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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 69 58 16 it is the complementary color RGB 186 197 239. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 69 58 16. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 69 58 16 shade: RGB 74 58 11, RGB 91 76 30, RGB 108 94 49, RGB 125 112 68 and RGB 142 130 87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 69 58 16. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 69 58 16 shade: RGB 69 58 16, RGB 52 40 0, RGB 35 22 0, RGB 18 4 0 and RGB 1 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 69 58 16 shade: RGB 70 59 16, RGB 70 44 16, RGB 70 30 16 and RGB 70 16 16

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 69 58 16 shade: RGB 70 59 16, RGB 66 70 16, RGB 52 70 16, RGB 37 70 16 and RGB 23 70 16

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 69 58 16 shade matches the following richer shades: RGB 70 59 16, RGB 77 63 9 and RGB 84 67 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 69 58 16 shade: RGB 70 59 16, RGB 63 54 23, RGB 56 50 30, RGB 49 46 37 and RGB 42 42 44

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 69 58 16 shade: RGB 70 29 16, RGB 70 44 16, RGB 70 58 16, RGB 67 70 16 and RGB 53 70 16

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 69 58 16 shade: RGB 3 2 0, RGB 36 30 8, RGB 70 59 16, RGB 103 87 24 and RGB 137 115 32

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 69 58 16 shade: RGB 69 58 16, RGB 17 70 16 and RGB 37 16 70

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 69 58 16 shade: RGB 69 58 16, RGB 16 70 58 and RGB 58 16 70

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 69 58 16 shade: RGB 69 58 16, RGB 17 70 16, RGB 16 28 70 and RGB 69 16 70

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 69 58 16 shade: RGB 69 58 16, RGB 16 70 31, RGB 16 28 70 and RGB 70 16 54

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 77 / 73

HEX #453A10

RGB 69 58 16

HSL 47.55, 0.62%, 0.17%

LAB 24.73, -0.76, 26.84

 

Complementary color

CMYK 22 / 18 / 0 / 6

HEX #BAC5EF

RGB 186 197 239

HSL 227.55, 0.62%, 0.83%

LAB 79.96, 5.05, -22.01

 

CMYK 0 / 22 / 85 / 71

HEX #4A3A0B

RGB 74 58 11

HSL 44.76, 0.74%, 0.17%

LAB 25.28, 1.57, 29.93

 

CMYK 0 / 16 / 67 / 64

HEX #5B4C1E

RGB 91 76 30

HSL 45.25, 0.5%, 0.24%

LAB 32.89, 0.17, 29.03

 

CMYK 0 / 13 / 55 / 58

HEX #6C5E31

RGB 108 94 49

HSL 45.76, 0.38%, 0.31%

LAB 40.27, -0.81, 27.65

 

CMYK 0 / 10 / 46 / 51

HEX #7D7044

RGB 125 112 68

HSL 46.32, 0.3%, 0.38%

LAB 47.45, -1.53, 26.26

 

CMYK 0 / 8 / 39 / 44

HEX #8E8257

RGB 142 130 87

HSL 46.91, 0.24%, 0.45%

LAB 54.45, -2.09, 24.94

 

CMYK 0 / 16 / 77 / 73

HEX #453A10

RGB 69 58 16

HSL 47.55, 0.62%, 0.17%

LAB 24.73, -0.76, 26.84

 

CMYK 0 / 23 / 100 / 80

HEX #342800

RGB 52 40 0

HSL 46.15, 1%, 0.1%

LAB 16.74, 0.85, 24.29

 

CMYK 0 / 37 / 100 / 86

HEX #231600

RGB 35 22 0

HSL 37.71, 1%, 0.07%

LAB 8.4, 3.64, 12.66

 

CMYK 0 / 78 / 100 / 93

HEX #120400

RGB 18 4 0

HSL 13.33, 1%, 0.04%

LAB 1.95, 3.61, 2.98

 

CMYK 0 / 100 / 100 / 100

HEX #010000

RGB 1 0 0

HSL 0, 1%, 0%

LAB 0.06, 0.26, 0.09

 

