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Color name
RGB 52 35 58

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 52 35 58 it is the complementary color RGB 203 220 197. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 52 35 58. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 52 35 58 shade: RGB 57 35 53, RGB 74 53 72, RGB 91 71 91, RGB 108 89 110 and RGB 125 107 129

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 52 35 58. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 52 35 58 shade: RGB 52 35 58, RGB 35 17 39, RGB 18 0 20 and RGB 1 0 1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 52 35 58 shade: RGB 51 34 57, RGB 57 34 57, RGB 57 34 50, RGB 57 34 44 and RGB 57 34 38

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 52 35 58 shade: RGB 51 34 57, RGB 45 34 57, RGB 39 34 57 and RGB 34 34 57

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 52 35 58 shade matches the following richer shades: RGB 51 34 57, RGB 54 26 64, RGB 58 19 72, RGB 62 12 79 and RGB 65 4 87

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 52 35 58 shade: RGB 51 34 57, RGB 47 41 49, RGB 44 49 42, RGB 40 56 35 and RGB 37 64 27

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 52 35 58 shade: RGB 39 34 57, RGB 45 34 57, RGB 51 34 57, RGB 57 34 57 and RGB 57 34 51

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 52 35 58 shade: RGB 5 3 5, RGB 28 18 31, RGB 51 34 57, RGB 74 49 83 and RGB 97 65 108

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 52 35 58 shade: RGB 52 35 58, RGB 57 34 35 and RGB 34 57 42

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 52 35 58 shade: RGB 52 35 58, RGB 57 51 34 and RGB 34 57 51

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 52 35 58 shade: RGB 52 35 58, RGB 57 34 35, RGB 40 57 34 and RGB 34 57 55

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 52 35 58 shade: RGB 52 35 58, RGB 57 39 34, RGB 40 57 34 and RGB 34 52 57

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 40 / 0 / 77

HEX #34233A

RGB 52 35 58

HSL 284.35, 0.25%, 0.18%

LAB 16.69, 13.17, -11.69

 

Complementary color

CMYK 8 / 0 / 10 / 14

HEX #CBDCC5

RGB 203 220 197

HSL 104.35, 0.25%, 0.82%

LAB 85.96, -9.87, 9.36

 

CMYK 0 / 39 / 7 / 78

HEX #392335

RGB 57 35 53

HSL 310.91, 0.24%, 0.18%

LAB 17.13, 14.01, -7.45

 

CMYK 0 / 28 / 3 / 71

HEX #4A3548

RGB 74 53 72

HSL 305.71, 0.17%, 0.25%

LAB 25.17, 13.17, -8.04

 

CMYK 0 / 22 / 0 / 64

HEX #5B475B

RGB 91 71 91

HSL 300, 0.12%, 0.32%

LAB 32.89, 12.48, -8.57

 

CMYK 2 / 19 / 0 / 57

HEX #6C596E

RGB 108 89 110

HSL 294.29, 0.11%, 0.39%

LAB 40.34, 11.9, -9.06

 

CMYK 3 / 17 / 0 / 49

HEX #7D6B81

RGB 125 107 129

HSL 289.09, 0.09%, 0.46%

LAB 47.57, 11.39, -9.53

 

CMYK 10 / 40 / 0 / 77

HEX #34233A

RGB 52 35 58

HSL 284.35, 0.25%, 0.18%

LAB 16.69, 13.17, -11.69

 

CMYK 10 / 56 / 0 / 85

HEX #231127

RGB 35 17 39

HSL 289.09, 0.39%, 0.11%

LAB 8.17, 14.14, -11.34

 

CMYK 10 / 100 / 0 / 92

HEX #120014

RGB 18 0 20

HSL 294, 1%, 0.04%

LAB 1.62, 8.42, -6.89

 

CMYK 0 / 100 / 0 / 100

HEX #010001

RGB 1 0 1

HSL 300, 1%, 0%

LAB 0.08, 0.4, -0.29

 

CMYK 11 / 40 / 0 / 78

HEX #332239

RGB 51 34 57

HSL 284.35, 0.25%, 0.18%

LAB 16.22, 13.22, -11.72

 

