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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 71 114 183 it is the complementary color RGB 184 141 72. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 71 114 183. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 71 114 183 shade: RGB 76 114 178, RGB 93 132 197, RGB 110 150 216, RGB 127 168 235 and RGB 144 186 254

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 71 114 183. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 71 114 183 shade: RGB 71 114 183, RGB 54 96 164, RGB 37 78 145, RGB 20 60 126 and RGB 3 42 107

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 71 114 183 shade: RGB 71 114 183, RGB 71 84 183, RGB 88 71 183, RGB 119 71 183 and RGB 149 71 183

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 71 114 183 shade: RGB 71 114 183, RGB 71 84 183 and RGB 71 71 183

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 71 114 183 shade matches the following richer shades: RGB 71 114 183, RGB 50 109 204, RGB 30 104 224 and RGB 9 100 245

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 71 114 183 shade: RGB 71 114 183, RGB 92 119 162, RGB 112 124 142, RGB 133 128 121 and RGB 153 133 101

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 71 114 183 shade: RGB 71 176 183, RGB 71 146 183, RGB 71 116 183, RGB 71 86 183 and RGB 86 71 183

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 71 114 183 shade: RGB 48 77 124, RGB 59 95 153, RGB 71 114 183, RGB 101 137 195 and RGB 130 159 206

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 71 114 183 shade: RGB 71 114 183, RGB 161 71 183 and RGB 161 183 71

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 71 114 183 shade: RGB 71 114 183, RGB 183 71 116 and RGB 116 183 71

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 71 114 183 shade: RGB 71 114 183, RGB 161 71 183, RGB 183 138 71 and RGB 93 183 71

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 71 114 183 shade: RGB 71 114 183, RGB 183 71 172, RGB 183 138 71 and RGB 71 183 82

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 38 / 0 / 28

HEX #4772B7

RGB 71 114 183

HSL 216.96, 0.44%, 0.5%

LAB 48, 6.76, -40.95

 

Complementary color

CMYK 0 / 23 / 61 / 28

HEX #B88D48

RGB 184 141 72

HSL 36.96, 0.44%, 0.5%

LAB 61.4, 8.54, 42.44

 

CMYK 57 / 36 / 0 / 30

HEX #4C72B2

RGB 76 114 178

HSL 217.65, 0.4%, 0.5%

LAB 47.99, 6.09, -38.05

 

CMYK 53 / 33 / 0 / 23

HEX #5D84C5

RGB 93 132 197

HSL 217.5, 0.47%, 0.57%

LAB 54.93, 5.14, -37.98

 

CMYK 49 / 31 / 0 / 15

HEX #6E96D8

RGB 110 150 216

HSL 217.36, 0.58%, 0.64%

LAB 61.73, 4.38, -37.94

 

CMYK 46 / 29 / 0 / 8

HEX #7FA8EB

RGB 127 168 235

HSL 217.22, 0.73%, 0.71%

LAB 68.4, 3.75, -37.94

 

CMYK 43 / 27 / 0 / 0

HEX #90BAFE

RGB 144 186 254

HSL 217.09, 0.98%, 0.78%

LAB 74.95, 3.21, -37.98

 

CMYK 61 / 38 / 0 / 28

HEX #4772B7

RGB 71 114 183

HSL 216.96, 0.44%, 0.5%

LAB 48, 6.76, -40.95

 

CMYK 67 / 41 / 0 / 36

HEX #3660A4

RGB 54 96 164

HSL 217.09, 0.5%, 0.43%

LAB 40.95, 8.17, -41.07

 

CMYK 74 / 46 / 0 / 43

HEX #254E91

RGB 37 78 145

HSL 217.22, 0.59%, 0.36%

LAB 33.75, 10.03, -41.2

 

CMYK 84 / 52 / 0 / 51

HEX #143C7E

RGB 20 60 126

HSL 217.36, 0.73%, 0.29%

LAB 26.41, 12.57, -41.29

 

CMYK 97 / 61 / 0 / 58

HEX #032A6B

RGB 3 42 107

HSL 217.5, 0.95%, 0.22%

LAB 18.96, 15.97, -41.28

 

