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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 65 130 45 it is the complementary color RGB 190 125 210. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 65 130 45. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 65 130 45 shade: RGB 70 130 40, RGB 87 148 59, RGB 104 166 78, RGB 121 184 97 and RGB 138 202 116

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 65 130 45. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 65 130 45 shade: RGB 65 130 45, RGB 48 112 26, RGB 31 94 7, RGB 14 76 0 and RGB 0 58 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 65 130 45 shade: RGB 64 129 44, RGB 87 129 44, RGB 110 129 44, RGB 129 125 44 and RGB 129 102 44

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 65 130 45 shade: RGB 64 129 44, RGB 44 129 47, RGB 44 129 70, RGB 44 129 92 and RGB 44 129 115

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 65 130 45 shade matches the following richer shades: RGB 64 129 44, RGB 56 143 30, RGB 49 157 16 and RGB 41 171 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 65 130 45 shade: RGB 64 129 44, RGB 71 115 58, RGB 79 101 72, RGB 86 87 86 and RGB 93 73 100

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 65 130 45 shade: RGB 110 129 44, RGB 88 129 44, RGB 65 129 44, RGB 44 129 45 and RGB 44 129 68

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 65 130 45 shade: RGB 33 67 23, RGB 48 98 33, RGB 64 129 44, RGB 79 159 54 and RGB 95 190 65

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 65 130 45 shade: RGB 65 130 45, RGB 44 129 124 and RGB 129 44 99

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 65 130 45 shade: RGB 65 130 45, RGB 44 65 129 and RGB 129 44 65

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 65 130 45 shade: RGB 65 130 45, RGB 44 129 124, RGB 107 44 129 and RGB 129 44 48

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 65 130 45 shade: RGB 65 130 45, RGB 44 107 129, RGB 107 44 129 and RGB 129 65 44

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 65 / 49

HEX #41822D

RGB 65 130 45

HSL 105.88, 0.49%, 0.34%

LAB 48.61, -37.54, 38.57

 

Complementary color

CMYK 10 / 40 / 0 / 18

HEX #BE7DD2

RGB 190 125 210

HSL 285.88, 0.49%, 0.66%

LAB 61.88, 39.61, -33.86

 

CMYK 46 / 0 / 69 / 49

HEX #468228

RGB 70 130 40

HSL 100, 0.53%, 0.33%

LAB 48.79, -36.39, 41.07

 

CMYK 41 / 0 / 60 / 42

HEX #57943B

RGB 87 148 59

HSL 101.12, 0.43%, 0.41%

LAB 55.61, -36.6, 40.14

 

CMYK 37 / 0 / 53 / 35

HEX #68A64E

RGB 104 166 78

HSL 102.27, 0.36%, 0.48%

LAB 62.31, -36.62, 38.98

 

CMYK 34 / 0 / 47 / 28

HEX #79B861

RGB 121 184 97

HSL 103.45, 0.38%, 0.55%

LAB 68.9, -36.53, 37.76

 

CMYK 32 / 0 / 43 / 21

HEX #8ACA74

RGB 138 202 116

HSL 104.65, 0.45%, 0.62%

LAB 75.39, -36.39, 36.54

 

CMYK 50 / 0 / 65 / 49

HEX #41822D

RGB 65 130 45

HSL 105.88, 0.49%, 0.34%

LAB 48.61, -37.54, 38.57

 

CMYK 57 / 0 / 77 / 56

HEX #30701A

RGB 48 112 26

HSL 104.65, 0.62%, 0.27%

LAB 41.68, -37.04, 39.23

 

CMYK 67 / 0 / 93 / 63

HEX #1F5E07

RGB 31 94 7

HSL 103.45, 0.86%, 0.2%

LAB 34.62, -35.92, 38.68

 

CMYK 82 / 0 / 100 / 70

HEX #0E4C00

RGB 14 76 0

HSL 108.95, 1%, 0.15%

LAB 27.47, -33.58, 34.92

 

CMYK 100 / 0 / 100 / 77

HEX #003A00

RGB 0 58 0

HSL 120, 1%, 0.11%

LAB 20.15, -30.03, 27.52

 

