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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 64 151 130 it is the complementary color RGB 191 104 125. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 64 151 130. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 64 151 130 shade: RGB 69 151 125, RGB 86 169 144, RGB 103 187 163, RGB 120 205 182 and RGB 137 223 201

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 64 151 130. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 64 151 130 shade: RGB 64 151 130, RGB 47 133 111, RGB 30 115 92, RGB 13 97 73 and RGB 0 79 54

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 64 151 130 shade: RGB 64 149 129, RGB 64 149 106, RGB 64 149 83, RGB 68 149 64 and RGB 91 149 64

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 64 151 130 shade: RGB 64 149 129, RGB 64 147 149, RGB 64 124 149, RGB 64 101 149 and RGB 64 78 149

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 64 151 130 shade matches the following richer shades: RGB 64 149 129, RGB 46 167 138, RGB 29 184 147 and RGB 12 201 156

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 64 151 130 shade: RGB 64 149 129, RGB 81 132 120, RGB 98 115 111, RGB 116 97 102 and RGB 133 80 93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 64 151 130 shade: RGB 64 149 82, RGB 64 149 105, RGB 64 149 128, RGB 64 148 149 and RGB 64 125 149

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 64 151 130 shade: RGB 39 92 79, RGB 51 121 104, RGB 64 149 129, RGB 76 178 154 and RGB 105 191 170

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 64 151 130 shade: RGB 64 151 130, RGB 64 68 149 and RGB 149 94 64

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 64 151 130 shade: RGB 64 151 130, RGB 128 64 149 and RGB 149 128 64

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 64 151 130 shade: RGB 64 151 130, RGB 64 68 149, RGB 149 64 85 and RGB 149 145 64

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 64 151 130 shade: RGB 64 151 130, RGB 85 64 149, RGB 149 64 85 and RGB 128 149 64

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 14 / 41

HEX #409782

RGB 64 151 130

HSL 165.52, 0.4%, 0.42%

LAB 56.91, -31.42, 3.24

 

Complementary color

CMYK 0 / 46 / 35 / 25

HEX #BF687D

RGB 191 104 125

HSL 345.52, 0.4%, 0.58%

LAB 54.51, 37.03, 3.95

 

CMYK 54 / 0 / 17 / 41

HEX #45977D

RGB 69 151 125

HSL 160.98, 0.37%, 0.43%

LAB 56.96, -31.53, 6.17

 

CMYK 49 / 0 / 15 / 34

HEX #56A990

RGB 86 169 144

HSL 161.93, 0.33%, 0.5%

LAB 63.65, -31.45, 5.16

 

CMYK 45 / 0 / 13 / 27

HEX #67BBA3

RGB 103 187 163

HSL 162.86, 0.38%, 0.57%

LAB 70.22, -31.32, 4.24

 

CMYK 41 / 0 / 11 / 20

HEX #78CDB6

RGB 120 205 182

HSL 163.76, 0.46%, 0.64%

LAB 76.7, -31.16, 3.39

 

CMYK 39 / 0 / 10 / 13

HEX #89DFC9

RGB 137 223 201

HSL 164.65, 0.57%, 0.71%

LAB 83.08, -30.98, 2.6

 

CMYK 58 / 0 / 14 / 41

HEX #409782

RGB 64 151 130

HSL 165.52, 0.4%, 0.42%

LAB 56.91, -31.42, 3.24

 

CMYK 65 / 0 / 17 / 48

HEX #2F856F

RGB 47 133 111

HSL 164.65, 0.48%, 0.35%

LAB 50.13, -31.25, 4.33

 

CMYK 74 / 0 / 20 / 55

HEX #1E735C

RGB 30 115 92

HSL 163.76, 0.59%, 0.28%

LAB 43.23, -30.84, 5.59

 

CMYK 87 / 0 / 25 / 62

HEX #0D6149

RGB 13 97 73

HSL 162.86, 0.76%, 0.22%

LAB 36.21, -29.97, 7.07

 

CMYK 100 / 0 / 32 / 69

HEX #004F36

RGB 0 79 54

HSL 161.01, 1%, 0.15%

LAB 29.05, -28.45, 8.85

 