CMYK 0 / 40 / 0 / 78

HEX #392239

RGB 57 34 57

HSL 300, 0.25%, 0.18%

LAB 17.03, 15.59, -10.4

 

CMYK 0 / 40 / 12 / 78

HEX #392232

RGB 57 34 50

HSL 318.26, 0.25%, 0.18%

LAB 16.72, 14.03, -5.95

 

CMYK 0 / 40 / 23 / 78

HEX #39222C

RGB 57 34 44

HSL 333.91, 0.25%, 0.18%

LAB 16.48, 12.81, -2.05

 

CMYK 0 / 40 / 33 / 78

HEX #392226

RGB 57 34 38

HSL 349.57, 0.25%, 0.18%

LAB 16.27, 11.72, 1.91

 

CMYK 11 / 40 / 0 / 78

HEX #332239

RGB 51 34 57

HSL 284.35, 0.25%, 0.18%

LAB 16.22, 13.22, -11.72

 

CMYK 21 / 40 / 0 / 78

HEX #2D2239

RGB 45 34 57

HSL 268.7, 0.25%, 0.18%

LAB 15.47, 10.88, -12.94

 

CMYK 32 / 40 / 0 / 78

HEX #272239

RGB 39 34 57

HSL 253.04, 0.25%, 0.18%

LAB 14.79, 8.61, -14.04

 

CMYK 40 / 40 / 0 / 78

HEX #222239

RGB 34 34 57

HSL 240, 0.25%, 0.18%

LAB 14.28, 6.81, -14.88

 

CMYK 11 / 40 / 0 / 78

HEX #332239

RGB 51 34 57

HSL 284.35, 0.25%, 0.18%

LAB 16.22, 13.22, -11.72

 

CMYK 16 / 59 / 0 / 75

HEX #361A40

RGB 54 26 64

HSL 284.21, 0.42%, 0.18%

LAB 14.92, 21.46, -18.64

 

CMYK 19 / 74 / 0 / 72

HEX #3A1348

RGB 58 19 72

HSL 284.15, 0.58%, 0.18%

LAB 14.59, 28.73, -24.7

 

CMYK 22 / 85 / 0 / 69

HEX #3E0C4F

RGB 62 12 79

HSL 284.78, 0.74%, 0.18%

LAB 14.69, 34.53, -29.32

 

CMYK 25 / 95 / 0 / 66

HEX #410457

RGB 65 4 87

HSL 284.1, 0.91%, 0.18%

LAB 14.95, 39.71, -34.33

 

CMYK 11 / 40 / 0 / 78

HEX #332239

RGB 51 34 57

HSL 284.35, 0.25%, 0.18%

LAB 16.22, 13.22, -11.72

 

CMYK 4 / 16 / 0 / 81

HEX #2F2931

RGB 47 41 49

HSL 285, 0.09%, 0.18%

LAB 17.52, 4.62, -4.18

 

CMYK 10 / 0 / 14 / 81

HEX #2C312A

RGB 44 49 42

HSL 102.86, 0.08%, 0.18%

LAB 19.64, -3.82, 3.73

 

CMYK 29 / 0 / 38 / 78

HEX #283823

RGB 40 56 35

HSL 105.71, 0.23%, 0.18%

LAB 21.58, -11.48, 11.08

 

CMYK 42 / 0 / 58 / 75

HEX #25401B

RGB 37 64 27

HSL 103.78, 0.41%, 0.18%

LAB 24.13, -18.64, 19.31

 

CMYK 32 / 40 / 0 / 78

HEX #272239

RGB 39 34 57

HSL 253.04, 0.25%, 0.18%

LAB 14.79, 8.61, -14.04

 

CMYK 21 / 40 / 0 / 78

HEX #2D2239

RGB 45 34 57

HSL 268.7, 0.25%, 0.18%

LAB 15.47, 10.88, -12.94

 

CMYK 11 / 40 / 0 / 78

HEX #332239

RGB 51 34 57

HSL 284.35, 0.25%, 0.18%

LAB 16.22, 13.22, -11.72

 