CMYK 61 / 38 / 0 / 28

HEX #4772B7

RGB 71 114 183

HSL 216.96, 0.44%, 0.5%

LAB 48, 6.76, -40.95

 

CMYK 61 / 54 / 0 / 28

HEX #4754B7

RGB 71 84 183

HSL 233.04, 0.44%, 0.5%

LAB 39.75, 25.74, -54.16

 

CMYK 52 / 61 / 0 / 28

HEX #5847B7

RGB 88 71 183

HSL 249.11, 0.44%, 0.5%

LAB 37.84, 37.07, -57.18

 

CMYK 35 / 61 / 0 / 28

HEX #7747B7

RGB 119 71 183

HSL 265.71, 0.44%, 0.5%

LAB 40.97, 43.72, -51.97

 

CMYK 19 / 61 / 0 / 28

HEX #9547B7

RGB 149 71 183

HSL 281.79, 0.44%, 0.5%

LAB 44.68, 50.9, -45.82

 

CMYK 61 / 38 / 0 / 28

HEX #4772B7

RGB 71 114 183

HSL 216.96, 0.44%, 0.5%

LAB 48, 6.76, -40.95

 

CMYK 61 / 54 / 0 / 28

HEX #4754B7

RGB 71 84 183

HSL 233.04, 0.44%, 0.5%

LAB 39.75, 25.74, -54.16

 

CMYK 61 / 61 / 0 / 28

HEX #4747B7

RGB 71 71 183

HSL 240, 0.44%, 0.5%

LAB 36.49, 33.98, -59.44

 

CMYK 61 / 38 / 0 / 28

HEX #4772B7

RGB 71 114 183

HSL 216.96, 0.44%, 0.5%

LAB 48, 6.76, -40.95

 

CMYK 75 / 47 / 0 / 20

HEX #326DCC

RGB 50 109 204

HSL 217.01, 0.61%, 0.5%

LAB 46.94, 14.14, -54.79

 

CMYK 87 / 54 / 0 / 12

HEX #1E68E0

RGB 30 104 224

HSL 217.11, 0.76%, 0.5%

LAB 46.39, 23.13, -67.1

 

CMYK 96 / 59 / 0 / 4

HEX #0964F5

RGB 9 100 245

HSL 216.86, 0.93%, 0.5%

LAB 46.66, 32.89, -78.48

 

CMYK 61 / 38 / 0 / 28

HEX #4772B7

RGB 71 114 183

HSL 216.96, 0.44%, 0.5%

LAB 48, 6.76, -40.95

 

CMYK 43 / 27 / 0 / 36

HEX #5C77A2

RGB 92 119 162

HSL 216.86, 0.28%, 0.5%

LAB 49.59, 1.91, -26.16

 

CMYK 21 / 13 / 0 / 44

HEX #707C8E

RGB 112 124 142

HSL 216, 0.12%, 0.5%

LAB 51.63, -0.31, -11.23

 

CMYK 0 / 4 / 9 / 48

HEX #858079

RGB 133 128 121

HSL 35, 0.05%, 0.5%

LAB 53.82, 0.57, 4.46

 

CMYK 0 / 13 / 34 / 40

HEX #998565

RGB 153 133 101

HSL 36.92, 0.2%, 0.5%

LAB 56.57, 2.66, 20.07

 

CMYK 61 / 4 / 0 / 28

HEX #47B0B7

RGB 71 176 183

HSL 183.75, 0.44%, 0.5%

LAB 66.37, -27.72, -12.59

 

CMYK 61 / 20 / 0 / 28

HEX #4792B7

RGB 71 146 183

HSL 199.82, 0.44%, 0.5%

LAB 57.38, -12.01, -26.28

 

CMYK 61 / 37 / 0 / 28

HEX #4774B7

RGB 71 116 183

HSL 215.89, 0.44%, 0.5%

LAB 48.57, 5.53, -40.05

 

CMYK 61 / 53 / 0 / 28

HEX #4756B7

RGB 71 86 183

HSL 231.96, 0.44%, 0.5%

LAB 40.27, 24.46, -53.32

 

