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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 52 41 79 it is the complementary color RGB 203 214 176. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 52 41 79. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 52 41 79 shade: RGB 57 41 74, RGB 74 59 93, RGB 91 77 112, RGB 108 95 131 and RGB 125 113 150

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 52 41 79. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 52 41 79 shade: RGB 52 41 79, RGB 35 23 60, RGB 18 5 41, RGB 1 0 22 and RGB 0 0 3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 52 41 79 shade: RGB 52 41 80, RGB 63 41 80, RGB 74 41 80, RGB 80 41 76 and RGB 80 41 66

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 52 41 79 shade: RGB 52 41 80, RGB 42 41 80 and RGB 41 41 80

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 52 41 79 shade matches the following richer shades: RGB 52 41 80, RGB 48 31 90, RGB 44 21 100, RGB 40 11 110 and RGB 36 2 120

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 52 41 79 shade: RGB 52 41 80, RGB 57 51 70, RGB 61 61 60, RGB 65 71 51 and RGB 69 81 41

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 52 41 79 shade: RGB 41 51 80, RGB 42 41 80, RGB 52 41 80, RGB 63 41 80 and RGB 73 41 80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 52 41 79 shade: RGB 17 13 26, RGB 35 27 53, RGB 52 41 80, RGB 70 55 108 and RGB 88 69 135

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 52 41 79 shade: RGB 52 41 79, RGB 80 41 61 and RGB 46 80 41

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 52 41 79 shade: RGB 52 41 79, RGB 80 52 41 and RGB 41 80 52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 52 41 79 shade: RGB 52 41 79, RGB 80 41 61, RGB 69 80 41 and RGB 41 80 60

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 52 41 79 shade: RGB 52 41 79, RGB 80 41 50, RGB 69 80 41 and RGB 41 80 72

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 48 / 0 / 69

HEX #34294F

RGB 52 41 79

HSL 257.37, 0.32%, 0.24%

LAB 19.56, 14.96, -21.62

 

Complementary color

CMYK 5 / 0 / 18 / 16

HEX #CBD6B0

RGB 203 214 176

HSL 77.37, 0.32%, 0.76%

LAB 83.93, -10.28, 17.54

 

CMYK 23 / 45 / 0 / 71

HEX #39294A

RGB 57 41 74

HSL 269.09, 0.29%, 0.23%

LAB 19.84, 15.21, -17.75

 

CMYK 20 / 37 / 0 / 64

HEX #4A3B5D

RGB 74 59 93

HSL 266.47, 0.22%, 0.3%

LAB 27.78, 14.35, -17.84

 

CMYK 19 / 31 / 0 / 56

HEX #5B4D70

RGB 91 77 112

HSL 264, 0.19%, 0.37%

LAB 35.4, 13.63, -17.97

 

CMYK 18 / 27 / 0 / 49

HEX #6C5F83

RGB 108 95 131

HSL 261.67, 0.16%, 0.44%

LAB 42.78, 13.02, -18.16

 

CMYK 17 / 25 / 0 / 41

HEX #7D7196

RGB 125 113 150

HSL 259.46, 0.15%, 0.52%

LAB 49.94, 12.49, -18.37

 

CMYK 34 / 48 / 0 / 69

HEX #34294F

RGB 52 41 79

HSL 257.37, 0.32%, 0.24%

LAB 19.56, 14.96, -21.62

 

CMYK 42 / 62 / 0 / 76

HEX #23173C

RGB 35 23 60

HSL 259.46, 0.45%, 0.16%

LAB 11.25, 16.19, -21.8

 

CMYK 56 / 88 / 0 / 84

HEX #120529

RGB 18 5 41

HSL 261.67, 0.78%, 0.09%

LAB 3.59, 13.37, -20.18

 

CMYK 95 / 100 / 0 / 91

HEX #010016

RGB 1 0 22

HSL 242.73, 1%, 0.04%

LAB 0.58, 3.94, -9.91

 

CMYK 100 / 100 / 0 / 99

HEX #000003

RGB 0 0 3

HSL 240, 1%, 0.01%

LAB 0.06, 0.42, -1.14

 

