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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 56 147 65 it is the complementary color RGB 199 108 190. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 56 147 65. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 56 147 65 shade: RGB 61 147 60, RGB 78 165 79, RGB 95 183 98, RGB 112 201 117 and RGB 129 219 136

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 56 147 65. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 56 147 65 shade: RGB 56 147 65, RGB 39 129 46, RGB 22 111 27, RGB 5 93 8 and RGB 0 75 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 56 147 65 shade: RGB 56 147 65, RGB 71 147 56, RGB 96 147 56, RGB 121 147 56 and RGB 146 147 56

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 56 147 65 shade: RGB 56 147 65, RGB 56 147 89, RGB 56 147 114, RGB 56 147 139 and RGB 56 131 147

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 56 147 65 shade matches the following richer shades: RGB 56 147 65, RGB 39 164 51, RGB 23 180 38 and RGB 6 197 25

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 56 147 65 shade: RGB 56 147 65, RGB 72 131 78, RGB 89 114 91, RGB 105 98 104 and RGB 122 81 118

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 56 147 65 shade: RGB 97 147 56, RGB 72 147 56, RGB 56 147 63, RGB 56 147 88 and RGB 56 147 112

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 56 147 65 shade: RGB 33 88 38, RGB 44 117 51, RGB 56 147 65, RGB 67 177 78 and RGB 92 193 102

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 56 147 65 shade: RGB 56 147 65, RGB 56 121 147 and RGB 147 56 85

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 56 147 65 shade: RGB 56 147 65, RGB 63 56 147 and RGB 147 63 56

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 56 147 65 shade: RGB 56 147 65, RGB 56 121 147, RGB 147 56 140 and RGB 147 82 56

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 56 147 65 shade: RGB 56 147 65, RGB 56 94 147, RGB 147 56 140 and RGB 147 109 56

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 56 / 42

HEX #389341

RGB 56 147 65

HSL 125.93, 0.45%, 0.4%

LAB 54.12, -44.51, 35.16

 

Complementary color

CMYK 0 / 46 / 5 / 22

HEX #C76CBE

RGB 199 108 190

HSL 305.93, 0.45%, 0.6%

LAB 58.59, 47.52, -27.56

 

CMYK 59 / 0 / 59 / 42

HEX #3D933C

RGB 61 147 60

HSL 119.31, 0.42%, 0.41%

LAB 54.22, -43.93, 37.79

 

CMYK 53 / 0 / 52 / 35

HEX #4EA54F

RGB 78 165 79

HSL 120.69, 0.36%, 0.48%

LAB 60.86, -44.14, 36.47

 

CMYK 48 / 0 / 46 / 28

HEX #5FB762

RGB 95 183 98

HSL 122.05, 0.38%, 0.55%

LAB 67.41, -44.14, 35.13

 

CMYK 44 / 0 / 42 / 21

HEX #70C975

RGB 112 201 117

HSL 123.37, 0.45%, 0.61%

LAB 73.87, -44.02, 33.83

 

CMYK 41 / 0 / 38 / 14

HEX #81DB88

RGB 129 219 136

HSL 124.67, 0.56%, 0.68%

LAB 80.24, -43.83, 32.59

 

CMYK 62 / 0 / 56 / 42

HEX #389341

RGB 56 147 65

HSL 125.93, 0.45%, 0.4%

LAB 54.12, -44.51, 35.16

 

CMYK 70 / 0 / 64 / 49

HEX #27812E

RGB 39 129 46

HSL 124.67, 0.54%, 0.33%

LAB 47.4, -43.88, 36.51

 

CMYK 80 / 0 / 76 / 56

HEX #166F1B

RGB 22 111 27

HSL 123.37, 0.67%, 0.26%

LAB 40.6, -42.56, 37.51

 

CMYK 95 / 0 / 91 / 64

HEX #055D08

RGB 5 93 8

HSL 122.05, 0.9%, 0.19%

LAB 33.73, -40.13, 37.39

 

CMYK 100 / 0 / 100 / 71

HEX #004B00

RGB 0 75 0

HSL 120, 1%, 0.15%

LAB 26.83, -35.58, 34.26

 