CMYK 50 / 0 / 66 / 49

HEX #40812C

RGB 64 129 44

HSL 105.88, 0.49%, 0.34%

LAB 48.23, -37.54, 38.59

 

CMYK 33 / 0 / 66 / 49

HEX #57812C

RGB 87 129 44

HSL 89.65, 0.49%, 0.34%

LAB 49.39, -29.37, 40.2

 

CMYK 15 / 0 / 66 / 49

HEX #6E812C

RGB 110 129 44

HSL 73.41, 0.49%, 0.34%

LAB 50.92, -19.83, 42.3

 

CMYK 0 / 3 / 66 / 49

HEX #817D2C

RGB 129 125 44

HSL 57.18, 0.49%, 0.34%

LAB 51.29, -9.19, 43.16

 

CMYK 0 / 21 / 66 / 49

HEX #81662C

RGB 129 102 44

HSL 40.94, 0.49%, 0.34%

LAB 44.73, 3.9, 36.07

 

CMYK 50 / 0 / 66 / 49

HEX #40812C

RGB 64 129 44

HSL 105.88, 0.49%, 0.34%

LAB 48.23, -37.54, 38.59

 

CMYK 66 / 0 / 64 / 49

HEX #2C812F

RGB 44 129 47

HSL 122.12, 0.49%, 0.34%

LAB 47.55, -42.67, 36.23

 

CMYK 66 / 0 / 46 / 49

HEX #2C8146

RGB 44 129 70

HSL 138.35, 0.49%, 0.34%

LAB 47.85, -39.22, 24.66

 

CMYK 66 / 0 / 29 / 49

HEX #2C815C

RGB 44 129 92

HSL 153.88, 0.49%, 0.34%

LAB 48.27, -34.7, 12.74

 

CMYK 66 / 0 / 11 / 49

HEX #2C8173

RGB 44 129 115

HSL 170.12, 0.49%, 0.34%

LAB 48.85, -28.81, 0.13

 

CMYK 50 / 0 / 66 / 49

HEX #40812C

RGB 64 129 44

HSL 105.88, 0.49%, 0.34%

LAB 48.23, -37.54, 38.59

 

CMYK 61 / 0 / 79 / 44

HEX #388F1E

RGB 56 143 30

HSL 106.19, 0.65%, 0.34%

LAB 52.49, -46.56, 48.5

 

CMYK 69 / 0 / 90 / 38

HEX #319D10

RGB 49 157 16

HSL 105.96, 0.82%, 0.34%

LAB 56.88, -53.81, 56.15

 

CMYK 76 / 0 / 99 / 33

HEX #29AB02

RGB 41 171 2

HSL 106.15, 0.98%, 0.34%

LAB 61.31, -60.13, 61.89

 

CMYK 50 / 0 / 66 / 49

HEX #40812C

RGB 64 129 44

HSL 105.88, 0.49%, 0.34%

LAB 48.23, -37.54, 38.59

 

CMYK 38 / 0 / 50 / 55

HEX #47733A

RGB 71 115 58

HSL 106.32, 0.33%, 0.34%

LAB 44.1, -27.06, 26.73

 

CMYK 22 / 0 / 29 / 60

HEX #4F6548

RGB 79 101 72

HSL 105.52, 0.17%, 0.34%

LAB 40.31, -14.41, 13.8

 

CMYK 1 / 0 / 1 / 66

HEX #565756

RGB 86 87 86

HSL 120, 0.01%, 0.34%

LAB 36.87, -0.61, 0.43

 

CMYK 7 / 27 / 0 / 61

HEX #5D4964

RGB 93 73 100

HSL 284.44, 0.16%, 0.34%

LAB 34.01, 13.99, -12.56

 

CMYK 15 / 0 / 66 / 49

HEX #6E812C

RGB 110 129 44

HSL 73.41, 0.49%, 0.34%

LAB 50.92, -19.83, 42.3

 

CMYK 32 / 0 / 66 / 49

HEX #58812C

RGB 88 129 44

HSL 88.94, 0.49%, 0.34%

LAB 49.44, -28.98, 40.28

 

CMYK 50 / 0 / 66 / 49

HEX #41812C

RGB 65 129 44

HSL 105.18, 0.49%, 0.34%

LAB 48.27, -37.22, 38.65

 

