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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 40 201 204 it is the complementary color RGB 215 54 51. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 40 201 204. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 40 201 204 shade: RGB 45 201 199, RGB 62 219 218, RGB 79 237 237, RGB 96 255 255 and RGB 113 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 40 201 204. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 40 201 204 shade: RGB 40 201 204, RGB 23 183 185, RGB 6 165 166, RGB 0 147 147 and RGB 0 129 128

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 40 201 204 shade: RGB 40 201 204, RGB 40 157 204, RGB 40 112 204, RGB 40 68 204 and RGB 56 40 204

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 40 201 204 shade: RGB 40 201 204, RGB 40 157 204, RGB 40 112 204, RGB 40 68 204 and RGB 40 40 204

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 40 201 204 shade matches the following richer shades: RGB 40 201 204, RGB 20 220 224 and RGB 0 239 244

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 40 201 204 shade: RGB 40 201 204, RGB 60 182 184, RGB 80 163 164, RGB 99 144 144 and RGB 119 125 125

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 40 201 204 shade: RGB 40 204 119, RGB 40 204 163, RGB 40 201 204, RGB 40 157 204 and RGB 40 114 204

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 40 201 204 shade: RGB 26 133 135, RGB 33 167 169, RGB 40 201 204, RGB 68 215 218 and RGB 102 222 224

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 40 201 204 shade: RGB 40 201 204, RGB 75 40 204 and RGB 204 141 40

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 40 201 204 shade: RGB 40 201 204, RGB 204 40 201 and RGB 201 204 40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 40 201 204 shade: RGB 40 201 204, RGB 75 40 204, RGB 204 43 40 and RGB 168 204 40

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 40 201 204 shade: RGB 40 201 204, RGB 125 40 204, RGB 204 43 40 and RGB 119 204 40

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 1 / 0 / 20

HEX #28C9CC

RGB 40 201 204

HSL 181.1, 0.67%, 0.48%

LAB 73.92, -37.39, -12.84

 

Complementary color

CMYK 0 / 75 / 76 / 16

HEX #D73633

RGB 215 54 51

HSL 1.1, 0.67%, 0.52%

LAB 48.67, 61.48, 40.36

 

CMYK 78 / 0 / 1 / 21

HEX #2DC9C7

RGB 45 201 199

HSL 179.23, 0.63%, 0.48%

LAB 73.84, -38.4, -10.25

 

CMYK 72 / 0 / 0 / 14

HEX #3EDBDA

RGB 62 219 218

HSL 179.62, 0.69%, 0.55%

LAB 80.04, -39.35, -11.18

 

CMYK 67 / 0 / 0 / 7

HEX #4FEDED

RGB 79 237 237

HSL 180, 0.81%, 0.62%

LAB 86.18, -40.07, -12.04

 

CMYK 62 / 0 / 0 / 0

HEX #60FFFF

RGB 96 255 255

HSL 180, 1%, 0.69%

LAB 92.23, -40.88, -12.35

 

CMYK 56 / 0 / 0 / 0

HEX #71FFFF

RGB 113 255 255

HSL 180, 1%, 0.72%

LAB 92.69, -38.08, -11.63

 

CMYK 80 / 1 / 0 / 20

HEX #28C9CC

RGB 40 201 204

HSL 181.1, 0.67%, 0.48%

LAB 73.92, -37.39, -12.84

 

CMYK 88 / 1 / 0 / 27

HEX #17B7B9

RGB 23 183 185

HSL 180.74, 0.78%, 0.41%

LAB 67.69, -35.97, -11.81

 

CMYK 96 / 1 / 0 / 35

HEX #06A5A6

RGB 6 165 166

HSL 180.38, 0.93%, 0.34%

LAB 61.4, -34.18, -10.67

 

CMYK 100 / 0 / 0 / 42

HEX #009393

RGB 0 147 147

HSL 180, 1%, 0.29%

LAB 55.05, -31.89, -9.38

 

CMYK 100 / 0 / 1 / 49

HEX #008180

RGB 0 129 128

HSL 179.53, 1%, 0.25%

LAB 48.58, -29.33, -7.99

 

