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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 124 64 it is the complementary color RGB 202 131 191. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 124 64. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 124 64 shade: RGB 58 124 59, RGB 75 142 78, RGB 92 160 97, RGB 109 178 116 and RGB 126 196 135

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 124 64. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 124 64 shade: RGB 53 124 64, RGB 36 106 45, RGB 19 88 26, RGB 2 70 7 and RGB 0 52 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 124 64 shade: RGB 53 124 64, RGB 61 124 53, RGB 80 124 53, RGB 100 124 53 and RGB 119 124 53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 124 64 shade: RGB 53 124 64, RGB 53 124 83, RGB 53 124 103, RGB 53 124 122 and RGB 53 108 124

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 124 64 shade matches the following richer shades: RGB 53 124 64, RGB 39 139 54, RGB 24 153 44 and RGB 10 168 34

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 124 64 shade: RGB 53 124 64, RGB 67 110 74, RGB 82 96 84, RGB 96 81 94 and RGB 111 67 104

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 124 64 shade: RGB 80 124 53, RGB 61 124 53, RGB 53 124 64, RGB 53 124 83 and RGB 53 124 102

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 124 64 shade: RGB 28 67 34, RGB 41 96 49, RGB 53 124 64, RGB 65 153 79 and RGB 80 180 96

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 124 64 shade: RGB 53 124 64, RGB 53 99 124 and RGB 124 53 71

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 124 64 shade: RGB 53 124 64, RGB 64 53 124 and RGB 124 64 53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 124 64 shade: RGB 53 124 64, RGB 53 99 124, RGB 124 53 114 and RGB 124 78 53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 124 64 shade: RGB 53 124 64, RGB 53 78 124, RGB 124 53 114 and RGB 124 99 53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 48 / 51

HEX #357C40

RGB 53 124 64

HSL 129.3, 0.4%, 0.35%

LAB 46.37, -35.97, 26.12

 

Complementary color

CMYK 0 / 35 / 5 / 21

HEX #CA83BF

RGB 202 131 191

HSL 309.3, 0.4%, 0.65%

LAB 63.8, 36.52, -20.11

 

CMYK 53 / 0 / 52 / 51

HEX #3A7C3B

RGB 58 124 59

HSL 120.91, 0.36%, 0.36%

LAB 46.49, -35.34, 29.01

 

CMYK 47 / 0 / 45 / 44

HEX #4B8E4E

RGB 75 142 78

HSL 122.69, 0.31%, 0.43%

LAB 53.38, -35.29, 27.6

 

CMYK 43 / 0 / 39 / 37

HEX #5CA061

RGB 92 160 97

HSL 124.41, 0.27%, 0.49%

LAB 60.14, -35.11, 26.27

 

CMYK 39 / 0 / 35 / 30

HEX #6DB274

RGB 109 178 116

HSL 126.09, 0.31%, 0.56%

LAB 66.79, -34.88, 25.02

 

CMYK 36 / 0 / 31 / 23

HEX #7EC487

RGB 126 196 135

HSL 127.71, 0.37%, 0.63%

LAB 73.33, -34.62, 23.85

 

CMYK 57 / 0 / 48 / 51

HEX #357C40

RGB 53 124 64

HSL 129.3, 0.4%, 0.35%

LAB 46.37, -35.97, 26.12

 

CMYK 66 / 0 / 58 / 58

HEX #246A2D

RGB 36 106 45

HSL 127.71, 0.49%, 0.28%

LAB 39.37, -35.7, 27.63

 

CMYK 78 / 0 / 70 / 65

HEX #13581A

RGB 19 88 26

HSL 126.09, 0.64%, 0.21%

LAB 32.24, -34.82, 29.05

 

CMYK 97 / 0 / 90 / 73

HEX #024607

RGB 2 70 7

HSL 124.41, 0.94%, 0.14%

LAB 24.98, -32.99, 29.72

 

CMYK 100 / 0 / 100 / 80

HEX #003400

RGB 0 52 0

HSL 120, 1%, 0.1%

LAB 17.72, -28.01, 24.69

 

CMYK 57 / 0 / 48 / 51

HEX #357C40

RGB 53 124 64

HSL 129.3, 0.4%, 0.35%

LAB 46.37, -35.97, 26.12

 

