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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 47 196 50 it is the complementary color RGB 208 59 205. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 47 196 50. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 47 196 50 shade: RGB 52 196 45, RGB 69 214 64, RGB 86 232 83, RGB 103 250 102 and RGB 120 255 121

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 47 196 50. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 47 196 50 shade: RGB 47 196 50, RGB 30 178 31, RGB 13 160 12, RGB 0 142 0 and RGB 0 124 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 47 196 50 shade: RGB 47 197 50, RGB 84 197 47, RGB 125 197 47, RGB 165 197 47 and RGB 197 188 47

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 47 196 50 shade: RGB 47 197 50, RGB 47 197 91, RGB 47 197 131, RGB 47 197 171 and RGB 47 182 197

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 47 196 50 shade matches the following richer shades: RGB 47 197 50, RGB 27 216 31 and RGB 8 236 12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 47 196 50 shade: RGB 47 197 50, RGB 67 177 69, RGB 87 157 88, RGB 107 137 107 and RGB 126 117 126

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 47 196 50 shade: RGB 124 197 47, RGB 85 197 47, RGB 47 197 50, RGB 47 197 90 and RGB 47 197 129

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 47 196 50 shade: RGB 31 130 33, RGB 39 163 42, RGB 47 197 50, RGB 74 211 77 and RGB 107 219 110

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 47 196 50 shade: RGB 47 196 50, RGB 47 164 197 and RGB 197 47 104

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 47 196 50 shade: RGB 47 196 50, RGB 50 47 197 and RGB 197 50 47

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 47 196 50 shade: RGB 47 196 50, RGB 47 164 197, RGB 197 47 194 and RGB 197 80 47

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 47 196 50 shade: RGB 47 196 50, RGB 47 119 197, RGB 197 47 194 and RGB 197 124 47

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 74 / 23

HEX #2FC432

RGB 47 196 50

HSL 121.21, 0.61%, 0.48%

LAB 69.69, -64.77, 58.53

 

Complementary color

CMYK 0 / 72 / 1 / 18

HEX #D03BCD

RGB 208 59 205

HSL 301.21, 0.61%, 0.52%

LAB 52.89, 73.32, -44.98

 

CMYK 73 / 0 / 77 / 23

HEX #34C42D

RGB 52 196 45

HSL 117.22, 0.63%, 0.47%

LAB 69.75, -64.36, 60.28

 

CMYK 68 / 0 / 70 / 16

HEX #45D640

RGB 69 214 64

HSL 118, 0.65%, 0.55%

LAB 75.9, -65.73, 59.96

 

CMYK 63 / 0 / 64 / 9

HEX #56E853

RGB 86 232 83

HSL 118.79, 0.76%, 0.62%

LAB 82.01, -66.63, 59.18

 

CMYK 59 / 0 / 59 / 2

HEX #67FA66

RGB 103 250 102

HSL 119.59, 0.94%, 0.69%

LAB 88.07, -67.21, 58.14

 

CMYK 53 / 0 / 53 / 0

HEX #78FF79

RGB 120 255 121

HSL 120.44, 1%, 0.74%

LAB 90.27, -62.8, 52.43

 

CMYK 76 / 0 / 74 / 23

HEX #2FC432

RGB 47 196 50

HSL 121.21, 0.61%, 0.48%

LAB 69.69, -64.77, 58.53

 

CMYK 83 / 0 / 83 / 30

HEX #1EB21F

RGB 30 178 31

HSL 120.41, 0.71%, 0.41%

LAB 63.52, -62.7, 58.41

 

CMYK 92 / 0 / 93 / 37

HEX #0DA00C

RGB 13 160 12

HSL 119.59, 0.86%, 0.34%

LAB 57.32, -59.73, 57.03

 

CMYK 100 / 0 / 100 / 44

HEX #008E00

RGB 0 142 0

HSL 120, 1%, 0.28%

LAB 51.09, -55.74, 53.8

 

CMYK 100 / 0 / 100 / 51

HEX #007C00

RGB 0 124 0

HSL 120, 1%, 0.24%

LAB 44.82, -50.53, 48.77

 

