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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 45 215 127 it is the complementary color RGB 210 40 128. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 45 215 127. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 45 215 127 shade: RGB 50 215 122, RGB 67 233 141, RGB 84 251 160, RGB 101 255 179 and RGB 118 255 198

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 45 215 127. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 45 215 127 shade: RGB 45 215 127, RGB 28 197 108, RGB 11 179 89, RGB 0 161 70 and RGB 0 143 51

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 45 215 127 shade: RGB 45 215 127, RGB 45 215 81, RGB 54 215 45, RGB 100 215 45 and RGB 146 215 45

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 45 215 127 shade: RGB 45 215 127, RGB 45 215 172, RGB 45 211 215, RGB 45 165 215 and RGB 45 119 215

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 45 215 127 shade matches the following richer shades: RGB 45 215 127 and RGB 24 235 126

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 45 215 127 shade: RGB 45 215 127, RGB 65 194 127, RGB 85 174 128, RGB 105 154 129 and RGB 125 134 129

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 45 215 127 shade: RGB 56 215 45, RGB 45 215 79, RGB 45 215 124, RGB 45 215 169 and RGB 45 215 215

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 45 215 127 shade: RGB 28 149 86, RGB 35 183 106, RGB 45 215 127, RGB 79 221 148 and RGB 114 228 169

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 45 215 127 shade: RGB 45 215 127, RGB 45 101 215 and RGB 215 56 45

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 45 215 127 shade: RGB 45 215 127, RGB 124 45 215 and RGB 215 124 45

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 45 215 127 shade: RGB 45 215 127, RGB 45 101 215, RGB 215 45 135 and RGB 215 158 45

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 45 215 127 shade: RGB 45 215 127, RGB 45 50 215, RGB 215 45 135 and RGB 215 209 45

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 41 / 16

HEX #2DD77F

RGB 45 215 127

HSL 148.94, 0.68%, 0.51%

LAB 76.49, -61.24, 31.8

 

Complementary color

CMYK 0 / 81 / 39 / 18

HEX #D22880

RGB 210 40 128

HSL 328.94, 0.68%, 0.49%

LAB 47.98, 69.26, -7.08

 

CMYK 77 / 0 / 43 / 16

HEX #32D77A

RGB 50 215 122

HSL 146.18, 0.67%, 0.52%

LAB 76.49, -61.55, 34.34

 

CMYK 71 / 0 / 39 / 9

HEX #43E98D

RGB 67 233 141

HSL 146.75, 0.79%, 0.59%

LAB 82.59, -62.32, 32.8

 

CMYK 67 / 0 / 36 / 2

HEX #54FBA0

RGB 84 251 160

HSL 147.31, 0.95%, 0.66%

LAB 88.65, -62.82, 31.36

 

CMYK 60 / 0 / 30 / 0

HEX #65FFB3

RGB 101 255 179

HSL 150.39, 1%, 0.7%

LAB 90.57, -57.72, 24.44

 

CMYK 54 / 0 / 22 / 0

HEX #76FFC6

RGB 118 255 198

HSL 155.04, 1%, 0.73%

LAB 91.44, -50.45, 16.02

 

CMYK 79 / 0 / 41 / 16

HEX #2DD77F

RGB 45 215 127

HSL 148.94, 0.68%, 0.51%

LAB 76.49, -61.24, 31.8

 

CMYK 86 / 0 / 45 / 23

HEX #1CC56C

RGB 28 197 108

HSL 148.4, 0.75%, 0.44%

LAB 70.36, -59.98, 33.47

 

CMYK 94 / 0 / 50 / 30

HEX #0BB359

RGB 11 179 89

HSL 147.86, 0.88%, 0.37%

LAB 64.19, -58.18, 35.25

 

CMYK 100 / 0 / 57 / 37

HEX #00A146

RGB 0 161 70

HSL 146.09, 1%, 0.32%

LAB 57.97, -55.73, 37.09

 

CMYK 100 / 0 / 64 / 44

HEX #008F33

RGB 0 143 51

HSL 141.4, 1%, 0.28%

LAB 51.71, -52.53, 38.89

 

