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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 77 172 118 it is the complementary color RGB 178 83 137. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 77 172 118. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 77 172 118 shade: RGB 82 172 113, RGB 99 190 132, RGB 116 208 151, RGB 133 226 170 and RGB 150 244 189

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 77 172 118. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 77 172 118 shade: RGB 77 172 118, RGB 60 154 99, RGB 43 136 80, RGB 26 118 61 and RGB 9 100 42

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 77 172 118 shade: RGB 77 172 118, RGB 77 172 92, RGB 87 172 77, RGB 113 172 77 and RGB 138 172 77

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 77 172 118 shade: RGB 77 172 118, RGB 77 172 144, RGB 77 172 169, RGB 77 149 172 and RGB 77 123 172

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 77 172 118 shade matches the following richer shades: RGB 77 172 118, RGB 57 192 115, RGB 37 212 112 and RGB 16 233 110

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 77 172 118 shade: RGB 77 172 118, RGB 97 152 121, RGB 117 131 123, RGB 138 111 126 and RGB 158 91 129

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 77 172 118 shade: RGB 88 172 77, RGB 77 172 91, RGB 77 172 117, RGB 77 172 142 and RGB 77 172 167

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 77 172 118 shade: RGB 51 115 79, RGB 64 143 98, RGB 77 172 118, RGB 103 187 139 and RGB 132 199 161

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 77 172 118 shade: RGB 77 172 118, RGB 77 113 172 and RGB 172 79 77

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 77 172 118 shade: RGB 77 172 118, RGB 117 77 172 and RGB 172 117 77

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 77 172 118 shade: RGB 77 172 118, RGB 77 113 172, RGB 172 77 132 and RGB 172 136 77

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 77 172 118 shade: RGB 77 172 118, RGB 77 85 172, RGB 172 77 132 and RGB 172 164 77

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 31 / 33

HEX #4DAC76

RGB 77 172 118

HSL 145.89, 0.38%, 0.49%

LAB 63.66, -40.71, 19.5

 

Complementary color

CMYK 0 / 53 / 23 / 30

HEX #B25389

RGB 178 83 137

HSL 325.89, 0.38%, 0.51%

LAB 48.83, 45, -11.77

 

CMYK 52 / 0 / 34 / 33

HEX #52AC71

RGB 82 172 113

HSL 140.67, 0.35%, 0.5%

LAB 63.75, -40.45, 22.35

 

CMYK 48 / 0 / 31 / 25

HEX #63BE84

RGB 99 190 132

HSL 141.76, 0.41%, 0.57%

LAB 70.28, -40.29, 21.1

 

CMYK 44 / 0 / 27 / 18

HEX #74D097

RGB 116 208 151

HSL 142.83, 0.49%, 0.64%

LAB 76.71, -40.08, 19.95

 

CMYK 41 / 0 / 25 / 11

HEX #85E2AA

RGB 133 226 170

HSL 143.87, 0.62%, 0.7%

LAB 83.06, -39.84, 18.87

 

CMYK 39 / 0 / 23 / 4

HEX #96F4BD

RGB 150 244 189

HSL 144.89, 0.81%, 0.77%

LAB 89.33, -39.59, 17.87

 

CMYK 55 / 0 / 31 / 33

HEX #4DAC76

RGB 77 172 118

HSL 145.89, 0.38%, 0.49%

LAB 63.66, -40.71, 19.5

 

CMYK 61 / 0 / 36 / 40

HEX #3C9A63

RGB 60 154 99

HSL 144.89, 0.44%, 0.42%

LAB 57.05, -40.69, 20.85

 

CMYK 68 / 0 / 41 / 47

HEX #2B8850

RGB 43 136 80

HSL 143.87, 0.52%, 0.35%

LAB 50.34, -40.45, 22.35

 

CMYK 78 / 0 / 48 / 54

HEX #1A763D

RGB 26 118 61

HSL 142.83, 0.64%, 0.28%

LAB 43.53, -39.8, 24.01

 

CMYK 91 / 0 / 58 / 61

HEX #09642A

RGB 9 100 42

HSL 141.76, 0.83%, 0.21%

LAB 36.63, -38.42, 25.82

 

CMYK 55 / 0 / 31 / 33

HEX #4DAC76

RGB 77 172 118

HSL 145.89, 0.38%, 0.49%

LAB 63.66, -40.71, 19.5

 

