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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 63 186 253 it is the complementary color RGB 192 69 2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 63 186 253. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 63 186 253 shade: RGB 68 186 248, RGB 85 204 255, RGB 102 222 255, RGB 119 240 255 and RGB 136 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 63 186 253. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 63 186 253 shade: RGB 63 186 253, RGB 46 168 234, RGB 29 150 215, RGB 12 132 196 and RGB 0 114 177

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 63 186 253 shade: RGB 63 186 253, RGB 63 134 253, RGB 63 83 253, RGB 93 63 253 and RGB 145 63 253

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 63 186 253 shade: RGB 63 186 253, RGB 63 134 253, RGB 63 83 253 and RGB 63 63 253

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 63 186 253 shade matches the following richer shades: RGB 63 186 253

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 63 186 253 shade: RGB 63 186 253, RGB 78 181 237, RGB 94 176 221, RGB 110 172 206 and RGB 125 167 190

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 63 186 253 shade: RGB 63 253 218, RGB 63 237 253, RGB 63 186 253, RGB 63 135 253 and RGB 63 85 253

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 63 186 253 shade: RGB 2 150 231, RGB 22 171 252, RGB 63 186 253, RGB 103 200 253 and RGB 144 215 253

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 63 186 253 shade: RGB 63 186 253, RGB 167 63 253 and RGB 253 243 63

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 63 186 253 shade: RGB 63 186 253, RGB 253 63 186 and RGB 186 253 63

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 63 186 253 shade: RGB 63 186 253, RGB 167 63 253, RGB 253 129 63 and RGB 148 253 63

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 63 186 253 shade: RGB 63 186 253, RGB 224 63 253, RGB 253 129 63 and RGB 91 253 63

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 26 / 0 / 1

HEX #3FBAFD

RGB 63 186 253

HSL 201.16, 0.98%, 0.62%

LAB 71.74, -11.98, -42.69

 

Complementary color

CMYK 0 / 64 / 99 / 25

HEX #C04502

RGB 192 69 2

HSL 21.16, 0.98%, 0.38%

LAB 46.27, 47.1, 56.56

 

CMYK 73 / 25 / 0 / 3

HEX #44BAF8

RGB 68 186 248

HSL 200.67, 0.93%, 0.62%

LAB 71.64, -13.05, -40.13

 

CMYK 67 / 20 / 0 / 0

HEX #55CCFF

RGB 85 204 255

HSL 198, 1%, 0.67%

LAB 77.48, -17.95, -34.79

 

CMYK 60 / 13 / 0 / 0

HEX #66DEFF

RGB 102 222 255

HSL 192.94, 1%, 0.7%

LAB 83.07, -24.32, -26.17

 

CMYK 53 / 6 / 0 / 0

HEX #77F0FF

RGB 119 240 255

HSL 186.62, 1%, 0.73%

LAB 88.67, -29.96, -17.63

 

CMYK 47 / 0 / 0 / 0

HEX #88FFFF

RGB 136 255 255

HSL 180, 1%, 0.77%

LAB 93.44, -33.56, -10.43

 

CMYK 75 / 26 / 0 / 1

HEX #3FBAFD

RGB 63 186 253

HSL 201.16, 0.98%, 0.62%

LAB 71.74, -11.98, -42.69

 

CMYK 80 / 28 / 0 / 8

HEX #2EA8EA

RGB 46 168 234

HSL 201.06, 0.82%, 0.55%

LAB 65.38, -10.41, -42.34

 

CMYK 87 / 30 / 0 / 16

HEX #1D96D7

RGB 29 150 215

HSL 200.97, 0.76%, 0.48%

LAB 58.96, -8.47, -41.93

 

CMYK 94 / 33 / 0 / 23

HEX #0C84C4

RGB 12 132 196

HSL 200.87, 0.88%, 0.41%

LAB 52.47, -6.07, -41.44

 

CMYK 100 / 36 / 0 / 31

HEX #0072B1

RGB 0 114 177

HSL 201.36, 1%, 0.35%

LAB 45.92, -3.13, -40.88

 

