAB 55.64, 73.29, 67.01

 

CMYK 0 / 100 / 66 / 31

HEX #B1003D

RGB 177 0 61

HSL 339.32, 1%, 0.35%

LAB 37.27, 62.61, 18.89

 

CMYK 0 / 100 / 65 / 15

HEX #DA004C

RGB 218 0 76

HSL 339.08, 1%, 0.43%

LAB 46.21, 73.09, 22.73

 

CMYK 0 / 98 / 64 / 0

HEX #FF055C

RGB 255 5 92

HSL 339.12, 1%, 0.51%

LAB 54.18, 82.02, 24.78

 

CMYK 0 / 82 / 54 / 0

HEX #FF2E76

RGB 255 46 118

HSL 339.33, 1%, 0.59%

LAB 56.61, 78.14, 12.5

 

CMYK 0 / 66 / 43 / 0

HEX #FF5791

RGB 255 87 145

HSL 339.29, 1%, 0.67%

LAB 61.76, 67.81, 3.95

 

CMYK 0 / 98 / 64 / 0

HEX #FF055C

RGB 255 5 92

HSL 339.12, 1%, 0.51%

LAB 54.18, 82.02, 24.78

 

CMYK 0 / 15 / 98 / 0

HEX #FFD905

RGB 255 217 5

HSL 50.88, 1%, 0.51%

LAB 87.43, -2.9, 87.07

 

CMYK 98 / 25 / 0 / 0

HEX #05C0FF

RGB 5 192 255

HSL 195.12, 1%, 0.51%

LAB 72.86, -18.06, -42.06

 

CMYK 0 / 98 / 64 / 0

HEX #FF055C

RGB 255 5 92

HSL 339.12, 1%, 0.51%

LAB 54.18, 82.02, 24.78

 

CMYK 64 / 0 / 98 / 0

HEX #5CFF05

RGB 92 255 5

HSL 99.12, 1%, 0.51%

LAB 88.83, -76.54, 84.14

 

CMYK 98 / 64 / 0 / 0

HEX #055CFF

RGB 5 92 255

HSL 219.12, 1%, 0.51%

LAB 45.51, 41.6, -85.95

 

CMYK 0 / 98 / 64 / 0

HEX #FF055C

RGB 255 5 92

HSL 339.12, 1%, 0.51%

LAB 54.18, 82.02, 24.78

 

CMYK 0 / 15 / 98 / 0

HEX #FFD905

RGB 255 217 5

HSL 50.88, 1%, 0.51%

LAB 87.43, -2.9, 87.07

 

CMYK 98 / 0 / 35 / 0

HEX #05FFA7

RGB 5 255 167

HSL 158.88, 1%, 0.51%

LAB 89.08, -69.71, 28.28

 

CMYK 98 / 84 / 0 / 0

HEX #052AFF

RGB 5 42 255

HSL 231.12, 1%, 0.51%

LAB 35.81, 68.74, -102.01

 

CMYK 0 / 98 / 64 / 0

HEX #FF055C

RGB 255 5 92

HSL 339.12, 1%, 0.51%

LAB 54.18, 82.02, 24.78

 

CMYK 15 / 0 / 98 / 0

HEX #D9FF05

RGB 217 255 5

HSL 69.12, 1%, 0.51%

LAB 94.43, -36.84, 90.91

 

CMYK 98 / 0 / 35 / 0

HEX #05FFA7

RGB 5 255 167

HSL 158.88, 1%, 0.51%

LAB 89.08, -69.71, 28.28

 

CMYK 84 / 98 / 0 / 0

HEX #2A05FF

RGB 42 5 255

HSL 248.88, 1%, 0.51%

LAB 33.61, 78.83, -105.66

 

Description

Color code: HEX #FF055C | qconv.com Color code: HEX #FF055C | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 5 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 5 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 98 magenta, 64 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 98% 64% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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