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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 68 109 100 it is the complementary color RGB 187 146 155. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 68 109 100. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 68 109 100 shade: RGB 73 109 95, RGB 90 127 114, RGB 107 145 133, RGB 124 163 152 and RGB 141 181 171

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 68 109 100. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 68 109 100 shade: RGB 68 109 100, RGB 51 91 81, RGB 34 73 62, RGB 17 55 43 and RGB 0 37 24

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 68 109 100 shade: RGB 68 109 100, RGB 68 109 89, RGB 68 109 78, RGB 69 109 68 and RGB 80 109 68

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 68 109 100 shade: RGB 68 109 100, RGB 68 107 109, RGB 68 96 109, RGB 68 85 109 and RGB 68 74 109

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 68 109 100 shade matches the following richer shades: RGB 68 109 100, RGB 54 124 108, RGB 39 138 116, RGB 25 153 125 and RGB 10 167 133

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 68 109 100 shade: RGB 68 109 100, RGB 83 95 92, RGB 97 80 84, RGB 112 66 76 and RGB 126 52 68

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 68 109 100 shade: RGB 68 109 78, RGB 68 109 89, RGB 68 109 100, RGB 68 108 109 and RGB 68 97 109

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 68 109 100 shade: RGB 36 59 54, RGB 52 84 77, RGB 68 109 100, RGB 84 135 124 and RGB 101 159 146

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 68 109 100 shade: RGB 68 109 100, RGB 68 70 109 and RGB 109 83 68

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 68 109 100 shade: RGB 68 109 100, RGB 100 68 109 and RGB 109 100 68

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 68 109 100 shade: RGB 68 109 100, RGB 68 70 109, RGB 109 68 78 and RGB 109 108 68

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 68 109 100 shade: RGB 68 109 100, RGB 79 68 109, RGB 109 68 78 and RGB 98 109 68

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 8 / 57

HEX #446D64

RGB 68 109 100

HSL 166.83, 0.23%, 0.35%

LAB 42.89, -16.61, 0.48

 

Complementary color

CMYK 0 / 22 / 17 / 27

HEX #BB929B

RGB 187 146 155

HSL 346.83, 0.23%, 0.65%

LAB 64.56, 16.84, 1.18

 

CMYK 33 / 0 / 13 / 57

HEX #496D5F

RGB 73 109 95

HSL 156.67, 0.2%, 0.36%

LAB 43.03, -16.21, 3.73

 

CMYK 29 / 0 / 10 / 50

HEX #5A7F72

RGB 90 127 114

HSL 158.92, 0.17%, 0.43%

LAB 50.18, -15.99, 2.89

 

CMYK 26 / 0 / 8 / 43

HEX #6B9185

RGB 107 145 133

HSL 161.05, 0.15%, 0.49%

LAB 57.14, -15.8, 2.1

 

CMYK 24 / 0 / 7 / 36

HEX #7CA398

RGB 124 163 152

HSL 163.08, 0.17%, 0.56%

LAB 63.96, -15.64, 1.37

 

CMYK 22 / 0 / 6 / 29

HEX #8DB5AB

RGB 141 181 171

HSL 165, 0.21%, 0.63%

LAB 70.63, -15.5, 0.68

 

CMYK 38 / 0 / 8 / 57

HEX #446D64

RGB 68 109 100

HSL 166.83, 0.23%, 0.35%

LAB 42.89, -16.61, 0.48

 

CMYK 44 / 0 / 11 / 64

HEX #335B51

RGB 51 91 81

HSL 165, 0.28%, 0.28%

LAB 35.56, -16.81, 1.35

 

CMYK 53 / 0 / 15 / 71

HEX #22493E

RGB 34 73 62

HSL 163.08, 0.36%, 0.21%

LAB 27.99, -16.98, 2.34

 

CMYK 69 / 0 / 22 / 78

HEX #11372B

RGB 17 55 43

HSL 161.05, 0.53%, 0.14%

LAB 20.15, -17.01, 3.56

 

CMYK 100 / 0 / 35 / 85

HEX #002518

RGB 0 37 24

HSL 158.92, 1%, 0.07%

LAB 11.88, -17.37, 4.99

 

CMYK 38 / 0 / 8 / 57

HEX #446D64

RGB 68 109 100

HSL 166.83, 0.23%, 0.35%

LAB 42.89, -16.61, 0.48

 