CMYK 75 / 26 / 0 / 1

HEX #3FBAFD

RGB 63 186 253

HSL 201.16, 0.98%, 0.62%

LAB 71.74, -11.98, -42.69

 

CMYK 75 / 47 / 0 / 1

HEX #3F86FD

RGB 63 134 253

HSL 217.58, 0.98%, 0.62%

LAB 57.27, 18.08, -65.65

 

CMYK 75 / 67 / 0 / 1

HEX #3F53FD

RGB 63 83 253

HSL 233.68, 0.98%, 0.62%

LAB 44.71, 49.32, -86.1

 

CMYK 63 / 75 / 0 / 1

HEX #5D3FFD

RGB 93 63 253

HSL 249.47, 0.98%, 0.62%

LAB 42.72, 63, -89.3

 

CMYK 43 / 75 / 0 / 1

HEX #913FFD

RGB 145 63 253

HSL 265.89, 0.98%, 0.62%

LAB 47.84, 69.69, -80.71

 

CMYK 75 / 26 / 0 / 1

HEX #3FBAFD

RGB 63 186 253

HSL 201.16, 0.98%, 0.62%

LAB 71.74, -11.98, -42.69

 

CMYK 75 / 47 / 0 / 1

HEX #3F86FD

RGB 63 134 253

HSL 217.58, 0.98%, 0.62%

LAB 57.27, 18.08, -65.65

 

CMYK 75 / 67 / 0 / 1

HEX #3F53FD

RGB 63 83 253

HSL 233.68, 0.98%, 0.62%

LAB 44.71, 49.32, -86.1

 

CMYK 75 / 75 / 0 / 1

HEX #3F3FFD

RGB 63 63 253

HSL 240, 0.98%, 0.62%

LAB 40.74, 60.35, -92.64

 

CMYK 75 / 26 / 0 / 1

HEX #3FBAFD

RGB 63 186 253

HSL 201.16, 0.98%, 0.62%

LAB 71.74, -11.98, -42.69

 

CMYK 75 / 26 / 0 / 1

HEX #3FBAFD

RGB 63 186 253

HSL 201.16, 0.98%, 0.62%

LAB 71.74, -11.98, -42.69

 

CMYK 67 / 24 / 0 / 7

HEX #4EB5ED

RGB 78 181 237

HSL 201.13, 0.82%, 0.62%

LAB 70.02, -12.57, -36.67

 

CMYK 57 / 20 / 0 / 13

HEX #5EB0DD

RGB 94 176 221

HSL 201.26, 0.65%, 0.62%

LAB 68.5, -12.11, -30.25

 

CMYK 47 / 17 / 0 / 19

HEX #6EACCE

RGB 110 172 206

HSL 201.25, 0.49%, 0.62%

LAB 67.48, -10.84, -23.5

 

CMYK 34 / 12 / 0 / 25

HEX #7DA7BE

RGB 125 167 190

HSL 201.23, 0.33%, 0.62%

LAB 66.3, -8.48, -16.36

 

CMYK 75 / 0 / 14 / 1

HEX #3FFDDA

RGB 63 253 218

HSL 168.95, 0.98%, 0.62%

LAB 90.03, -53.86, 3.52

 

CMYK 75 / 6 / 0 / 1

HEX #3FEDFD

RGB 63 237 253

HSL 185.05, 0.98%, 0.62%

LAB 86.36, -37.42, -20.19

 

CMYK 75 / 26 / 0 / 1

HEX #3FBAFD

RGB 63 186 253

HSL 201.16, 0.98%, 0.62%

LAB 71.74, -11.98, -42.69

 

CMYK 75 / 47 / 0 / 1

HEX #3F87FD

RGB 63 135 253

HSL 217.26, 0.98%, 0.62%

LAB 57.54, 17.47, -65.22

 

CMYK 75 / 66 / 0 / 1

HEX #3F55FD

RGB 63 85 253

HSL 233.05, 0.98%, 0.62%

LAB 45.14, 48.15, -85.38

 

