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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 65 119 138 it is the complementary color RGB 190 136 117. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 65 119 138. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 65 119 138 shade: RGB 70 119 133, RGB 87 137 152, RGB 104 155 171, RGB 121 173 190 and RGB 138 191 209

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 65 119 138. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 65 119 138 shade: RGB 65 119 138, RGB 48 101 119, RGB 31 83 100, RGB 14 65 81 and RGB 0 47 62

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 65 119 138 shade: RGB 65 119 138, RGB 65 99 138, RGB 65 79 138, RGB 70 65 138 and RGB 90 65 138

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 65 119 138 shade: RGB 65 119 138, RGB 65 99 138, RGB 65 79 138 and RGB 65 65 138

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 65 119 138 shade matches the following richer shades: RGB 65 119 138, RGB 48 127 155, RGB 32 135 171 and RGB 15 143 188

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 65 119 138 shade: RGB 65 119 138, RGB 81 111 122, RGB 98 103 105, RGB 114 95 89 and RGB 131 87 72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 65 119 138 shade: RGB 65 138 117, RGB 65 138 137, RGB 65 120 138, RGB 65 100 138 and RGB 65 81 138

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 65 119 138 shade: RGB 38 71 82, RGB 52 95 110, RGB 65 119 138, RGB 78 143 166 and RGB 103 162 183

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 65 119 138 shade: RGB 65 119 138, RGB 98 65 138 and RGB 138 127 65

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 65 119 138 shade: RGB 65 119 138, RGB 138 65 120 and RGB 120 138 65

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 65 119 138 shade: RGB 65 119 138, RGB 98 65 138, RGB 138 83 65 and RGB 105 138 65

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 65 119 138 shade: RGB 65 119 138, RGB 120 65 138, RGB 138 83 65 and RGB 83 138 65

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 14 / 0 / 46

HEX #41778A

RGB 65 119 138

HSL 195.62, 0.36%, 0.4%

LAB 47.17, -12.3, -15.88

 

Complementary color

CMYK 0 / 28 / 38 / 25

HEX #BE8875

RGB 190 136 117

HSL 15.62, 0.36%, 0.6%

LAB 61.52, 18.19, 18.39

 

CMYK 47 / 11 / 0 / 48

HEX #467785

RGB 70 119 133

HSL 193.33, 0.31%, 0.4%

LAB 47.22, -12.56, -12.83

 

CMYK 43 / 10 / 0 / 40

HEX #578998

RGB 87 137 152

HSL 193.85, 0.27%, 0.47%

LAB 54.22, -12.69, -13.28

 

CMYK 39 / 9 / 0 / 33

HEX #689BAB

RGB 104 155 171

HSL 194.33, 0.29%, 0.54%

LAB 61.07, -12.77, -13.72

 

CMYK 36 / 9 / 0 / 25

HEX #79ADBE

RGB 121 173 190

HSL 194.78, 0.35%, 0.61%

LAB 67.78, -12.83, -14.15

 

CMYK 34 / 9 / 0 / 18

HEX #8ABFD1

RGB 138 191 209

HSL 195.21, 0.44%, 0.68%

LAB 74.36, -12.86, -14.57

 

CMYK 53 / 14 / 0 / 46

HEX #41778A

RGB 65 119 138

HSL 195.62, 0.36%, 0.4%

LAB 47.17, -12.3, -15.88

 

CMYK 60 / 15 / 0 / 53

HEX #306577

RGB 48 101 119

HSL 195.21, 0.43%, 0.33%

LAB 40.03, -11.91, -15.44

 

CMYK 69 / 17 / 0 / 61

HEX #1F5364

RGB 31 83 100

HSL 194.78, 0.53%, 0.26%

LAB 32.7, -11.27, -14.95

 

CMYK 83 / 20 / 0 / 68

HEX #0E4151

RGB 14 65 81

HSL 194.33, 0.71%, 0.19%

LAB 25.16, -10.18, -14.37

 

CMYK 100 / 24 / 0 / 76

HEX #002F3E

RGB 0 47 62

HSL 194.52, 1%, 0.12%

LAB 17.37, -8.48, -13.69

 