CMYK 38 / 0 / 18 / 57

HEX #446D59

RGB 68 109 89

HSL 150.73, 0.23%, 0.35%

LAB 42.59, -19.25, 6.68

 

CMYK 38 / 0 / 28 / 57

HEX #446D4E

RGB 68 109 78

HSL 134.63, 0.23%, 0.35%

LAB 42.33, -21.63, 12.89

 

CMYK 37 / 0 / 38 / 57

HEX #456D44

RGB 69 109 68

HSL 118.54, 0.23%, 0.35%

LAB 42.18, -23.18, 18.58

 

CMYK 27 / 0 / 38 / 57

HEX #506D44

RGB 80 109 68

HSL 102.44, 0.23%, 0.35%

LAB 42.85, -19.06, 19.59

 

CMYK 38 / 0 / 8 / 57

HEX #446D64

RGB 68 109 100

HSL 166.83, 0.23%, 0.35%

LAB 42.89, -16.61, 0.48

 

CMYK 38 / 2 / 0 / 57

HEX #446B6D

RGB 68 107 109

HSL 182.93, 0.23%, 0.35%

LAB 42.53, -13.14, -5.49

 

CMYK 38 / 12 / 0 / 57

HEX #44606D

RGB 68 96 109

HSL 199.02, 0.23%, 0.35%

LAB 39.07, -6.74, -10.69

 

CMYK 38 / 22 / 0 / 57

HEX #44556D

RGB 68 85 109

HSL 215.12, 0.23%, 0.35%

LAB 35.66, -0, -15.88

 

CMYK 38 / 32 / 0 / 57

HEX #444A6D

RGB 68 74 109

HSL 231.22, 0.23%, 0.35%

LAB 32.33, 7.04, -21.03

RGB 68 74 109

CMYK 38 / 0 / 8 / 57

HEX #446D64

RGB 68 109 100

HSL 166.83, 0.23%, 0.35%

LAB 42.89, -16.61, 0.48

 

CMYK 56 / 0 / 13 / 51

HEX #367C6C

RGB 54 124 108

HSL 166.29, 0.39%, 0.35%

LAB 47.34, -26.19, 2.1

 

CMYK 72 / 0 / 16 / 46

HEX #278A74

RGB 39 138 116

HSL 166.67, 0.56%, 0.35%

LAB 51.69, -33.64, 3.65

 

CMYK 84 / 0 / 18 / 40

HEX #19997D

RGB 25 153 125

HSL 166.88, 0.72%, 0.35%

LAB 56.56, -39.6, 5.45

 

CMYK 94 / 0 / 20 / 35

HEX #0AA785

RGB 10 167 133

HSL 167.01, 0.89%, 0.35%

LAB 61.13, -44.38, 7.48

 

CMYK 38 / 0 / 8 / 57

HEX #446D64

RGB 68 109 100

HSL 166.83, 0.23%, 0.35%

LAB 42.89, -16.61, 0.48

 

CMYK 13 / 0 / 3 / 63

HEX #535F5C

RGB 83 95 92

HSL 165, 0.07%, 0.35%

LAB 39.23, -5.3, 0.14

 

CMYK 0 / 18 / 13 / 62

HEX #615054

RGB 97 80 84

HSL 345.88, 0.1%, 0.35%

LAB 35.83, 7.82, 0.3

 

CMYK 0 / 41 / 32 / 56

HEX #70424C

RGB 112 66 76

HSL 346.96, 0.26%, 0.35%

LAB 33.7, 21.32, 2.51

 

CMYK 0 / 59 / 46 / 51

HEX #7E3444

RGB 126 52 68

HSL 347.03, 0.42%, 0.35%

LAB 32.5, 33.69, 6.24

 

CMYK 38 / 0 / 28 / 57

HEX #446D4E

RGB 68 109 78

HSL 134.63, 0.23%, 0.35%

LAB 42.33, -21.63, 12.89

 

CMYK 38 / 0 / 18 / 57

HEX #446D59

RGB 68 109 89

HSL 150.73, 0.23%, 0.35%

LAB 42.59, -19.25, 6.68

 

CMYK 38 / 0 / 8 / 57

HEX #446D64

RGB 68 109 100

HSL 166.83, 0.23%, 0.35%

LAB 42.89, -16.61, 0.48

 