CMYK 57 / 0 / 13 / 42

HEX #409581

RGB 64 149 129

HSL 165.88, 0.4%, 0.42%

LAB 56.26, -30.72, 2.86

 

CMYK 57 / 0 / 29 / 42

HEX #40956A

RGB 64 149 106

HSL 149.65, 0.4%, 0.42%

LAB 55.71, -36.14, 15.15

 

CMYK 57 / 0 / 44 / 42

HEX #409553

RGB 64 149 83

HSL 133.41, 0.4%, 0.42%

LAB 55.29, -40.58, 27.28

 

CMYK 54 / 0 / 57 / 42

HEX #449540

RGB 68 149 64

HSL 117.18, 0.4%, 0.42%

LAB 55.17, -42.35, 37

 

CMYK 39 / 0 / 57 / 42

HEX #5B9540

RGB 91 149 64

HSL 100.94, 0.4%, 0.42%

LAB 56.18, -35.1, 38.44

 

CMYK 57 / 0 / 13 / 42

HEX #409581

RGB 64 149 129

HSL 165.88, 0.4%, 0.42%

LAB 56.26, -30.72, 2.86

 

CMYK 57 / 1 / 0 / 42

HEX #409395

RGB 64 147 149

HSL 181.41, 0.4%, 0.42%

LAB 56.22, -24.28, -8.66

 

CMYK 57 / 17 / 0 / 42

HEX #407C95

RGB 64 124 149

HSL 197.65, 0.4%, 0.42%

LAB 49.1, -11.93, -19.43

 

CMYK 57 / 32 / 0 / 42

HEX #406595

RGB 64 101 149

HSL 213.88, 0.4%, 0.42%

LAB 42.1, 1.72, -30.28

 

CMYK 57 / 48 / 0 / 42

HEX #404E95

RGB 64 78 149

HSL 230.12, 0.4%, 0.42%

LAB 35.42, 16.47, -40.87

 

CMYK 57 / 0 / 13 / 42

HEX #409581

RGB 64 149 129

HSL 165.88, 0.4%, 0.42%

LAB 56.26, -30.72, 2.86

 

CMYK 72 / 0 / 17 / 35

HEX #2EA78A

RGB 46 167 138

HSL 165.62, 0.57%, 0.42%

LAB 61.7, -39.85, 5.56

 

CMYK 84 / 0 / 20 / 28

HEX #1DB893

RGB 29 184 147

HSL 165.68, 0.73%, 0.42%

LAB 67.01, -46.63, 8.15

 

CMYK 94 / 0 / 22 / 21

HEX #0CC99C

RGB 12 201 156

HSL 165.71, 0.89%, 0.42%

LAB 72.4, -52.18, 10.9

 

CMYK 57 / 0 / 13 / 42

HEX #409581

RGB 64 149 129

HSL 165.88, 0.4%, 0.42%

LAB 56.26, -30.72, 2.86

 

CMYK 39 / 0 / 9 / 48

HEX #518478

RGB 81 132 120

HSL 165.88, 0.24%, 0.42%

LAB 51.39, -20.07, 1.08

 

CMYK 15 / 0 / 3 / 55

HEX #62736F

RGB 98 115 111

HSL 165.88, 0.08%, 0.42%

LAB 46.98, -7.18, 0.08

 

CMYK 0 / 16 / 12 / 55

HEX #746166

RGB 116 97 102

HSL 344.21, 0.09%, 0.42%

LAB 43.1, 8.55, 0.01

 

CMYK 0 / 40 / 30 / 48

HEX #85505D

RGB 133 80 93

HSL 345.28, 0.25%, 0.42%

LAB 40.43, 24.02, 1.91

 

CMYK 57 / 0 / 45 / 42

HEX #409552

RGB 64 149 82

HSL 132.71, 0.4%, 0.42%

LAB 55.27, -40.75, 27.79

 

CMYK 57 / 0 / 30 / 42

HEX #409569

RGB 64 149 105

HSL 148.94, 0.4%, 0.42%

LAB 55.69, -36.36, 15.68

 

CMYK 57 / 0 / 14 / 42

HEX #409580

RGB 64 149 128

HSL 165.18, 0.4%, 0.42%

LAB 56.23, -30.97, 3.39

 

