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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 69 179 77 it is the complementary color RGB 186 76 178. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 69 179 77. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 69 179 77 shade: RGB 74 179 72, RGB 91 197 91, RGB 108 215 110, RGB 125 233 129 and RGB 142 251 148

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 69 179 77. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 69 179 77 shade: RGB 69 179 77, RGB 52 161 58, RGB 35 143 39, RGB 18 125 20 and RGB 1 107 1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 69 179 77 shade: RGB 69 179 77, RGB 91 179 69, RGB 121 179 69, RGB 150 179 69 and RGB 179 179 69

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 69 179 77 shade: RGB 69 179 77, RGB 69 179 107, RGB 69 179 137, RGB 69 179 166 and RGB 69 163 179

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 69 179 77 shade matches the following richer shades: RGB 69 179 77, RGB 49 200 60, RGB 29 220 43 and RGB 9 240 26

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 69 179 77 shade: RGB 69 179 77, RGB 90 159 95, RGB 110 139 112, RGB 130 119 129 and RGB 150 99 147

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 69 179 77 shade: RGB 121 179 69, RGB 91 179 69, RGB 69 179 77, RGB 69 179 106 and RGB 69 179 135

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 69 179 77 shade: RGB 46 120 52, RGB 58 150 65, RGB 69 179 77, RGB 97 193 104 and RGB 127 205 132

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 69 179 77 shade: RGB 69 179 77, RGB 69 150 179 and RGB 179 69 106

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 69 179 77 shade: RGB 69 179 77, RGB 77 69 179 and RGB 179 77 69

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 69 179 77 shade: RGB 69 179 77, RGB 69 150 179, RGB 179 69 172 and RGB 179 99 69

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 69 179 77 shade: RGB 69 179 77, RGB 69 117 179, RGB 179 69 172 and RGB 179 132 69

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 57 / 30

HEX #45B34D

RGB 69 179 77

HSL 124.36, 0.44%, 0.49%

LAB 65, -52.15, 42.33

 

Complementary color

CMYK 0 / 59 / 4 / 27

HEX #BA4CB2

RGB 186 76 178

HSL 304.36, 0.44%, 0.51%

LAB 50.48, 57.15, -33.39

 

CMYK 59 / 0 / 60 / 30

HEX #4AB348

RGB 74 179 72

HSL 118.88, 0.43%, 0.49%

LAB 65.09, -51.58, 44.83

 

CMYK 54 / 0 / 54 / 23

HEX #5BC55B

RGB 91 197 91

HSL 120, 0.48%, 0.56%

LAB 71.5, -51.86, 43.58

 

CMYK 50 / 0 / 49 / 16

HEX #6CD76E

RGB 108 215 110

HSL 121.12, 0.57%, 0.63%

LAB 77.82, -51.94, 42.29

 

CMYK 46 / 0 / 45 / 9

HEX #7DE981

RGB 125 233 129

HSL 122.22, 0.71%, 0.7%

LAB 84.08, -51.89, 41.02

 

CMYK 43 / 0 / 41 / 2

HEX #8EFB94

RGB 142 251 148

HSL 123.3, 0.93%, 0.77%

LAB 90.27, -51.76, 39.78

 

CMYK 61 / 0 / 57 / 30

HEX #45B34D

RGB 69 179 77

HSL 124.36, 0.44%, 0.49%

LAB 65, -52.15, 42.33

 

CMYK 68 / 0 / 64 / 37

HEX #34A13A

RGB 52 161 58

HSL 123.3, 0.51%, 0.42%

LAB 58.53, -51.51, 43.58

 

CMYK 76 / 0 / 73 / 44

HEX #238F27

RGB 35 143 39

HSL 122.22, 0.61%, 0.35%

LAB 52, -50.34, 44.53

 

CMYK 86 / 0 / 84 / 51

HEX #127D14

RGB 18 125 20

HSL 121.12, 0.75%, 0.28%

LAB 45.42, -48.32, 44.69

 

CMYK 99 / 0 / 99 / 58

HEX #016B01

RGB 1 107 1

HSL 120, 0.98%, 0.21%

LAB 38.77, -45.34, 43.65

 