CMYK 76 / 0 / 75 / 23

HEX #2FC532

RGB 47 197 50

HSL 121.2, 0.61%, 0.48%

LAB 70.01, -65.08, 58.84

 

CMYK 57 / 0 / 76 / 23

HEX #54C52F

RGB 84 197 47

HSL 105.2, 0.61%, 0.48%

LAB 70.89, -57.89, 61.01

 

CMYK 37 / 0 / 76 / 23

HEX #7DC52F

RGB 125 197 47

HSL 88.8, 0.61%, 0.48%

LAB 72.56, -45.36, 63.2

 

CMYK 16 / 0 / 76 / 23

HEX #A5C52F

RGB 165 197 47

HSL 72.8, 0.61%, 0.48%

LAB 74.91, -30.11, 66.26

 

CMYK 0 / 5 / 76 / 23

HEX #C5BC2F

RGB 197 188 47

HSL 56.4, 0.61%, 0.48%

LAB 74.85, -12.21, 67.09

 

CMYK 76 / 0 / 75 / 23

HEX #2FC532

RGB 47 197 50

HSL 121.2, 0.61%, 0.48%

LAB 70.01, -65.08, 58.84

 

CMYK 76 / 0 / 54 / 23

HEX #2FC55B

RGB 47 197 91

HSL 137.6, 0.61%, 0.48%

LAB 70.38, -60.63, 41.97

 

CMYK 76 / 0 / 34 / 23

HEX #2FC583

RGB 47 197 131

HSL 153.6, 0.61%, 0.48%

LAB 70.99, -53.6, 22.38

 

CMYK 76 / 0 / 13 / 23

HEX #2FC5AB

RGB 47 197 171

HSL 169.6, 0.61%, 0.48%

LAB 71.88, -44.16, 2.08

 

CMYK 76 / 8 / 0 / 23

HEX #2FB6C5

RGB 47 182 197

HSL 186, 0.61%, 0.48%

LAB 68.09, -29.84, -17.8

 

CMYK 76 / 0 / 75 / 23

HEX #2FC532

RGB 47 197 50

HSL 121.2, 0.61%, 0.48%

LAB 70.01, -65.08, 58.84

 

CMYK 88 / 0 / 86 / 15

HEX #1BD81F

RGB 27 216 31

HSL 121.27, 0.78%, 0.48%

LAB 75.73, -73.93, 69.42

 

CMYK 97 / 0 / 95 / 7

HEX #08EC0C

RGB 8 236 12

HSL 121.05, 0.93%, 0.48%

LAB 81.88, -80.83, 77.47

 

CMYK 76 / 0 / 75 / 23

HEX #2FC532

RGB 47 197 50

HSL 121.2, 0.61%, 0.48%

LAB 70.01, -65.08, 58.84

 

CMYK 62 / 0 / 61 / 31

HEX #43B145

RGB 67 177 69

HSL 121.09, 0.45%, 0.48%

LAB 64.22, -52.83, 45.14

 

CMYK 45 / 0 / 44 / 38

HEX #579D58

RGB 87 157 88

HSL 120.86, 0.29%, 0.48%

LAB 58.83, -36.75, 29.34

 

CMYK 22 / 0 / 22 / 46

HEX #6B896B

RGB 107 137 107

HSL 120, 0.12%, 0.48%

LAB 54.11, -16.87, 12.68

 

CMYK 0 / 7 / 0 / 51

HEX #7E757E

RGB 126 117 126

HSL 300, 0.04%, 0.48%

LAB 50.29, 5.23, -3.69

 

CMYK 37 / 0 / 76 / 23

HEX #7CC52F

RGB 124 197 47

HSL 89.2, 0.61%, 0.48%

LAB 72.51, -45.71, 63.14

 

CMYK 57 / 0 / 76 / 23

HEX #55C52F

RGB 85 197 47

HSL 104.8, 0.61%, 0.48%

LAB 70.92, -57.63, 61.05

 

CMYK 76 / 0 / 75 / 23

HEX #2FC532

RGB 47 197 50

HSL 121.2, 0.61%, 0.48%

LAB 70.01, -65.08, 58.84

 

CMYK 76 / 0 / 54 / 23

HEX #2FC55A

RGB 47 197 90

HSL 137.2, 0.61%, 0.48%

LAB 70.37, -60.77, 42.44

 

