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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 57 202 45 it is the complementary color RGB 198 53 210. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 57 202 45. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 57 202 45 shade: RGB 62 202 40, RGB 79 220 59, RGB 96 238 78, RGB 113 255 97 and RGB 130 255 116

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 57 202 45. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 57 202 45 shade: RGB 57 202 45, RGB 40 184 26, RGB 23 166 7, RGB 6 148 0 and RGB 0 130 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 57 202 45 shade: RGB 56 200 44, RGB 98 200 44, RGB 140 200 44, RGB 182 200 44 and RGB 200 176 44

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 57 202 45 shade: RGB 56 200 44, RGB 44 200 74, RGB 44 200 116, RGB 44 200 158 and RGB 44 200 200

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 57 202 45 shade matches the following richer shades: RGB 56 200 44, RGB 39 220 24 and RGB 22 240 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 57 202 45 shade: RGB 56 200 44, RGB 72 180 63, RGB 89 161 83, RGB 106 141 103 and RGB 123 121 123

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 57 202 45 shade: RGB 140 200 44, RGB 98 200 44, RGB 57 200 44, RGB 44 200 72 and RGB 44 200 114

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 57 202 45 shade: RGB 37 133 29, RGB 46 166 36, RGB 56 200 44, RGB 82 214 71 and RGB 114 222 105

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 57 202 45 shade: RGB 57 202 45, RGB 44 182 200 and RGB 200 44 119

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 57 202 45 shade: RGB 57 202 45, RGB 44 57 200 and RGB 200 44 57

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 57 202 45 shade: RGB 57 202 45, RGB 44 182 200, RGB 187 44 200 and RGB 200 62 44

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 57 202 45 shade: RGB 57 202 45, RGB 44 135 200, RGB 187 44 200 and RGB 200 109 44

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 78 / 21

HEX #39CA2D

RGB 57 202 45

HSL 115.41, 0.64%, 0.48%

LAB 71.76, -65.42, 62.25

 

Complementary color

CMYK 6 / 75 / 0 / 18

HEX #C635D2

RGB 198 53 210

HSL 295.41, 0.64%, 0.52%

LAB 50.93, 73.94, -51.07

 

CMYK 69 / 0 / 80 / 21

HEX #3ECA28

RGB 62 202 40

HSL 111.85, 0.67%, 0.47%

LAB 71.84, -64.84, 63.84

 

CMYK 64 / 0 / 73 / 14

HEX #4FDC3B

RGB 79 220 59

HSL 112.55, 0.7%, 0.55%

LAB 77.97, -66.11, 63.95

 

CMYK 60 / 0 / 67 / 7

HEX #60EE4E

RGB 96 238 78

HSL 113.25, 0.82%, 0.62%

LAB 84.06, -66.97, 63.45

 

CMYK 56 / 0 / 62 / 0

HEX #71FF61

RGB 113 255 97

HSL 113.92, 1%, 0.69%

LAB 89.81, -67.17, 62.29

 

CMYK 49 / 0 / 55 / 0

HEX #82FF74

RGB 130 255 116

HSL 113.96, 1%, 0.73%

LAB 90.56, -60.83, 55.12

 

CMYK 72 / 0 / 78 / 21

HEX #39CA2D

RGB 57 202 45

HSL 115.41, 0.64%, 0.48%

LAB 71.76, -65.42, 62.25

 

CMYK 78 / 0 / 86 / 28

HEX #28B81A

RGB 40 184 26

HSL 114.68, 0.75%, 0.41%

LAB 65.6, -63.51, 61.58

 

CMYK 86 / 0 / 96 / 35

HEX #17A607

RGB 23 166 7

HSL 113.96, 0.92%, 0.34%

LAB 59.41, -60.8, 59.54

 

CMYK 96 / 0 / 100 / 42

HEX #069400

RGB 6 148 0

HSL 117.57, 1%, 0.29%

LAB 53.19, -57.06, 55.5

 

CMYK 100 / 0 / 100 / 49

HEX #008200

RGB 0 130 0

HSL 120, 1%, 0.25%

LAB 46.93, -52.28, 50.46

 