CMYK 61 / 0 / 57 / 30

HEX #45B34D

RGB 69 179 77

HSL 124.36, 0.44%, 0.49%

LAB 65, -52.15, 42.33

 

CMYK 49 / 0 / 61 / 30

HEX #5BB345

RGB 91 179 69

HSL 108, 0.44%, 0.49%

LAB 65.67, -47.32, 47.01

 

CMYK 32 / 0 / 61 / 30

HEX #79B345

RGB 121 179 69

HSL 91.64, 0.44%, 0.49%

LAB 67.08, -37.39, 48.98

 

CMYK 16 / 0 / 61 / 30

HEX #96B345

RGB 150 179 69

HSL 75.82, 0.44%, 0.49%

LAB 68.86, -26.22, 51.45

 

CMYK 0 / 0 / 61 / 30

HEX #B3B345

RGB 179 179 69

HSL 60, 0.44%, 0.49%

LAB 71.05, -14.15, 54.46

 

CMYK 61 / 0 / 57 / 30

HEX #45B34D

RGB 69 179 77

HSL 124.36, 0.44%, 0.49%

LAB 65, -52.15, 42.33

 

CMYK 61 / 0 / 40 / 30

HEX #45B36B

RGB 69 179 107

HSL 140.73, 0.44%, 0.49%

LAB 65.41, -47.54, 27.7

 

CMYK 61 / 0 / 23 / 30

HEX #45B389

RGB 69 179 137

HSL 157.09, 0.44%, 0.49%

LAB 65.99, -41.43, 12.29

 

CMYK 61 / 0 / 7 / 30

HEX #45B3A6

RGB 69 179 166

HSL 172.91, 0.44%, 0.49%

LAB 66.72, -34.24, -2.66

 

CMYK 61 / 9 / 0 / 30

HEX #45A3B3

RGB 69 163 179

HSL 188.73, 0.44%, 0.49%

LAB 62.27, -22.7, -16.56

 

CMYK 61 / 0 / 57 / 30

HEX #45B34D

RGB 69 179 77

HSL 124.36, 0.44%, 0.49%

LAB 65, -52.15, 42.33

 

CMYK 76 / 0 / 70 / 22

HEX #31C83C

RGB 49 200 60

HSL 124.37, 0.61%, 0.49%

LAB 71.07, -64.91, 56.3

 

CMYK 87 / 0 / 80 / 14

HEX #1DDC2B

RGB 29 220 43

HSL 124.4, 0.77%, 0.49%

LAB 77.05, -74.31, 67.71

 

CMYK 96 / 0 / 89 / 6

HEX #09F01A

RGB 9 240 26

HSL 124.42, 0.93%, 0.49%

LAB 83.15, -81.52, 76.76

 

CMYK 61 / 0 / 57 / 30

HEX #45B34D

RGB 69 179 77

HSL 124.36, 0.44%, 0.49%

LAB 65, -52.15, 42.33

 

CMYK 43 / 0 / 40 / 38

HEX #5A9F5F

RGB 90 159 95

HSL 124.35, 0.28%, 0.49%

LAB 59.7, -35.61, 26.76

 

CMYK 21 / 0 / 19 / 45

HEX #6E8B70

RGB 110 139 112

HSL 124.14, 0.12%, 0.49%

LAB 55.02, -15.9, 11.12

 

CMYK 0 / 8 / 1 / 49

HEX #827781

RGB 130 119 129

HSL 305.45, 0.04%, 0.49%

LAB 51.3, 6.16, -3.93

 

CMYK 0 / 34 / 2 / 41

HEX #966393

RGB 150 99 147

HSL 303.53, 0.2%, 0.49%

LAB 48.9, 28.66, -17.97

 

CMYK 32 / 0 / 61 / 30

HEX #79B345

RGB 121 179 69

HSL 91.64, 0.44%, 0.49%

LAB 67.08, -37.39, 48.98

 

CMYK 49 / 0 / 61 / 30

HEX #5BB345

RGB 91 179 69

HSL 108, 0.44%, 0.49%

LAB 65.67, -47.32, 47.01

 

CMYK 61 / 0 / 57 / 30

HEX #45B34D

RGB 69 179 77

HSL 124.36, 0.44%, 0.49%

LAB 65, -52.15, 42.33

 