CMYK 62 / 0 / 56 / 42

HEX #389341

RGB 56 147 65

HSL 125.93, 0.45%, 0.4%

LAB 54.12, -44.51, 35.16

 

CMYK 52 / 0 / 62 / 42

HEX #479338

RGB 71 147 56

HSL 110.11, 0.45%, 0.4%

LAB 54.55, -41.62, 40.17

 

CMYK 35 / 0 / 62 / 42

HEX #609338

RGB 96 147 56

HSL 93.63, 0.45%, 0.4%

LAB 55.73, -33.25, 41.82

 

CMYK 18 / 0 / 62 / 42

HEX #799338

RGB 121 147 56

HSL 77.14, 0.45%, 0.4%

LAB 57.29, -23.37, 43.99

 

CMYK 1 / 0 / 62 / 42

HEX #929338

RGB 146 147 56

HSL 60.66, 0.45%, 0.4%

LAB 59.22, -12.63, 46.65

 

CMYK 62 / 0 / 56 / 42

HEX #389341

RGB 56 147 65

HSL 125.93, 0.45%, 0.4%

LAB 54.12, -44.51, 35.16

 

CMYK 62 / 0 / 39 / 42

HEX #389359

RGB 56 147 89

HSL 141.76, 0.45%, 0.4%

LAB 54.48, -40.57, 22.91

 

CMYK 62 / 0 / 22 / 42

HEX #389372

RGB 56 147 114

HSL 158.24, 0.45%, 0.4%

LAB 54.99, -35.19, 9.57

 

CMYK 62 / 0 / 5 / 42

HEX #38938B

RGB 56 147 139

HSL 174.73, 0.45%, 0.4%

LAB 55.66, -28.68, -3.78

 

CMYK 62 / 11 / 0 / 42

HEX #388393

RGB 56 131 147

HSL 190.55, 0.45%, 0.4%

LAB 50.9, -18.07, -15.54

 

CMYK 62 / 0 / 56 / 42

HEX #389341

RGB 56 147 65

HSL 125.93, 0.45%, 0.4%

LAB 54.12, -44.51, 35.16

 

CMYK 76 / 0 / 69 / 36

HEX #27A433

RGB 39 164 51

HSL 125.76, 0.62%, 0.4%

LAB 59.18, -55.6, 47.23

 

CMYK 87 / 0 / 79 / 29

HEX #17B426

RGB 23 180 38

HSL 125.73, 0.77%, 0.4%

LAB 64.13, -63.55, 56.91

 

CMYK 97 / 0 / 87 / 23

HEX #06C519

RGB 6 197 25

HSL 125.97, 0.94%, 0.4%

LAB 69.5, -70.06, 65.13

 

CMYK 62 / 0 / 56 / 42

HEX #389341

RGB 56 147 65

HSL 125.93, 0.45%, 0.4%

LAB 54.12, -44.51, 35.16

 

CMYK 45 / 0 / 40 / 49

HEX #48834E

RGB 72 131 78

HSL 126.1, 0.29%, 0.4%

LAB 49.69, -31.18, 22.81

 

CMYK 22 / 0 / 20 / 55

HEX #59725B

RGB 89 114 91

HSL 124.8, 0.12%, 0.4%

LAB 45.52, -14.14, 9.79

 

CMYK 0 / 7 / 1 / 59

HEX #696268

RGB 105 98 104

HSL 308.57, 0.03%, 0.4%

LAB 42.37, 3.99, -2.4

 

CMYK 0 / 34 / 3 / 52

HEX #7A5176

RGB 122 81 118

HSL 305.85, 0.2%, 0.4%

LAB 40.13, 23.6, -14.15

 

CMYK 34 / 0 / 62 / 42

HEX #619338

RGB 97 147 56

HSL 92.97, 0.45%, 0.4%

LAB 55.78, -32.88, 41.89

 

CMYK 51 / 0 / 62 / 42

HEX #489338

RGB 72 147 56

HSL 109.45, 0.45%, 0.4%

LAB 54.59, -41.33, 40.22

 

CMYK 62 / 0 / 57 / 42

HEX #38933F

RGB 56 147 63

HSL 124.62, 0.45%, 0.4%

LAB 54.1, -44.78, 36.13

 