CMYK 79 / 0 / 41 / 16

HEX #2DD77F

RGB 45 215 127

HSL 148.94, 0.68%, 0.51%

LAB 76.49, -61.24, 31.8

 

CMYK 79 / 0 / 62 / 16

HEX #2DD751

RGB 45 215 81

HSL 132.71, 0.68%, 0.51%

LAB 75.92, -68.05, 53

 

CMYK 75 / 0 / 79 / 16

HEX #36D72D

RGB 54 215 45

HSL 116.82, 0.68%, 0.51%

LAB 75.81, -69.92, 66.09

 

CMYK 53 / 0 / 79 / 16

HEX #64D72D

RGB 100 215 45

HSL 100.59, 0.68%, 0.51%

LAB 76.98, -60.23, 67.62

 

CMYK 32 / 0 / 79 / 16

HEX #92D72D

RGB 146 215 45

HSL 84.35, 0.68%, 0.51%

LAB 78.98, -45.56, 70.2

 

CMYK 79 / 0 / 41 / 16

HEX #2DD77F

RGB 45 215 127

HSL 148.94, 0.68%, 0.51%

LAB 76.49, -61.24, 31.8

 

CMYK 79 / 0 / 20 / 16

HEX #2DD7AC

RGB 45 215 172

HSL 164.82, 0.68%, 0.51%

LAB 77.36, -51.61, 9.43

 

CMYK 79 / 2 / 0 / 16

HEX #2DD3D7

RGB 45 211 215

HSL 181.41, 0.68%, 0.51%

LAB 77.31, -38.31, -13.69

 

CMYK 79 / 23 / 0 / 16

HEX #2DA5D7

RGB 45 165 215

HSL 197.65, 0.68%, 0.51%

LAB 63.65, -15.44, -34.56

 

CMYK 79 / 45 / 0 / 16

HEX #2D77D7

RGB 45 119 215

HSL 213.88, 0.68%, 0.51%

LAB 50.28, 11.41, -55.69

 

CMYK 79 / 0 / 41 / 16

HEX #2DD77F

RGB 45 215 127

HSL 148.94, 0.68%, 0.51%

LAB 76.49, -61.24, 31.8

 

CMYK 90 / 0 / 46 / 8

HEX #18EB7E

RGB 24 235 126

HSL 149, 0.84%, 0.51%

LAB 82.44, -69.9, 39.95

 

CMYK 79 / 0 / 41 / 16

HEX #2DD77F

RGB 45 215 127

HSL 148.94, 0.68%, 0.51%

LAB 76.49, -61.24, 31.8

 

CMYK 66 / 0 / 35 / 24

HEX #41C27F

RGB 65 194 127

HSL 148.84, 0.51%, 0.51%

LAB 70.34, -50.52, 23.68

 

CMYK 51 / 0 / 26 / 32

HEX #55AE80

RGB 85 174 128

HSL 148.99, 0.35%, 0.51%

LAB 64.77, -37.59, 15.6

 

CMYK 32 / 0 / 16 / 40

HEX #699A81

RGB 105 154 129

HSL 149.39, 0.2%, 0.51%

LAB 59.62, -22.02, 7.92

 

CMYK 7 / 0 / 4 / 47

HEX #7D8681

RGB 125 134 129

HSL 146.67, 0.04%, 0.51%

LAB 55.07, -4.32, 1.54

 

CMYK 74 / 0 / 79 / 16

HEX #38D72D

RGB 56 215 45

HSL 116.12, 0.68%, 0.51%

LAB 75.84, -69.62, 66.14

 

CMYK 79 / 0 / 63 / 16

HEX #2DD74F

RGB 45 215 79

HSL 132, 0.68%, 0.51%

LAB 75.9, -68.27, 53.83

 

CMYK 79 / 0 / 42 / 16

HEX #2DD77C

RGB 45 215 124

HSL 147.88, 0.68%, 0.51%

LAB 76.44, -61.78, 33.26

 

CMYK 79 / 0 / 21 / 16

HEX #2DD7A9

RGB 45 215 169

HSL 163.76, 0.68%, 0.51%

LAB 77.29, -52.34, 10.93

 

