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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 44 80 179 it is the complementary color RGB 211 175 76. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 44 80 179. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 44 80 179 shade: RGB 49 80 174, RGB 66 98 193, RGB 83 116 212, RGB 100 134 231 and RGB 117 152 250

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 44 80 179. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 44 80 179 shade: RGB 44 80 179, RGB 27 62 160, RGB 10 44 141, RGB 0 26 122 and RGB 0 8 103

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 44 80 179 shade: RGB 43 80 180, RGB 44 43 180, RGB 81 43 180, RGB 117 43 180 and RGB 154 43 180

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 44 80 179 shade: RGB 43 80 180 and RGB 43 43 180

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 44 80 179 shade matches the following richer shades: RGB 43 80 180, RGB 25 71 198 and RGB 7 63 216

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 44 80 179 shade: RGB 43 80 180, RGB 61 88 162, RGB 80 97 144, RGB 98 105 126 and RGB 116 114 108

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 44 80 179 shade: RGB 43 153 180, RGB 43 116 180, RGB 43 80 180, RGB 43 43 180 and RGB 80 43 180

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 44 80 179 shade: RGB 27 50 114, RGB 35 65 147, RGB 43 80 180, RGB 58 98 207 and RGB 91 124 215

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 44 80 179 shade: RGB 44 80 179, RGB 171 43 180 and RGB 135 180 43

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 44 80 179 shade: RGB 44 80 179, RGB 180 43 80 and RGB 80 180 43

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 44 80 179 shade: RGB 44 80 179, RGB 171 43 180, RGB 180 144 43 and RGB 52 180 43

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 44 80 179 shade: RGB 44 80 179, RGB 180 43 148, RGB 180 144 43 and RGB 43 180 75

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 55 / 0 / 30

HEX #2C50B3

RGB 44 80 179

HSL 224, 0.61%, 0.44%

LAB 36.98, 22.77, -56.35

 

Complementary color

CMYK 0 / 17 / 64 / 17

HEX #D3AF4C

RGB 211 175 76

HSL 44, 0.61%, 0.56%

LAB 72.91, 2.07, 54.22

 

CMYK 72 / 54 / 0 / 32

HEX #3150AE

RGB 49 80 174

HSL 225.12, 0.56%, 0.44%

LAB 36.83, 21.54, -53.63

 

CMYK 66 / 49 / 0 / 24

HEX #4262C1

RGB 66 98 193

HSL 224.88, 0.51%, 0.51%

LAB 43.86, 19.42, -53.37

 

CMYK 61 / 45 / 0 / 17

HEX #5374D4

RGB 83 116 212

HSL 224.65, 0.6%, 0.58%

LAB 50.78, 17.71, -53.11

 

CMYK 57 / 42 / 0 / 9

HEX #6486E7

RGB 100 134 231

HSL 224.43, 0.73%, 0.65%

LAB 57.59, 16.31, -52.87

 

CMYK 53 / 39 / 0 / 2

HEX #7598FA

RGB 117 152 250

HSL 224.21, 0.93%, 0.72%

LAB 64.27, 15.15, -52.67

 

CMYK 75 / 55 / 0 / 30

HEX #2C50B3

RGB 44 80 179

HSL 224, 0.61%, 0.44%

LAB 36.98, 22.77, -56.35

 

CMYK 83 / 61 / 0 / 37

HEX #1B3EA0

RGB 27 62 160

HSL 224.21, 0.71%, 0.37%

LAB 29.95, 25.7, -56.47

 

CMYK 93 / 69 / 0 / 45

HEX #0A2C8D

RGB 10 44 141

HSL 224.43, 0.87%, 0.3%

LAB 22.96, 29.29, -56.3

 

CMYK 100 / 79 / 0 / 52

HEX #001A7A

RGB 0 26 122

HSL 227.21, 1%, 0.24%

LAB 16.23, 33.29, -55.45

 