CMYK 72 / 0 / 78 / 22

HEX #38C82C

RGB 56 200 44

HSL 115.38, 0.64%, 0.48%

LAB 71.1, -65.03, 61.92

 

CMYK 51 / 0 / 78 / 22

HEX #62C82C

RGB 98 200 44

HSL 99.23, 0.64%, 0.48%

LAB 72.29, -55.37, 63.47

 

CMYK 30 / 0 / 78 / 22

HEX #8CC82C

RGB 140 200 44

HSL 83.08, 0.64%, 0.48%

LAB 74.23, -41.37, 65.99

 

CMYK 9 / 0 / 78 / 22

HEX #B6C82C

RGB 182 200 44

HSL 66.92, 0.64%, 0.48%

LAB 76.94, -24.67, 69.47

 

CMYK 0 / 12 / 78 / 22

HEX #C8B02C

RGB 200 176 44

HSL 50.77, 0.64%, 0.48%

LAB 71.9, -4.82, 65.46

 

CMYK 72 / 0 / 78 / 22

HEX #38C82C

RGB 56 200 44

HSL 115.38, 0.64%, 0.48%

LAB 71.1, -65.03, 61.92

 

CMYK 78 / 0 / 63 / 22

HEX #2CC84A

RGB 44 200 74

HSL 131.54, 0.64%, 0.48%

LAB 71.1, -64.19, 50.59

 

CMYK 78 / 0 / 42 / 22

HEX #2CC874

RGB 44 200 116

HSL 147.69, 0.64%, 0.48%

LAB 71.63, -58, 31.05

 

CMYK 78 / 0 / 21 / 22

HEX #2CC89E

RGB 44 200 158

HSL 163.85, 0.64%, 0.48%

LAB 72.44, -49.04, 9.92

 

CMYK 78 / 0 / 0 / 22

HEX #2CC8C8

RGB 44 200 200

HSL 180, 0.64%, 0.48%

LAB 73.55, -37.75, -11.22

 

CMYK 72 / 0 / 78 / 22

HEX #38C82C

RGB 56 200 44

HSL 115.38, 0.64%, 0.48%

LAB 71.1, -65.03, 61.92

 

CMYK 82 / 0 / 89 / 14

HEX #27DC18

RGB 39 220 24

HSL 115.41, 0.8%, 0.48%

LAB 77.09, -74.22, 71.99

 

CMYK 91 / 0 / 98 / 6

HEX #16F004

RGB 22 240 4

HSL 115.42, 0.97%, 0.48%

LAB 83.18, -81.43, 79.23

 

CMYK 72 / 0 / 78 / 22

HEX #38C82C

RGB 56 200 44

HSL 115.38, 0.64%, 0.48%

LAB 71.1, -65.03, 61.92

 

CMYK 60 / 0 / 65 / 29

HEX #48B43F

RGB 72 180 63

HSL 115.38, 0.48%, 0.48%

LAB 65.26, -53.42, 49.01

 

CMYK 45 / 0 / 48 / 37

HEX #59A153

RGB 89 161 83

HSL 115.38, 0.32%, 0.48%

LAB 60.1, -38.65, 33.59

 

CMYK 25 / 0 / 27 / 45

HEX #6A8D67

RGB 106 141 103

HSL 115.26, 0.16%, 0.48%

LAB 55.17, -20.07, 16.41

 

CMYK 0 / 2 / 0 / 52

HEX #7B797B

RGB 123 121 123

HSL 300, 0.01%, 0.48%

LAB 51.05, 1.16, -0.83

 

CMYK 30 / 0 / 78 / 22

HEX #8CC82C

RGB 140 200 44

HSL 83.08, 0.64%, 0.48%

LAB 74.23, -41.37, 65.99

 

CMYK 51 / 0 / 78 / 22

HEX #62C82C

RGB 98 200 44

HSL 99.23, 0.64%, 0.48%

LAB 72.29, -55.37, 63.47

 

CMYK 72 / 0 / 78 / 22

HEX #39C82C

RGB 57 200 44

HSL 115, 0.64%, 0.48%

LAB 71.12, -64.86, 61.94

 

CMYK 78 / 0 / 64 / 22

HEX #2CC848

RGB 44 200 72

HSL 130.77, 0.64%, 0.48%

LAB 71.09, -64.41, 51.43

 