CMYK 35 / 49 / 0 / 69

HEX #342950

RGB 52 41 80

HSL 256.92, 0.32%, 0.24%

LAB 19.62, 15.27, -22.2

 

CMYK 21 / 49 / 0 / 69

HEX #3F2950

RGB 63 41 80

HSL 273.85, 0.32%, 0.24%

LAB 20.91, 18.93, -20.08

 

CMYK 7 / 49 / 0 / 69

HEX #4A2950

RGB 74 41 80

HSL 290.77, 0.32%, 0.24%

LAB 22.38, 22.74, -17.68

 

CMYK 0 / 49 / 5 / 69

HEX #50294C

RGB 80 41 76

HSL 306.15, 0.32%, 0.24%

LAB 23.04, 23.99, -13.89

 

CMYK 0 / 49 / 18 / 69

HEX #502942

RGB 80 41 66

HSL 321.54, 0.32%, 0.24%

LAB 22.6, 22.02, -7.81

 

CMYK 35 / 49 / 0 / 69

HEX #342950

RGB 52 41 80

HSL 256.92, 0.32%, 0.24%

LAB 19.62, 15.27, -22.2

 

CMYK 48 / 49 / 0 / 69

HEX #2A2950

RGB 42 41 80

HSL 241.54, 0.32%, 0.24%

LAB 18.62, 12.17, -23.85

 

CMYK 49 / 49 / 0 / 69

HEX #292950

RGB 41 41 80

HSL 240, 0.32%, 0.24%

LAB 18.52, 11.88, -24

 

CMYK 35 / 49 / 0 / 69

HEX #342950

RGB 52 41 80

HSL 256.92, 0.32%, 0.24%

LAB 19.62, 15.27, -22.2

 

CMYK 47 / 66 / 0 / 65

HEX #301F5A

RGB 48 31 90

HSL 257.29, 0.49%, 0.24%

LAB 17.21, 24.06, -32.79

 

CMYK 56 / 79 / 0 / 61

HEX #2C1564

RGB 44 21 100

HSL 257.47, 0.65%, 0.24%

LAB 15.44, 32.49, -42.34

 

CMYK 64 / 90 / 0 / 57

HEX #280B6E

RGB 40 11 110

HSL 257.58, 0.82%, 0.24%

LAB 14.49, 39.68, -50.5

 

CMYK 70 / 98 / 0 / 53

HEX #240278

RGB 36 2 120

HSL 257.29, 0.97%, 0.24%

LAB 14.26, 45.5, -57.38

 

CMYK 35 / 49 / 0 / 69

HEX #342950

RGB 52 41 80

HSL 256.92, 0.32%, 0.24%

LAB 19.62, 15.27, -22.2

 

CMYK 19 / 27 / 0 / 73

HEX #393346

RGB 57 51 70

HSL 258.95, 0.16%, 0.24%

LAB 22.58, 7.27, -10.81

 

CMYK 0 / 0 / 2 / 76

HEX #3D3D3C

RGB 61 61 60

HSL 60, 0.01%, 0.24%

LAB 25.73, -0.22, 0.61

 

CMYK 8 / 0 / 28 / 72

HEX #414733

RGB 65 71 51

HSL 78, 0.16%, 0.24%

LAB 29.08, -6.58, 11.24

 

CMYK 15 / 0 / 49 / 68

HEX #455129

RGB 69 81 41

HSL 78, 0.33%, 0.24%

LAB 32.5, -12.25, 21.88

 

CMYK 49 / 36 / 0 / 69

HEX #293350

RGB 41 51 80

HSL 224.62, 0.32%, 0.24%

LAB 21.65, 4.81, -19.08

 

CMYK 48 / 49 / 0 / 69

HEX #2A2950

RGB 42 41 80

HSL 241.54, 0.32%, 0.24%

LAB 18.62, 12.17, -23.85

 

CMYK 35 / 49 / 0 / 69

HEX #342950

RGB 52 41 80

HSL 256.92, 0.32%, 0.24%

LAB 19.62, 15.27, -22.2

 

CMYK 21 / 49 / 0 / 69

HEX #3F2950

RGB 63 41 80

HSL 273.85, 0.32%, 0.24%

LAB 20.91, 18.93, -20.08

 

