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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 42 193 222 it is the complementary color RGB 213 62 33. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 42 193 222. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 42 193 222 shade: RGB 47 193 217, RGB 64 211 236, RGB 81 229 255, RGB 98 247 255 and RGB 115 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 42 193 222. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 42 193 222 shade: RGB 42 193 222, RGB 25 175 203, RGB 8 157 184, RGB 0 139 165 and RGB 0 121 146

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 42 193 222 shade: RGB 43 193 221, RGB 43 144 221, RGB 43 96 221, RGB 43 48 221 and RGB 86 43 221

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 42 193 222 shade: RGB 43 193 221, RGB 43 144 221, RGB 43 96 221, RGB 43 48 221 and RGB 43 43 221

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 42 193 222 shade matches the following richer shades: RGB 43 193 221 and RGB 23 206 241

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 42 193 222 shade: RGB 43 193 221, RGB 63 179 202, RGB 82 166 182, RGB 102 152 162 and RGB 122 139 142

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 42 193 222 shade: RGB 43 221 153, RGB 43 221 201, RGB 43 195 221, RGB 43 147 221 and RGB 43 99 221

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 42 193 222 shade: RGB 24 136 158, RGB 30 167 193, RGB 43 193 221, RGB 78 203 227 and RGB 114 213 233

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 42 193 222 shade: RGB 42 193 222, RGB 105 43 221 and RGB 221 177 43

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 42 193 222 shade: RGB 42 193 222, RGB 221 43 195 and RGB 195 221 43

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 42 193 222 shade: RGB 42 193 222, RGB 105 43 221, RGB 221 70 43 and RGB 159 221 43

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 42 193 222 shade: RGB 42 193 222, RGB 159 43 221, RGB 221 70 43 and RGB 105 221 43

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 13 / 0 / 13

HEX #2AC1DE

RGB 42 193 222

HSL 189.67, 0.73%, 0.52%

LAB 72.17, -27.86, -25.27

 

Complementary color

CMYK 0 / 71 / 85 / 16

HEX #D53E21

RGB 213 62 33

HSL 9.67, 0.73%, 0.48%

LAB 49.13, 57.55, 49.91

 

CMYK 78 / 11 / 0 / 15

HEX #2FC1D9

RGB 47 193 217

HSL 188.47, 0.69%, 0.52%

LAB 72.06, -28.99, -22.7

 

CMYK 73 / 11 / 0 / 7

HEX #40D3EC

RGB 64 211 236

HSL 188.72, 0.82%, 0.59%

LAB 78.31, -30.09, -23.41

 

CMYK 68 / 10 / 0 / 0

HEX #51E5FF

RGB 81 229 255

HSL 188.97, 1%, 0.66%

LAB 84.49, -30.96, -24.06

 

CMYK 62 / 3 / 0 / 0

HEX #62F7FF

RGB 98 247 255

HSL 183.06, 1%, 0.69%

LAB 90.02, -36.93, -15.66

 

CMYK 55 / 0 / 0 / 0

HEX #73FFFF

RGB 115 255 255

HSL 180, 1%, 0.73%

LAB 92.74, -37.72, -11.54

 

CMYK 81 / 13 / 0 / 13

HEX #2AC1DE

RGB 42 193 222

HSL 189.67, 0.73%, 0.52%

LAB 72.17, -27.86, -25.27

 

CMYK 88 / 14 / 0 / 20

HEX #19AFCB

RGB 25 175 203

HSL 189.44, 0.78%, 0.45%

LAB 65.89, -26.28, -24.49

 

CMYK 96 / 15 / 0 / 28

HEX #089DB8

RGB 8 157 184

HSL 189.2, 0.92%, 0.38%

LAB 59.55, -24.29, -23.61

 

CMYK 100 / 16 / 0 / 35

HEX #008BA5

RGB 0 139 165

HSL 189.45, 1%, 0.32%

LAB 53.15, -21.84, -22.62

 

CMYK 100 / 17 / 0 / 43

HEX #007992

RGB 0 121 146

HSL 190.27, 1%, 0.29%

LAB 46.64, -19.01, -21.55

 