CMYK 51 / 0 / 57 / 51

HEX #3D7C35

RGB 61 124 53

HSL 113.24, 0.4%, 0.35%

LAB 46.53, -35.27, 32.23

 

CMYK 35 / 0 / 57 / 51

HEX #507C35

RGB 80 124 53

HSL 97.18, 0.4%, 0.35%

LAB 47.47, -28.73, 33.57

 

CMYK 19 / 0 / 57 / 51

HEX #647C35

RGB 100 124 53

HSL 80.28, 0.4%, 0.35%

LAB 48.74, -20.73, 35.37

 

CMYK 4 / 0 / 57 / 51

HEX #777C35

RGB 119 124 53

HSL 64.23, 0.4%, 0.35%

LAB 50.21, -12.46, 37.45

 

CMYK 57 / 0 / 48 / 51

HEX #357C40

RGB 53 124 64

HSL 129.3, 0.4%, 0.35%

LAB 46.37, -35.97, 26.12

 

CMYK 57 / 0 / 33 / 51

HEX #357C53

RGB 53 124 83

HSL 145.35, 0.4%, 0.35%

LAB 46.71, -32.39, 15.84

 

CMYK 57 / 0 / 17 / 51

HEX #357C67

RGB 53 124 103

HSL 162.25, 0.4%, 0.35%

LAB 47.17, -27.72, 4.8

 

CMYK 57 / 0 / 2 / 51

HEX #357C7A

RGB 53 124 122

HSL 178.31, 0.4%, 0.35%

LAB 47.72, -22.53, -5.63

 

CMYK 57 / 13 / 0 / 51

HEX #356C7C

RGB 53 108 124

HSL 193.52, 0.4%, 0.35%

LAB 42.67, -13.21, -14.43

 

CMYK 57 / 0 / 48 / 51

HEX #357C40

RGB 53 124 64

HSL 129.3, 0.4%, 0.35%

LAB 46.37, -35.97, 26.12

 

CMYK 72 / 0 / 61 / 45

HEX #278B36

RGB 39 139 54

HSL 129, 0.56%, 0.35%

LAB 50.88, -46.57, 36.65

 

CMYK 84 / 0 / 71 / 40

HEX #18992C

RGB 24 153 44

HSL 129.3, 0.73%, 0.35%

LAB 55.24, -54.67, 45.84

 

CMYK 94 / 0 / 80 / 34

HEX #0AA822

RGB 10 168 34

HSL 129.11, 0.89%, 0.35%

LAB 60.06, -61.17, 54.21

 

CMYK 57 / 0 / 48 / 51

HEX #357C40

RGB 53 124 64

HSL 129.3, 0.4%, 0.35%

LAB 46.37, -35.97, 26.12

 

CMYK 39 / 0 / 33 / 57

HEX #436E4A

RGB 67 110 74

HSL 129.77, 0.24%, 0.35%

LAB 42.52, -23.28, 15.5

 

CMYK 15 / 0 / 13 / 62

HEX #526054

RGB 82 96 84

HSL 128.57, 0.08%, 0.35%

LAB 39.24, -8.01, 5.06

 

CMYK 0 / 16 / 2 / 62

HEX #60515E

RGB 96 81 94

HSL 308, 0.08%, 0.35%

LAB 36.33, 8.8, -5.26

 

CMYK 0 / 40 / 6 / 56

HEX #6F4368

RGB 111 67 104

HSL 309.55, 0.25%, 0.35%

LAB 34.79, 25.2, -13.7

 

CMYK 35 / 0 / 57 / 51

HEX #507C35

RGB 80 124 53

HSL 97.18, 0.4%, 0.35%

LAB 47.47, -28.73, 33.57

 

CMYK 51 / 0 / 57 / 51

HEX #3D7C35

RGB 61 124 53

HSL 113.24, 0.4%, 0.35%

LAB 46.53, -35.27, 32.23

 

CMYK 57 / 0 / 48 / 51

HEX #357C40

RGB 53 124 64

HSL 129.3, 0.4%, 0.35%

LAB 46.37, -35.97, 26.12

 

