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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 77 196 117 it is the complementary color RGB 178 59 138. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 77 196 117. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 77 196 117 shade: RGB 82 196 112, RGB 99 214 131, RGB 116 232 150, RGB 133 250 169 and RGB 150 255 188

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 77 196 117. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 77 196 117 shade: RGB 77 196 117, RGB 60 178 98, RGB 43 160 79, RGB 26 142 60 and RGB 9 124 41

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 77 196 117 shade: RGB 79 196 118, RGB 79 196 86, RGB 102 196 79, RGB 134 196 79 and RGB 166 196 79

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 77 196 117 shade: RGB 79 196 118, RGB 79 196 150, RGB 79 196 181, RGB 79 179 196 and RGB 79 147 196

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 77 196 117 shade matches the following richer shades: RGB 79 196 118, RGB 60 215 112, RGB 41 234 106 and RGB 22 253 99

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 77 196 117 shade: RGB 79 196 118, RGB 98 177 124, RGB 117 158 130, RGB 135 139 137 and RGB 154 120 143

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 77 196 117 shade: RGB 102 196 79, RGB 79 196 86, RGB 79 196 118, RGB 79 196 149 and RGB 79 196 180

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 77 196 117 shade: RGB 48 144 80, RGB 58 175 97, RGB 79 196 118, RGB 109 206 142 and RGB 140 216 166

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 77 196 117 shade: RGB 77 196 117, RGB 79 133 196 and RGB 196 79 86

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 77 196 117 shade: RGB 77 196 117, RGB 118 79 196 and RGB 196 118 79

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 77 196 117 shade: RGB 77 196 117, RGB 79 133 196, RGB 196 79 157 and RGB 196 141 79

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 77 196 117 shade: RGB 77 196 117, RGB 79 98 196, RGB 196 79 157 and RGB 196 176 79

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 40 / 23

HEX #4DC475

RGB 77 196 117

HSL 140.17, 0.5%, 0.54%

LAB 71.11, -50.83, 29.99

 

Complementary color

CMYK 0 / 67 / 22 / 30

HEX #B23B8A

RGB 178 59 138

HSL 320.17, 0.5%, 0.46%

LAB 44.84, 56.02, -18.44

 

CMYK 58 / 0 / 43 / 23

HEX #52C470

RGB 82 196 112

HSL 135.79, 0.49%, 0.55%

LAB 71.18, -50.58, 32.69

 

CMYK 54 / 0 / 39 / 16

HEX #63D683

RGB 99 214 131

HSL 136.7, 0.58%, 0.61%

LAB 77.51, -50.62, 31.33

 

CMYK 50 / 0 / 35 / 9

HEX #74E896

RGB 116 232 150

HSL 137.59, 0.72%, 0.68%

LAB 83.77, -50.54, 30.05

 

CMYK 47 / 0 / 32 / 2

HEX #85FAA9

RGB 133 250 169

HSL 138.46, 0.92%, 0.75%

LAB 89.96, -50.38, 28.85

 

CMYK 41 / 0 / 26 / 0

HEX #96FFBC

RGB 150 255 188

HSL 141.71, 1%, 0.79%

LAB 92.41, -44.63, 22.67

 

CMYK 61 / 0 / 40 / 23

HEX #4DC475

RGB 77 196 117

HSL 140.17, 0.5%, 0.54%

LAB 71.11, -50.83, 29.99

 

CMYK 66 / 0 / 45 / 30

HEX #3CB262

RGB 60 178 98

HSL 139.32, 0.5%, 0.47%

LAB 64.71, -50.55, 31.45

 

CMYK 73 / 0 / 51 / 37

HEX #2BA04F

RGB 43 160 79

HSL 138.46, 0.58%, 0.4%

LAB 58.25, -49.95, 33.01

 

CMYK 82 / 0 / 58 / 44

HEX #1A8E3C

RGB 26 142 60

HSL 137.59, 0.69%, 0.33%

LAB 51.71, -48.84, 34.62

 

CMYK 93 / 0 / 67 / 51

HEX #097C29

RGB 9 124 41

HSL 136.7, 0.86%, 0.26%

LAB 45.13, -46.94, 36.17

 