CMYK 62 / 0 / 40 / 42

HEX #389358

RGB 56 147 88

HSL 141.1, 0.45%, 0.4%

LAB 54.46, -40.76, 23.44

 

CMYK 62 / 0 / 24 / 42

HEX #389370

RGB 56 147 112

HSL 156.92, 0.45%, 0.4%

LAB 54.95, -35.67, 10.65

 

CMYK 63 / 0 / 57 / 65

HEX #215826

RGB 33 88 38

HSL 125.45, 0.45%, 0.24%

LAB 32.79, -29.88, 23.49

 

CMYK 62 / 0 / 56 / 54

HEX #2C7533

RGB 44 117 51

HSL 125.75, 0.45%, 0.32%

LAB 43.5, -37.38, 29.49

 

CMYK 62 / 0 / 56 / 42

HEX #389341

RGB 56 147 65

HSL 125.93, 0.45%, 0.4%

LAB 54.12, -44.51, 35.16

 

CMYK 62 / 0 / 56 / 31

HEX #43B14E

RGB 67 177 78

HSL 126, 0.45%, 0.48%

LAB 64.31, -51.72, 41.03

 

CMYK 52 / 0 / 47 / 24

HEX #5CC166

RGB 92 193 102

HSL 125.94, 0.45%, 0.56%

LAB 70.44, -48.49, 36.89

 

CMYK 62 / 0 / 56 / 42

HEX #389341

RGB 56 147 65

HSL 125.93, 0.45%, 0.4%

LAB 54.12, -44.51, 35.16

 

CMYK 62 / 18 / 0 / 42

HEX #387993

RGB 56 121 147

HSL 197.14, 0.45%, 0.4%

LAB 47.78, -12.54, -20.3

 

CMYK 0 / 62 / 42 / 42

HEX #933855

RGB 147 56 85

HSL 340.88, 0.45%, 0.4%

LAB 37.28, 41.09, 2.63

 

CMYK 62 / 0 / 56 / 42

HEX #389341

RGB 56 147 65

HSL 125.93, 0.45%, 0.4%

LAB 54.12, -44.51, 35.16

 

CMYK 57 / 62 / 0 / 42

HEX #3F3893

RGB 63 56 147

HSL 244.62, 0.45%, 0.4%

LAB 29.39, 29.95, -49.37

 

CMYK 0 / 57 / 62 / 42

HEX #933F38

RGB 147 63 56

HSL 4.62, 0.45%, 0.4%

LAB 37.92, 34.9, 21.76

 

CMYK 62 / 0 / 56 / 42

HEX #389341

RGB 56 147 65

HSL 125.93, 0.45%, 0.4%

LAB 54.12, -44.51, 35.16

 

CMYK 62 / 18 / 0 / 42

HEX #387993

RGB 56 121 147

HSL 197.14, 0.45%, 0.4%

LAB 47.78, -12.54, -20.3

 

CMYK 0 / 62 / 5 / 42

HEX #93388C

RGB 147 56 140

HSL 304.62, 0.45%, 0.4%

LAB 39.45, 49.06, -28.41

 

CMYK 0 / 44 / 62 / 42

HEX #935238

RGB 147 82 56

HSL 17.14, 0.45%, 0.4%

LAB 42.04, 24.56, 26.91

 

CMYK 62 / 0 / 56 / 42

HEX #389341

RGB 56 147 65

HSL 125.93, 0.45%, 0.4%

LAB 54.12, -44.51, 35.16

 

CMYK 62 / 36 / 0 / 42

HEX #385E93

RGB 56 94 147

HSL 214.95, 0.45%, 0.4%

LAB 39.5, 3.69, -33.2

 

CMYK 0 / 62 / 5 / 42

HEX #93388C

RGB 147 56 140

HSL 304.62, 0.45%, 0.4%

LAB 39.45, 49.06, -28.41

 

CMYK 0 / 26 / 62 / 42

HEX #936D38

RGB 147 109 56

HSL 34.95, 0.45%, 0.4%

LAB 48.79, 8.99, 35

 

Description

Color code: RGB 56 147 65 | qconv.com Color code: RGB 56 147 65 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 147 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 147 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 56 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 56% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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