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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 59 220 212 it is the complementary color RGB 196 35 43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 59 220 212. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 59 220 212 shade: RGB 64 220 207, RGB 81 238 226, RGB 98 255 245, RGB 115 255 255 and RGB 132 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 59 220 212. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 59 220 212 shade: RGB 59 220 212, RGB 42 202 193, RGB 25 184 174, RGB 8 166 155 and RGB 0 148 136

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 59 220 212 shade: RGB 59 220 212, RGB 59 220 169, RGB 59 220 125, RGB 59 220 82 and RGB 80 220 59

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 59 220 212 shade: RGB 59 220 212, RGB 59 185 220, RGB 59 141 220, RGB 59 98 220 and RGB 59 59 220

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 59 220 212 shade matches the following richer shades: RGB 59 220 212 and RGB 41 239 229

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 59 220 212 shade: RGB 59 220 212, RGB 78 202 195, RGB 97 183 179, RGB 115 164 162 and RGB 134 146 145

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 59 220 212 shade: RGB 59 220 126, RGB 59 220 169, RGB 59 220 212, RGB 59 185 220 and RGB 59 142 220

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 59 220 212 shade: RGB 29 168 161, RGB 35 203 195, RGB 59 220 212, RGB 94 226 220 and RGB 130 232 227

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 59 220 212 shade: RGB 59 220 212, RGB 84 59 220 and RGB 220 148 59

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 59 220 212 shade: RGB 59 220 212, RGB 212 59 220 and RGB 220 212 59

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 59 220 212 shade: RGB 59 220 212, RGB 84 59 220, RGB 220 59 67 and RGB 196 220 59

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 59 220 212 shade: RGB 59 220 212, RGB 132 59 220, RGB 220 59 67 and RGB 148 220 59

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 4 / 14

HEX #3BDCD4

RGB 59 220 212

HSL 177.02, 0.7%, 0.55%

LAB 80.11, -41.82, -7.89

 

Complementary color

CMYK 0 / 82 / 78 / 23

HEX #C4232B

RGB 196 35 43

HSL 357.02, 0.7%, 0.45%

LAB 42.93, 61.14, 37.64

 

CMYK 71 / 0 / 6 / 14

HEX #40DCCF

RGB 64 220 207

HSL 175, 0.69%, 0.56%

LAB 80.06, -42.59, -5.29

 

CMYK 66 / 0 / 5 / 7

HEX #51EEE2

RGB 81 238 226

HSL 175.41, 0.82%, 0.63%

LAB 86.2, -43.19, -6.22

 

CMYK 62 / 0 / 4 / 0

HEX #62FFF5

RGB 98 255 245

HSL 176.18, 1%, 0.69%

LAB 92, -43.19, -7.51

 

CMYK 55 / 0 / 0 / 0

HEX #73FFFF

RGB 115 255 255

HSL 180, 1%, 0.73%

LAB 92.74, -37.72, -11.54

 

CMYK 48 / 0 / 0 / 0

HEX #84FFFF

RGB 132 255 255

HSL 180, 1%, 0.76%

LAB 93.3, -34.4, -10.66

 

CMYK 73 / 0 / 4 / 14

HEX #3BDCD4

RGB 59 220 212

HSL 177.02, 0.7%, 0.55%

LAB 80.11, -41.82, -7.89

 

CMYK 79 / 0 / 4 / 21

HEX #2ACAC1

RGB 42 202 193

HSL 176.63, 0.66%, 0.48%

LAB 73.92, -40.85, -6.88

 

CMYK 86 / 0 / 5 / 28

HEX #19B8AE

RGB 25 184 174

HSL 176.23, 0.76%, 0.41%

LAB 67.68, -39.57, -5.75

 

CMYK 95 / 0 / 7 / 35

HEX #08A69B

RGB 8 166 155

HSL 175.82, 0.91%, 0.34%

LAB 61.39, -37.9, -4.49

 

CMYK 100 / 0 / 8 / 42

HEX #009488

RGB 0 148 136

HSL 175.14, 1%, 0.29%

LAB 55.03, -35.75, -3.08

 