CMYK 60 / 0 / 40 / 23

HEX #4FC476

RGB 79 196 118

HSL 140, 0.5%, 0.54%

LAB 71.18, -50.23, 29.58

 

CMYK 60 / 0 / 56 / 23

HEX #4FC456

RGB 79 196 86

HSL 123.59, 0.5%, 0.54%

LAB 70.74, -55.06, 44.96

 

CMYK 48 / 0 / 60 / 23

HEX #66C44F

RGB 102 196 79

HSL 108.21, 0.5%, 0.54%

LAB 71.47, -49.83, 49.22

 

CMYK 32 / 0 / 60 / 23

HEX #86C44F

RGB 134 196 79

HSL 91.79, 0.5%, 0.54%

LAB 72.97, -39.36, 51.32

 

CMYK 15 / 0 / 60 / 23

HEX #A6C44F

RGB 166 196 79

HSL 75.38, 0.5%, 0.54%

LAB 74.92, -27.22, 54.05

 

CMYK 60 / 0 / 40 / 23

HEX #4FC476

RGB 79 196 118

HSL 140, 0.5%, 0.54%

LAB 71.18, -50.23, 29.58

 

CMYK 60 / 0 / 23 / 23

HEX #4FC496

RGB 79 196 150

HSL 156.41, 0.5%, 0.54%

LAB 71.79, -43.85, 13.42

 

CMYK 60 / 0 / 8 / 23

HEX #4FC4B5

RGB 79 196 181

HSL 172.31, 0.5%, 0.54%

LAB 72.55, -36.37, -2.3

 

CMYK 60 / 9 / 0 / 23

HEX #4FB3C4

RGB 79 179 196

HSL 188.72, 0.5%, 0.54%

LAB 67.94, -24.01, -17.4

 

CMYK 60 / 25 / 0 / 23

HEX #4F93C4

RGB 79 147 196

HSL 205.13, 0.5%, 0.54%

LAB 58.52, -6.86, -31.85

 

CMYK 60 / 0 / 40 / 23

HEX #4FC476

RGB 79 196 118

HSL 140, 0.5%, 0.54%

LAB 71.18, -50.23, 29.58

 

CMYK 72 / 0 / 48 / 16

HEX #3CD770

RGB 60 215 112

HSL 140.13, 0.66%, 0.54%

LAB 76.52, -61.83, 39.39

 

CMYK 82 / 0 / 55 / 8

HEX #29EA6A

RGB 41 234 106

HSL 140.21, 0.82%, 0.54%

LAB 82.03, -71.35, 48.97

 

CMYK 91 / 0 / 61 / 1

HEX #16FD63

RGB 22 253 99

HSL 140, 0.98%, 0.54%

LAB 87.64, -79.33, 58.58

 

CMYK 60 / 0 / 40 / 23

HEX #4FC476

RGB 79 196 118

HSL 140, 0.5%, 0.54%

LAB 71.18, -50.23, 29.58

 

CMYK 45 / 0 / 30 / 31

HEX #62B17C

RGB 98 177 124

HSL 139.75, 0.34%, 0.54%

LAB 66.13, -36.26, 19.74

 

CMYK 26 / 0 / 18 / 38

HEX #759E82

RGB 117 158 130

HSL 139.02, 0.17%, 0.54%

LAB 61.52, -19.92, 10.16

 

CMYK 3 / 0 / 1 / 45

HEX #878B89

RGB 135 139 137

HSL 150, 0.02%, 0.54%

LAB 57.48, -1.86, 0.55

 

CMYK 0 / 22 / 7 / 40

HEX #9A788F

RGB 154 120 143

HSL 319.41, 0.14%, 0.54%

LAB 54.33, 17.22, -7.38

 

CMYK 48 / 0 / 60 / 23

HEX #66C44F

RGB 102 196 79

HSL 108.21, 0.5%, 0.54%

LAB 71.47, -49.83, 49.22

 

CMYK 60 / 0 / 56 / 23

HEX #4FC456

RGB 79 196 86

HSL 123.59, 0.5%, 0.54%

LAB 70.74, -55.06, 44.96

 

CMYK 60 / 0 / 40 / 23

HEX #4FC476

RGB 79 196 118

HSL 140, 0.5%, 0.54%

LAB 71.18, -50.23, 29.58

 