CMYK 0 / 16 / 77 / 73

HEX #463B10

RGB 70 59 16

HSL 47.78, 0.63%, 0.17%

LAB 25.16, -0.88, 27.31

 

CMYK 0 / 37 / 77 / 73

HEX #462C10

RGB 70 44 16

HSL 31.11, 0.63%, 0.17%

LAB 20.6, 8.91, 22.49

 

CMYK 0 / 57 / 77 / 73

HEX #461E10

RGB 70 30 16

HSL 15.56, 0.63%, 0.17%

LAB 16.84, 17.94, 18.08

 

CMYK 0 / 77 / 77 / 73

HEX #461010

RGB 70 16 16

HSL 0, 0.63%, 0.17%

LAB 13.89, 25.69, 14.32

 

CMYK 0 / 16 / 77 / 73

HEX #463B10

RGB 70 59 16

HSL 47.78, 0.63%, 0.17%

LAB 25.16, -0.88, 27.31

 

CMYK 6 / 0 / 77 / 73

HEX #424610

RGB 66 70 16

HSL 64.44, 0.63%, 0.17%

LAB 28.32, -9.73, 30.37

 

CMYK 26 / 0 / 77 / 73

HEX #344610

RGB 52 70 16

HSL 80, 0.63%, 0.17%

LAB 27.15, -16.54, 28.82

 

CMYK 47 / 0 / 77 / 73

HEX #254610

RGB 37 70 16

HSL 96.67, 0.63%, 0.17%

LAB 26.19, -23.02, 27.52

 

CMYK 67 / 0 / 77 / 73

HEX #174610

RGB 23 70 16

HSL 112.22, 0.63%, 0.17%

LAB 25.56, -27.78, 26.67

 

CMYK 0 / 16 / 77 / 73

HEX #463B10

RGB 70 59 16

HSL 47.78, 0.63%, 0.17%

LAB 25.16, -0.88, 27.31

 

CMYK 0 / 18 / 88 / 70

HEX #4D3F09

RGB 77 63 9

HSL 47.65, 0.79%, 0.17%

LAB 27.16, -0.13, 32.6

 

CMYK 0 / 20 / 98 / 67

HEX #544302

RGB 84 67 2

HSL 47.56, 0.95%, 0.17%

LAB 29.17, 0.73, 37.45

 

CMYK 0 / 16 / 77 / 73

HEX #463B10

RGB 70 59 16

HSL 47.78, 0.63%, 0.17%

LAB 25.16, -0.88, 27.31

 

CMYK 0 / 14 / 63 / 75

HEX #3F3617

RGB 63 54 23

HSL 46.5, 0.47%, 0.17%

LAB 22.85, -0.74, 20.69

 

CMYK 0 / 11 / 46 / 78

HEX #38321E

RGB 56 50 30

HSL 46.15, 0.3%, 0.17%

LAB 20.89, -0.88, 13.71

 

CMYK 0 / 6 / 24 / 81

HEX #312E25

RGB 49 46 37

HSL 45, 0.14%, 0.17%

LAB 18.97, -0.53, 6.3

 

CMYK 5 / 5 / 0 / 83

HEX #2A2A2C

RGB 42 42 44

HSL 240, 0.02%, 0.17%

LAB 17.13, 0.49, -1.3

 

CMYK 0 / 59 / 77 / 73

HEX #461D10

RGB 70 29 16

HSL 14.44, 0.63%, 0.17%

LAB 16.59, 18.55, 17.78

 

CMYK 0 / 37 / 77 / 73

HEX #462C10

RGB 70 44 16

HSL 31.11, 0.63%, 0.17%

LAB 20.6, 8.91, 22.49

 

CMYK 0 / 17 / 77 / 73

HEX #463A10

RGB 70 58 16

HSL 46.67, 0.63%, 0.17%

LAB 24.85, -0.24, 26.99

 

CMYK 4 / 0 / 77 / 73

HEX #434610

RGB 67 70 16

HSL 63.33, 0.63%, 0.17%

LAB 28.41, -9.23, 30.5

 