CMYK 99 / 35 / 0 / 9

HEX #0296E7

RGB 2 150 231

HSL 201.22, 0.98%, 0.46%

LAB 59.52, -3.65, -49.95

 

CMYK 91 / 32 / 0 / 1

HEX #16ABFC

RGB 22 171 252

HSL 201.13, 0.97%, 0.54%

LAB 66.77, -7.25, -50

 

CMYK 75 / 26 / 0 / 1

HEX #3FBAFD

RGB 63 186 253

HSL 201.16, 0.98%, 0.62%

LAB 71.74, -11.98, -42.69

 

CMYK 59 / 21 / 0 / 1

HEX #67C8FD

RGB 103 200 253

HSL 201.2, 0.97%, 0.7%

LAB 76.85, -13.5, -34.65

 

CMYK 43 / 15 / 0 / 1

HEX #90D7FD

RGB 144 215 253

HSL 200.92, 0.96%, 0.78%

LAB 82.71, -12.57, -25.5

 

CMYK 75 / 26 / 0 / 1

HEX #3FBAFD

RGB 63 186 253

HSL 201.16, 0.98%, 0.62%

LAB 71.74, -11.98, -42.69

 

CMYK 34 / 75 / 0 / 1

HEX #A73FFD

RGB 167 63 253

HSL 272.84, 0.98%, 0.62%

LAB 50.53, 73.14, -76.21

 

CMYK 0 / 4 / 75 / 1

HEX #FDF33F

RGB 253 243 63

HSL 56.84, 0.98%, 0.62%

LAB 94.03, -15.42, 81.38

 

CMYK 75 / 26 / 0 / 1

HEX #3FBAFD

RGB 63 186 253

HSL 201.16, 0.98%, 0.62%

LAB 71.74, -11.98, -42.69

 

CMYK 0 / 75 / 26 / 1

HEX #FD3FBA

RGB 253 63 186

HSL 321.16, 0.98%, 0.62%

LAB 59.87, 79.65, -22.62

 

CMYK 26 / 0 / 75 / 1

HEX #BAFD3F

RGB 186 253 63

HSL 81.16, 0.98%, 0.62%

LAB 92.15, -46.33, 77.98

 

CMYK 75 / 26 / 0 / 1

HEX #3FBAFD

RGB 63 186 253

HSL 201.16, 0.98%, 0.62%

LAB 71.74, -11.98, -42.69

 

CMYK 34 / 75 / 0 / 1

HEX #A73FFD

RGB 167 63 253

HSL 272.84, 0.98%, 0.62%

LAB 50.53, 73.14, -76.21

 

CMYK 0 / 49 / 75 / 1

HEX #FD813F

RGB 253 129 63

HSL 20.84, 0.98%, 0.62%

LAB 67.23, 42.85, 55.63

 

CMYK 42 / 0 / 75 / 1

HEX #94FD3F

RGB 148 253 63

HSL 93.16, 0.98%, 0.62%

LAB 90.28, -59.27, 75.53

 

CMYK 75 / 26 / 0 / 1

HEX #3FBAFD

RGB 63 186 253

HSL 201.16, 0.98%, 0.62%

LAB 71.74, -11.98, -42.69

 

CMYK 11 / 75 / 0 / 1

HEX #E03FFD

RGB 224 63 253

HSL 290.84, 0.98%, 0.62%

LAB 58.5, 83.16, -62.92

 

CMYK 0 / 49 / 75 / 1

HEX #FD813F

RGB 253 129 63

HSL 20.84, 0.98%, 0.62%

LAB 67.23, 42.85, 55.63

 

CMYK 64 / 0 / 75 / 1

HEX #5BFD3F

RGB 91 253 63

HSL 111.16, 0.98%, 0.62%

LAB 88.37, -74.12, 73.03

 

Description

Color code: RGB 63 186 253 | qconv.com Color code: RGB 63 186 253 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 186 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 186 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, 26 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 26% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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