CMYK 55 / 0 / 47 / 33

HEX #4DAC5C

RGB 77 172 92

HSL 129.47, 0.38%, 0.49%

LAB 63.22, -45.35, 32.77

 

CMYK 49 / 0 / 55 / 33

HEX #57AC4D

RGB 87 172 77

HSL 113.68, 0.38%, 0.49%

LAB 63.4, -44.73, 40.59

 

CMYK 34 / 0 / 55 / 33

HEX #71AC4D

RGB 113 172 77

HSL 97.26, 0.38%, 0.49%

LAB 64.61, -36.3, 42.32

 

CMYK 20 / 0 / 55 / 33

HEX #8AAC4D

RGB 138 172 77

HSL 81.47, 0.38%, 0.49%

LAB 66.09, -26.91, 44.44

 

CMYK 55 / 0 / 31 / 33

HEX #4DAC76

RGB 77 172 118

HSL 145.89, 0.38%, 0.49%

LAB 63.66, -40.71, 19.5

 

CMYK 55 / 0 / 16 / 33

HEX #4DAC90

RGB 77 172 144

HSL 162.32, 0.38%, 0.49%

LAB 64.24, -34.97, 5.97

 

CMYK 55 / 0 / 2 / 33

HEX #4DACA9

RGB 77 172 169

HSL 178.11, 0.38%, 0.49%

LAB 64.92, -28.55, -6.96

 

CMYK 55 / 13 / 0 / 33

HEX #4D95AC

RGB 77 149 172

HSL 194.53, 0.38%, 0.49%

LAB 58.09, -15.85, -18.93

 

CMYK 55 / 28 / 0 / 33

HEX #4D7BAC

RGB 77 123 172

HSL 210.95, 0.38%, 0.49%

LAB 50.36, -1.1, -30.84

 

CMYK 55 / 0 / 31 / 33

HEX #4DAC76

RGB 77 172 118

HSL 145.89, 0.38%, 0.49%

LAB 63.66, -40.71, 19.5

 

CMYK 70 / 0 / 40 / 25

HEX #39C073

RGB 57 192 115

HSL 145.78, 0.54%, 0.49%

LAB 69.33, -53.41, 28.61

 

CMYK 83 / 0 / 47 / 17

HEX #25D470

RGB 37 212 112

HSL 145.71, 0.7%, 0.49%

LAB 75.23, -63.63, 37.7

 

CMYK 93 / 0 / 53 / 9

HEX #10E96E

RGB 16 233 110

HSL 145.99, 0.87%, 0.49%

LAB 81.57, -72.13, 46.51

 

CMYK 55 / 0 / 31 / 33

HEX #4DAC76

RGB 77 172 118

HSL 145.89, 0.38%, 0.49%

LAB 63.66, -40.71, 19.5

 

CMYK 36 / 0 / 20 / 40

HEX #619879

RGB 97 152 121

HSL 146.18, 0.22%, 0.49%

LAB 58.39, -25.22, 10.65

 

CMYK 11 / 0 / 6 / 49

HEX #75837B

RGB 117 131 123

HSL 145.71, 0.06%, 0.49%

LAB 53.43, -6.78, 2.57

 

CMYK 0 / 20 / 9 / 46

HEX #8A6F7E

RGB 138 111 126

HSL 326.67, 0.11%, 0.49%

LAB 49.83, 13.3, -4.24

 

CMYK 0 / 42 / 18 / 38

HEX #9E5B81

RGB 158 91 129

HSL 325.97, 0.27%, 0.49%

LAB 47.41, 32.75, -9.39

 

CMYK 49 / 0 / 55 / 33

HEX #58AC4D

RGB 88 172 77

HSL 113.05, 0.38%, 0.49%

LAB 63.44, -44.43, 40.65

 

CMYK 55 / 0 / 47 / 33

HEX #4DAC5B

RGB 77 172 91

HSL 128.84, 0.38%, 0.49%

LAB 63.21, -45.51, 33.26

 

CMYK 55 / 0 / 32 / 33

HEX #4DAC75

RGB 77 172 117

HSL 145.26, 0.38%, 0.49%

LAB 63.65, -40.91, 20.02

 

