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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 63 222 145 it is the complementary color RGB 192 33 110. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 63 222 145. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 63 222 145 shade: RGB 68 222 140, RGB 85 240 159, RGB 102 255 178, RGB 119 255 197 and RGB 136 255 216

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 63 222 145. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 63 222 145 shade: RGB 63 222 145, RGB 46 204 126, RGB 29 186 107, RGB 12 168 88 and RGB 0 150 69

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 63 222 145 shade: RGB 63 222 145, RGB 63 222 102, RGB 66 222 63, RGB 109 222 63 and RGB 152 222 63

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 63 222 145 shade: RGB 63 222 145, RGB 63 222 188, RGB 63 213 222, RGB 63 170 222 and RGB 63 127 222

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 63 222 145 shade matches the following richer shades: RGB 63 222 145 and RGB 44 240 145

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 63 222 145 shade: RGB 63 222 145, RGB 81 204 144, RGB 99 186 144, RGB 117 168 143 and RGB 135 149 143

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 63 222 145 shade: RGB 68 222 63, RGB 63 222 100, RGB 63 222 142, RGB 63 222 185 and RGB 63 217 222

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 63 222 145 shade: RGB 29 173 103, RGB 35 208 124, RGB 63 222 145, RGB 98 228 165 and RGB 133 234 185

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 63 222 145 shade: RGB 63 222 145, RGB 63 110 222 and RGB 222 79 63

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 63 222 145 shade: RGB 63 222 145, RGB 142 63 222 and RGB 222 142 63

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 63 222 145 shade: RGB 63 222 145, RGB 63 110 222, RGB 222 63 142 and RGB 222 174 63

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 63 222 145 shade: RGB 63 222 145, RGB 63 63 222, RGB 222 63 142 and RGB 222 222 63

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 35 / 13

HEX #3FDE91

RGB 63 222 145

HSL 150.94, 0.71%, 0.56%

LAB 79.24, -58.09, 26.27

 

Complementary color

CMYK 0 / 83 / 43 / 25

HEX #C0216E

RGB 192 33 110

HSL 330.94, 0.71%, 0.44%

LAB 43.39, 64.78, -3.19

 

CMYK 69 / 0 / 37 / 13

HEX #44DE8C

RGB 68 222 140

HSL 148.05, 0.7%, 0.57%

LAB 79.25, -58.3, 28.88

 

CMYK 65 / 0 / 34 / 6

HEX #55F09F

RGB 85 240 159

HSL 148.65, 0.84%, 0.64%

LAB 85.38, -58.69, 27.47

 

CMYK 60 / 0 / 30 / 0

HEX #66FFB2

RGB 102 255 178

HSL 149.8, 1%, 0.7%

LAB 90.58, -57.72, 24.97

 

CMYK 53 / 0 / 23 / 0

HEX #77FFC5

RGB 119 255 197

HSL 154.41, 1%, 0.73%

LAB 91.45, -50.44, 16.55

 

CMYK 47 / 0 / 15 / 0

HEX #88FFD8

RGB 136 255 216

HSL 160.34, 1%, 0.77%

LAB 92.45, -42.6, 8.28

 

CMYK 72 / 0 / 35 / 13

HEX #3FDE91

RGB 63 222 145

HSL 150.94, 0.71%, 0.56%

LAB 79.24, -58.09, 26.27

 

CMYK 77 / 0 / 38 / 20

HEX #2ECC7E

RGB 46 204 126

HSL 150.38, 0.63%, 0.49%

LAB 73.07, -57.35, 27.79

 

CMYK 84 / 0 / 42 / 27

HEX #1DBA6B

RGB 29 186 107

HSL 149.81, 0.73%, 0.42%

LAB 66.86, -56.22, 29.45

 

CMYK 93 / 0 / 48 / 34

HEX #0CA858

RGB 12 168 88

HSL 149.23, 0.87%, 0.35%

LAB 60.59, -54.56, 31.23

 

CMYK 100 / 0 / 54 / 41

HEX #009645

RGB 0 150 69

HSL 147.6, 1%, 0.29%

LAB 54.28, -52.25, 33.12

 