CMYK 53 / 61 / 0 / 28

HEX #5647B7

RGB 86 71 183

HSL 248.04, 0.44%, 0.5%

LAB 37.67, 36.68, -57.47

 

CMYK 61 / 38 / 0 / 51

HEX #304D7C

RGB 48 77 124

HSL 217.11, 0.44%, 0.34%

LAB 32.68, 4.73, -29.94

 

CMYK 61 / 38 / 0 / 40

HEX #3B5F99

RGB 59 95 153

HSL 217.02, 0.44%, 0.42%

LAB 40.27, 5.8, -35.58

 

CMYK 61 / 38 / 0 / 28

HEX #4772B7

RGB 71 114 183

HSL 216.96, 0.44%, 0.5%

LAB 48, 6.76, -40.95

 

CMYK 48 / 30 / 0 / 24

HEX #6589C3

RGB 101 137 195

HSL 217.02, 0.44%, 0.58%

LAB 56.68, 3.46, -34.07

 

CMYK 37 / 23 / 0 / 19

HEX #829FCE

RGB 130 159 206

HSL 217.11, 0.44%, 0.66%

LAB 64.96, 1.54, -27.27

 

CMYK 61 / 38 / 0 / 28

HEX #4772B7

RGB 71 114 183

HSL 216.96, 0.44%, 0.5%

LAB 48, 6.76, -40.95

 

CMYK 12 / 61 / 0 / 28

HEX #A147B7

RGB 161 71 183

HSL 288.21, 0.44%, 0.5%

LAB 46.31, 53.88, -43.12

 

CMYK 12 / 0 / 61 / 28

HEX #A1B747

RGB 161 183 71

HSL 71.79, 0.44%, 0.5%

LAB 70.8, -23.54, 52.92

 

CMYK 61 / 38 / 0 / 28

HEX #4772B7

RGB 71 114 183

HSL 216.96, 0.44%, 0.5%

LAB 48, 6.76, -40.95

 

CMYK 0 / 61 / 37 / 28

HEX #B74774

RGB 183 71 116

HSL 335.89, 0.44%, 0.5%

LAB 46.76, 49.57, -2.1

 

CMYK 37 / 0 / 61 / 28

HEX #74B747

RGB 116 183 71

HSL 95.89, 0.44%, 0.5%

LAB 68.05, -40.75, 49.1

 

CMYK 61 / 38 / 0 / 28

HEX #4772B7

RGB 71 114 183

HSL 216.96, 0.44%, 0.5%

LAB 48, 6.76, -40.95

 

CMYK 12 / 61 / 0 / 28

HEX #A147B7

RGB 161 71 183

HSL 288.21, 0.44%, 0.5%

LAB 46.31, 53.88, -43.12

 

CMYK 0 / 25 / 61 / 28

HEX #B78A47

RGB 183 138 71

HSL 35.89, 0.44%, 0.5%

LAB 60.52, 9.69, 41.89

 

CMYK 49 / 0 / 61 / 28

HEX #5DB747

RGB 93 183 71

HSL 108.21, 0.44%, 0.5%

LAB 67.01, -48.12, 47.65

 

CMYK 61 / 38 / 0 / 28

HEX #4772B7

RGB 71 114 183

HSL 216.96, 0.44%, 0.5%

LAB 48, 6.76, -40.95

 

CMYK 0 / 61 / 6 / 28

HEX #B747AC

RGB 183 71 172

HSL 305.89, 0.44%, 0.5%

LAB 48.95, 57.54, -32.3

 

CMYK 0 / 25 / 61 / 28

HEX #B78A47

RGB 183 138 71

HSL 35.89, 0.44%, 0.5%

LAB 60.52, 9.69, 41.89

 

CMYK 61 / 0 / 55 / 28

HEX #47B752

RGB 71 183 82

HSL 125.89, 0.44%, 0.5%

LAB 66.38, -52.55, 41.6

 

Description

Color code: RGB 71 114 183 | qconv.com Color code: RGB 71 114 183 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 114 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 114 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 38 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 38% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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