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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 66 36 175 it is the complementary color RGB 189 219 80. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 66 36 175. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 66 36 175 shade: RGB 71 36 170, RGB 88 54 189, RGB 105 72 208, RGB 122 90 227 and RGB 139 108 246

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 66 36 175. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 66 36 175 shade: RGB 66 36 175, RGB 49 18 156, RGB 32 0 137, RGB 15 0 118 and RGB 0 0 99

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 66 36 175 shade: RGB 65 35 173, RGB 102 35 173, RGB 139 35 173, RGB 173 35 170 and RGB 173 35 132

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 66 36 175 shade: RGB 65 35 173 and RGB 35 35 173

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 66 36 175 shade matches the following richer shades: RGB 65 35 173, RGB 55 18 190 and RGB 46 1 207

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 66 36 175 shade: RGB 65 35 173, RGB 74 52 156, RGB 84 69 139, RGB 94 86 122 and RGB 103 103 105

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 66 36 175 shade: RGB 35 81 173, RGB 35 44 173, RGB 63 35 173, RGB 99 35 173 and RGB 136 35 173

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 66 36 175 shade: RGB 39 21 105, RGB 52 28 139, RGB 65 35 173, RGB 78 42 207 and RGB 104 73 217

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 66 36 175 shade: RGB 66 36 175, RGB 173 35 118 and RGB 63 173 35

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 66 36 175 shade: RGB 66 36 175, RGB 173 63 35 and RGB 35 173 63

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 66 36 175 shade: RGB 66 36 175, RGB 173 35 118, RGB 145 173 35 and RGB 35 173 90

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 66 36 175 shade: RGB 66 36 175, RGB 173 35 76, RGB 145 173 35 and RGB 35 173 132

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 79 / 0 / 31

HEX #4224AF

RGB 66 36 175

HSL 252.95, 0.66%, 0.41%

LAB 28.15, 50.47, -68.37

 

Complementary color

CMYK 14 / 0 / 63 / 14

HEX #BDDB50

RGB 189 219 80

HSL 72.95, 0.66%, 0.59%

LAB 82.95, -28.97, 62.79

 

CMYK 58 / 79 / 0 / 33

HEX #4724AA

RGB 71 36 170

HSL 255.67, 0.65%, 0.4%

LAB 28.12, 49.61, -65.4

 

CMYK 53 / 71 / 0 / 26

HEX #5836BD

RGB 88 54 189

HSL 255.11, 0.56%, 0.48%

LAB 34.78, 48.48, -65.72

 

CMYK 50 / 65 / 0 / 18

HEX #6948D0

RGB 105 72 208

HSL 254.56, 0.59%, 0.55%

LAB 41.52, 47.11, -65.7

 

CMYK 46 / 60 / 0 / 11

HEX #7A5AE3

RGB 122 90 227

HSL 254.01, 0.71%, 0.62%

LAB 48.25, 45.72, -65.54

 

CMYK 43 / 56 / 0 / 4

HEX #8B6CF6

RGB 139 108 246

HSL 253.48, 0.88%, 0.69%

LAB 54.94, 44.4, -65.31

 

CMYK 62 / 79 / 0 / 31

HEX #4224AF

RGB 66 36 175

HSL 252.95, 0.66%, 0.41%

LAB 28.15, 50.47, -68.37

 

CMYK 69 / 88 / 0 / 39

HEX #31129C

RGB 49 18 156

HSL 253.48, 0.79%, 0.34%

LAB 21.89, 50.97, -67.26

 

CMYK 77 / 100 / 0 / 46

HEX #200089

RGB 32 0 137

HSL 254.01, 1%, 0.27%

LAB 16.07, 50.49, -65.19

 

CMYK 87 / 100 / 0 / 54

HEX #0F0076

RGB 15 0 118

HSL 247.63, 1%, 0.23%

LAB 12.02, 45.04, -59.86

 