CMYK 72 / 0 / 35 / 13

HEX #3FDE91

RGB 63 222 145

HSL 150.94, 0.71%, 0.56%

LAB 79.24, -58.09, 26.27

 

CMYK 72 / 0 / 54 / 13

HEX #3FDE66

RGB 63 222 102

HSL 134.72, 0.71%, 0.56%

LAB 78.61, -65.24, 46.78

 

CMYK 70 / 0 / 72 / 13

HEX #42DE3F

RGB 66 222 63

HSL 118.87, 0.71%, 0.56%

LAB 78.32, -68.93, 62.8

 

CMYK 51 / 0 / 72 / 13

HEX #6DDE3F

RGB 109 222 63

HSL 102.64, 0.71%, 0.56%

LAB 79.53, -59.19, 64.42

 

CMYK 32 / 0 / 72 / 13

HEX #98DE3F

RGB 152 222 63

HSL 86.42, 0.71%, 0.56%

LAB 81.44, -45.42, 66.97

 

CMYK 72 / 0 / 35 / 13

HEX #3FDE91

RGB 63 222 145

HSL 150.94, 0.71%, 0.56%

LAB 79.24, -58.09, 26.27

 

CMYK 72 / 0 / 15 / 13

HEX #3FDEBC

RGB 63 222 188

HSL 167.17, 0.71%, 0.56%

LAB 80.14, -48.5, 4.95

 

CMYK 72 / 4 / 0 / 13

HEX #3FD5DE

RGB 63 213 222

HSL 183.4, 0.71%, 0.56%

LAB 78.41, -35.32, -15.75

 

CMYK 72 / 23 / 0 / 13

HEX #3FAADE

RGB 63 170 222

HSL 199.62, 0.71%, 0.56%

LAB 65.81, -13.68, -35.04

 

CMYK 72 / 43 / 0 / 13

HEX #3F7FDE

RGB 63 127 222

HSL 215.85, 0.71%, 0.56%

LAB 53.5, 11.2, -54.46

 

CMYK 72 / 0 / 35 / 13

HEX #3FDE91

RGB 63 222 145

HSL 150.94, 0.71%, 0.56%

LAB 79.24, -58.09, 26.27

 

CMYK 82 / 0 / 40 / 6

HEX #2CF091

RGB 44 240 145

HSL 150.92, 0.87%, 0.56%

LAB 84.43, -66.8, 33.16

 

CMYK 72 / 0 / 35 / 13

HEX #3FDE91

RGB 63 222 145

HSL 150.94, 0.71%, 0.56%

LAB 79.24, -58.09, 26.27

 

CMYK 60 / 0 / 29 / 20

HEX #51CC90

RGB 81 204 144

HSL 150.73, 0.55%, 0.56%

LAB 74.16, -48.1, 19.94

 

CMYK 47 / 0 / 23 / 27

HEX #63BA90

RGB 99 186 144

HSL 151.03, 0.39%, 0.56%

LAB 69.32, -36.09, 13.29

 

CMYK 30 / 0 / 15 / 34

HEX #75A88F

RGB 117 168 143

HSL 150.59, 0.23%, 0.56%

LAB 64.78, -22.38, 7.54

 

CMYK 9 / 0 / 4 / 42

HEX #87958F

RGB 135 149 143

HSL 154.29, 0.06%, 0.56%

LAB 60.45, -6.23, 1.44

 

CMYK 69 / 0 / 72 / 13

HEX #44DE3F

RGB 68 222 63

HSL 118.11, 0.71%, 0.56%

LAB 78.36, -68.58, 62.86

 

CMYK 72 / 0 / 55 / 13

HEX #3FDE64

RGB 63 222 100

HSL 133.96, 0.71%, 0.56%

LAB 78.59, -65.51, 47.69

 

CMYK 72 / 0 / 36 / 13

HEX #3FDE8E

RGB 63 222 142

HSL 149.81, 0.71%, 0.56%

LAB 79.19, -58.67, 27.75

 

CMYK 72 / 0 / 17 / 13

HEX #3FDEB9

RGB 63 222 185

HSL 166.04, 0.71%, 0.56%

LAB 80.07, -49.24, 6.43

 

