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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 74 113 190 it is the complementary color RGB 181 142 65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 74 113 190. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 74 113 190 shade: RGB 79 113 185, RGB 96 131 204, RGB 113 149 223, RGB 130 167 242 and RGB 147 185 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 74 113 190. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 74 113 190 shade: RGB 74 113 190, RGB 57 95 171, RGB 40 77 152, RGB 23 59 133 and RGB 6 41 114

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 74 113 190 shade: RGB 75 113 190, RGB 75 82 190, RGB 98 75 190, RGB 129 75 190 and RGB 160 75 190

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 74 113 190 shade: RGB 75 113 190, RGB 75 82 190 and RGB 75 75 190

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 74 113 190 shade matches the following richer shades: RGB 75 113 190, RGB 55 107 209, RGB 35 100 229 and RGB 15 94 249

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 74 113 190 shade: RGB 75 113 190, RGB 94 120 170, RGB 114 126 150, RGB 134 133 130 and RGB 154 139 110

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 74 113 190 shade: RGB 75 176 190, RGB 75 146 190, RGB 75 115 190, RGB 75 84 190 and RGB 96 75 190

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 74 113 190 shade: RGB 48 77 134, RGB 59 94 164, RGB 75 113 190, RGB 105 137 201 and RGB 135 161 211

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 74 113 190 shade: RGB 74 113 190, RGB 172 75 190 and RGB 161 190 75

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 74 113 190 shade: RGB 74 113 190, RGB 190 75 115 and RGB 115 190 75

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 74 113 190 shade: RGB 74 113 190, RGB 172 75 190, RGB 190 149 75 and RGB 92 190 75

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 74 113 190 shade: RGB 74 113 190, RGB 190 75 172, RGB 190 149 75 and RGB 75 190 92

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 41 / 0 / 25

HEX #4A71BE

RGB 74 113 190

HSL 219.83, 0.47%, 0.52%

LAB 48.24, 10.36, -44.61

 

Complementary color

CMYK 0 / 22 / 64 / 29

HEX #B58E41

RGB 181 142 65

HSL 39.83, 0.47%, 0.48%

LAB 61.27, 6.19, 45.64

 

CMYK 57 / 39 / 0 / 27

HEX #4F71B9

RGB 79 113 185

HSL 220.75, 0.43%, 0.52%

LAB 48.23, 9.68, -41.72

 

CMYK 53 / 36 / 0 / 20

HEX #6083CC

RGB 96 131 204

HSL 220.56, 0.51%, 0.59%

LAB 55.15, 8.63, -41.59

 

CMYK 49 / 33 / 0 / 13

HEX #7195DF

RGB 113 149 223

HSL 220.36, 0.63%, 0.66%

LAB 61.94, 7.77, -41.49

 

CMYK 46 / 31 / 0 / 5

HEX #82A7F2

RGB 130 167 242

HSL 220.18, 0.81%, 0.73%

LAB 68.6, 7.05, -41.44

 

CMYK 42 / 27 / 0 / 0

HEX #93B9FF

RGB 147 185 255

HSL 218.89, 1%, 0.79%

LAB 74.9, 4.78, -38.58

 

CMYK 61 / 41 / 0 / 25

HEX #4A71BE

RGB 74 113 190

HSL 219.83, 0.47%, 0.52%

LAB 48.24, 10.36, -44.61

 

CMYK 67 / 44 / 0 / 33

HEX #395FAB

RGB 57 95 171

HSL 220, 0.5%, 0.45%

LAB 41.21, 11.89, -44.79

 

CMYK 74 / 49 / 0 / 40

HEX #284D98

RGB 40 77 152

HSL 220.18, 0.58%, 0.38%

LAB 34.04, 13.87, -44.98

 

CMYK 83 / 56 / 0 / 48

HEX #173B85

RGB 23 59 133

HSL 220.36, 0.71%, 0.31%

LAB 26.74, 16.5, -45.12

 

CMYK 95 / 64 / 0 / 55

HEX #062972

RGB 6 41 114

HSL 220.56, 0.9%, 0.24%

LAB 19.39, 19.99, -45.1

 