CMYK 81 / 13 / 0 / 13

HEX #2BC1DD

RGB 43 193 221

HSL 189.44, 0.72%, 0.52%

LAB 72.14, -28.09, -24.76

 

CMYK 81 / 35 / 0 / 13

HEX #2B90DD

RGB 43 144 221

HSL 205.96, 0.72%, 0.52%

LAB 57.73, -1.69, -47.2

 

CMYK 81 / 57 / 0 / 13

HEX #2B60DD

RGB 43 96 221

HSL 222.13, 0.72%, 0.52%

LAB 44.38, 28.11, -68.66

 

CMYK 81 / 78 / 0 / 13

HEX #2B30DD

RGB 43 48 221

HSL 238.31, 0.72%, 0.52%

LAB 33.66, 56.76, -86.26

 

CMYK 61 / 81 / 0 / 13

HEX #562BDD

RGB 86 43 221

HSL 254.49, 0.72%, 0.52%

LAB 35.84, 62.35, -82.56

 

CMYK 81 / 13 / 0 / 13

HEX #2BC1DD

RGB 43 193 221

HSL 189.44, 0.72%, 0.52%

LAB 72.14, -28.09, -24.76

 

CMYK 81 / 35 / 0 / 13

HEX #2B90DD

RGB 43 144 221

HSL 205.96, 0.72%, 0.52%

LAB 57.73, -1.69, -47.2

 

CMYK 81 / 57 / 0 / 13

HEX #2B60DD

RGB 43 96 221

HSL 222.13, 0.72%, 0.52%

LAB 44.38, 28.11, -68.66

 

CMYK 81 / 78 / 0 / 13

HEX #2B30DD

RGB 43 48 221

HSL 238.31, 0.72%, 0.52%

LAB 33.66, 56.76, -86.26

 

CMYK 81 / 81 / 0 / 13

HEX #2B2BDD

RGB 43 43 221

HSL 240, 0.72%, 0.52%

LAB 32.84, 59.17, -87.64

 

CMYK 81 / 13 / 0 / 13

HEX #2BC1DD

RGB 43 193 221

HSL 189.44, 0.72%, 0.52%

LAB 72.14, -28.09, -24.76

 

CMYK 90 / 15 / 0 / 5

HEX #17CEF1

RGB 23 206 241

HSL 189.63, 0.89%, 0.52%

LAB 76.48, -29.31, -28.93

 

CMYK 81 / 13 / 0 / 13

HEX #2BC1DD

RGB 43 193 221

HSL 189.44, 0.72%, 0.52%

LAB 72.14, -28.09, -24.76

 

CMYK 69 / 11 / 0 / 21

HEX #3FB3CA

RGB 63 179 202

HSL 189.93, 0.57%, 0.52%

LAB 67.7, -24.81, -21.12

 

CMYK 55 / 9 / 0 / 29

HEX #52A6B6

RGB 82 166 182

HSL 189.6, 0.41%, 0.52%

LAB 63.71, -20.84, -16.02

 

CMYK 37 / 6 / 0 / 36

HEX #6698A2

RGB 102 152 162

HSL 190, 0.24%, 0.52%

LAB 59.79, -14.07, -10.56

 

CMYK 14 / 2 / 0 / 44

HEX #7A8B8E

RGB 122 139 142

HSL 189, 0.08%, 0.52%

LAB 56.64, -5.45, -3.68

 

CMYK 81 / 0 / 31 / 13

HEX #2BDD99

RGB 43 221 153

HSL 157.08, 0.72%, 0.52%

LAB 78.77, -58.48, 21.43

 

CMYK 81 / 0 / 9 / 13

HEX #2BDDC9

RGB 43 221 201

HSL 173.26, 0.72%, 0.52%

LAB 79.87, -46.84, -2.41

 

CMYK 81 / 12 / 0 / 13

HEX #2BC3DD

RGB 43 195 221

HSL 188.76, 0.72%, 0.52%

LAB 72.74, -29.08, -23.85

 

CMYK 81 / 33 / 0 / 13

HEX #2B93DD

RGB 43 147 221

HSL 204.94, 0.72%, 0.52%

LAB 58.6, -3.44, -45.82

 