CMYK 57 / 0 / 33 / 51

HEX #357C53

RGB 53 124 83

HSL 145.35, 0.4%, 0.35%

LAB 46.71, -32.39, 15.84

 

CMYK 57 / 0 / 18 / 51

HEX #357C66

RGB 53 124 102

HSL 161.41, 0.4%, 0.35%

LAB 47.15, -27.98, 5.35

 

CMYK 58 / 0 / 49 / 74

HEX #1C4322

RGB 28 67 34

HSL 129.23, 0.41%, 0.19%

LAB 24.88, -22.25, 15.91

 

CMYK 57 / 0 / 49 / 62

HEX #296031

RGB 41 96 49

HSL 128.73, 0.4%, 0.27%

LAB 36.1, -29.4, 21.42

 

CMYK 57 / 0 / 48 / 51

HEX #357C40

RGB 53 124 64

HSL 129.3, 0.4%, 0.35%

LAB 46.37, -35.97, 26.12

 

CMYK 58 / 0 / 48 / 40

HEX #41994F

RGB 65 153 79

HSL 129.55, 0.4%, 0.43%

LAB 56.56, -42.65, 31.02

 

CMYK 56 / 0 / 47 / 29

HEX #50B460

RGB 80 180 96

HSL 129.6, 0.4%, 0.51%

LAB 65.9, -47.22, 34.12

 

CMYK 57 / 0 / 48 / 51

HEX #357C40

RGB 53 124 64

HSL 129.3, 0.4%, 0.35%

LAB 46.37, -35.97, 26.12

 

CMYK 57 / 20 / 0 / 51

HEX #35637C

RGB 53 99 124

HSL 201.13, 0.4%, 0.35%

LAB 39.81, -7.96, -18.81

 

CMYK 0 / 57 / 43 / 51

HEX #7C3547

RGB 124 53 71

HSL 344.79, 0.4%, 0.35%

LAB 32.45, 32.76, 4.17

 

CMYK 57 / 0 / 48 / 51

HEX #357C40

RGB 53 124 64

HSL 129.3, 0.4%, 0.35%

LAB 46.37, -35.97, 26.12

 

CMYK 48 / 57 / 0 / 51

HEX #40357C

RGB 64 53 124

HSL 249.3, 0.4%, 0.35%

LAB 26.99, 24.52, -38.96

 

CMYK 0 / 48 / 57 / 51

HEX #7C4035

RGB 124 64 53

HSL 9.3, 0.4%, 0.35%

LAB 34.41, 24.79, 18.37

 

CMYK 57 / 0 / 48 / 51

HEX #357C40

RGB 53 124 64

HSL 129.3, 0.4%, 0.35%

LAB 46.37, -35.97, 26.12

 

CMYK 57 / 20 / 0 / 51

HEX #35637C

RGB 53 99 124

HSL 201.13, 0.4%, 0.35%

LAB 39.81, -7.96, -18.81

 

CMYK 0 / 57 / 8 / 51

HEX #7C3572

RGB 124 53 114

HSL 308.45, 0.4%, 0.35%

LAB 34.08, 39.24, -20.94

 

CMYK 0 / 37 / 57 / 51

HEX #7C4E35

RGB 124 78 53

HSL 21.13, 0.4%, 0.35%

LAB 37.83, 16.57, 22.74

 

CMYK 57 / 0 / 48 / 51

HEX #357C40

RGB 53 124 64

HSL 129.3, 0.4%, 0.35%

LAB 46.37, -35.97, 26.12

 

CMYK 57 / 37 / 0 / 51

HEX #354E7C

RGB 53 78 124

HSL 218.87, 0.4%, 0.35%

LAB 33.27, 5.21, -29

 

CMYK 0 / 57 / 8 / 51

HEX #7C3572

RGB 124 53 114

HSL 308.45, 0.4%, 0.35%

LAB 34.08, 39.24, -20.94

 

CMYK 0 / 20 / 57 / 51

HEX #7C6335

RGB 124 99 53

HSL 38.87, 0.4%, 0.35%

LAB 43.46, 4.06, 29.67

 

Description

Color code: RGB 53 124 64 | qconv.com Color code: RGB 53 124 64 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 124 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 124 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 48 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 48% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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