CMYK 24 / 0 / 77 / 73

HEX #354610

RGB 53 70 16

HSL 78.89, 0.63%, 0.17%

LAB 27.23, -16.08, 28.92

 

CMYK 0 / 33 / 100 / 99

HEX #030200

RGB 3 2 0

HSL 40, 1%, 0.01%

LAB 0.57, -0.02, 0.85

 

CMYK 0 / 17 / 78 / 86

HEX #241E08

RGB 36 30 8

HSL 47.14, 0.64%, 0.09%

LAB 11.42, -0.63, 13.69

 

CMYK 0 / 16 / 77 / 73

HEX #463B10

RGB 70 59 16

HSL 47.78, 0.63%, 0.17%

LAB 25.16, -0.88, 27.31

 

CMYK 0 / 16 / 77 / 60

HEX #675718

RGB 103 87 24

HSL 47.85, 0.62%, 0.25%

LAB 37.42, -0.96, 37.09

 

CMYK 0 / 16 / 77 / 46

HEX #897320

RGB 137 115 32

HSL 47.43, 0.62%, 0.33%

LAB 49.11, -0.56, 46.34

 

CMYK 0 / 16 / 77 / 73

HEX #453A10

RGB 69 58 16

HSL 47.55, 0.62%, 0.17%

LAB 24.73, -0.76, 26.84

 

CMYK 76 / 0 / 77 / 73

HEX #114610

RGB 17 70 16

HSL 118.89, 0.63%, 0.17%

LAB 25.37, -29.34, 26.42

 

CMYK 47 / 77 / 0 / 73

HEX #251046

RGB 37 16 70

HSL 263.33, 0.63%, 0.17%

LAB 10.6, 24.6, -29.9

 

CMYK 0 / 16 / 77 / 73

HEX #453A10

RGB 69 58 16

HSL 47.55, 0.62%, 0.17%

LAB 24.73, -0.76, 26.84

 

CMYK 77 / 0 / 17 / 73

HEX #10463A

RGB 16 70 58

HSL 166.67, 0.63%, 0.17%

LAB 26.15, -20.76, 2.2

 

CMYK 17 / 77 / 0 / 73

HEX #3A1046

RGB 58 16 70

HSL 286.67, 0.63%, 0.17%

LAB 13.9, 29.77, -24.41

 

CMYK 0 / 16 / 77 / 73

HEX #453A10

RGB 69 58 16

HSL 47.55, 0.62%, 0.17%

LAB 24.73, -0.76, 26.84

 

CMYK 76 / 0 / 77 / 73

HEX #114610

RGB 17 70 16

HSL 118.89, 0.63%, 0.17%

LAB 25.37, -29.34, 26.42

 

CMYK 77 / 60 / 0 / 73

HEX #101C46

RGB 16 28 70

HSL 226.67, 0.63%, 0.17%

LAB 11.84, 11.62, -27.97

 

CMYK 1 / 77 / 0 / 73

HEX #451046

RGB 69 16 70

HSL 298.89, 0.63%, 0.17%

LAB 15.89, 32.68, -21.11

 

CMYK 0 / 16 / 77 / 73

HEX #453A10

RGB 69 58 16

HSL 47.55, 0.62%, 0.17%

LAB 24.73, -0.76, 26.84

 

CMYK 77 / 0 / 56 / 73

HEX #10461F

RGB 16 70 31

HSL 136.67, 0.63%, 0.17%

LAB 25.53, -27.38, 18.47

 

CMYK 77 / 60 / 0 / 73

HEX #101C46

RGB 16 28 70

HSL 226.67, 0.63%, 0.17%

LAB 11.84, 11.62, -27.97

 

CMYK 0 / 77 / 23 / 73

HEX #461036

RGB 70 16 54

HSL 317.78, 0.63%, 0.17%

LAB 15.16, 30.05, -10.97

 

Description

Color code: RGB 69 58 16 | qconv.com Color code: RGB 69 58 16 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 58 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 58 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 77 yellow and 73 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 77% 73% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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