CMYK 81 / 55 / 0 / 13

HEX #2B63DD

RGB 43 99 221

HSL 221.12, 0.72%, 0.52%

LAB 45.16, 26.19, -67.38

 

CMYK 85 / 14 / 0 / 38

HEX #18889E

RGB 24 136 158

HSL 189.85, 0.74%, 0.36%

LAB 52.14, -21.42, -20.1

 

CMYK 84 / 13 / 0 / 24

HEX #1EA7C1

RGB 30 167 193

HSL 189.57, 0.73%, 0.44%

LAB 63.15, -25.21, -23.13

 

CMYK 81 / 13 / 0 / 13

HEX #2BC1DD

RGB 43 193 221

HSL 189.44, 0.72%, 0.52%

LAB 72.14, -28.09, -24.76

 

CMYK 66 / 11 / 0 / 11

HEX #4ECBE3

RGB 78 203 227

HSL 189.66, 0.73%, 0.6%

LAB 75.99, -27.01, -22.07

 

CMYK 51 / 9 / 0 / 9

HEX #72D5E9

RGB 114 213 233

HSL 190.08, 0.73%, 0.68%

LAB 80.21, -23.72, -18.79

 

CMYK 81 / 13 / 0 / 13

HEX #2AC1DE

RGB 42 193 222

HSL 189.67, 0.73%, 0.52%

LAB 72.17, -27.86, -25.27

 

CMYK 52 / 81 / 0 / 13

HEX #692BDD

RGB 105 43 221

HSL 260.9, 0.72%, 0.52%

LAB 37.76, 64.4, -79.34

 

CMYK 0 / 20 / 81 / 13

HEX #DDB12B

RGB 221 177 43

HSL 45.17, 0.72%, 0.52%

LAB 74.18, 3.77, 68.59

 

CMYK 81 / 13 / 0 / 13

HEX #2AC1DE

RGB 42 193 222

HSL 189.67, 0.73%, 0.52%

LAB 72.17, -27.86, -25.27

 

CMYK 0 / 81 / 12 / 13

HEX #DD2BC3

RGB 221 43 195

HSL 308.76, 0.72%, 0.52%

LAB 52.99, 78.97, -38.92

 

CMYK 12 / 0 / 81 / 13

HEX #C3DD2B

RGB 195 221 43

HSL 68.76, 0.72%, 0.52%

LAB 83.7, -29.37, 76.09

 

CMYK 81 / 13 / 0 / 13

HEX #2AC1DE

RGB 42 193 222

HSL 189.67, 0.73%, 0.52%

LAB 72.17, -27.86, -25.27

 

CMYK 52 / 81 / 0 / 13

HEX #692BDD

RGB 105 43 221

HSL 260.9, 0.72%, 0.52%

LAB 37.76, 64.4, -79.34

 

CMYK 0 / 68 / 81 / 13

HEX #DD462B

RGB 221 70 43

HSL 9.1, 0.72%, 0.52%

LAB 51.75, 57.4, 48.07

 

CMYK 28 / 0 / 81 / 13

HEX #9FDD2B

RGB 159 221 43

HSL 80.9, 0.72%, 0.52%

LAB 81.43, -43.44, 73.22

 

CMYK 81 / 13 / 0 / 13

HEX #2AC1DE

RGB 42 193 222

HSL 189.67, 0.73%, 0.52%

LAB 72.17, -27.86, -25.27

 

CMYK 28 / 81 / 0 / 13

HEX #9F2BDD

RGB 159 43 221

HSL 279.1, 0.72%, 0.52%

LAB 44.69, 71.95, -67.72

 

CMYK 0 / 68 / 81 / 13

HEX #DD462B

RGB 221 70 43

HSL 9.1, 0.72%, 0.52%

LAB 51.75, 57.4, 48.07

 

CMYK 52 / 0 / 81 / 13

HEX #69DD2B

RGB 105 221 43

HSL 99.1, 0.72%, 0.52%

LAB 78.98, -61.13, 70.08

 

Description

Color code: RGB 42 193 222 | qconv.com Color code: RGB 42 193 222 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 193 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 193 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, 13 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 13% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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