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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 60 213 8 it is the complementary color RGB 195 42 247. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 60 213 8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 60 213 8 shade: RGB 65 213 3, RGB 82 231 22, RGB 99 249 41, RGB 116 255 60 and RGB 133 255 79

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 60 213 8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 60 213 8 shade: RGB 60 213 8, RGB 43 195 0, RGB 26 177 0, RGB 9 159 0 and RGB 0 141 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 60 213 8 shade: RGB 59 211 7, RGB 114 211 7, RGB 169 211 7, RGB 211 198 7 and RGB 211 143 7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 60 213 8 shade: RGB 59 211 7, RGB 7 211 10, RGB 7 211 65, RGB 7 211 120 and RGB 7 211 175

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 60 213 8 shade matches the following richer shades: RGB 59 211 7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 60 213 8 shade: RGB 59 211 7, RGB 68 193 25, RGB 76 176 43, RGB 85 158 60 and RGB 94 140 78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 60 213 8 shade: RGB 170 211 7, RGB 116 211 7, RGB 62 211 7, RGB 7 211 7 and RGB 7 211 62

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 60 213 8 shade: RGB 37 131 4, RGB 48 171 6, RGB 59 211 7, RGB 73 246 14 and RGB 103 247 54

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 60 213 8 shade: RGB 60 213 8, RGB 7 211 198 and RGB 211 7 143

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 60 213 8 shade: RGB 60 213 8, RGB 7 62 211 and RGB 211 7 62

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 60 213 8 shade: RGB 60 213 8, RGB 7 211 198, RGB 157 7 211 and RGB 211 7 21

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 60 213 8 shade: RGB 60 213 8, RGB 7 164 211, RGB 157 7 211 and RGB 211 55 7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 96 / 16

HEX #3CD508

RGB 60 213 8

HSL 104.78, 0.93%, 0.43%

LAB 75.18, -69.69, 72.58

 

Complementary color

CMYK 21 / 83 / 0 / 3

HEX #C32AF7

RGB 195 42 247

HSL 284.78, 0.93%, 0.57%

LAB 51.81, 82.8, -70.6

 

CMYK 69 / 0 / 99 / 16

HEX #41D503

RGB 65 213 3

HSL 102.29, 0.97%, 0.42%

LAB 75.28, -68.9, 73.19

 

CMYK 65 / 0 / 90 / 9

HEX #52E716

RGB 82 231 22

HSL 102.78, 0.83%, 0.5%

LAB 81.29, -70.81, 76.18

 

CMYK 60 / 0 / 84 / 2

HEX #63F929

RGB 99 249 41

HSL 103.27, 0.95%, 0.57%

LAB 87.27, -72.26, 77.98

 

CMYK 55 / 0 / 76 / 0

HEX #74FF3C

RGB 116 255 60

HSL 102.77, 1%, 0.62%

LAB 89.65, -69.27, 75.42

 

CMYK 48 / 0 / 69 / 0

HEX #85FF4F

RGB 133 255 79

HSL 101.59, 1%, 0.65%

LAB 90.35, -63.47, 70.05

 

CMYK 72 / 0 / 96 / 16

HEX #3CD508

RGB 60 213 8

HSL 104.78, 0.93%, 0.43%

LAB 75.18, -69.69, 72.58

 

CMYK 78 / 0 / 100 / 24

HEX #2BC300

RGB 43 195 0

HSL 106.77, 1%, 0.38%

LAB 69.14, -67.09, 68.43

 

CMYK 85 / 0 / 100 / 31

HEX #1AB100

RGB 26 177 0

HSL 111.19, 1%, 0.35%

LAB 63.06, -63.87, 63.47

 

CMYK 94 / 0 / 100 / 38

HEX #099F00

RGB 9 159 0

HSL 116.6, 1%, 0.31%

LAB 56.93, -60.02, 58.51

 

CMYK 100 / 0 / 100 / 45

HEX #008D00

RGB 0 141 0

HSL 120, 1%, 0.28%

LAB 50.75, -55.45, 53.52

 

