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Color name
RGB 47 142 79

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 47 142 79 it is the complementary color RGB 208 113 176. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 47 142 79. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 47 142 79 shade: RGB 52 142 74, RGB 69 160 93, RGB 86 178 112, RGB 103 196 131 and RGB 120 214 150

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 47 142 79. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 47 142 79 shade: RGB 47 142 79, RGB 30 124 60, RGB 13 106 41, RGB 0 88 22 and RGB 0 70 3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 47 142 79 shade: RGB 47 141 78, RGB 47 141 53, RGB 66 141 47, RGB 91 141 47 and RGB 117 141 47

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 47 142 79 shade: RGB 47 141 78, RGB 47 141 104, RGB 47 141 129, RGB 47 127 141 and RGB 47 102 141

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 47 142 79 shade matches the following richer shades: RGB 47 141 78, RGB 31 156 73, RGB 16 172 68 and RGB 1 187 64

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 47 142 79 shade: RGB 47 141 78, RGB 62 126 83, RGB 77 110 88, RGB 92 95 93 and RGB 108 80 98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 47 142 79 shade: RGB 66 141 47, RGB 47 141 53, RGB 47 141 78, RGB 47 141 103 and RGB 47 141 128

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 47 142 79 shade: RGB 26 79 44, RGB 36 110 61, RGB 47 141 78, RGB 57 172 96 and RGB 75 195 116

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 47 142 79 shade: RGB 47 142 79, RGB 47 91 141 and RGB 141 47 53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 47 142 79 shade: RGB 47 142 79, RGB 78 47 141 and RGB 141 78 47

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 47 142 79 shade: RGB 47 142 79, RGB 47 91 141, RGB 141 47 110 and RGB 141 97 47

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 47 142 79 shade: RGB 47 142 79, RGB 47 62 141, RGB 141 47 110 and RGB 141 125 47

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 44 / 44

HEX #2F8E4F

RGB 47 142 79

HSL 140.21, 0.5%, 0.37%

LAB 52.41, -42.28, 25.63

 

Complementary color

CMYK 0 / 46 / 15 / 18

HEX #D071B0

RGB 208 113 176

HSL 320.21, 0.5%, 0.63%

LAB 60.21, 45.44, -16.98

 

CMYK 63 / 0 / 48 / 44

HEX #348E4A

RGB 52 142 74

HSL 134.67, 0.46%, 0.38%

LAB 52.48, -42.08, 28.43

 

CMYK 57 / 0 / 42 / 37

HEX #45A05D

RGB 69 160 93

HSL 135.82, 0.4%, 0.45%

LAB 59.16, -42.23, 26.96

 

CMYK 52 / 0 / 37 / 30

HEX #56B270

RGB 86 178 112

HSL 136.96, 0.37%, 0.52%

LAB 65.74, -42.19, 25.58

 

CMYK 47 / 0 / 33 / 23

HEX #67C483

RGB 103 196 131

HSL 138.06, 0.44%, 0.59%

LAB 72.23, -42.04, 24.31

 

CMYK 44 / 0 / 30 / 16

HEX #78D696

RGB 120 214 150

HSL 139.15, 0.53%, 0.65%

LAB 78.63, -41.83, 23.13

 

CMYK 67 / 0 / 44 / 44

HEX #2F8E4F

RGB 47 142 79

HSL 140.21, 0.5%, 0.37%

LAB 52.41, -42.28, 25.63

 

CMYK 76 / 0 / 52 / 51

HEX #1E7C3C

RGB 30 124 60

HSL 139.15, 0.61%, 0.3%

LAB 45.66, -41.66, 27.26

 

CMYK 88 / 0 / 61 / 58

HEX #0D6A29

RGB 13 106 41

HSL 138.06, 0.78%, 0.23%

LAB 38.82, -40.34, 28.96

 

CMYK 100 / 0 / 75 / 65

HEX #005816

RGB 0 88 22

HSL 135, 1%, 0.17%

LAB 31.89, -37.98, 30.46

 

CMYK 100 / 0 / 96 / 73

HEX #004603

RGB 0 70 3

HSL 122.57, 1%, 0.14%

LAB 24.91, -33.71, 31.27

 

CMYK 67 / 0 / 45 / 45

HEX #2F8D4E

RGB 47 141 78

HSL 139.79, 0.5%, 0.37%

LAB 52.07, -42.06, 25.73

 