CMYK 100 / 100 / 0 / 61

HEX #000063

RGB 0 0 99

HSL 240, 1%, 0.19%

LAB 8.14, 39.57, -53.9

 

CMYK 62 / 80 / 0 / 32

HEX #4123AD

RGB 65 35 173

HSL 253.04, 0.66%, 0.41%

LAB 27.69, 50.24, -67.94

 

CMYK 41 / 80 / 0 / 32

HEX #6623AD

RGB 102 35 173

HSL 269.13, 0.66%, 0.41%

LAB 31.91, 55.17, -60.85

 

CMYK 20 / 80 / 0 / 32

HEX #8B23AD

RGB 139 35 173

HSL 285.22, 0.66%, 0.41%

LAB 37.31, 61.48, -51.82

 

CMYK 0 / 80 / 2 / 32

HEX #AD23AA

RGB 173 35 170

HSL 301.3, 0.66%, 0.41%

LAB 42.75, 67.53, -41.01

 

CMYK 0 / 80 / 24 / 32

HEX #AD2384

RGB 173 35 132

HSL 317.83, 0.66%, 0.41%

LAB 40.82, 62.08, -21.04

 

CMYK 62 / 80 / 0 / 32

HEX #4123AD

RGB 65 35 173

HSL 253.04, 0.66%, 0.41%

LAB 27.69, 50.24, -67.94

 

CMYK 80 / 80 / 0 / 32

HEX #2323AD

RGB 35 35 173

HSL 240, 0.66%, 0.41%

LAB 25.49, 47.67, -71.64

 

CMYK 62 / 80 / 0 / 32

HEX #4123AD

RGB 65 35 173

HSL 253.04, 0.66%, 0.41%

LAB 27.69, 50.24, -67.94

 

CMYK 71 / 91 / 0 / 25

HEX #3712BE

RGB 55 18 190

HSL 252.91, 0.83%, 0.41%

LAB 26.63, 60.56, -79.86

 

CMYK 78 / 100 / 0 / 19

HEX #2E01CF

RGB 46 1 207

HSL 253.11, 0.99%, 0.41%

LAB 27.04, 68.08, -89.18

 

CMYK 62 / 80 / 0 / 32

HEX #4123AD

RGB 65 35 173

HSL 253.04, 0.66%, 0.41%

LAB 27.69, 50.24, -67.94

 

CMYK 53 / 67 / 0 / 39

HEX #4A349C

RGB 74 52 156

HSL 252.69, 0.5%, 0.41%

LAB 30.19, 37.38, -53.53

 

CMYK 40 / 50 / 0 / 45

HEX #54458B

RGB 84 69 139

HSL 252.86, 0.34%, 0.41%

LAB 33.99, 24, -36.96

 

CMYK 23 / 30 / 0 / 52

HEX #5E567A

RGB 94 86 122

HSL 253.33, 0.17%, 0.41%

LAB 38.62, 11.55, -19.18

 

CMYK 2 / 2 / 0 / 59

HEX #676769

RGB 103 103 105

HSL 240, 0.01%, 0.41%

LAB 43.66, 0.42, -1.13

 

CMYK 80 / 53 / 0 / 32

HEX #2351AD

RGB 35 81 173

HSL 220, 0.66%, 0.41%

LAB 36.48, 18.77, -53.63

 

CMYK 80 / 75 / 0 / 32

HEX #232CAD

RGB 35 44 173

HSL 236.09, 0.66%, 0.41%

LAB 27.23, 42.71, -68.77

 

CMYK 64 / 80 / 0 / 32

HEX #3F23AD

RGB 63 35 173

HSL 252.17, 0.66%, 0.41%

LAB 27.51, 50.03, -68.25

 

CMYK 43 / 80 / 0 / 32

HEX #6323AD

RGB 99 35 173

HSL 267.83, 0.66%, 0.41%

LAB 31.51, 54.71, -61.51

 

CMYK 21 / 80 / 0 / 32

HEX #8823AD

RGB 136 35 173

HSL 283.91, 0.66%, 0.41%

LAB 36.84, 60.93, -52.6

 