CMYK 76 / 0 / 35 / 23

HEX #2FC581

RGB 47 197 129

HSL 152.8, 0.61%, 0.48%

LAB 70.95, -54.02, 23.38

 

CMYK 76 / 0 / 75 / 49

HEX #1F8221

RGB 31 130 33

HSL 121.21, 0.61%, 0.32%

LAB 47.45, -47.11, 42.18

 

CMYK 76 / 0 / 74 / 36

HEX #27A32A

RGB 39 163 42

HSL 121.45, 0.61%, 0.4%

LAB 58.78, -56.08, 50.35

 

CMYK 76 / 0 / 75 / 23

HEX #2FC532

RGB 47 197 50

HSL 121.2, 0.61%, 0.48%

LAB 70.01, -65.08, 58.84

 

CMYK 65 / 0 / 64 / 17

HEX #4AD34D

RGB 74 211 77

HSL 121.31, 0.61%, 0.56%

LAB 75.19, -62.53, 54.04

 

CMYK 51 / 0 / 50 / 14

HEX #6BDB6E

RGB 107 219 110

HSL 121.61, 0.61%, 0.64%

LAB 78.99, -53.79, 43.73

 

CMYK 76 / 0 / 74 / 23

HEX #2FC432

RGB 47 196 50

HSL 121.21, 0.61%, 0.48%

LAB 69.69, -64.77, 58.53

 

CMYK 76 / 17 / 0 / 23

HEX #2FA4C5

RGB 47 164 197

HSL 193.2, 0.61%, 0.48%

LAB 62.66, -20.75, -26.08

 

CMYK 0 / 76 / 47 / 23

HEX #C52F68

RGB 197 47 104

HSL 337.2, 0.61%, 0.48%

LAB 45.5, 61.72, 3.73

 

CMYK 76 / 0 / 74 / 23

HEX #2FC432

RGB 47 196 50

HSL 121.21, 0.61%, 0.48%

LAB 69.69, -64.77, 58.53

 

CMYK 75 / 76 / 0 / 23

HEX #322FC5

RGB 50 47 197

HSL 241.2, 0.61%, 0.48%

LAB 31.21, 50.15, -76.39

 

CMYK 0 / 75 / 76 / 23

HEX #C5322F

RGB 197 50 47

HSL 1.2, 0.61%, 0.48%

LAB 44.74, 57.17, 37.37

 

CMYK 76 / 0 / 74 / 23

HEX #2FC432

RGB 47 196 50

HSL 121.21, 0.61%, 0.48%

LAB 69.69, -64.77, 58.53

 

CMYK 76 / 17 / 0 / 23

HEX #2FA4C5

RGB 47 164 197

HSL 193.2, 0.61%, 0.48%

LAB 62.66, -20.75, -26.08

 

CMYK 0 / 76 / 2 / 23

HEX #C52FC2

RGB 197 47 194

HSL 301.2, 0.61%, 0.48%

LAB 49.25, 72.92, -44.52

 

CMYK 0 / 59 / 76 / 23

HEX #C5502F

RGB 197 80 47

HSL 13.2, 0.61%, 0.48%

LAB 49.27, 44.93, 42.2

 

CMYK 76 / 0 / 74 / 23

HEX #2FC432

RGB 47 196 50

HSL 121.21, 0.61%, 0.48%

LAB 69.69, -64.77, 58.53

 

CMYK 76 / 40 / 0 / 23

HEX #2F77C5

RGB 47 119 197

HSL 211.2, 0.61%, 0.48%

LAB 49.29, 4.9, -47.03

 

CMYK 0 / 76 / 2 / 23

HEX #C52FC2

RGB 197 47 194

HSL 301.2, 0.61%, 0.48%

LAB 49.25, 72.92, -44.52

 

CMYK 0 / 37 / 76 / 23

HEX #C57C2F

RGB 197 124 47

HSL 30.8, 0.61%, 0.48%

LAB 58.5, 22.11, 51.58

 

Description

Color code: RGB 47 196 50 | qconv.com Color code: RGB 47 196 50 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 196 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 196 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 74 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 74% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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