CMYK 9 / 49 / 0 / 69

HEX #492950

RGB 73 41 80

HSL 289.23, 0.32%, 0.24%

LAB 22.24, 22.39, -17.9

 

CMYK 35 / 50 / 0 / 90

HEX #110D1A

RGB 17 13 26

HSL 258.46, 0.33%, 0.08%

LAB 4.35, 4.25, -7.36

 

CMYK 34 / 49 / 0 / 79

HEX #231B35

RGB 35 27 53

HSL 258.46, 0.33%, 0.16%

LAB 11.95, 11.01, -15.69

 

CMYK 35 / 49 / 0 / 69

HEX #342950

RGB 52 41 80

HSL 256.92, 0.32%, 0.24%

LAB 19.62, 15.27, -22.2

 

CMYK 35 / 49 / 0 / 58

HEX #46376C

RGB 70 55 108

HSL 256.98, 0.33%, 0.32%

LAB 27.07, 19.87, -28.64

 

CMYK 35 / 49 / 0 / 47

HEX #584587

RGB 88 69 135

HSL 257.27, 0.32%, 0.4%

LAB 34.15, 23.95, -34.23

 

CMYK 34 / 48 / 0 / 69

HEX #34294F

RGB 52 41 79

HSL 257.37, 0.32%, 0.24%

LAB 19.56, 14.96, -21.62

 

CMYK 0 / 49 / 24 / 69

HEX #50293D

RGB 80 41 61

HSL 329.23, 0.32%, 0.24%

LAB 22.4, 21.11, -4.71

 

CMYK 43 / 0 / 49 / 69

HEX #2E5029

RGB 46 80 41

HSL 112.31, 0.32%, 0.24%

LAB 30.59, -21.34, 19.15

 

CMYK 34 / 48 / 0 / 69

HEX #34294F

RGB 52 41 79

HSL 257.37, 0.32%, 0.24%

LAB 19.56, 14.96, -21.62

 

CMYK 0 / 35 / 49 / 69

HEX #503429

RGB 80 52 41

HSL 16.92, 0.32%, 0.24%

LAB 24.71, 11.09, 12.07

 

CMYK 49 / 0 / 35 / 69

HEX #295034

RGB 41 80 52

HSL 136.92, 0.32%, 0.24%

LAB 30.54, -21.02, 12.32

 

CMYK 34 / 48 / 0 / 69

HEX #34294F

RGB 52 41 79

HSL 257.37, 0.32%, 0.24%

LAB 19.56, 14.96, -21.62

 

CMYK 0 / 49 / 24 / 69

HEX #50293D

RGB 80 41 61

HSL 329.23, 0.32%, 0.24%

LAB 22.4, 21.11, -4.71

 

CMYK 14 / 0 / 49 / 69

HEX #455029

RGB 69 80 41

HSL 76.92, 0.32%, 0.24%

LAB 32.17, -11.67, 21.48

 

CMYK 49 / 0 / 25 / 69

HEX #29503C

RGB 41 80 60

HSL 149.23, 0.32%, 0.24%

LAB 30.72, -19.2, 7.56

 

CMYK 34 / 48 / 0 / 69

HEX #34294F

RGB 52 41 79

HSL 257.37, 0.32%, 0.24%

LAB 19.56, 14.96, -21.62

 

CMYK 0 / 49 / 38 / 69

HEX #502932

RGB 80 41 50

HSL 346.15, 0.32%, 0.24%

LAB 22.02, 19.33, 2.26

 

CMYK 14 / 0 / 49 / 69

HEX #455029

RGB 69 80 41

HSL 76.92, 0.32%, 0.24%

LAB 32.17, -11.67, 21.48

 

CMYK 49 / 0 / 10 / 69

HEX #295048

RGB 41 80 72

HSL 167.69, 0.32%, 0.24%

LAB 31.06, -16.08, 0.42

 

Description

Color code: RGB 52 41 79 | qconv.com Color code: RGB 52 41 79 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 41 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 41 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 48 magenta, none yellow and 69 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 48% 0% 69% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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