CMYK 78 / 0 / 43 / 22

HEX #2CC872

RGB 44 200 114

HSL 146.92, 0.64%, 0.48%

LAB 71.59, -58.36, 32.04

 

CMYK 72 / 0 / 78 / 48

HEX #25851D

RGB 37 133 29

HSL 115.38, 0.64%, 0.32%

LAB 48.58, -47.38, 44.87

 

CMYK 72 / 0 / 78 / 35

HEX #2EA624

RGB 46 166 36

HSL 115.38, 0.64%, 0.4%

LAB 59.87, -56.34, 53.56

 

CMYK 72 / 0 / 78 / 22

HEX #38C82C

RGB 56 200 44

HSL 115.38, 0.64%, 0.48%

LAB 71.1, -65.03, 61.92

 

CMYK 62 / 0 / 67 / 16

HEX #52D647

RGB 82 214 71

HSL 115.38, 0.64%, 0.56%

LAB 76.28, -62.45, 57.75

 

CMYK 49 / 0 / 53 / 13

HEX #72DE69

RGB 114 222 105

HSL 115.38, 0.64%, 0.64%

LAB 80.09, -53.72, 47.5

 

CMYK 72 / 0 / 78 / 21

HEX #39CA2D

RGB 57 202 45

HSL 115.41, 0.64%, 0.48%

LAB 71.76, -65.42, 62.25

 

CMYK 78 / 9 / 0 / 22

HEX #2CB6C8

RGB 44 182 200

HSL 186.92, 0.64%, 0.48%

LAB 68.14, -29.22, -19.38

 

CMYK 0 / 78 / 41 / 22

HEX #C82C77

RGB 200 44 119

HSL 331.15, 0.64%, 0.48%

LAB 46.19, 64.81, -4.43

 

CMYK 72 / 0 / 78 / 21

HEX #39CA2D

RGB 57 202 45

HSL 115.41, 0.64%, 0.48%

LAB 71.76, -65.42, 62.25

 

CMYK 78 / 72 / 0 / 22

HEX #2C39C8

RGB 44 57 200

HSL 235, 0.64%, 0.48%

LAB 33.2, 45.05, -74.87

 

CMYK 0 / 78 / 72 / 22

HEX #C82C39

RGB 200 44 57

HSL 355, 0.64%, 0.48%

LAB 44.77, 60.38, 31.73

 

CMYK 72 / 0 / 78 / 21

HEX #39CA2D

RGB 57 202 45

HSL 115.41, 0.64%, 0.48%

LAB 71.76, -65.42, 62.25

 

CMYK 78 / 9 / 0 / 22

HEX #2CB6C8

RGB 44 182 200

HSL 186.92, 0.64%, 0.48%

LAB 68.14, -29.22, -19.38

 

CMYK 7 / 78 / 0 / 22

HEX #BB2CC8

RGB 187 44 200

HSL 295, 0.64%, 0.48%

LAB 47.67, 72.74, -50.62

 

CMYK 0 / 69 / 78 / 22

HEX #C83E2C

RGB 200 62 44

HSL 6.92, 0.64%, 0.48%

LAB 46.85, 53.65, 41.42

 

CMYK 72 / 0 / 78 / 21

HEX #39CA2D

RGB 57 202 45

HSL 115.41, 0.64%, 0.48%

LAB 71.76, -65.42, 62.25

 

CMYK 78 / 33 / 0 / 22

HEX #2C87C8

RGB 44 135 200

HSL 205, 0.64%, 0.48%

LAB 54.06, -3.97, -41.18

 

CMYK 7 / 78 / 0 / 22

HEX #BB2CC8

RGB 187 44 200

HSL 295, 0.64%, 0.48%

LAB 47.67, 72.74, -50.62

 

CMYK 0 / 46 / 78 / 22

HEX #C86D2C

RGB 200 109 44

HSL 25, 0.64%, 0.48%

LAB 55.48, 31.35, 50.07

 

Description

Color code: RGB 57 202 45 | qconv.com Color code: RGB 57 202 45 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 202 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 202 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 78 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 78% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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