CMYK 38 / 1 / 0 / 57

HEX #446C6D

RGB 68 108 109

HSL 181.46, 0.23%, 0.35%

LAB 42.85, -13.7, -5.02

 

CMYK 38 / 11 / 0 / 57

HEX #44616D

RGB 68 97 109

HSL 197.56, 0.23%, 0.35%

LAB 39.38, -7.34, -10.21

 

CMYK 39 / 0 / 8 / 77

HEX #243B36

RGB 36 59 54

HSL 166.96, 0.24%, 0.19%

LAB 22.89, -10.38, 0.23

 

CMYK 38 / 0 / 8 / 67

HEX #34544D

RGB 52 84 77

HSL 166.88, 0.24%, 0.27%

LAB 33.15, -13.59, 0.36

 

CMYK 38 / 0 / 8 / 57

HEX #446D64

RGB 68 109 100

HSL 166.83, 0.23%, 0.35%

LAB 42.89, -16.61, 0.48

 

CMYK 38 / 0 / 8 / 47

HEX #54877C

RGB 84 135 124

HSL 167.06, 0.23%, 0.43%

LAB 52.58, -19.78, 0.5

 

CMYK 36 / 0 / 8 / 38

HEX #659F92

RGB 101 159 146

HSL 166.55, 0.23%, 0.51%

LAB 61.34, -22, 0.78

 

CMYK 38 / 0 / 8 / 57

HEX #446D64

RGB 68 109 100

HSL 166.83, 0.23%, 0.35%

LAB 42.89, -16.61, 0.48

 

CMYK 38 / 36 / 0 / 57

HEX #44466D

RGB 68 70 109

HSL 237.07, 0.23%, 0.35%

LAB 31.15, 9.66, -22.87

 

CMYK 0 / 24 / 38 / 57

HEX #6D5344

RGB 109 83 68

HSL 21.95, 0.23%, 0.35%

LAB 37.58, 8.53, 12.95

 

CMYK 38 / 0 / 8 / 57

HEX #446D64

RGB 68 109 100

HSL 166.83, 0.23%, 0.35%

LAB 42.89, -16.61, 0.48

 

CMYK 8 / 38 / 0 / 57

HEX #64446D

RGB 100 68 109

HSL 286.83, 0.23%, 0.35%

LAB 33.87, 21.72, -18.37

 

CMYK 0 / 8 / 38 / 57

HEX #6D6444

RGB 109 100 68

HSL 46.83, 0.23%, 0.35%

LAB 42.43, -1.69, 19.47

 

CMYK 38 / 0 / 8 / 57

HEX #446D64

RGB 68 109 100

HSL 166.83, 0.23%, 0.35%

LAB 42.89, -16.61, 0.48

 

CMYK 38 / 36 / 0 / 57

HEX #44466D

RGB 68 70 109

HSL 237.07, 0.23%, 0.35%

LAB 31.15, 9.66, -22.87

 

CMYK 0 / 38 / 28 / 57

HEX #6D444E

RGB 109 68 78

HSL 345.37, 0.23%, 0.35%

LAB 33.85, 19.19, 1.4

 

CMYK 0 / 1 / 38 / 57

HEX #6D6C44

RGB 109 108 68

HSL 58.54, 0.23%, 0.35%

LAB 44.79, -6.33, 22.55

 

CMYK 38 / 0 / 8 / 57

HEX #446D64

RGB 68 109 100

HSL 166.83, 0.23%, 0.35%

LAB 42.89, -16.61, 0.48

 

CMYK 28 / 38 / 0 / 57

HEX #4F446D

RGB 79 68 109

HSL 256.1, 0.23%, 0.35%

LAB 31.58, 14.51, -22.11

 

CMYK 0 / 38 / 28 / 57

HEX #6D444E

RGB 109 68 78

HSL 345.37, 0.23%, 0.35%

LAB 33.85, 19.19, 1.4

 

CMYK 10 / 0 / 38 / 57

HEX #626D44

RGB 98 109 68

HSL 76.1, 0.23%, 0.35%

LAB 44.16, -11.67, 21.55

 

Description

Color code: RGB 68 109 100 | qconv.com Color code: RGB 68 109 100 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 109 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 109 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 8 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 8% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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