CMYK 60 / 0 / 24 / 23

HEX #4FC495

RGB 79 196 149

HSL 155.9, 0.5%, 0.54%

LAB 71.77, -44.08, 13.93

 

CMYK 60 / 0 / 8 / 23

HEX #4FC4B4

RGB 79 196 180

HSL 171.79, 0.5%, 0.54%

LAB 72.52, -36.63, -1.8

 

CMYK 67 / 0 / 44 / 44

HEX #309050

RGB 48 144 80

HSL 140, 0.5%, 0.38%

LAB 53.12, -42.71, 26

 

CMYK 67 / 0 / 45 / 31

HEX #3AAF61

RGB 58 175 97

HSL 140, 0.5%, 0.46%

LAB 63.69, -49.95, 30.65

 

CMYK 60 / 0 / 40 / 23

HEX #4FC476

RGB 79 196 118

HSL 140, 0.5%, 0.54%

LAB 71.18, -50.23, 29.58

 

CMYK 47 / 0 / 31 / 19

HEX #6DCE8E

RGB 109 206 142

HSL 140.41, 0.5%, 0.62%

LAB 75.67, -42.77, 23.21

 

CMYK 35 / 0 / 23 / 15

HEX #8CD8A6

RGB 140 216 166

HSL 140.53, 0.49%, 0.7%

LAB 80.43, -34.03, 17.35

 

CMYK 61 / 0 / 40 / 23

HEX #4DC475

RGB 77 196 117

HSL 140.17, 0.5%, 0.54%

LAB 71.11, -50.83, 29.99

 

CMYK 60 / 32 / 0 / 23

HEX #4F85C4

RGB 79 133 196

HSL 212.31, 0.5%, 0.54%

LAB 54.47, 1.25, -38.18

 

CMYK 0 / 60 / 56 / 23

HEX #C44F56

RGB 196 79 86

HSL 356.41, 0.5%, 0.54%

LAB 49.5, 47.35, 20.22

 

CMYK 61 / 0 / 40 / 23

HEX #4DC475

RGB 77 196 117

HSL 140.17, 0.5%, 0.54%

LAB 71.11, -50.83, 29.99

 

CMYK 40 / 60 / 0 / 23

HEX #764FC4

RGB 118 79 196

HSL 260, 0.5%, 0.54%

LAB 43.4, 42.49, -55.65

 

CMYK 0 / 40 / 60 / 23

HEX #C4764F

RGB 196 118 79

HSL 20, 0.5%, 0.54%

LAB 57.33, 26.83, 34.25

 

CMYK 61 / 0 / 40 / 23

HEX #4DC475

RGB 77 196 117

HSL 140.17, 0.5%, 0.54%

LAB 71.11, -50.83, 29.99

 

CMYK 60 / 32 / 0 / 23

HEX #4F85C4

RGB 79 133 196

HSL 212.31, 0.5%, 0.54%

LAB 54.47, 1.25, -38.18

 

CMYK 0 / 60 / 20 / 23

HEX #C44F9D

RGB 196 79 157

HSL 320, 0.5%, 0.54%

LAB 51.57, 55.31, -19.25

 

CMYK 0 / 28 / 60 / 23

HEX #C48D4F

RGB 196 141 79

HSL 31.79, 0.5%, 0.54%

LAB 62.8, 14.23, 40.86

 

CMYK 61 / 0 / 40 / 23

HEX #4DC475

RGB 77 196 117

HSL 140.17, 0.5%, 0.54%

LAB 71.11, -50.83, 29.99

 

CMYK 60 / 50 / 0 / 23

HEX #4F62C4

RGB 79 98 196

HSL 230.26, 0.5%, 0.54%

LAB 44.78, 22.78, -53.59

 

CMYK 0 / 60 / 20 / 23

HEX #C44F9D

RGB 196 79 157

HSL 320, 0.5%, 0.54%

LAB 51.57, 55.31, -19.25

 

CMYK 0 / 10 / 60 / 23

HEX #C4B04F

RGB 196 176 79

HSL 49.74, 0.5%, 0.54%

LAB 71.79, -4.66, 51.22

 

Description

Color code: RGB 77 196 117 | qconv.com Color code: RGB 77 196 117 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 196 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 196 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 40 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 40% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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