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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 74 200 28 it is the complementary color RGB 181 55 227. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 74 200 28. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 74 200 28 shade: RGB 79 200 23, RGB 96 218 42, RGB 113 236 61, RGB 130 254 80 and RGB 147 255 99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 74 200 28. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 74 200 28 shade: RGB 74 200 28, RGB 57 182 9, RGB 40 164 0, RGB 23 146 0 and RGB 6 128 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 74 200 28 shade: RGB 74 200 28, RGB 121 200 28, RGB 167 200 28, RGB 200 187 28 and RGB 200 141 28

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 74 200 28 shade: RGB 74 200 28, RGB 28 200 29, RGB 28 200 75, RGB 28 200 121 and RGB 28 200 168

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 74 200 28 shade matches the following richer shades: RGB 74 200 28 and RGB 66 219 10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 74 200 28 shade: RGB 74 200 28, RGB 83 182 47, RGB 91 163 65, RGB 100 145 84 and RGB 109 126 102

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 74 200 28 shade: RGB 169 200 28, RGB 123 200 28, RGB 77 200 28, RGB 31 200 28 and RGB 28 200 71

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 74 200 28 shade: RGB 47 128 18, RGB 61 164 23, RGB 74 200 28, RGB 93 225 45 and RGB 121 230 81

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 74 200 28 shade: RGB 74 200 28, RGB 28 200 186 and RGB 200 28 146

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 74 200 28 shade: RGB 74 200 28, RGB 28 77 200 and RGB 200 28 77

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 74 200 28 shade: RGB 74 200 28, RGB 28 200 186, RGB 152 28 200 and RGB 200 28 43

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 74 200 28 shade: RGB 74 200 28, RGB 28 163 200, RGB 152 28 200 and RGB 200 65 28

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 86 / 22

HEX #4AC81C

RGB 74 200 28

HSL 103.95, 0.75%, 0.45%

LAB 71.45, -62.29, 66.59

 

Complementary color

CMYK 20 / 76 / 0 / 11

HEX #B537E3

RGB 181 55 227

HSL 283.95, 0.75%, 0.55%

LAB 49.62, 73.09, -62.99

 

CMYK 61 / 0 / 89 / 22

HEX #4FC817

RGB 79 200 23

HSL 101.02, 0.79%, 0.44%

LAB 71.58, -61.31, 67.75

 

CMYK 56 / 0 / 81 / 15

HEX #60DA2A

RGB 96 218 42

HSL 101.59, 0.7%, 0.51%

LAB 77.75, -62.5, 69.11

 

CMYK 52 / 0 / 74 / 7

HEX #71EC3D

RGB 113 236 61

HSL 102.17, 0.82%, 0.58%

LAB 83.88, -63.32, 69.49

 

CMYK 49 / 0 / 69 / 0

HEX #82FE50

RGB 130 254 80

HSL 102.76, 0.99%, 0.65%

LAB 89.96, -63.87, 69.24

 

CMYK 42 / 0 / 61 / 0

HEX #93FF63

RGB 147 255 99

HSL 101.54, 1%, 0.69%

LAB 91.06, -57.73, 63.21

 

CMYK 63 / 0 / 86 / 22

HEX #4AC81C

RGB 74 200 28

HSL 103.95, 0.75%, 0.45%

LAB 71.45, -62.29, 66.59

 

CMYK 69 / 0 / 95 / 29

HEX #39B609

RGB 57 182 9

HSL 103.35, 0.91%, 0.37%

LAB 65.24, -60.57, 64.32

 

CMYK 76 / 0 / 100 / 36

HEX #28A400

RGB 40 164 0

HSL 105.37, 1%, 0.32%

LAB 58.98, -58.17, 60.3

 

CMYK 84 / 0 / 100 / 43

HEX #179200

RGB 23 146 0

HSL 110.55, 1%, 0.29%

LAB 52.66, -55.05, 55.14

 

CMYK 95 / 0 / 100 / 50

HEX #068000

RGB 6 128 0

HSL 117.19, 1%, 0.25%

LAB 46.28, -51.22, 49.96

 