CMYK 63 / 80 / 0 / 59

HEX #271569

RGB 39 21 105

HSL 252.86, 0.67%, 0.25%

LAB 15.42, 33.32, -45.69

 

CMYK 63 / 80 / 0 / 45

HEX #341C8B

RGB 52 28 139

HSL 252.97, 0.66%, 0.33%

LAB 21.67, 42.01, -57.1

 

CMYK 62 / 80 / 0 / 32

HEX #4123AD

RGB 65 35 173

HSL 253.04, 0.66%, 0.41%

LAB 27.69, 50.24, -67.94

 

CMYK 62 / 80 / 0 / 19

HEX #4E2ACF

RGB 78 42 207

HSL 253.09, 0.66%, 0.49%

LAB 33.52, 58.13, -78.34

 

CMYK 52 / 66 / 0 / 15

HEX #6849D9

RGB 104 73 217

HSL 252.92, 0.65%, 0.57%

LAB 42.34, 48.97, -69.55

 

CMYK 62 / 79 / 0 / 31

HEX #4224AF

RGB 66 36 175

HSL 252.95, 0.66%, 0.41%

LAB 28.15, 50.47, -68.37

 

CMYK 0 / 80 / 32 / 32

HEX #AD2376

RGB 173 35 118

HSL 323.91, 0.66%, 0.41%

LAB 40.24, 60.37, -13.26

 

CMYK 64 / 0 / 80 / 32

HEX #3FAD23

RGB 63 173 35

HSL 107.83, 0.66%, 0.41%

LAB 62.56, -55.29, 56.59

 

CMYK 62 / 79 / 0 / 31

HEX #4224AF

RGB 66 36 175

HSL 252.95, 0.66%, 0.41%

LAB 28.15, 50.47, -68.37

 

CMYK 0 / 64 / 80 / 32

HEX #AD3F23

RGB 173 63 35

HSL 12.17, 0.66%, 0.41%

LAB 42.09, 43.55, 39.78

 

CMYK 80 / 0 / 64 / 32

HEX #23AD3F

RGB 35 173 63

HSL 132.17, 0.66%, 0.41%

LAB 62.17, -57.83, 45.34

 

CMYK 62 / 79 / 0 / 31

HEX #4224AF

RGB 66 36 175

HSL 252.95, 0.66%, 0.41%

LAB 28.15, 50.47, -68.37

 

CMYK 0 / 80 / 32 / 32

HEX #AD2376

RGB 173 35 118

HSL 323.91, 0.66%, 0.41%

LAB 40.24, 60.37, -13.26

 

CMYK 16 / 0 / 80 / 32

HEX #91AD23

RGB 145 173 35

HSL 72.17, 0.66%, 0.41%

LAB 66.54, -27.41, 61.72

 

CMYK 80 / 0 / 48 / 32

HEX #23AD5A

RGB 35 173 90

HSL 143.91, 0.66%, 0.41%

LAB 62.49, -53.98, 32.66

 

CMYK 62 / 79 / 0 / 31

HEX #4224AF

RGB 66 36 175

HSL 252.95, 0.66%, 0.41%

LAB 28.15, 50.47, -68.37

 

CMYK 0 / 80 / 56 / 32

HEX #AD234C

RGB 173 35 76

HSL 342.17, 0.66%, 0.41%

LAB 38.91, 56.37, 11.34

 

CMYK 16 / 0 / 80 / 32

HEX #91AD23

RGB 145 173 35

HSL 72.17, 0.66%, 0.41%

LAB 66.54, -27.41, 61.72

 

CMYK 80 / 0 / 24 / 32

HEX #23AD84

RGB 35 173 132

HSL 162.17, 0.66%, 0.41%

LAB 63.27, -45.27, 11.1

 

Description

Color code: RGB 66 36 175 | qconv.com Color code: RGB 66 36 175 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 36 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 36 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 79 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 79% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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