CMYK 72 / 0 / 97 / 17

HEX #3BD307

RGB 59 211 7

HSL 104.71, 0.94%, 0.43%

LAB 74.53, -69.27, 72.14

 

CMYK 46 / 0 / 97 / 17

HEX #72D307

RGB 114 211 7

HSL 88.53, 0.94%, 0.43%

LAB 76.18, -55.87, 74.16

 

CMYK 20 / 0 / 97 / 17

HEX #A9D307

RGB 169 211 7

HSL 72.35, 0.94%, 0.43%

LAB 79.06, -36.02, 77.65

 

CMYK 0 / 6 / 97 / 17

HEX #D3C607

RGB 211 198 7

HSL 56.18, 0.94%, 0.43%

LAB 78.61, -12.14, 78.69

 

CMYK 0 / 32 / 97 / 17

HEX #D38F07

RGB 211 143 7

HSL 40, 0.94%, 0.43%

LAB 64.57, 16.89, 68.59

 

CMYK 72 / 0 / 97 / 17

HEX #3BD307

RGB 59 211 7

HSL 104.71, 0.94%, 0.43%

LAB 74.53, -69.27, 72.14

 

CMYK 97 / 0 / 95 / 17

HEX #07D30A

RGB 7 211 10

HSL 120.88, 0.94%, 0.43%

LAB 73.97, -74.26, 71.15

 

CMYK 97 / 0 / 69 / 17

HEX #07D341

RGB 7 211 65

HSL 137.06, 0.94%, 0.43%

LAB 74.2, -71.29, 57.56

 

CMYK 97 / 0 / 43 / 17

HEX #07D378

RGB 7 211 120

HSL 153.24, 0.94%, 0.43%

LAB 74.82, -63.7, 33.11

 

CMYK 97 / 0 / 17 / 17

HEX #07D3AF

RGB 7 211 175

HSL 169.41, 0.94%, 0.43%

LAB 75.9, -51.52, 5.69

 

CMYK 72 / 0 / 97 / 17

HEX #3BD307

RGB 59 211 7

HSL 104.71, 0.94%, 0.43%

LAB 74.53, -69.27, 72.14

 

CMYK 72 / 0 / 97 / 17

HEX #3BD307

RGB 59 211 7

HSL 104.71, 0.94%, 0.43%

LAB 74.53, -69.27, 72.14

 

CMYK 65 / 0 / 87 / 24

HEX #44C119

RGB 68 193 25

HSL 104.64, 0.77%, 0.43%

LAB 69.07, -61.41, 65.08

 

CMYK 57 / 0 / 76 / 31

HEX #4CB02B

RGB 76 176 43

HSL 105.11, 0.61%, 0.43%

LAB 63.97, -52.63, 55.49

 

CMYK 46 / 0 / 62 / 38

HEX #559E3C

RGB 85 158 60

HSL 104.69, 0.45%, 0.43%

LAB 58.71, -41.47, 43.17

 

CMYK 33 / 0 / 44 / 45

HEX #5E8C4E

RGB 94 140 78

HSL 104.52, 0.28%, 0.43%

LAB 53.69, -28, 28.2

 

CMYK 19 / 0 / 97 / 17

HEX #AAD307

RGB 170 211 7

HSL 72.06, 0.94%, 0.43%

LAB 79.13, -35.62, 77.73

 

CMYK 45 / 0 / 97 / 17

HEX #74D307

RGB 116 211 7

HSL 87.94, 0.94%, 0.43%

LAB 76.26, -55.24, 74.26

 

CMYK 71 / 0 / 97 / 17

HEX #3ED307

RGB 62 211 7

HSL 103.82, 0.94%, 0.43%

LAB 74.59, -68.76, 72.21

 

CMYK 97 / 0 / 97 / 17

HEX #07D307

RGB 7 211 7

HSL 120, 0.94%, 0.43%

LAB 73.96, -74.31, 71.45

 