CMYK 53 / 14 / 0 / 46

HEX #41778A

RGB 65 119 138

HSL 195.62, 0.36%, 0.4%

LAB 47.17, -12.3, -15.88

 

CMYK 53 / 28 / 0 / 46

HEX #41638A

RGB 65 99 138

HSL 212.05, 0.36%, 0.4%

LAB 41.03, -0.47, -25.35

 

CMYK 53 / 43 / 0 / 46

HEX #414F8A

RGB 65 79 138

HSL 228.49, 0.36%, 0.4%

LAB 35.1, 12.28, -34.67

 

CMYK 49 / 53 / 0 / 46

HEX #46418A

RGB 70 65 138

HSL 244.11, 0.36%, 0.4%

LAB 31.62, 22.67, -40.21

 

CMYK 35 / 53 / 0 / 46

HEX #5A418A

RGB 90 65 138

HSL 260.55, 0.36%, 0.4%

LAB 33.54, 27.85, -37.03

 

CMYK 53 / 14 / 0 / 46

HEX #41778A

RGB 65 119 138

HSL 195.62, 0.36%, 0.4%

LAB 47.17, -12.3, -15.88

 

CMYK 53 / 28 / 0 / 46

HEX #41638A

RGB 65 99 138

HSL 212.05, 0.36%, 0.4%

LAB 41.03, -0.47, -25.35

 

CMYK 53 / 43 / 0 / 46

HEX #414F8A

RGB 65 79 138

HSL 228.49, 0.36%, 0.4%

LAB 35.1, 12.28, -34.67

 

CMYK 53 / 53 / 0 / 46

HEX #41418A

RGB 65 65 138

HSL 240, 0.36%, 0.4%

LAB 31.21, 21.5, -40.9

 

CMYK 53 / 14 / 0 / 46

HEX #41778A

RGB 65 119 138

HSL 195.62, 0.36%, 0.4%

LAB 47.17, -12.3, -15.88

 

CMYK 69 / 18 / 0 / 39

HEX #307F9B

RGB 48 127 155

HSL 195.7, 0.53%, 0.4%

LAB 49.71, -14.68, -22.06

 

CMYK 81 / 21 / 0 / 33

HEX #2087AB

RGB 32 135 171

HSL 195.54, 0.68%, 0.4%

LAB 52.48, -15.64, -27.08

 

CMYK 92 / 24 / 0 / 26

HEX #0F8FBC

RGB 15 143 188

HSL 195.61, 0.85%, 0.4%

LAB 55.46, -15.16, -32.2

 

CMYK 53 / 14 / 0 / 46

HEX #41778A

RGB 65 119 138

HSL 195.62, 0.36%, 0.4%

LAB 47.17, -12.3, -15.88

 

CMYK 34 / 9 / 0 / 52

HEX #516F7A

RGB 81 111 122

HSL 196.1, 0.2%, 0.4%

LAB 44.97, -7.94, -9.6

 

CMYK 7 / 2 / 0 / 59

HEX #626769

RGB 98 103 105

HSL 197.14, 0.03%, 0.4%

LAB 43.24, -1.49, -1.8

 

CMYK 0 / 17 / 22 / 55

HEX #725F59

RGB 114 95 89

HSL 14.4, 0.12%, 0.4%

LAB 41.97, 6.63, 6.29

 

CMYK 0 / 34 / 45 / 49

HEX #835748

RGB 131 87 72

HSL 15.25, 0.29%, 0.4%

LAB 41.39, 16.3, 16.12

 

CMYK 53 / 0 / 15 / 46

HEX #418A75

RGB 65 138 117

HSL 162.74, 0.36%, 0.4%

LAB 52.49, -28.19, 4.33

 

CMYK 53 / 0 / 1 / 46

HEX #418A89

RGB 65 138 137

HSL 179.18, 0.36%, 0.4%

LAB 53.07, -22.87, -6.43

 

CMYK 53 / 13 / 0 / 46

HEX #41788A

RGB 65 120 138

HSL 194.79, 0.36%, 0.4%

LAB 47.48, -12.87, -15.41

 