CMYK 61 / 41 / 0 / 25

HEX #4B71BE

RGB 75 113 190

HSL 220.17, 0.47%, 0.52%

LAB 48.29, 10.56, -44.53

 

CMYK 61 / 57 / 0 / 25

HEX #4B52BE

RGB 75 82 190

HSL 236.35, 0.47%, 0.52%

LAB 40, 30.12, -57.84

 

CMYK 48 / 61 / 0 / 25

HEX #624BBE

RGB 98 75 190

HSL 252, 0.47%, 0.52%

LAB 40.16, 38.81, -57.49

 

CMYK 32 / 61 / 0 / 25

HEX #814BBE

RGB 129 75 190

HSL 268.17, 0.47%, 0.52%

LAB 43.38, 45.65, -52.12

 

CMYK 16 / 61 / 0 / 25

HEX #A04BBE

RGB 160 75 190

HSL 284.35, 0.47%, 0.52%

LAB 47.27, 53.15, -45.69

 

CMYK 61 / 41 / 0 / 25

HEX #4B71BE

RGB 75 113 190

HSL 220.17, 0.47%, 0.52%

LAB 48.29, 10.56, -44.53

 

CMYK 61 / 57 / 0 / 25

HEX #4B52BE

RGB 75 82 190

HSL 236.35, 0.47%, 0.52%

LAB 40, 30.12, -57.84

 

CMYK 61 / 61 / 0 / 25

HEX #4B4BBE

RGB 75 75 190

HSL 240, 0.47%, 0.52%

LAB 38.28, 34.5, -60.63

 

CMYK 61 / 41 / 0 / 25

HEX #4B71BE

RGB 75 113 190

HSL 220.17, 0.47%, 0.52%

LAB 48.29, 10.56, -44.53

 

CMYK 74 / 49 / 0 / 18

HEX #376BD1

RGB 55 107 209

HSL 219.74, 0.63%, 0.52%

LAB 46.88, 17.89, -57.73

 

CMYK 85 / 56 / 0 / 10

HEX #2364E5

RGB 35 100 229

HSL 219.9, 0.79%, 0.52%

LAB 45.81, 27.93, -70.86

 

CMYK 94 / 62 / 0 / 2

HEX #0F5EF9

RGB 15 94 249

HSL 219.74, 0.95%, 0.52%

LAB 45.56, 38.35, -82.52

 

CMYK 61 / 41 / 0 / 25

HEX #4B71BE

RGB 75 113 190

HSL 220.17, 0.47%, 0.52%

LAB 48.29, 10.56, -44.53

 

CMYK 45 / 29 / 0 / 33

HEX #5E78AA

RGB 94 120 170

HSL 219.47, 0.31%, 0.52%

LAB 50.35, 4.23, -29.63

 

CMYK 24 / 16 / 0 / 41

HEX #727E96

RGB 114 126 150

HSL 220, 0.15%, 0.52%

LAB 52.62, 1.15, -14.38

 

CMYK 0 / 1 / 3 / 47

HEX #868582

RGB 134 133 130

HSL 45, 0.02%, 0.52%

LAB 55.54, -0.21, 1.74

 

CMYK 0 / 10 / 29 / 40

HEX #9A8B6E

RGB 154 139 110

HSL 39.55, 0.18%, 0.52%

LAB 58.47, 0.95, 17.58

 

CMYK 61 / 7 / 0 / 25

HEX #4BB0BE

RGB 75 176 190

HSL 187.3, 0.47%, 0.52%

LAB 66.72, -24.97, -15.93

 

CMYK 61 / 23 / 0 / 25

HEX #4B92BE

RGB 75 146 190

HSL 202.96, 0.47%, 0.52%

LAB 57.82, -9, -29.56

 

CMYK 61 / 39 / 0 / 25

HEX #4B73BE

RGB 75 115 190

HSL 219.13, 0.47%, 0.52%

LAB 48.85, 9.32, -43.63

 

CMYK 61 / 56 / 0 / 25

HEX #4B54BE

RGB 75 84 190

HSL 235.3, 0.47%, 0.52%

LAB 40.5, 28.85, -57.03

 