CMYK 97 / 0 / 71 / 17

HEX #07D33E

RGB 7 211 62

HSL 136.18, 0.94%, 0.43%

LAB 74.18, -71.57, 58.67

 

CMYK 72 / 0 / 97 / 49

HEX #258304

RGB 37 131 4

HSL 104.41, 0.94%, 0.26%

LAB 47.8, -47.93, 50.57

 

CMYK 72 / 0 / 96 / 33

HEX #30AB06

RGB 48 171 6

HSL 104.73, 0.93%, 0.35%

LAB 61.45, -58.84, 61.52

 

CMYK 72 / 0 / 97 / 17

HEX #3BD307

RGB 59 211 7

HSL 104.71, 0.94%, 0.43%

LAB 74.53, -69.27, 72.14

 

CMYK 70 / 0 / 94 / 4

HEX #49F60E

RGB 73 246 14

HSL 104.74, 0.93%, 0.51%

LAB 85.69, -77.26, 80.7

 

CMYK 58 / 0 / 78 / 3

HEX #67F736

RGB 103 247 54

HSL 104.77, 0.92%, 0.59%

LAB 86.84, -70.07, 74.34

 

CMYK 72 / 0 / 96 / 16

HEX #3CD508

RGB 60 213 8

HSL 104.78, 0.93%, 0.43%

LAB 75.18, -69.69, 72.58

 

CMYK 97 / 0 / 6 / 17

HEX #07D3C6

RGB 7 211 198

HSL 176.18, 0.94%, 0.43%

LAB 76.5, -45.27, -5.79

 

CMYK 0 / 97 / 32 / 17

HEX #D3078F

RGB 211 7 143

HSL 320, 0.94%, 0.43%

LAB 46.95, 76.11, -17.71

 

CMYK 72 / 0 / 96 / 16

HEX #3CD508

RGB 60 213 8

HSL 104.78, 0.93%, 0.43%

LAB 75.18, -69.69, 72.58

 

CMYK 97 / 71 / 0 / 17

HEX #073ED3

RGB 7 62 211

HSL 223.82, 0.94%, 0.43%

LAB 34.38, 44.15, -79.34

 

CMYK 0 / 97 / 71 / 17

HEX #D3073E

RGB 211 7 62

HSL 343.82, 0.94%, 0.43%

LAB 44.73, 70.17, 29.19

 

CMYK 72 / 0 / 96 / 16

HEX #3CD508

RGB 60 213 8

HSL 104.78, 0.93%, 0.43%

LAB 75.18, -69.69, 72.58

 

CMYK 97 / 0 / 6 / 17

HEX #07D3C6

RGB 7 211 198

HSL 176.18, 0.94%, 0.43%

LAB 76.5, -45.27, -5.79

 

CMYK 26 / 97 / 0 / 17

HEX #9D07D3

RGB 157 7 211

HSL 284.12, 0.94%, 0.43%

LAB 41.25, 76.7, -67.58

 

CMYK 0 / 97 / 90 / 17

HEX #D30715

RGB 211 7 21

HSL 355.88, 0.94%, 0.43%

LAB 44.31, 69.03, 51.26

 

CMYK 72 / 0 / 96 / 16

HEX #3CD508

RGB 60 213 8

HSL 104.78, 0.93%, 0.43%

LAB 75.18, -69.69, 72.58

 

CMYK 97 / 22 / 0 / 17

HEX #07A4D3

RGB 7 164 211

HSL 193.82, 0.94%, 0.43%

LAB 62.76, -18.61, -33.76

 

CMYK 26 / 97 / 0 / 17

HEX #9D07D3

RGB 157 7 211

HSL 284.12, 0.94%, 0.43%

LAB 41.25, 76.7, -67.58

 

CMYK 0 / 74 / 97 / 17

HEX #D33707

RGB 211 55 7

HSL 14.12, 0.94%, 0.43%

LAB 47.75, 58.98, 57.9

 

Description

Color code: RGB 60 213 8 | qconv.com Color code: RGB 60 213 8 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 213 green and 8 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 213 8 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 96 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 96% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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