CMYK 55 / 0 / 17 / 33

HEX #4DAC8E

RGB 77 172 142

HSL 161.05, 0.38%, 0.49%

LAB 64.19, -35.45, 7.01

 

CMYK 55 / 0 / 3 / 33

HEX #4DACA7

RGB 77 172 167

HSL 176.84, 0.38%, 0.49%

LAB 64.86, -29.09, -5.93

 

CMYK 56 / 0 / 31 / 55

HEX #33734F

RGB 51 115 79

HSL 146.25, 0.39%, 0.33%

LAB 43.55, -29.57, 13.85

 

CMYK 55 / 0 / 31 / 44

HEX #408F62

RGB 64 143 98

HSL 145.82, 0.38%, 0.41%

LAB 53.62, -35.13, 16.78

 

CMYK 55 / 0 / 31 / 33

HEX #4DAC76

RGB 77 172 118

HSL 145.89, 0.38%, 0.49%

LAB 63.66, -40.71, 19.5

 

CMYK 45 / 0 / 26 / 27

HEX #67BB8B

RGB 103 187 139

HSL 145.71, 0.38%, 0.57%

LAB 69.67, -36.5, 16.53

 

CMYK 34 / 0 / 19 / 22

HEX #84C7A1

RGB 132 199 161

HSL 145.97, 0.37%, 0.65%

LAB 75.03, -29.36, 12.37

 

CMYK 55 / 0 / 31 / 33

HEX #4DAC76

RGB 77 172 118

HSL 145.89, 0.38%, 0.49%

LAB 63.66, -40.71, 19.5

 

CMYK 55 / 34 / 0 / 33

HEX #4D71AC

RGB 77 113 172

HSL 217.26, 0.38%, 0.49%

LAB 47.45, 4.93, -35.4

 

CMYK 0 / 54 / 55 / 33

HEX #AC4F4D

RGB 172 79 77

HSL 1.26, 0.38%, 0.49%

LAB 45.49, 37.92, 19.61

 

CMYK 55 / 0 / 31 / 33

HEX #4DAC76

RGB 77 172 118

HSL 145.89, 0.38%, 0.49%

LAB 63.66, -40.71, 19.5

 

CMYK 32 / 55 / 0 / 33

HEX #754DAC

RGB 117 77 172

HSL 265.26, 0.38%, 0.49%

LAB 41.32, 37.02, -44.93

 

CMYK 0 / 32 / 55 / 33

HEX #AC754D

RGB 172 117 77

HSL 25.26, 0.38%, 0.49%

LAB 54.06, 17.16, 30.64

 

CMYK 55 / 0 / 31 / 33

HEX #4DAC76

RGB 77 172 118

HSL 145.89, 0.38%, 0.49%

LAB 63.66, -40.71, 19.5

 

CMYK 55 / 34 / 0 / 33

HEX #4D71AC

RGB 77 113 172

HSL 217.26, 0.38%, 0.49%

LAB 47.45, 4.93, -35.4

 

CMYK 0 / 55 / 23 / 33

HEX #AC4D84

RGB 172 77 132

HSL 325.26, 0.38%, 0.49%

LAB 46.64, 45.3, -12.16

 

CMYK 0 / 21 / 55 / 33

HEX #AC884D

RGB 172 136 77

HSL 37.26, 0.38%, 0.49%

LAB 58.9, 6.49, 36.59

 

CMYK 55 / 0 / 31 / 33

HEX #4DAC76

RGB 77 172 118

HSL 145.89, 0.38%, 0.49%

LAB 63.66, -40.71, 19.5

 

CMYK 55 / 51 / 0 / 33

HEX #4D55AC

RGB 77 85 172

HSL 234.95, 0.38%, 0.49%

LAB 39.67, 22.55, -47.78

 

CMYK 0 / 55 / 23 / 33

HEX #AC4D84

RGB 172 77 132

HSL 325.26, 0.38%, 0.49%

LAB 46.64, 45.3, -12.16

 

CMYK 0 / 5 / 55 / 33

HEX #ACA44D

RGB 172 164 77

HSL 54.95, 0.38%, 0.49%

LAB 66.41, -8.74, 45.47

 

Description

Color code: RGB 77 172 118 | qconv.com Color code: RGB 77 172 118 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 172 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 172 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 31 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 31% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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