CMYK 49 / 61 / 0 / 25

HEX #604BBE

RGB 96 75 190

HSL 250.96, 0.47%, 0.52%

LAB 39.98, 38.4, -57.8

 

CMYK 64 / 43 / 0 / 47

HEX #304D86

RGB 48 77 134

HSL 219.77, 0.47%, 0.36%

LAB 33.26, 8.39, -35.21

 

CMYK 64 / 43 / 0 / 36

HEX #3B5EA4

RGB 59 94 164

HSL 220, 0.47%, 0.44%

LAB 40.6, 10.36, -41.61

 

CMYK 61 / 41 / 0 / 25

HEX #4B71BE

RGB 75 113 190

HSL 220.17, 0.47%, 0.52%

LAB 48.29, 10.56, -44.53

 

CMYK 48 / 32 / 0 / 21

HEX #6989C9

RGB 105 137 201

HSL 220, 0.47%, 0.6%

LAB 57.18, 6.25, -36.66

 

CMYK 36 / 24 / 0 / 17

HEX #87A1D3

RGB 135 161 211

HSL 219.47, 0.46%, 0.68%

LAB 66.02, 3.13, -28.39

 

CMYK 61 / 41 / 0 / 25

HEX #4A71BE

RGB 74 113 190

HSL 219.83, 0.47%, 0.52%

LAB 48.24, 10.36, -44.61

 

CMYK 9 / 61 / 0 / 25

HEX #AC4BBE

RGB 172 75 190

HSL 290.61, 0.47%, 0.52%

LAB 48.91, 56.14, -42.98

 

CMYK 15 / 0 / 61 / 25

HEX #A1BE4B

RGB 161 190 75

HSL 75.13, 0.47%, 0.52%

LAB 72.83, -26.65, 53.4

 

CMYK 61 / 41 / 0 / 25

HEX #4A71BE

RGB 74 113 190

HSL 219.83, 0.47%, 0.52%

LAB 48.24, 10.36, -44.61

 

CMYK 0 / 61 / 39 / 25

HEX #BE4B73

RGB 190 75 115

HSL 339.13, 0.47%, 0.52%

LAB 48.53, 49.9, 1.24

 

CMYK 39 / 0 / 61 / 25

HEX #73BE4B

RGB 115 190 75

HSL 99.13, 0.47%, 0.52%

LAB 70.16, -43.71, 49.68

 

CMYK 61 / 41 / 0 / 25

HEX #4A71BE

RGB 74 113 190

HSL 219.83, 0.47%, 0.52%

LAB 48.24, 10.36, -44.61

 

CMYK 9 / 61 / 0 / 25

HEX #AC4BBE

RGB 172 75 190

HSL 290.61, 0.47%, 0.52%

LAB 48.91, 56.14, -42.98

 

CMYK 0 / 22 / 61 / 25

HEX #BE954B

RGB 190 149 75

HSL 38.61, 0.47%, 0.52%

LAB 64.12, 6.97, 44.25

 

CMYK 52 / 0 / 61 / 25

HEX #5CBE4B

RGB 92 190 75

HSL 111.13, 0.47%, 0.52%

LAB 69.19, -50.75, 48.32

 

CMYK 61 / 41 / 0 / 25

HEX #4A71BE

RGB 74 113 190

HSL 219.83, 0.47%, 0.52%

LAB 48.24, 10.36, -44.61

 

CMYK 0 / 61 / 9 / 25

HEX #BE4BAC

RGB 190 75 172

HSL 309.39, 0.47%, 0.52%

LAB 50.64, 57.67, -29.58

 

CMYK 0 / 22 / 61 / 25

HEX #BE954B

RGB 190 149 75

HSL 38.61, 0.47%, 0.52%

LAB 64.12, 6.97, 44.25

 

CMYK 61 / 0 / 52 / 25

HEX #4BBE5C

RGB 75 190 92

HSL 128.87, 0.47%, 0.52%

LAB 68.82, -52.92, 39.73

 

Description

Color code: RGB 74 113 190 | qconv.com Color code: RGB 74 113 190 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 113 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 113 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 41 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 41% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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