CMYK 80 / 1 / 0 / 20

HEX #28C9CC

RGB 40 201 204

HSL 181.1, 0.67%, 0.48%

LAB 73.92, -37.39, -12.84

 

CMYK 80 / 23 / 0 / 20

HEX #289DCC

RGB 40 157 204

HSL 197.2, 0.67%, 0.48%

LAB 60.72, -15.38, -33.01

 

CMYK 80 / 45 / 0 / 20

HEX #2870CC

RGB 40 112 204

HSL 213.66, 0.67%, 0.48%

LAB 47.49, 11.14, -53.92

 

CMYK 80 / 67 / 0 / 20

HEX #2844CC

RGB 40 68 204

HSL 229.76, 0.67%, 0.48%

LAB 35.88, 39.44, -72.8

 

CMYK 73 / 80 / 0 / 20

HEX #3828CC

RGB 56 40 204

HSL 245.85, 0.67%, 0.48%

LAB 31.16, 56.25, -80.56

 

CMYK 80 / 1 / 0 / 20

HEX #28C9CC

RGB 40 201 204

HSL 181.1, 0.67%, 0.48%

LAB 73.92, -37.39, -12.84

 

CMYK 80 / 23 / 0 / 20

HEX #289DCC

RGB 40 157 204

HSL 197.2, 0.67%, 0.48%

LAB 60.72, -15.38, -33.01

 

CMYK 80 / 45 / 0 / 20

HEX #2870CC

RGB 40 112 204

HSL 213.66, 0.67%, 0.48%

LAB 47.49, 11.14, -53.92

 

CMYK 80 / 67 / 0 / 20

HEX #2844CC

RGB 40 68 204

HSL 229.76, 0.67%, 0.48%

LAB 35.88, 39.44, -72.8

 

CMYK 80 / 80 / 0 / 20

HEX #2828CC

RGB 40 40 204

HSL 240, 0.67%, 0.48%

LAB 30.23, 55.24, -82.13

 

CMYK 80 / 1 / 0 / 20

HEX #28C9CC

RGB 40 201 204

HSL 181.1, 0.67%, 0.48%

LAB 73.92, -37.39, -12.84

 

CMYK 91 / 2 / 0 / 12

HEX #14DCE0

RGB 20 220 224

HSL 181.18, 0.84%, 0.48%

LAB 80.02, -41.27, -14.46

 

CMYK 100 / 2 / 0 / 4

HEX #00EFF4

RGB 0 239 244

HSL 181.23, 1%, 0.48%

LAB 86.14, -44.32, -15.86

 

CMYK 80 / 1 / 0 / 20

HEX #28C9CC

RGB 40 201 204

HSL 181.1, 0.67%, 0.48%

LAB 73.92, -37.39, -12.84

 

CMYK 67 / 1 / 0 / 28

HEX #3CB6B8

RGB 60 182 184

HSL 180.97, 0.51%, 0.48%

LAB 67.93, -32.1, -10.84

 

CMYK 51 / 1 / 0 / 36

HEX #50A3A4

RGB 80 163 164

HSL 180.71, 0.34%, 0.48%

LAB 62.15, -24.8, -8.26

 

CMYK 31 / 0 / 0 / 44

HEX #639090

RGB 99 144 144

HSL 180, 0.19%, 0.48%

LAB 56.7, -15.19, -4.91

 

CMYK 5 / 0 / 0 / 51

HEX #777D7D

RGB 119 125 125

HSL 180, 0.02%, 0.48%

LAB 51.92, -2.23, -0.78

RGB 119 125 125

CMYK 80 / 0 / 42 / 20

HEX #28CC77

RGB 40 204 119

HSL 148.9, 0.67%, 0.48%

LAB 72.87, -59.34, 31.13

 

CMYK 80 / 0 / 20 / 20

HEX #28CCA3

RGB 40 204 163

HSL 165, 0.67%, 0.48%

LAB 73.73, -49.85, 9.06

 

CMYK 80 / 1 / 0 / 20

HEX #28C9CC

RGB 40 201 204

HSL 181.1, 0.67%, 0.48%

LAB 73.92, -37.39, -12.84

 

CMYK 80 / 23 / 0 / 20

HEX #289DCC

RGB 40 157 204

HSL 197.2, 0.67%, 0.48%

LAB 60.72, -15.38, -33.01

 