CMYK 67 / 0 / 62 / 45

HEX #2F8D35

RGB 47 141 53

HSL 123.83, 0.5%, 0.37%

LAB 51.74, -45.82, 38.17

 

CMYK 53 / 0 / 67 / 45

HEX #428D2F

RGB 66 141 47

HSL 107.87, 0.5%, 0.37%

LAB 52.3, -41.6, 41.73

 

CMYK 35 / 0 / 67 / 45

HEX #5B8D2F

RGB 91 141 47

HSL 91.91, 0.5%, 0.37%

LAB 53.47, -33.18, 43.34

 

CMYK 17 / 0 / 67 / 45

HEX #758D2F

RGB 117 141 47

HSL 75.32, 0.5%, 0.37%

LAB 55.11, -22.75, 45.58

 

CMYK 67 / 0 / 45 / 45

HEX #2F8D4E

RGB 47 141 78

HSL 139.79, 0.5%, 0.37%

LAB 52.07, -42.06, 25.73

 

CMYK 67 / 0 / 26 / 45

HEX #2F8D68

RGB 47 141 104

HSL 156.38, 0.5%, 0.37%

LAB 52.57, -36.65, 11.84

 

CMYK 67 / 0 / 9 / 45

HEX #2F8D81

RGB 47 141 129

HSL 172.34, 0.5%, 0.37%

LAB 53.21, -30.18, -1.65

 

CMYK 67 / 10 / 0 / 45

HEX #2F7F8D

RGB 47 127 141

HSL 188.94, 0.5%, 0.37%

LAB 49.14, -19.44, -14.73

 

CMYK 67 / 28 / 0 / 45

HEX #2F668D

RGB 47 102 141

HSL 204.89, 0.5%, 0.37%

LAB 41.26, -5.17, -26.85

 

CMYK 67 / 0 / 45 / 45

HEX #2F8D4E

RGB 47 141 78

HSL 139.79, 0.5%, 0.37%

LAB 52.07, -42.06, 25.73

 

CMYK 80 / 0 / 53 / 39

HEX #1F9C49

RGB 31 156 73

HSL 140.16, 0.67%, 0.37%

LAB 56.63, -51.2, 34.04

 

CMYK 91 / 0 / 60 / 33

HEX #10AC44

RGB 16 172 68

HSL 140, 0.83%, 0.37%

LAB 61.68, -58.71, 42.45

 

CMYK 99 / 0 / 66 / 27

HEX #01BB40

RGB 1 187 64

HSL 140.32, 0.99%, 0.37%

LAB 66.46, -64.57, 49.59

 

CMYK 67 / 0 / 45 / 45

HEX #2F8D4E

RGB 47 141 78

HSL 139.79, 0.5%, 0.37%

LAB 52.07, -42.06, 25.73

 

CMYK 51 / 0 / 34 / 51

HEX #3E7E53

RGB 62 126 83

HSL 139.69, 0.34%, 0.37%

LAB 47.71, -30.9, 17.27

 

CMYK 30 / 0 / 20 / 57

HEX #4D6E58

RGB 77 110 88

HSL 140, 0.18%, 0.37%

LAB 43.41, -16.95, 8.51

 

CMYK 3 / 0 / 2 / 63

HEX #5C5F5D

RGB 92 95 93

HSL 140, 0.02%, 0.37%

LAB 40, -1.6, 0.73

 

CMYK 0 / 26 / 9 / 58

HEX #6C5062

RGB 108 80 98

HSL 321.43, 0.15%, 0.37%

LAB 37.49, 14.97, -5.88

 

CMYK 53 / 0 / 67 / 45

HEX #428D2F

RGB 66 141 47

HSL 107.87, 0.5%, 0.37%

LAB 52.3, -41.6, 41.73

 

CMYK 67 / 0 / 62 / 45

HEX #2F8D35

RGB 47 141 53

HSL 123.83, 0.5%, 0.37%

LAB 51.74, -45.82, 38.17

 

CMYK 67 / 0 / 45 / 45

HEX #2F8D4E

RGB 47 141 78

HSL 139.79, 0.5%, 0.37%

LAB 52.07, -42.06, 25.73

 