CMYK 73 / 0 / 4 / 14

HEX #3BDCD4

RGB 59 220 212

HSL 177.02, 0.7%, 0.55%

LAB 80.11, -41.82, -7.89

 

CMYK 73 / 0 / 23 / 14

HEX #3BDCA9

RGB 59 220 169

HSL 160.99, 0.7%, 0.55%

LAB 79.03, -52.74, 13.42

 

CMYK 73 / 0 / 43 / 14

HEX #3BDC7D

RGB 59 220 125

HSL 144.6, 0.7%, 0.55%

LAB 78.23, -61.61, 35.11

 

CMYK 73 / 0 / 63 / 14

HEX #3BDC52

RGB 59 220 82

HSL 128.57, 0.7%, 0.55%

LAB 77.71, -67.64, 54.65

 

CMYK 64 / 0 / 73 / 14

HEX #50DC3B

RGB 80 220 59

HSL 112.17, 0.7%, 0.55%

LAB 78, -65.9, 63.98

 

CMYK 73 / 0 / 4 / 14

HEX #3BDCD4

RGB 59 220 212

HSL 177.02, 0.7%, 0.55%

LAB 80.11, -41.82, -7.89

 

CMYK 73 / 16 / 0 / 14

HEX #3BB9DC

RGB 59 185 220

HSL 193.04, 0.7%, 0.55%

LAB 70.03, -22.74, -27.43

 

CMYK 73 / 36 / 0 / 14

HEX #3B8DDC

RGB 59 141 220

HSL 209.44, 0.7%, 0.55%

LAB 57.22, 1.51, -47.43

 

CMYK 73 / 55 / 0 / 14

HEX #3B62DC

RGB 59 98 220

HSL 225.47, 0.7%, 0.55%

LAB 45.4, 28.14, -66.39

 

CMYK 73 / 73 / 0 / 14

HEX #3B3BDC

RGB 59 59 220

HSL 240, 0.7%, 0.55%

LAB 36.41, 51.79, -81.11

 

CMYK 73 / 0 / 4 / 14

HEX #3BDCD4

RGB 59 220 212

HSL 177.02, 0.7%, 0.55%

LAB 80.11, -41.82, -7.89

 

CMYK 83 / 0 / 4 / 6

HEX #29EFE5

RGB 41 239 229

HSL 176.97, 0.86%, 0.55%

LAB 85.94, -47.04, -8.26

 

CMYK 73 / 0 / 4 / 14

HEX #3BDCD4

RGB 59 220 212

HSL 177.02, 0.7%, 0.55%

LAB 80.11, -41.82, -7.89

 

CMYK 61 / 0 / 3 / 21

HEX #4ECAC3

RGB 78 202 195

HSL 176.61, 0.54%, 0.55%

LAB 74.7, -35.62, -6.73

 

CMYK 47 / 0 / 2 / 28

HEX #61B7B3

RGB 97 183 179

HSL 177.21, 0.37%, 0.55%

LAB 69.23, -26.93, -6.03

 

CMYK 30 / 0 / 1 / 36

HEX #73A4A2

RGB 115 164 162

HSL 177.55, 0.21%, 0.55%

LAB 64, -16.69, -4.22

 

CMYK 8 / 0 / 1 / 43

HEX #869291

RGB 134 146 145

HSL 175, 0.05%, 0.55%

LAB 59.59, -4.52, -0.96

 

CMYK 73 / 0 / 43 / 14

HEX #3BDC7E

RGB 59 220 126

HSL 144.97, 0.7%, 0.55%

LAB 78.24, -61.44, 34.63

 

CMYK 73 / 0 / 23 / 14

HEX #3BDCA9

RGB 59 220 169

HSL 160.99, 0.7%, 0.55%

LAB 79.03, -52.74, 13.42

 

CMYK 73 / 0 / 4 / 14

HEX #3BDCD4

RGB 59 220 212

HSL 177.02, 0.7%, 0.55%

LAB 80.11, -41.82, -7.89

 

CMYK 73 / 16 / 0 / 14

HEX #3BB9DC

RGB 59 185 220

HSL 193.04, 0.7%, 0.55%

LAB 70.03, -22.74, -27.43

 