CMYK 80 / 44 / 0 / 20

HEX #2872CC

RGB 40 114 204

HSL 212.93, 0.67%, 0.48%

LAB 48.06, 9.88, -53

 

CMYK 81 / 1 / 0 / 47

HEX #1A8587

RGB 26 133 135

HSL 181.1, 0.68%, 0.32%

LAB 50.39, -27.3, -9.37

 

CMYK 80 / 1 / 0 / 34

HEX #21A7A9

RGB 33 167 169

HSL 180.88, 0.67%, 0.4%

LAB 62.36, -32.6, -10.89

 

CMYK 80 / 1 / 0 / 20

HEX #28C9CC

RGB 40 201 204

HSL 181.1, 0.67%, 0.48%

LAB 73.92, -37.39, -12.84

 

CMYK 69 / 1 / 0 / 15

HEX #44D7DA

RGB 68 215 218

HSL 181.2, 0.67%, 0.56%

LAB 78.98, -36.77, -12.76

 

CMYK 54 / 1 / 0 / 12

HEX #66DEE0

RGB 102 222 224

HSL 180.98, 0.66%, 0.64%

LAB 82.08, -32.91, -11.22

 

CMYK 80 / 1 / 0 / 20

HEX #28C9CC

RGB 40 201 204

HSL 181.1, 0.67%, 0.48%

LAB 73.92, -37.39, -12.84

 

CMYK 63 / 80 / 0 / 20

HEX #4B28CC

RGB 75 40 204

HSL 252.8, 0.67%, 0.48%

LAB 32.64, 57.87, -78.06

 

CMYK 0 / 31 / 80 / 20

HEX #CC8D28

RGB 204 141 40

HSL 36.95, 0.67%, 0.48%

LAB 63.38, 15.59, 59.27

 

CMYK 80 / 1 / 0 / 20

HEX #28C9CC

RGB 40 201 204

HSL 181.1, 0.67%, 0.48%

LAB 73.92, -37.39, -12.84

 

CMYK 0 / 80 / 1 / 20

HEX #CC28C9

RGB 204 40 201

HSL 301.1, 0.67%, 0.48%

LAB 50.18, 77.17, -47.02

 

CMYK 1 / 0 / 80 / 20

HEX #C9CC28

RGB 201 204 40

HSL 61.1, 0.67%, 0.48%

LAB 79.48, -18.79, 73.36

 

CMYK 80 / 1 / 0 / 20

HEX #28C9CC

RGB 40 201 204

HSL 181.1, 0.67%, 0.48%

LAB 73.92, -37.39, -12.84

 

CMYK 63 / 80 / 0 / 20

HEX #4B28CC

RGB 75 40 204

HSL 252.8, 0.67%, 0.48%

LAB 32.64, 57.87, -78.06

 

CMYK 0 / 79 / 80 / 20

HEX #CC2B28

RGB 204 43 40

HSL 1.1, 0.67%, 0.48%

LAB 45.25, 61.2, 42.19

 

CMYK 18 / 0 / 80 / 20

HEX #A8CC28

RGB 168 204 40

HSL 73.17, 0.67%, 0.48%

LAB 77.08, -32.46, 70.34

 

CMYK 80 / 1 / 0 / 20

HEX #28C9CC

RGB 40 201 204

HSL 181.1, 0.67%, 0.48%

LAB 73.92, -37.39, -12.84

 

CMYK 39 / 80 / 0 / 20

HEX #7D28CC

RGB 125 40 204

HSL 271.1, 0.67%, 0.48%

LAB 38.26, 64.07, -68.61

 

CMYK 0 / 79 / 80 / 20

HEX #CC2B28

RGB 204 43 40

HSL 1.1, 0.67%, 0.48%

LAB 45.25, 61.2, 42.19

 

CMYK 42 / 0 / 80 / 20

HEX #77CC28

RGB 119 204 40

HSL 91.1, 0.67%, 0.48%

LAB 74.36, -50.62, 66.86

 

Description

Color code: RGB 40 201 204 | qconv.com Color code: RGB 40 201 204 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 40 red, 201 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
40 201 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, 1 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 1% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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