CMYK 67 / 0 / 27 / 45

HEX #2F8D67

RGB 47 141 103

HSL 155.74, 0.5%, 0.37%

LAB 52.55, -36.88, 12.38

 

CMYK 67 / 0 / 9 / 45

HEX #2F8D80

RGB 47 141 128

HSL 171.7, 0.5%, 0.37%

LAB 53.18, -30.46, -1.11

 

CMYK 67 / 0 / 44 / 69

HEX #1A4F2C

RGB 26 79 44

HSL 140.38, 0.5%, 0.21%

LAB 29.4, -26.57, 15.62

 

CMYK 67 / 0 / 45 / 57

HEX #246E3D

RGB 36 110 61

HSL 140.27, 0.51%, 0.29%

LAB 41, -34.66, 20.8

 

CMYK 67 / 0 / 45 / 45

HEX #2F8D4E

RGB 47 141 78

HSL 139.79, 0.5%, 0.37%

LAB 52.07, -42.06, 25.73

 

CMYK 67 / 0 / 44 / 33

HEX #39AC60

RGB 57 172 96

HSL 140.35, 0.5%, 0.45%

LAB 62.69, -49.16, 29.89

 

CMYK 62 / 0 / 41 / 24

HEX #4BC374

RGB 75 195 116

HSL 140.5, 0.5%, 0.53%

LAB 70.72, -51.04, 30

 

CMYK 67 / 0 / 44 / 44

HEX #2F8E4F

RGB 47 142 79

HSL 140.21, 0.5%, 0.37%

LAB 52.41, -42.28, 25.63

 

CMYK 67 / 35 / 0 / 45

HEX #2F5B8D

RGB 47 91 141

HSL 211.91, 0.5%, 0.37%

LAB 37.86, 1.67, -32.2

 

CMYK 0 / 67 / 62 / 45

HEX #8D2F35

RGB 141 47 53

HSL 356.17, 0.5%, 0.37%

LAB 33.88, 40.22, 18.23

 

CMYK 67 / 0 / 44 / 44

HEX #2F8E4F

RGB 47 142 79

HSL 140.21, 0.5%, 0.37%

LAB 52.41, -42.28, 25.63

 

CMYK 45 / 67 / 0 / 45

HEX #4E2F8D

RGB 78 47 141

HSL 259.79, 0.5%, 0.37%

LAB 28.32, 36.59, -47.36

 

CMYK 0 / 45 / 67 / 45

HEX #8D4E2F

RGB 141 78 47

HSL 19.79, 0.5%, 0.37%

LAB 40.11, 23.6, 29.57

 

CMYK 67 / 0 / 44 / 44

HEX #2F8E4F

RGB 47 142 79

HSL 140.21, 0.5%, 0.37%

LAB 52.41, -42.28, 25.63

 

CMYK 67 / 35 / 0 / 45

HEX #2F5B8D

RGB 47 91 141

HSL 211.91, 0.5%, 0.37%

LAB 37.86, 1.67, -32.2

 

CMYK 0 / 67 / 22 / 45

HEX #8D2F6E

RGB 141 47 110

HSL 319.79, 0.5%, 0.37%

LAB 35.64, 46.51, -15.79

 

CMYK 0 / 31 / 67 / 45

HEX #8D612F

RGB 141 97 47

HSL 31.91, 0.5%, 0.37%

LAB 44.83, 12.58, 35.01

 

CMYK 67 / 0 / 44 / 44

HEX #2F8E4F

RGB 47 142 79

HSL 140.21, 0.5%, 0.37%

LAB 52.41, -42.28, 25.63

 

CMYK 67 / 56 / 0 / 45

HEX #2F3E8D

RGB 47 62 141

HSL 230.43, 0.5%, 0.37%

LAB 29.34, 20.93, -45.82

 

CMYK 0 / 67 / 22 / 45

HEX #8D2F6E

RGB 141 47 110

HSL 319.79, 0.5%, 0.37%

LAB 35.64, 46.51, -15.79

 

CMYK 0 / 11 / 67 / 45

HEX #8D7D2F

RGB 141 125 47

HSL 49.79, 0.5%, 0.37%

LAB 52.44, -3.5, 43.35

 

Description

Color code: RGB 47 142 79 | qconv.com Color code: RGB 47 142 79 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 142 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 142 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 44 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 44% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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