CMYK 0 / 40 / 0 / 78

HEX #392239

RGB 57 34 57

HSL 300, 0.25%, 0.18%

LAB 17.03, 15.59, -10.4

 

CMYK 0 / 40 / 11 / 78

HEX #392233

RGB 57 34 51

HSL 315.65, 0.25%, 0.18%

LAB 16.76, 14.24, -6.59

 

CMYK 0 / 40 / 0 / 98

HEX #050305

RGB 5 3 5

HSL 300, 0.25%, 0.02%

LAB 0.98, 0.8, -0.57

 

CMYK 10 / 42 / 0 / 88

HEX #1C121F

RGB 28 18 31

HSL 286.15, 0.27%, 0.1%

LAB 7.03, 8.15, -7.11

 

CMYK 11 / 40 / 0 / 78

HEX #332239

RGB 51 34 57

HSL 284.35, 0.25%, 0.18%

LAB 16.22, 13.22, -11.72

 

CMYK 11 / 41 / 0 / 67

HEX #4A3153

RGB 74 49 83

HSL 284.12, 0.26%, 0.26%

LAB 24.57, 18.35, -16.27

 

CMYK 10 / 40 / 0 / 58

HEX #61416C

RGB 97 65 108

HSL 284.65, 0.25%, 0.34%

LAB 32.71, 22.3, -19.57

 

CMYK 10 / 40 / 0 / 77

HEX #34233A

RGB 52 35 58

HSL 284.35, 0.25%, 0.18%

LAB 16.69, 13.17, -11.69

 

CMYK 0 / 40 / 39 / 78

HEX #392223

RGB 57 34 35

HSL 357.39, 0.25%, 0.18%

LAB 16.18, 11.22, 3.91

 

CMYK 40 / 0 / 26 / 78

HEX #22392A

RGB 34 57 42

HSL 140.87, 0.25%, 0.18%

LAB 21.7, -13.01, 6.54

 

CMYK 10 / 40 / 0 / 77

HEX #34233A

RGB 52 35 58

HSL 284.35, 0.25%, 0.18%

LAB 16.69, 13.17, -11.69

 

CMYK 0 / 11 / 40 / 78

HEX #393322

RGB 57 51 34

HSL 44.35, 0.25%, 0.18%

LAB 21.41, -0.46, 11.77

 

CMYK 40 / 0 / 11 / 78

HEX #223933

RGB 34 57 51

HSL 164.35, 0.25%, 0.18%

LAB 21.96, -10.69, 0.88

 

CMYK 10 / 40 / 0 / 77

HEX #34233A

RGB 52 35 58

HSL 284.35, 0.25%, 0.18%

LAB 16.69, 13.17, -11.69

 

CMYK 0 / 40 / 39 / 78

HEX #392223

RGB 57 34 35

HSL 357.39, 0.25%, 0.18%

LAB 16.18, 11.22, 3.91

 

CMYK 30 / 0 / 40 / 78

HEX #283922

RGB 40 57 34

HSL 104.35, 0.25%, 0.18%

LAB 21.92, -12.27, 12.18

 

CMYK 40 / 0 / 4 / 78

HEX #223937

RGB 34 57 55

HSL 174.78, 0.25%, 0.18%

LAB 22.1, -9.56, -1.62

 

CMYK 10 / 40 / 0 / 77

HEX #34233A

RGB 52 35 58

HSL 284.35, 0.25%, 0.18%

LAB 16.69, 13.17, -11.69

 

CMYK 0 / 32 / 40 / 78

HEX #392722

RGB 57 39 34

HSL 13.04, 0.25%, 0.18%

LAB 17.63, 7.64, 6.64

 

CMYK 30 / 0 / 40 / 78

HEX #283922

RGB 40 57 34

HSL 104.35, 0.25%, 0.18%

LAB 21.92, -12.27, 12.18

 

CMYK 40 / 9 / 0 / 78

HEX #223439

RGB 34 52 57

HSL 193.04, 0.25%, 0.18%

LAB 20.41, -5.77, -5.49

 

Description

Color code: RGB 52 35 58 | qconv.com Color code: RGB 52 35 58 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 35 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 35 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 40 magenta, none yellow and 77 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 40% 0% 77% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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