CMYK 100 / 92 / 0 / 60

HEX #000867

RGB 0 8 103

HSL 235.34, 1%, 0.2%

LAB 10.21, 36.43, -53.1

 

CMYK 76 / 56 / 0 / 29

HEX #2B50B4

RGB 43 80 180

HSL 223.8, 0.61%, 0.44%

LAB 37.02, 23.03, -56.89

 

CMYK 76 / 76 / 0 / 29

HEX #2C2BB4

RGB 44 43 180

HSL 240.44, 0.61%, 0.44%

LAB 28.27, 46.33, -71.22

 

CMYK 55 / 76 / 0 / 29

HEX #512BB4

RGB 81 43 180

HSL 256.64, 0.61%, 0.44%

LAB 31.28, 50.43, -66.15

 

CMYK 35 / 76 / 0 / 29

HEX #752BB4

RGB 117 43 180

HSL 272.41, 0.61%, 0.44%

LAB 35.61, 56.14, -58.9

 

CMYK 14 / 76 / 0 / 29

HEX #9A2BB4

RGB 154 43 180

HSL 288.61, 0.61%, 0.44%

LAB 41.05, 63.09, -49.84

 

CMYK 76 / 56 / 0 / 29

HEX #2B50B4

RGB 43 80 180

HSL 223.8, 0.61%, 0.44%

LAB 37.02, 23.03, -56.89

 

CMYK 76 / 76 / 0 / 29

HEX #2B2BB4

RGB 43 43 180

HSL 240, 0.61%, 0.44%

LAB 28.21, 46.25, -71.32

 

CMYK 76 / 56 / 0 / 29

HEX #2B50B4

RGB 43 80 180

HSL 223.8, 0.61%, 0.44%

LAB 37.02, 23.03, -56.89

 

CMYK 87 / 64 / 0 / 22

HEX #1947C6

RGB 25 71 198

HSL 224.05, 0.78%, 0.44%

LAB 35.58, 34.29, -69.82

 

CMYK 97 / 71 / 0 / 15

HEX #073FD8

RGB 7 63 216

HSL 223.92, 0.94%, 0.44%

LAB 35.12, 45.34, -81.01

 

CMYK 76 / 56 / 0 / 29

HEX #2B50B4

RGB 43 80 180

HSL 223.8, 0.61%, 0.44%

LAB 37.02, 23.03, -56.89

 

CMYK 62 / 46 / 0 / 36

HEX #3D58A2

RGB 61 88 162

HSL 223.96, 0.45%, 0.44%

LAB 38.86, 13.9, -43.18

 

CMYK 44 / 33 / 0 / 44

HEX #506190

RGB 80 97 144

HSL 224.06, 0.29%, 0.44%

LAB 41.64, 6.61, -27.94

 

CMYK 22 / 17 / 0 / 51

HEX #62697E

RGB 98 105 126

HSL 225, 0.13%, 0.44%

LAB 44.53, 2.25, -12.56

 

CMYK 0 / 2 / 7 / 55

HEX #74726C

RGB 116 114 108

HSL 45, 0.04%, 0.44%

LAB 48.05, -0.4, 3.59

 

CMYK 76 / 15 / 0 / 29

HEX #2B99B4

RGB 43 153 180

HSL 191.82, 0.61%, 0.44%

LAB 58.59, -21.06, -22.78

 

CMYK 76 / 36 / 0 / 29

HEX #2B74B4

RGB 43 116 180

HSL 208.03, 0.61%, 0.44%

LAB 47.37, -0.07, -40.29

 

CMYK 76 / 56 / 0 / 29

HEX #2B50B4

RGB 43 80 180

HSL 223.8, 0.61%, 0.44%

LAB 37.02, 23.03, -56.89

 

CMYK 76 / 76 / 0 / 29

HEX #2B2BB4

RGB 43 43 180

HSL 240, 0.61%, 0.44%

LAB 28.21, 46.25, -71.32

 

CMYK 56 / 76 / 0 / 29

HEX #502BB4

RGB 80 43 180

HSL 256.2, 0.61%, 0.44%

LAB 31.18, 50.29, -66.32

 