CMYK 63 / 0 / 86 / 22

HEX #4AC81C

RGB 74 200 28

HSL 103.95, 0.75%, 0.45%

LAB 71.45, -62.29, 66.59

 

CMYK 40 / 0 / 86 / 22

HEX #79C81C

RGB 121 200 28

HSL 87.56, 0.75%, 0.45%

LAB 73.19, -48.82, 68.78

 

CMYK 17 / 0 / 86 / 22

HEX #A7C81C

RGB 167 200 28

HSL 71.51, 0.75%, 0.45%

LAB 75.83, -31.39, 72.07

 

CMYK 0 / 7 / 86 / 22

HEX #C8BB1C

RGB 200 187 28

HSL 55.47, 0.75%, 0.45%

LAB 74.76, -10.99, 72.23

 

CMYK 0 / 30 / 86 / 22

HEX #C88D1C

RGB 200 141 28

HSL 39.42, 0.75%, 0.45%

LAB 62.85, 13.49, 62.51

 

CMYK 63 / 0 / 86 / 22

HEX #4AC81C

RGB 74 200 28

HSL 103.95, 0.75%, 0.45%

LAB 71.45, -62.29, 66.59

 

CMYK 86 / 0 / 86 / 22

HEX #1CC81D

RGB 28 200 29

HSL 120.35, 0.75%, 0.45%

LAB 70.62, -69.42, 65.33

 

CMYK 86 / 0 / 63 / 22

HEX #1CC84B

RGB 28 200 75

HSL 136.4, 0.75%, 0.45%

LAB 70.91, -65.77, 49.89

 

CMYK 86 / 0 / 40 / 22

HEX #1CC879

RGB 28 200 121

HSL 152.44, 0.75%, 0.45%

LAB 71.51, -58.63, 28.28

 

CMYK 86 / 0 / 16 / 22

HEX #1CC8A8

RGB 28 200 168

HSL 168.84, 0.75%, 0.45%

LAB 72.48, -47.91, 4.55

 

CMYK 63 / 0 / 86 / 22

HEX #4AC81C

RGB 74 200 28

HSL 103.95, 0.75%, 0.45%

LAB 71.45, -62.29, 66.59

 

CMYK 70 / 0 / 95 / 14

HEX #42DB0A

RGB 66 219 10

HSL 103.92, 0.91%, 0.45%

LAB 77.19, -70.44, 74.07

 

CMYK 63 / 0 / 86 / 22

HEX #4AC81C

RGB 74 200 28

HSL 103.95, 0.75%, 0.45%

LAB 71.45, -62.29, 66.59

 

CMYK 54 / 0 / 74 / 29

HEX #53B62F

RGB 83 182 47

HSL 104, 0.59%, 0.45%

LAB 66.14, -52.69, 56.32

 

CMYK 44 / 0 / 60 / 36

HEX #5BA341

RGB 91 163 65

HSL 104.08, 0.43%, 0.45%

LAB 60.6, -41.13, 43.09

 

CMYK 31 / 0 / 42 / 43

HEX #649154

RGB 100 145 84

HSL 104.26, 0.27%, 0.45%

LAB 55.69, -27.38, 27.58

 

CMYK 13 / 0 / 19 / 51

HEX #6D7E66

RGB 109 126 102

HSL 102.5, 0.11%, 0.45%

LAB 50.84, -11.08, 11.01

 

CMYK 16 / 0 / 86 / 22

HEX #A9C81C

RGB 169 200 28

HSL 70.81, 0.75%, 0.45%

LAB 75.96, -30.57, 72.24

 

CMYK 39 / 0 / 86 / 22

HEX #7BC81C

RGB 123 200 28

HSL 86.86, 0.75%, 0.45%

LAB 73.29, -48.13, 68.9

 

CMYK 62 / 0 / 86 / 22

HEX #4DC81C

RGB 77 200 28

HSL 102.91, 0.75%, 0.45%

LAB 71.53, -61.61, 66.7

 

CMYK 85 / 0 / 86 / 22

HEX #1FC81C

RGB 31 200 28

HSL 118.95, 0.75%, 0.45%

LAB 70.65, -69.19, 65.58

 

