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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 62 71 48 it is the complementary color RGB 193 184 207. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 62 71 48. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 62 71 48 shade: RGB 67 71 43, RGB 84 89 62, RGB 101 107 81, RGB 118 125 100 and RGB 135 143 119

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 62 71 48. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 62 71 48 shade: RGB 62 71 48, RGB 45 53 29, RGB 28 35 10 and RGB 11 17 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 62 71 48 shade: RGB 61 69 47, RGB 67 69 47, RGB 69 66 47, RGB 69 60 47 and RGB 69 54 47

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 62 71 48 shade: RGB 61 69 47, RGB 55 69 47, RGB 49 69 47, RGB 47 69 51 and RGB 47 69 57

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 62 71 48 shade matches the following richer shades: RGB 61 69 47, RGB 63 79 38, RGB 65 88 28, RGB 67 98 19 and RGB 69 107 9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 62 71 48 shade: RGB 61 69 47, RGB 59 60 56, RGB 56 50 66, RGB 54 41 75 and RGB 52 31 85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 62 71 48 shade: RGB 69 66 47, RGB 67 69 47, RGB 61 69 47, RGB 55 69 47 and RGB 49 69 47

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 62 71 48 shade: RGB 18 20 14, RGB 39 45 30, RGB 61 69 47, RGB 82 94 64 and RGB 104 118 80

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 62 71 48 shade: RGB 62 71 48, RGB 47 69 60 and RGB 69 47 69

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 62 71 48 shade: RGB 62 71 48, RGB 47 61 69 and RGB 69 47 61

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 62 71 48 shade: RGB 62 71 48, RGB 47 69 60, RGB 56 47 69 and RGB 69 47 56

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 62 71 48 shade: RGB 62 71 48, RGB 47 69 67, RGB 56 47 69 and RGB 69 47 50

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 32 / 72

HEX #3E4730

RGB 62 71 48

HSL 83.48, 0.19%, 0.23%

LAB 28.76, -8.45, 12.66

 

Complementary color

CMYK 7 / 11 / 0 / 19

HEX #C1B8CF

RGB 193 184 207

HSL 263.48, 0.19%, 0.77%

LAB 76.14, 7.51, -10.43

 

CMYK 6 / 0 / 39 / 72

HEX #43472B

RGB 67 71 43

HSL 68.57, 0.25%, 0.22%

LAB 29.09, -6.97, 16.31

 

CMYK 6 / 0 / 30 / 65

HEX #54593E

RGB 84 89 62

HSL 71.11, 0.18%, 0.3%

LAB 36.7, -7.15, 15.01

 

CMYK 6 / 0 / 24 / 58

HEX #656B51

RGB 101 107 81

HSL 73.85, 0.14%, 0.37%

LAB 44.05, -7.26, 13.84

 

CMYK 6 / 0 / 20 / 51

HEX #767D64

RGB 118 125 100

HSL 76.8, 0.11%, 0.44%

LAB 51.2, -7.35, 12.78

 

CMYK 6 / 0 / 17 / 44

HEX #878F77

RGB 135 143 119

HSL 80, 0.1%, 0.51%

LAB 58.16, -7.42, 11.8

 

CMYK 13 / 0 / 32 / 72

HEX #3E4730

RGB 62 71 48

HSL 83.48, 0.19%, 0.23%

LAB 28.76, -8.45, 12.66

 

CMYK 15 / 0 / 45 / 79

HEX #2D351D

RGB 45 53 29

HSL 80, 0.29%, 0.16%

LAB 20.8, -8.41, 14.03

 

CMYK 20 / 0 / 71 / 86

HEX #1C230A

RGB 28 35 10

HSL 76.8, 0.56%, 0.09%

LAB 12.42, -8.23, 14.1

 

CMYK 35 / 0 / 100 / 93

HEX #0B1100

RGB 11 17 0

HSL 81.18, 1%, 0.03%

LAB 4.26, -4.51, 6.3

 

CMYK 12 / 0 / 32 / 73

HEX #3D452F

RGB 61 69 47

HSL 81.82, 0.19%, 0.23%

LAB 27.99, -7.85, 12.24

 