CMYK 79 / 0 / 0 / 16

HEX #2DD7D7

RGB 45 215 215

HSL 180, 0.68%, 0.51%

LAB 78.5, -40.12, -11.91

 

CMYK 81 / 0 / 42 / 42

HEX #1C9556

RGB 28 149 86

HSL 148.76, 0.68%, 0.35%

LAB 54.46, -46.73, 24.41

 

CMYK 81 / 0 / 42 / 28

HEX #23B76A

RGB 35 183 106

HSL 148.78, 0.68%, 0.43%

LAB 65.95, -54.73, 28.81

 

CMYK 79 / 0 / 41 / 16

HEX #2DD77F

RGB 45 215 127

HSL 148.94, 0.68%, 0.51%

LAB 76.49, -61.24, 31.8

 

CMYK 64 / 0 / 33 / 13

HEX #4FDD94

RGB 79 221 148

HSL 149.15, 0.68%, 0.59%

LAB 79.34, -54.52, 24.91

 

CMYK 50 / 0 / 26 / 11

HEX #72E4A9

RGB 114 228 169

HSL 148.95, 0.68%, 0.67%

LAB 82.88, -45.82, 19.02

 

CMYK 79 / 0 / 41 / 16

HEX #2DD77F

RGB 45 215 127

HSL 148.94, 0.68%, 0.51%

LAB 76.49, -61.24, 31.8

 

CMYK 79 / 53 / 0 / 16

HEX #2D65D7

RGB 45 101 215

HSL 220.24, 0.68%, 0.51%

LAB 45.32, 22.83, -63.7

 

CMYK 0 / 74 / 79 / 16

HEX #D7382D

RGB 215 56 45

HSL 3.88, 0.68%, 0.51%

LAB 48.84, 60.61, 43.81

 

CMYK 79 / 0 / 41 / 16

HEX #2DD77F

RGB 45 215 127

HSL 148.94, 0.68%, 0.51%

LAB 76.49, -61.24, 31.8

 

CMYK 42 / 79 / 0 / 16

HEX #7C2DD7

RGB 124 45 215

HSL 267.88, 0.68%, 0.51%

LAB 39.7, 64.66, -72.63

 

CMYK 0 / 42 / 79 / 16

HEX #D77C2D

RGB 215 124 45

HSL 27.88, 0.68%, 0.51%

LAB 60.83, 29.62, 55.48

 

CMYK 79 / 0 / 41 / 16

HEX #2DD77F

RGB 45 215 127

HSL 148.94, 0.68%, 0.51%

LAB 76.49, -61.24, 31.8

 

CMYK 79 / 53 / 0 / 16

HEX #2D65D7

RGB 45 101 215

HSL 220.24, 0.68%, 0.51%

LAB 45.32, 22.83, -63.7

 

CMYK 0 / 79 / 37 / 16

HEX #D72D87

RGB 215 45 135

HSL 328.24, 0.68%, 0.51%

LAB 49.58, 69.92, -8.82

 

CMYK 0 / 27 / 79 / 16

HEX #D79E2D

RGB 215 158 45

HSL 39.88, 0.68%, 0.51%

LAB 68.82, 11.36, 62.88

 

CMYK 79 / 0 / 41 / 16

HEX #2DD77F

RGB 45 215 127

HSL 148.94, 0.68%, 0.51%

LAB 76.49, -61.24, 31.8

 

CMYK 79 / 77 / 0 / 16

HEX #2D32D7

RGB 45 50 215

HSL 238.24, 0.68%, 0.51%

LAB 33.45, 53.96, -83.17

 

CMYK 0 / 79 / 37 / 16

HEX #D72D87

RGB 215 45 135

HSL 328.24, 0.68%, 0.51%

LAB 49.58, 69.92, -8.82

 

CMYK 0 / 3 / 79 / 16

HEX #D7D12D

RGB 215 209 45

HSL 57.88, 0.68%, 0.51%

LAB 81.97, -15.18, 74.63

 

Description

Color code: RGB 45 215 127 | qconv.com Color code: RGB 45 215 127 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 215 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 215 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 41 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 41% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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