CMYK 76 / 56 / 0 / 55

HEX #1B3272

RGB 27 50 114

HSL 224.14, 0.62%, 0.28%

LAB 22.75, 15.56, -39.58

 

CMYK 76 / 56 / 0 / 42

HEX #234193

RGB 35 65 147

HSL 223.93, 0.62%, 0.36%

LAB 30.02, 19.38, -48.43

 

CMYK 76 / 56 / 0 / 29

HEX #2B50B4

RGB 43 80 180

HSL 223.8, 0.61%, 0.44%

LAB 37.02, 23.03, -56.89

 

CMYK 72 / 53 / 0 / 19

HEX #3A62CF

RGB 58 98 207

HSL 223.89, 0.61%, 0.52%

LAB 44.43, 23.28, -60.54

 

CMYK 58 / 42 / 0 / 16

HEX #5B7CD7

RGB 91 124 215

HSL 224.03, 0.61%, 0.6%

LAB 53.54, 15.35, -50.38

 

CMYK 75 / 55 / 0 / 30

HEX #2C50B3

RGB 44 80 179

HSL 224, 0.61%, 0.44%

LAB 36.98, 22.77, -56.35

 

CMYK 5 / 76 / 0 / 29

HEX #AB2BB4

RGB 171 43 180

HSL 296.06, 0.61%, 0.44%

LAB 43.77, 66.51, -45.32

 

CMYK 25 / 0 / 76 / 29

HEX #87B42B

RGB 135 180 43

HSL 79.71, 0.61%, 0.44%

LAB 68, -34.39, 60.35

 

CMYK 75 / 55 / 0 / 30

HEX #2C50B3

RGB 44 80 179

HSL 224, 0.61%, 0.44%

LAB 36.98, 22.77, -56.35

 

CMYK 0 / 76 / 56 / 29

HEX #B42B50

RGB 180 43 80

HSL 343.8, 0.61%, 0.44%

LAB 41.23, 56.22, 12.23

 

CMYK 56 / 0 / 76 / 29

HEX #50B42B

RGB 80 180 43

HSL 103.8, 0.61%, 0.44%

LAB 65.38, -53.04, 56.92

 

CMYK 75 / 55 / 0 / 30

HEX #2C50B3

RGB 44 80 179

HSL 224, 0.61%, 0.44%

LAB 36.98, 22.77, -56.35

 

CMYK 5 / 76 / 0 / 29

HEX #AB2BB4

RGB 171 43 180

HSL 296.06, 0.61%, 0.44%

LAB 43.77, 66.51, -45.32

 

CMYK 0 / 20 / 76 / 29

HEX #B4902B

RGB 180 144 43

HSL 44.23, 0.61%, 0.44%

LAB 61.5, 3.44, 55.45

 

CMYK 71 / 0 / 76 / 29

HEX #34B42B

RGB 52 180 43

HSL 116.06, 0.61%, 0.44%

LAB 64.6, -59.37, 55.89

 

CMYK 75 / 55 / 0 / 30

HEX #2C50B3

RGB 44 80 179

HSL 224, 0.61%, 0.44%

LAB 36.98, 22.77, -56.35

 

CMYK 0 / 76 / 18 / 29

HEX #B42B94

RGB 180 43 148

HSL 314.01, 0.61%, 0.44%

LAB 43.61, 63.56, -26.37

 

CMYK 0 / 20 / 76 / 29

HEX #B4902B

RGB 180 144 43

HSL 44.23, 0.61%, 0.44%

LAB 61.5, 3.44, 55.45

 

CMYK 76 / 0 / 58 / 29

HEX #2BB44B

RGB 43 180 75

HSL 134.01, 0.61%, 0.44%

LAB 64.7, -57.6, 42.78

 

Description

Color code: RGB 44 80 179 | qconv.com Color code: RGB 44 80 179 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 80 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 80 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, 55 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 55% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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