CMYK 61 / 0 / 41 / 30

HEX #45B36A

RGB 69 179 106

HSL 140.18, 0.44%, 0.49%

LAB 65.39, -47.72, 28.21

 

CMYK 61 / 0 / 25 / 30

HEX #45B387

RGB 69 179 135

HSL 156, 0.44%, 0.49%

LAB 65.95, -41.88, 13.33

 

CMYK 62 / 0 / 57 / 53

HEX #2E7834

RGB 46 120 52

HSL 124.86, 0.45%, 0.33%

LAB 44.61, -37.96, 30.31

 

CMYK 61 / 0 / 57 / 41

HEX #3A9641

RGB 58 150 65

HSL 124.57, 0.44%, 0.41%

LAB 55.17, -45.21, 36.43

 

CMYK 61 / 0 / 57 / 30

HEX #45B34D

RGB 69 179 77

HSL 124.36, 0.44%, 0.49%

LAB 65, -52.15, 42.33

 

CMYK 50 / 0 / 46 / 24

HEX #61C168

RGB 97 193 104

HSL 124.38, 0.44%, 0.57%

LAB 70.65, -46.86, 36.19

 

CMYK 38 / 0 / 36 / 20

HEX #7FCD84

RGB 127 205 132

HSL 123.85, 0.44%, 0.65%

LAB 75.97, -38.91, 28.98

 

CMYK 61 / 0 / 57 / 30

HEX #45B34D

RGB 69 179 77

HSL 124.36, 0.44%, 0.49%

LAB 65, -52.15, 42.33

 

CMYK 61 / 16 / 0 / 30

HEX #4596B3

RGB 69 150 179

HSL 195.82, 0.44%, 0.49%

LAB 58.35, -15.84, -22.53

 

CMYK 0 / 61 / 41 / 30

HEX #B3456A

RGB 179 69 106

HSL 339.82, 0.44%, 0.49%

LAB 45.47, 48.06, 2.05

 

CMYK 61 / 0 / 57 / 30

HEX #45B34D

RGB 69 179 77

HSL 124.36, 0.44%, 0.49%

LAB 65, -52.15, 42.33

 

CMYK 57 / 61 / 0 / 30

HEX #4D45B3

RGB 77 69 179

HSL 244.36, 0.44%, 0.49%

LAB 36.15, 34.94, -57.6

 

CMYK 0 / 57 / 61 / 30

HEX #B34D45

RGB 179 77 69

HSL 4.36, 0.44%, 0.49%

LAB 46.07, 40.92, 25.36

 

CMYK 61 / 0 / 57 / 30

HEX #45B34D

RGB 69 179 77

HSL 124.36, 0.44%, 0.49%

LAB 65, -52.15, 42.33

 

CMYK 61 / 16 / 0 / 30

HEX #4596B3

RGB 69 150 179

HSL 195.82, 0.44%, 0.49%

LAB 58.35, -15.84, -22.53

 

CMYK 0 / 61 / 4 / 30

HEX #B345AC

RGB 179 69 172

HSL 303.82, 0.44%, 0.49%

LAB 48.03, 57.35, -33.78

 

CMYK 0 / 45 / 61 / 30

HEX #B36345

RGB 179 99 69

HSL 16.36, 0.44%, 0.49%

LAB 50.61, 29.46, 31.04

 

CMYK 61 / 0 / 57 / 30

HEX #45B34D

RGB 69 179 77

HSL 124.36, 0.44%, 0.49%

LAB 65, -52.15, 42.33

 

CMYK 61 / 35 / 0 / 30

HEX #4575B3

RGB 69 117 179

HSL 213.82, 0.44%, 0.49%

LAB 48.56, 3.16, -37.75

 

CMYK 0 / 61 / 4 / 30

HEX #B345AC

RGB 179 69 172

HSL 303.82, 0.44%, 0.49%

LAB 48.03, 57.35, -33.78

 

CMYK 0 / 26 / 61 / 30

HEX #B38445

RGB 179 132 69

HSL 34.36, 0.44%, 0.49%

LAB 58.52, 11.14, 40.48

 

Description

Color code: RGB 69 179 77 | qconv.com Color code: RGB 69 179 77 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 179 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 179 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 57 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 57% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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