CMYK 86 / 0 / 65 / 22

HEX #1CC847

RGB 28 200 71

HSL 135, 0.75%, 0.45%

LAB 70.88, -66.23, 51.57

 

CMYK 63 / 0 / 86 / 50

HEX #2F8012

RGB 47 128 18

HSL 104.18, 0.75%, 0.29%

LAB 47.09, -44.03, 47.03

 

CMYK 63 / 0 / 86 / 36

HEX #3DA417

RGB 61 164 23

HSL 103.83, 0.75%, 0.37%

LAB 59.53, -53.25, 57.06

 

CMYK 63 / 0 / 86 / 22

HEX #4AC81C

RGB 74 200 28

HSL 103.95, 0.75%, 0.45%

LAB 71.45, -62.29, 66.59

 

CMYK 59 / 0 / 80 / 12

HEX #5DE12D

RGB 93 225 45

HSL 104, 0.75%, 0.53%

LAB 79.82, -65.51, 70.18

 

CMYK 47 / 0 / 65 / 10

HEX #79E651

RGB 121 230 81

HSL 103.89, 0.75%, 0.61%

LAB 82.51, -57.37, 60.86

 

CMYK 63 / 0 / 86 / 22

HEX #4AC81C

RGB 74 200 28

HSL 103.95, 0.75%, 0.45%

LAB 71.45, -62.29, 66.59

 

CMYK 86 / 0 / 7 / 22

HEX #1CC8BA

RGB 28 200 186

HSL 175.12, 0.75%, 0.45%

LAB 72.96, -43.02, -4.52

 

CMYK 0 / 86 / 27 / 22

HEX #C81C92

RGB 200 28 146

HSL 318.84, 0.75%, 0.45%

LAB 45.89, 71.48, -21.35

 

CMYK 63 / 0 / 86 / 22

HEX #4AC81C

RGB 74 200 28

HSL 103.95, 0.75%, 0.45%

LAB 71.45, -62.29, 66.59

 

CMYK 86 / 62 / 0 / 22

HEX #1C4DC8

RGB 28 77 200

HSL 222.91, 0.75%, 0.45%

LAB 37.34, 31.32, -68.08

 

CMYK 0 / 86 / 62 / 22

HEX #C81C4D

RGB 200 28 77

HSL 342.91, 0.75%, 0.45%

LAB 43.72, 65.38, 18.14

 

CMYK 63 / 0 / 86 / 22

HEX #4AC81C

RGB 74 200 28

HSL 103.95, 0.75%, 0.45%

LAB 71.45, -62.29, 66.59

 

CMYK 86 / 0 / 7 / 22

HEX #1CC8BA

RGB 28 200 186

HSL 175.12, 0.75%, 0.45%

LAB 72.96, -43.02, -4.52

 

CMYK 24 / 86 / 0 / 22

HEX #981CC8

RGB 152 28 200

HSL 283.26, 0.75%, 0.45%

LAB 40.7, 70.72, -62.15

 

CMYK 0 / 86 / 79 / 22

HEX #C81C2B

RGB 200 28 43

HSL 354.77, 0.75%, 0.45%

LAB 43.19, 63.82, 38.16

 

CMYK 63 / 0 / 86 / 22

HEX #4AC81C

RGB 74 200 28

HSL 103.95, 0.75%, 0.45%

LAB 71.45, -62.29, 66.59

 

CMYK 86 / 19 / 0 / 22

HEX #1CA3C8

RGB 28 163 200

HSL 192.91, 0.75%, 0.45%

LAB 62.18, -20.94, -28.53

 

CMYK 24 / 86 / 0 / 22

HEX #981CC8

RGB 152 28 200

HSL 283.26, 0.75%, 0.45%

LAB 40.7, 70.72, -62.15

 

CMYK 0 / 68 / 86 / 22

HEX #C8411C

RGB 200 65 28

HSL 12.91, 0.75%, 0.45%

LAB 47.16, 51.99, 49.53

 

Description

Color code: RGB 74 200 28 | qconv.com Color code: RGB 74 200 28 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 200 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 200 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 86 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 86% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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