CMYK 73 / 35 / 0 / 14

HEX #3B8EDC

RGB 59 142 220

HSL 209.07, 0.7%, 0.55%

LAB 57.5, 0.92, -46.97

 

CMYK 83 / 0 / 4 / 34

HEX #1DA8A1

RGB 29 168 161

HSL 176.98, 0.71%, 0.39%

LAB 62.37, -35.82, -6.38

 

CMYK 83 / 0 / 4 / 20

HEX #23CBC3

RGB 35 203 195

HSL 177.14, 0.71%, 0.47%

LAB 74.2, -41.3, -7.56

 

CMYK 73 / 0 / 4 / 14

HEX #3BDCD4

RGB 59 220 212

HSL 177.02, 0.7%, 0.55%

LAB 80.11, -41.82, -7.89

 

CMYK 58 / 0 / 3 / 11

HEX #5EE2DC

RGB 94 226 220

HSL 177.27, 0.69%, 0.63%

LAB 82.88, -37.29, -7.94

 

CMYK 44 / 0 / 2 / 9

HEX #82E8E3

RGB 130 232 227

HSL 177.06, 0.69%, 0.71%

LAB 86.01, -30.94, -6.87

 

CMYK 73 / 0 / 4 / 14

HEX #3BDCD4

RGB 59 220 212

HSL 177.02, 0.7%, 0.55%

LAB 80.11, -41.82, -7.89

 

CMYK 62 / 73 / 0 / 14

HEX #543BDC

RGB 84 59 220

HSL 249.32, 0.7%, 0.55%

LAB 38.16, 54.4, -78.17

 

CMYK 0 / 33 / 73 / 14

HEX #DC943B

RGB 220 148 59

HSL 33.17, 0.7%, 0.55%

LAB 67.06, 19.45, 55.87

 

CMYK 73 / 0 / 4 / 14

HEX #3BDCD4

RGB 59 220 212

HSL 177.02, 0.7%, 0.55%

LAB 80.11, -41.82, -7.89

 

CMYK 4 / 73 / 0 / 14

HEX #D43BDC

RGB 212 59 220

HSL 297.02, 0.7%, 0.55%

LAB 54.34, 76.56, -51.2

 

CMYK 0 / 4 / 73 / 14

HEX #DCD43B

RGB 220 212 59

HSL 57.02, 0.7%, 0.55%

LAB 83.24, -14.04, 71.66

 

CMYK 73 / 0 / 4 / 14

HEX #3BDCD4

RGB 59 220 212

HSL 177.02, 0.7%, 0.55%

LAB 80.11, -41.82, -7.89

 

CMYK 62 / 73 / 0 / 14

HEX #543BDC

RGB 84 59 220

HSL 249.32, 0.7%, 0.55%

LAB 38.16, 54.4, -78.17

 

CMYK 0 / 73 / 70 / 14

HEX #DC3B43

RGB 220 59 67

HSL 357.02, 0.7%, 0.55%

LAB 50.39, 62, 33.45

 

CMYK 11 / 0 / 73 / 14

HEX #C4DC3B

RGB 196 220 59

HSL 68.94, 0.7%, 0.55%

LAB 83.57, -27.85, 71.32

 

CMYK 73 / 0 / 4 / 14

HEX #3BDCD4

RGB 59 220 212

HSL 177.02, 0.7%, 0.55%

LAB 80.11, -41.82, -7.89

 

CMYK 40 / 73 / 0 / 14

HEX #843BDC

RGB 132 59 220

HSL 267.2, 0.7%, 0.55%

LAB 43.06, 61.43, -69.95

 

CMYK 0 / 73 / 70 / 14

HEX #DC3B43

RGB 220 59 67

HSL 357.02, 0.7%, 0.55%

LAB 50.39, 62, 33.45

 

CMYK 33 / 0 / 73 / 14

HEX #94DC3B

RGB 148 220 59

HSL 86.83, 0.7%, 0.55%

LAB 80.63, -46.24, 67.46

 

Description

Color code: RGB 59 220 212 | qconv.com Color code: RGB 59 220 212 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 220 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 220 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 4 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 4% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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