CMYK 3 / 0 / 32 / 73

HEX #43452F

RGB 67 69 47

HSL 65.45, 0.19%, 0.23%

LAB 28.52, -5.12, 13.06

 

CMYK 0 / 4 / 32 / 73

HEX #45422F

RGB 69 66 47

HSL 51.82, 0.19%, 0.23%

LAB 27.76, -2.31, 12.05

 

CMYK 0 / 13 / 32 / 73

HEX #453C2F

RGB 69 60 47

HSL 35.45, 0.19%, 0.23%

LAB 25.87, 1.52, 9.48

 

CMYK 0 / 22 / 32 / 73

HEX #45362F

RGB 69 54 47

HSL 19.09, 0.19%, 0.23%

LAB 24.03, 5.44, 6.93

 

CMYK 12 / 0 / 32 / 73

HEX #3D452F

RGB 61 69 47

HSL 81.82, 0.19%, 0.23%

LAB 27.99, -7.85, 12.24

 

CMYK 20 / 0 / 32 / 73

HEX #37452F

RGB 55 69 47

HSL 98.18, 0.19%, 0.23%

LAB 27.5, -10.5, 11.5

 

CMYK 29 / 0 / 32 / 73

HEX #31452F

RGB 49 69 47

HSL 114.55, 0.19%, 0.23%

LAB 27.06, -13.02, 10.83

 

CMYK 32 / 0 / 26 / 73

HEX #2F4533

RGB 47 69 51

HSL 130.91, 0.19%, 0.23%

LAB 27.02, -12.99, 8.18

 

CMYK 32 / 0 / 17 / 73

HEX #2F4539

RGB 47 69 57

HSL 147.27, 0.19%, 0.23%

LAB 27.17, -11.62, 4.51

 

CMYK 12 / 0 / 32 / 73

HEX #3D452F

RGB 61 69 47

HSL 81.82, 0.19%, 0.23%

LAB 27.99, -7.85, 12.24

 

CMYK 20 / 0 / 52 / 69

HEX #3F4F26

RGB 63 79 38

HSL 83.41, 0.35%, 0.23%

LAB 31.32, -14.21, 22.07

 

CMYK 26 / 0 / 68 / 65

HEX #41581C

RGB 65 88 28

HSL 83, 0.52%, 0.23%

LAB 34.37, -19.37, 31.01

 

CMYK 32 / 0 / 81 / 62

HEX #436213

RGB 67 98 19

HSL 83.54, 0.68%, 0.23%

LAB 37.8, -24.32, 38.42

 

CMYK 36 / 0 / 92 / 58

HEX #456B09

RGB 69 107 9

HSL 83.27, 0.84%, 0.23%

LAB 40.9, -28.32, 44.23

 

CMYK 12 / 0 / 32 / 73

HEX #3D452F

RGB 61 69 47

HSL 81.82, 0.19%, 0.23%

LAB 27.99, -7.85, 12.24

 

CMYK 2 / 0 / 7 / 76

HEX #3B3C38

RGB 59 60 56

HSL 75, 0.03%, 0.23%

LAB 25.1, -1.32, 2.32

 

CMYK 15 / 24 / 0 / 74

HEX #383242

RGB 56 50 66

HSL 262.5, 0.14%, 0.23%

LAB 22, 6.5, -9.01

 

CMYK 28 / 45 / 0 / 71

HEX #36294B

RGB 54 41 75

HSL 262.94, 0.29%, 0.23%

LAB 19.55, 14.44, -18.92

 

CMYK 39 / 64 / 0 / 67

HEX #341F55

RGB 52 31 85

HSL 263.33, 0.47%, 0.23%

LAB 17.3, 23.53, -29.26

 

CMYK 0 / 4 / 32 / 73

HEX #45422F

RGB 69 66 47

HSL 51.82, 0.19%, 0.23%

LAB 27.76, -2.31, 12.05

 

CMYK 3 / 0 / 32 / 73

HEX #43452F

RGB 67 69 47

HSL 65.45, 0.19%, 0.23%

LAB 28.52, -5.12, 13.06

 

CMYK 12 / 0 / 32 / 73

HEX #3D452F

RGB 61 69 47

HSL 81.82, 0.19%, 0.23%

LAB 27.99, -7.85, 12.24

 