CMYK 53 / 28 / 0 / 46

HEX #41648A

RGB 65 100 138

HSL 211.23, 0.36%, 0.4%

LAB 41.33, -1.09, -24.88

 

CMYK 53 / 41 / 0 / 46

HEX #41518A

RGB 65 81 138

HSL 226.85, 0.36%, 0.4%

LAB 35.68, 10.97, -33.75

 

CMYK 54 / 13 / 0 / 68

HEX #264752

RGB 38 71 82

HSL 195, 0.37%, 0.24%

LAB 28.19, -8.58, -10.31

 

CMYK 53 / 14 / 0 / 57

HEX #345F6E

RGB 52 95 110

HSL 195.52, 0.36%, 0.32%

LAB 37.91, -10.36, -13.13

 

CMYK 53 / 14 / 0 / 46

HEX #41778A

RGB 65 119 138

HSL 195.62, 0.36%, 0.4%

LAB 47.17, -12.3, -15.88

 

CMYK 53 / 14 / 0 / 35

HEX #4E8FA6

RGB 78 143 166

HSL 195.68, 0.36%, 0.48%

LAB 56.11, -14.16, -18.52

 

CMYK 44 / 11 / 0 / 28

HEX #67A2B7

RGB 103 162 183

HSL 195.75, 0.36%, 0.56%

LAB 63.46, -13.57, -16.86

 

CMYK 53 / 14 / 0 / 46

HEX #41778A

RGB 65 119 138

HSL 195.62, 0.36%, 0.4%

LAB 47.17, -12.3, -15.88

 

CMYK 29 / 53 / 0 / 46

HEX #62418A

RGB 98 65 138

HSL 267.12, 0.36%, 0.4%

LAB 34.42, 30.07, -35.57

 

CMYK 0 / 8 / 53 / 46

HEX #8A7F41

RGB 138 127 65

HSL 50.96, 0.36%, 0.4%

LAB 52.91, -4.54, 34.89

 

CMYK 53 / 14 / 0 / 46

HEX #41778A

RGB 65 119 138

HSL 195.62, 0.36%, 0.4%

LAB 47.17, -12.3, -15.88

 

CMYK 0 / 53 / 13 / 46

HEX #8A4178

RGB 138 65 120

HSL 314.79, 0.36%, 0.4%

LAB 38.79, 38.52, -17.24

 

CMYK 13 / 0 / 53 / 46

HEX #788A41

RGB 120 138 65

HSL 74.79, 0.36%, 0.4%

LAB 54.61, -18.34, 36.54

 

CMYK 53 / 14 / 0 / 46

HEX #41778A

RGB 65 119 138

HSL 195.62, 0.36%, 0.4%

LAB 47.17, -12.3, -15.88

 

CMYK 29 / 53 / 0 / 46

HEX #62418A

RGB 98 65 138

HSL 267.12, 0.36%, 0.4%

LAB 34.42, 30.07, -35.57

 

CMYK 0 / 40 / 53 / 46

HEX #8A5341

RGB 138 83 65

HSL 14.79, 0.36%, 0.4%

LAB 41.17, 20.92, 20.22

 

CMYK 24 / 0 / 53 / 46

HEX #698A41

RGB 105 138 65

HSL 87.12, 0.36%, 0.4%

LAB 53.56, -24.51, 35.04

 

CMYK 53 / 14 / 0 / 46

HEX #41778A

RGB 65 119 138

HSL 195.62, 0.36%, 0.4%

LAB 47.17, -12.3, -15.88

 

CMYK 13 / 53 / 0 / 46

HEX #78418A

RGB 120 65 138

HSL 285.21, 0.36%, 0.4%

LAB 37.13, 36.44, -31.11

 

CMYK 0 / 40 / 53 / 46

HEX #8A5341

RGB 138 83 65

HSL 14.79, 0.36%, 0.4%

LAB 41.17, 20.92, 20.22

 

CMYK 40 / 0 / 53 / 46

HEX #538A41

RGB 83 138 65

HSL 105.21, 0.36%, 0.4%

LAB 52.28, -32.74, 33.2

 

Description

Color code: RGB 65 119 138 | qconv.com Color code: RGB 65 119 138 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 119 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 119 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 14 magenta, none yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 14% 0% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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