CMYK 57 / 1 / 0 / 42

HEX #409495

RGB 64 148 149

HSL 180.71, 0.4%, 0.42%

LAB 56.53, -24.79, -8.2

 

CMYK 57 / 16 / 0 / 42

HEX #407D95

RGB 64 125 149

HSL 196.94, 0.4%, 0.42%

LAB 49.41, -12.49, -18.96

 

CMYK 58 / 0 / 14 / 64

HEX #275C4F

RGB 39 92 79

HSL 165.28, 0.4%, 0.26%

LAB 35.3, -21.21, 2.16

 

CMYK 58 / 0 / 14 / 53

HEX #337968

RGB 51 121 104

HSL 165.43, 0.41%, 0.34%

LAB 46.15, -26.44, 2.72

 

CMYK 57 / 0 / 13 / 42

HEX #409581

RGB 64 149 129

HSL 165.88, 0.4%, 0.42%

LAB 56.26, -30.72, 2.86

 

CMYK 57 / 0 / 13 / 30

HEX #4CB29A

RGB 76 178 154

HSL 165.88, 0.4%, 0.5%

LAB 66.3, -35.52, 3.39

 

CMYK 45 / 0 / 11 / 25

HEX #69BFAA

RGB 105 191 170

HSL 165.35, 0.4%, 0.58%

LAB 71.67, -31.09, 2.52

 

CMYK 58 / 0 / 14 / 41

HEX #409782

RGB 64 151 130

HSL 165.52, 0.4%, 0.42%

LAB 56.91, -31.42, 3.24

 

CMYK 57 / 54 / 0 / 42

HEX #404495

RGB 64 68 149

HSL 237.18, 0.4%, 0.42%

LAB 32.69, 23.04, -45.26

 

CMYK 0 / 37 / 57 / 42

HEX #955E40

RGB 149 94 64

HSL 21.18, 0.4%, 0.42%

LAB 45.31, 19.21, 26.41

 

CMYK 58 / 0 / 14 / 41

HEX #409782

RGB 64 151 130

HSL 165.52, 0.4%, 0.42%

LAB 56.91, -31.42, 3.24

 

CMYK 14 / 57 / 0 / 42

HEX #804095

RGB 128 64 149

HSL 285.18, 0.4%, 0.42%

LAB 38.6, 41.67, -35.42

 

CMYK 0 / 14 / 57 / 42

HEX #958040

RGB 149 128 64

HSL 45.18, 0.4%, 0.42%

LAB 54.24, -0.29, 37.24

 

CMYK 58 / 0 / 14 / 41

HEX #409782

RGB 64 151 130

HSL 165.52, 0.4%, 0.42%

LAB 56.91, -31.42, 3.24

 

CMYK 57 / 54 / 0 / 42

HEX #404495

RGB 64 68 149

HSL 237.18, 0.4%, 0.42%

LAB 32.69, 23.04, -45.26

 

CMYK 0 / 57 / 43 / 42

HEX #954055

RGB 149 64 85

HSL 345.18, 0.4%, 0.42%

LAB 39.09, 37.85, 5.28

 

CMYK 0 / 3 / 57 / 42

HEX #959140

RGB 149 145 64

HSL 57.18, 0.4%, 0.42%

LAB 58.98, -9.63, 42.72

 

CMYK 58 / 0 / 14 / 41

HEX #409782

RGB 64 151 130

HSL 165.52, 0.4%, 0.42%

LAB 56.91, -31.42, 3.24

 

CMYK 43 / 57 / 0 / 42

HEX #554095

RGB 85 64 149

HSL 254.82, 0.4%, 0.42%

LAB 33.49, 30.36, -43.86

 

CMYK 0 / 57 / 43 / 42

HEX #954055

RGB 149 64 85

HSL 345.18, 0.4%, 0.42%

LAB 39.09, 37.85, 5.28

 

CMYK 14 / 0 / 57 / 42

HEX #809540

RGB 128 149 64

HSL 74.82, 0.4%, 0.42%

LAB 58.47, -20.75, 41.68

 

Description

Color code: RGB 64 151 130 | qconv.com Color code: RGB 64 151 130 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 151 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 151 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 14 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 14% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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