CMYK 20 / 0 / 32 / 73

HEX #37452F

RGB 55 69 47

HSL 98.18, 0.19%, 0.23%

LAB 27.5, -10.5, 11.5

 

CMYK 29 / 0 / 32 / 73

HEX #31452F

RGB 49 69 47

HSL 114.55, 0.19%, 0.23%

LAB 27.06, -13.02, 10.83

 

CMYK 10 / 0 / 30 / 92

HEX #12140E

RGB 18 20 14

HSL 80, 0.18%, 0.07%

LAB 5.97, -2.01, 2.96

 

CMYK 13 / 0 / 33 / 82

HEX #272D1E

RGB 39 45 30

HSL 84, 0.2%, 0.15%

LAB 17.47, -6.01, 8.86

 

CMYK 12 / 0 / 32 / 73

HEX #3D452F

RGB 61 69 47

HSL 81.82, 0.19%, 0.23%

LAB 27.99, -7.85, 12.24

 

CMYK 13 / 0 / 32 / 63

HEX #525E40

RGB 82 94 64

HSL 84, 0.19%, 0.31%

LAB 38.14, -10.6, 15.71

 

CMYK 12 / 0 / 32 / 54

HEX #687650

RGB 104 118 80

HSL 82.11, 0.19%, 0.39%

LAB 47.6, -12.38, 19.26

 

CMYK 13 / 0 / 32 / 72

HEX #3E4730

RGB 62 71 48

HSL 83.48, 0.19%, 0.23%

LAB 28.76, -8.45, 12.66

 

CMYK 32 / 0 / 13 / 73

HEX #2F453C

RGB 47 69 60

HSL 155.45, 0.19%, 0.23%

LAB 27.26, -10.88, 2.69

 

CMYK 0 / 32 / 0 / 73

HEX #452F45

RGB 69 47 69

HSL 300, 0.19%, 0.23%

LAB 22.75, 14.45, -9.76

 

CMYK 13 / 0 / 32 / 72

HEX #3E4730

RGB 62 71 48

HSL 83.48, 0.19%, 0.23%

LAB 28.76, -8.45, 12.66

 

CMYK 32 / 12 / 0 / 73

HEX #2F3D45

RGB 47 61 69

HSL 201.82, 0.19%, 0.23%

LAB 24.86, -3.46, -6.77

 

CMYK 0 / 32 / 12 / 73

HEX #452F3D

RGB 69 47 61

HSL 321.82, 0.19%, 0.23%

LAB 22.43, 12.71, -4.83

 

CMYK 13 / 0 / 32 / 72

HEX #3E4730

RGB 62 71 48

HSL 83.48, 0.19%, 0.23%

LAB 28.76, -8.45, 12.66

 

CMYK 32 / 0 / 13 / 73

HEX #2F453C

RGB 47 69 60

HSL 155.45, 0.19%, 0.23%

LAB 27.26, -10.88, 2.69

 

CMYK 19 / 32 / 0 / 73

HEX #382F45

RGB 56 47 69

HSL 264.55, 0.19%, 0.23%

LAB 21.22, 9.35, -12.24

 

CMYK 0 / 32 / 19 / 73

HEX #452F38

RGB 69 47 56

HSL 335.45, 0.19%, 0.23%

LAB 22.24, 11.7, -1.7

 

CMYK 13 / 0 / 32 / 72

HEX #3E4730

RGB 62 71 48

HSL 83.48, 0.19%, 0.23%

LAB 28.76, -8.45, 12.66

 

CMYK 32 / 0 / 3 / 73

HEX #2F4543

RGB 47 69 67

HSL 174.55, 0.19%, 0.23%

LAB 27.48, -9.06, -1.56

 

CMYK 19 / 32 / 0 / 73

HEX #382F45

RGB 56 47 69

HSL 264.55, 0.19%, 0.23%

LAB 21.22, 9.35, -12.24

 

CMYK 0 / 32 / 28 / 73

HEX #452F32

RGB 69 47 50

HSL 351.82, 0.19%, 0.23%

LAB 22.05, 10.59, 2.1

 

Description

Color code: RGB 62 71 48 | qconv.com Color code: RGB 62 71 48 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 71 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 71 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 32 yellow and 72 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 32% 72% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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