CMYK 72 / 2 / 0 / 13

HEX #3FD9DE

RGB 63 217 222

HSL 181.89, 0.71%, 0.56%

LAB 79.59, -37.18, -13.99

 

CMYK 83 / 0 / 40 / 32

HEX #1DAD67

RGB 29 173 103

HSL 150.83, 0.71%, 0.4%

LAB 62.62, -52.27, 25.99

 

CMYK 83 / 0 / 40 / 18

HEX #23D07C

RGB 35 208 124

HSL 150.87, 0.71%, 0.48%

LAB 74.14, -60.32, 30.22

 

CMYK 72 / 0 / 35 / 13

HEX #3FDE91

RGB 63 222 145

HSL 150.94, 0.71%, 0.56%

LAB 79.24, -58.09, 26.27

 

CMYK 57 / 0 / 28 / 11

HEX #62E4A5

RGB 98 228 165

HSL 150.92, 0.71%, 0.64%

LAB 82.27, -50.23, 20.19

 

CMYK 43 / 0 / 21 / 8

HEX #85EAB9

RGB 133 234 185

HSL 150.89, 0.71%, 0.72%

LAB 85.67, -40.48, 14.7

 

CMYK 72 / 0 / 35 / 13

HEX #3FDE91

RGB 63 222 145

HSL 150.94, 0.71%, 0.56%

LAB 79.24, -58.09, 26.27

 

CMYK 72 / 50 / 0 / 13

HEX #3F6EDE

RGB 63 110 222

HSL 222.26, 0.71%, 0.56%

LAB 48.86, 21.78, -61.91

 

CMYK 0 / 64 / 72 / 13

HEX #DE4F3F

RGB 222 79 63

HSL 6.04, 0.71%, 0.56%

LAB 53.47, 54.85, 39.41

 

CMYK 72 / 0 / 35 / 13

HEX #3FDE91

RGB 63 222 145

HSL 150.94, 0.71%, 0.56%

LAB 79.24, -58.09, 26.27

 

CMYK 36 / 72 / 0 / 13

HEX #8E3FDE

RGB 142 63 222

HSL 269.81, 0.71%, 0.56%

LAB 45.05, 61.9, -67.8

 

CMYK 0 / 36 / 72 / 13

HEX #DE8E3F

RGB 222 142 63

HSL 29.81, 0.71%, 0.56%

LAB 65.93, 23.7, 53

 

CMYK 72 / 0 / 35 / 13

HEX #3FDE91

RGB 63 222 145

HSL 150.94, 0.71%, 0.56%

LAB 79.24, -58.09, 26.27

 

CMYK 72 / 50 / 0 / 13

HEX #3F6EDE

RGB 63 110 222

HSL 222.26, 0.71%, 0.56%

LAB 48.86, 21.78, -61.91

 

CMYK 0 / 72 / 36 / 13

HEX #DE3F8E

RGB 222 63 142

HSL 330.19, 0.71%, 0.56%

LAB 52.99, 67, -7.8

 

CMYK 0 / 22 / 72 / 13

HEX #DEAE3F

RGB 222 174 63

HSL 41.89, 0.71%, 0.56%

LAB 73.65, 6.59, 60.92

 

CMYK 72 / 0 / 35 / 13

HEX #3FDE91

RGB 63 222 145

HSL 150.94, 0.71%, 0.56%

LAB 79.24, -58.09, 26.27

 

CMYK 72 / 72 / 0 / 13

HEX #3F3FDE

RGB 63 63 222

HSL 240, 0.71%, 0.56%

LAB 37.64, 50.59, -80.23

 

CMYK 0 / 72 / 36 / 13

HEX #DE3F8E

RGB 222 63 142

HSL 330.19, 0.71%, 0.56%

LAB 52.99, 67, -7.8

 

CMYK 0 / 0 / 72 / 13

HEX #DEDE3F

RGB 222 222 63

HSL 60, 0.71%, 0.56%

LAB 86.07, -17.97, 73.06

 

Description

Color code: RGB 63 222 145 | qconv.com Color code: RGB 63 222 145 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 222 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 222 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 35 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 35% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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