CMYK 66 / 0 / 65 / 49

HEX #2C812D

RGB 44 129 45

HSL 120.71, 0.49%, 0.34%

LAB 47.53, -42.91, 37.16

 

CMYK 66 / 0 / 47 / 49

HEX #2C8144

RGB 44 129 68

HSL 136.94, 0.49%, 0.34%

LAB 47.82, -39.58, 25.71

 

CMYK 51 / 0 / 66 / 74

HEX #214317

RGB 33 67 23

HSL 106.36, 0.49%, 0.18%

LAB 24.95, -22.29, 22.52

 

CMYK 51 / 0 / 66 / 62

HEX #306221

RGB 48 98 33

HSL 106.15, 0.5%, 0.26%

LAB 36.88, -30.4, 31.05

 

CMYK 50 / 0 / 66 / 49

HEX #40812C

RGB 64 129 44

HSL 105.88, 0.49%, 0.34%

LAB 48.23, -37.54, 38.59

 

CMYK 50 / 0 / 66 / 38

HEX #4F9F36

RGB 79 159 54

HSL 105.71, 0.49%, 0.42%

LAB 58.72, -44.34, 45.8

 

CMYK 50 / 0 / 66 / 25

HEX #5FBE41

RGB 95 190 65

HSL 105.6, 0.49%, 0.5%

LAB 69.21, -50.89, 52.7

 

CMYK 50 / 0 / 65 / 49

HEX #41822D

RGB 65 130 45

HSL 105.88, 0.49%, 0.34%

LAB 48.61, -37.54, 38.57

 

CMYK 66 / 0 / 4 / 49

HEX #2C817C

RGB 44 129 124

HSL 176.47, 0.49%, 0.34%

LAB 49.12, -26.23, -4.77

 

CMYK 0 / 66 / 23 / 49

HEX #812C63

RGB 129 44 99

HSL 321.18, 0.49%, 0.34%

LAB 32.63, 42.63, -13.57

 

CMYK 50 / 0 / 65 / 49

HEX #41822D

RGB 65 130 45

HSL 105.88, 0.49%, 0.34%

LAB 48.61, -37.54, 38.57

 

CMYK 66 / 50 / 0 / 49

HEX #2C4181

RGB 44 65 129

HSL 225.18, 0.49%, 0.34%

LAB 29.16, 13.83, -38.68

 

CMYK 0 / 66 / 50 / 49

HEX #812C41

RGB 129 44 65

HSL 345.18, 0.49%, 0.34%

LAB 31.46, 38.4, 6.81

 

CMYK 50 / 0 / 65 / 49

HEX #41822D

RGB 65 130 45

HSL 105.88, 0.49%, 0.34%

LAB 48.61, -37.54, 38.57

 

CMYK 66 / 0 / 4 / 49

HEX #2C817C

RGB 44 129 124

HSL 176.47, 0.49%, 0.34%

LAB 49.12, -26.23, -4.77

 

CMYK 17 / 66 / 0 / 49

HEX #6B2C81

RGB 107 44 129

HSL 284.47, 0.49%, 0.34%

LAB 30.67, 41.96, -35.91

 

CMYK 0 / 66 / 63 / 49

HEX #812C30

RGB 129 44 48

HSL 357.18, 0.49%, 0.34%

LAB 31.07, 36.92, 17.37

 

CMYK 50 / 0 / 65 / 49

HEX #41822D

RGB 65 130 45

HSL 105.88, 0.49%, 0.34%

LAB 48.61, -37.54, 38.57

 

CMYK 66 / 17 / 0 / 49

HEX #2C6B81

RGB 44 107 129

HSL 195.53, 0.49%, 0.34%

LAB 42.21, -12.84, -18.17

 

CMYK 17 / 66 / 0 / 49

HEX #6B2C81

RGB 107 44 129

HSL 284.47, 0.49%, 0.34%

LAB 30.67, 41.96, -35.91

 

CMYK 0 / 50 / 66 / 49

HEX #81412C

RGB 129 65 44

HSL 14.82, 0.49%, 0.34%

LAB 35.26, 25.61, 25.11

 

Description

Color code: RGB 65 130 45 | qconv.com Color code: RGB 65 130 45 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 130 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 130 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 65 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 65% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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